Chapter 11 of 65 · 3965 words · ~20 min read

Part 11

In no other city of the land is there to be seen such magnificent dressing on the part of the ladies as in New York. The amount of money and time expended here on dress is amazing. There are two objects in view in all this--the best dressed woman at a ball or party is not only sure to outshine her sisters there present, but is certain to have the satisfaction next day of seeing her magnificence celebrated in some of the city journals. Her vanity and love of distinction are both gratified in this way, and such a triumph is held to be worth any expense. There is not an evening gathering but is graced by the presence of ladies clad in a style of magnificence which reminds one of the princesses in the fairy tales. Says a recent writer:

"It is almost impossible to estimate the number of dresses a very fashionable woman will have. Most women in society can afford to dress as it pleases them, since they have unlimited amounts of money at their disposal. Among females dress is the principal part of society. What would Madam Mountain be without her laces and diamonds, or Madam Blanche without her silks and satins? Simply commonplace old women, past their prime, destined to be wall-flowers. A fashionable woman has just as many new dresses as the different times she goes into society. The _elite_ do not wear the same dresses twice. If you can tell us how many receptions she has in a year, how many weddings she attends, how many balls she

## participates in, how many dinners she gives, how many parties she goes

to, how many operas and theatres she patronizes, we can approximate somewhat to the size and cost of her wardrobe. It is not unreasonable to suppose that she has two new dresses of some sort for every day in the year, or 720. Now to purchase all these, to order them made, and to put them on afterward, consumes a vast amount of time. Indeed, the woman of society does little but don and doff dry-goods. For a few brief hours she flutters the latest tint and _mode_ in the glare of the gas-light, and then repeats the same operation the next night. She must have one or two velvet dresses which cannot cost less than $500 each; she must possess thousands of dollars' worth of laces, in the shape of flounces, to loop up over the skirts of dresses, as occasion shall require. Walking-dresses cost from $50 to $300; ball-dresses are frequently imported from Paris at a cost of from $500 to a $1000; while wedding-dresses may cost from $1000 to $5000. Nice white Llama jackets can be had for $60; _robes princesse_, or overskirts of lace, are worth from $60 to $200. Then there are travelling-dresses in black silk, in pongee, velour, in pique, which range in price from $75 to $175. Then there are evening robes in Swiss muslin, robes in linen for the garden and croquet-playing, dresses for horse-races and for yacht-races, _robes de nuit_ and _robes de chambre_, dresses for breakfast and for dinner, dresses for receptions and for parties, dresses for watering-places, and dresses for all possible occasions. A lady going to the Springs takes from twenty to sixty dresses, and fills an enormous number of Saratoga trunks. They are of every possible fabric--from Hindoo muslin, 'gaze de soie,' crape maretz, to the heavy silks of Lyons.

"We know the wife of the editor of one of the great morning newspapers of New York, now travelling in Europe, whose dress-making bill in one year was $10,000! What her dry-goods bill amounted to heaven and her husband only know. She was once stopping at a summer hotel, and such was her anxiety to always appear in a new dress that she would frequently come down to dinner with a dress basted together just strong enough to last while she disposed of a little turtle-soup, a little Charlotte de Russe, and a little ice cream.

"Mrs. Judge ---, of New York, is considered one of the 'queens of fashion.' She is a goodly-sized lady--not quite so tall as Miss Anna Swan, of Nova Scotia--and she has the happy faculty of piling more dry-goods upon her person than any other lady in the city; and what is more, she keeps on doing it. To give the reader a taste of her quality, it is only necessary to describe a dress she wore at the Dramatic Fund Ball, not many years ago. There was a rich blue satin skirt, _en train_. Over this there was looped up a magnificent brocade silk, white, with bouquets of flowers woven in all the natural colors. This overskirt was deeply flounced with costly white lace, caught up with bunches of feathers of bright colors. About her shoulders was thrown a fifteen-hundred dollar shawl. She had a head-dress of white ostrich feathers, white lace, gold pendants, and purple velvet. Add to all this a fan, a bouquet of rare flowers, a lace handkerchief, and jewelry almost beyond estimate, and you see Mrs. Judge --- as she appears when full blown.

"Mrs. General --- is a lady who goes into society a great deal. She has a new dress for every occasion. The following costume appeared at the Charity Ball, which is _the_ great ball of the year in New York. It was imported from Paris for the occasion, and was made of white satin, point lace, and a profusion of flowers. The skirt had heavy flutings of satin around the bottom, and the lace flounces were looped up at the sides with bands of the most beautiful pinks, roses, lilies, forget-me-nots, and other flowers.

"It is nothing uncommon to meet in New York society ladies who have on dry-goods and jewelry to the value of from thirty to fifty thousand dollars. Dress patterns of twilled satin, the ground pale green, pearl, melon color, or white, scattered with sprays of flowers in raised velvet, sell for $300 dollars each; violet poult de soie will sell for $12 dollars a yard; a figured moire will sell for $200 the pattern; a pearl-colored silk, trimmed with point applique lace, sells for $1000; and so we might go on to an almost indefinite length."

Those who think this an exaggerated picture have only to apply to the proprietor of any first-class city dry-goods store, and he will confirm its truthfulness. These gentlemen will tell you that while their sales of staple goods are heavy, they are proportionately lighter than the sales of articles of pure luxury. At Stewart's the average sales of silks, laces, velvets, shawls, gloves, furs, and embroideries is about $24,500 per diem. The sales of silks alone average about $15,000 per diem.

