CHAPTER I. In which a new home is found, and the status of anthropoid apes is
carefully determined
II. In which the four gentlemen above us obtain their characters, and Primrose Terrace is rudely disturbed
III. In which a visit is paid to a red-haired lady, and certain members of London's foreign population are enumerated
IV. In which I am forbidden to be idle, and therefore find congenial employment
V. In which we find lovers of two kinds, and meet with a poignant invention
VI. In which we meet the first-floor-back, and find that the milk of human kindness still runs
VII. In which Mr. Dabney warms his house with a discussion, and I am glad to get home
VIII. In which an honest couple who never did anyone any harm are seen on the brink of the struggle with prosperity
IX. In which the top-floor-back turns out to be an acquaintance, and schemes are unfolded for the salvation of an effete race
X. In which we find ourselves in the bosom of an English family, and watch a Utopian in love
XI. In which there is trouble in the house of Wiles owing to a husband once again getting his own way
XII. In which the first-floor-front unfolds, and some of the secrets of a remarkable modern invention are laid bare
XIII. In which Mrs. Duckie discusses the duties of life, and Mr. Bemerton introduces me to certain village pessimists
XIV. In which a jovial party joins England's annual Saturnalia, and a new Knight philosophizes on his greatness
XV. In which I am initiated into the mysteries of the ring, and am more bewildered than usual by my countrymen's avoidance of facts
XVI. In which four-legs make much anxiety for two-legs, and Sir Gaston develops occult gifts
XVII. In which an old gambler (retired from business) tells of a triumph, and the younger generation in love comes under review
XVIII. In which Sussex voices are raised in melody, Uncle Jonah gives his memory play, and we meet a Napoleonic Quaker
XIX. In which inadvertently I become a public character and, also inadvertently, give an opportunist an idea
XX. In which a number of craftsmen discuss their practices, and Mr. Lacey defines the things that matter
XXI. In which we watch an impulsive good Samaritan's deeds and hear his self-reproaches
XXII. In which the Wynnes and ourselves make a journey to Italy, and find the Middle Ages
XXIII. In which we luxuriate in a tideless sea and witness a bloodless battle
XXIV. In which an experiment is made in quickening the intelligence of the young, with distressing results
XXV. In which we make the mistake of preferring "rich eyes" to comfort, and taste the questionable pleasures of a minute Republic
XXVI. In which two modern lovers lay their cases before me, and I do nothing for either
XXVII. In which a company of intelligent, and, for the most part, conceited, men meet more than their match
XXVIII. In which we lose a few centuries, and find a living-picture by Sir David Wilkie
XXIX. In which Naomi communicates a tremendous piece of news, and "Placida" fights it out with "Lavender" and loses
XXX. In which we journey to the north by nefarious means, and Naomi and I stumble on a precisely similar feeling
XXXI. In which we meet a Warden and her charges, and hear two or three stories of stormy voyages on life's waters before haven was reached
XXXII. In which I at last become acquainted with the top-floor-front and hear his romantic story
XXXIII. In which I become the very opposite of a thief, yet feel all a thief's sense of guilt
XXXIV. In which I bring together three men who were due to meet, and a novel and beneficial scheme is decided upon
XXXV. In which Lavender Falconer enters this life and meets with general approval
XXXVI. In which Mrs. Duckie employs an annihilating phrase which so rankles that it seems almost absurd to go on at all
XXXVII. In which a trying ceremony goes for nothing, and a father puts down his foot
XXXVIII. In which farewell is said to Primrose Terrace, and the earth finds a new axis
SOME OF THE PEOPLE IN THIS BOOK
ANNIE. An adopted child. BARBARA. An ourang-outang. BEMERTON, Joseph. A second-hand bookseller. CARSTAIRS, John. A recluse. COLE, Miss. An arbiter. DABNEY, Mr. A London editor. DEVON, John. A novelist. DIMMAGE, James. A carpenter. "DIRECTOR, The." A folk-song enthusiast. DRAX, Martha. An inmate of the Pink Almshouses. DUCKIE, John. A waiter. DUCKIE, Martha. His wife. ENGLISHMAN, The. An Italian bathing man. FALCONER, Kent. The narrator of this story. FALCONER, Naomi. His wife. FALCONER, Lavender (Nan). A mite. FARRAR, Algernon. A young motorist of means. FARRAR, Gwendolen. His wife. FREELAND, Nancy. Robert Spanton's _fiancée_ (for a time). FURLEY, Sam. A maker of cinema films. GOLDEN EAGLE, The. An innkeeper. HARBERTON, Edith. Lynn Harberton's wife. HARBERTON, Lynn. A rural dilettante, her husband. HAYES, Eli. } HAYES, Jack. } Ancient Morris dancers. HEATHCOTE, Adolphus. A young man about town. INGLESIDE, Ann. Engaged to Adolphus Heathcote. INGLESIDE, Sir Gaston. A civil servant. LACEY, Nathan. A good-natured man. LEIGH, Starr. A novelist. LOUISA. A Chimpanzee. MITT, Miss Lydia. The Warden of the Pink Almshouses. MUGGERIDGE, James. A pipe and tabor player. MURCHISON, James. See Carstairs. PACKER, Emma. } PACKER, Laura. } Twins and landladies. RUDSON-WAYTE, Mr. A politician. SANKVILLE, Matthew. A novelist. SPANTON, Robert. A Socialist. SPEYDE, William. A novelist. STILL, Selina. An inmate of the Pink Almshouses. SURELY, Jonah. A shepherd. WILES, Mordecai. A keeper at the Zoo. WILES, Susan. His wife. WYNNE, Mrs. Frank. A mother.
LONDON LAVENDER
LONDON LAVENDER