A few years ago the dwelling of a wealthy citizen of New York was consumed by fire. The owner of the mansion soon after applied to a prominent Insurance Company for the payment of the sum of $21,000, the amount of the risk they had taken on the wearing apparel of his daughter, a young lady well known in society for the splendor of her attire. The company refused to pay so large a sum, and protested that the lady in question could not have possessed so costly a wardrobe. Suit was brought by the claimant, and, as a matter of course, an enumeration of the articles destroyed and their value was made to the court. The list was as follows, and is interesting as showing the mysteries of a fashionable lady's wardrobe:

6 silk robes--red, enamelled, $950 green, blue, yellow, pink, black--with fringes, ruches, velvets, lace trimmings, etc. 1 blue Marie Louise 300 gros-de-Naples, brocaded with silver taken from the looms of Lyons; cost, without a stitch in it Silver bullion fringe tassels and 200 real lace to match 1 rose-colored satin, brocaded in $400 white velvet, with deep flounce of real blonde lace, half-yard wide; sleeves and bertha richly trimmed with the same rose-colored satin ribbon; satin on each side, with silk cord and tassel; lined throughout body, skirt and sleeves with white silk 1 white satin of exceedingly rich 2500 quality, trimmed with blonde and bugles; two flounces of very deep point d'Alencon, sleeves of the same, reaching down to the elbows, and bertha to match, with white bugles and blonde to match 1 royal blue satin dress, 1500 trimmed, apron-shape, with black Brussels lace and gold and bugle trimmings, with one flounce, going all around the skirt, of black Brussels lace; body and sleeves to match; sleeves looped up with blue velvet roses set in lace, to imitate a bouquet 1 dove-colored satin dress, 425 trimmed with velvet, half-yard deep; a long trail with the velvet going all around, with llama fringe and dove-colored acorns, forming a heading to the velvet, and going all up the skirt and around the long Greek sleeves; the sleeves lined with white satin and quills of silver ribbon going around the throat; lined throughout with white silk, having belonging to it a cloak and hood, lined and trimmed to match; made in Paris 1 black Mantua velvet robe, long 500 train, sleeves hanging down as far as the knees, open, lined with white satin, and trimmed all round with seed-pearls, as well as all round the top of low body--the seed-pearls forming clusters of leaves going down front of skirt and all round the skirt and train 1 rich moire-antique dress, 400 embroidered in gold from the body to the skirt and sleeves and all round, taken up and fastened up with gold embroidery to imitate the folds and wrinkles of the dress, trimmed round the edge with white Brussels lace, having an underskirt of amber satin trimmed with Brussels lace, to show underneath; lined throughout with silk 1 large Brussels shawl, of 700 exquisite fineness and elegance of design, to go with it 1 crimson velvet dress, lined 400 throughout with rose-colored silk; train very long, trimmed with rich silk, blonde lace covering the entire train, being carried around and brought up the front of the dress and body, forming the bertha; and sleeves looped up with white roses; turquoise fan and slippers to match 1 blue mercantique (lined), low 200 body, trimmed with Honiton lace, body and sleeves; one piece of silk to match, unmade, intended for high body, and bons; sleeves slashed open and lined with white satin 1 rose-colored robe, with $250 flounces; high and low body, having fringe and trimming woven to imitate Russian fur; both bodies trimmed with fringe ribbons and narrow lace 1 mauve-colored glace silk, 180 braided and bugled all around the bottom of skirt, on the front of body, around the band of Garibaldi body, down the sleeves and round the cuffs of Garibaldi body; the low body, with bertha deeply braided and bugled, with sleeves to match; long sash, with end and bows and belts, all richly braided and bugled with thread lace 1 vraie couleur de rose 300 gros-de-Naples, with flounces richly brocaded with bouquet in natural size and color, made to represent the same in panels, trimmed with gimp and fringe to match; also, high and low body, with bertha and trimmings to match 1 pink morning robe, very superb, 250 trimmed down the side with white satin a quarter of a yard wide, sleeves trimmed to match, satin-stitched, with flounces in pink silk on edge of satin, passementerie cord and tassels 1 gold-colored silk aersphane, 100 with three skirts, each skirt trimmed with quillings of yellow satin ribbon, looped up with pink roses: body to match, trimmed with silk blonde; white blonde round the neck; satin quillings; silk blonde on the sleeves, and lace and yellow satin; rich underskirt to match 2 very richly embroidered French 100 cambric morning-dresses, with bullion and heavy satin ribbons running through; one lined throughout with pink, the other with blue silk 1 rich black silk glace, trimmed 200 with bugles and black velvet 1 blue-black Irish silk poplin, 125 made in Gabrielle style, trimmed with scarlet velvet all round the skirt; sleeves and body-belt and buckle to match 1 Cashmere, shawl pattern, 100 morning-dress, lined; sleeves and flies lined with red silk, cord and tassels to match; not twice on 1 white Swiss muslin, with double 90 skirt and ribbon running through the upper and lower hems of each skirt, of pink satin; body with Greek sleeves to match 1 straw-colored silk dress, 80 trimmed with black velvet, and body of the same 1 white Swiss muslin robe, with 95 one plain skirt and one above, graduated by larger and smaller tucks to imitate three flounces; the sleeves with puffs, and long sleeves with tucks, down and across to match skirts, and Garibaldi body made to match; one pink satin under-body to go with it 1 white Swiss muslin dress, with 90 three flounces, quilled and tucked, graduated one above the other, with headings of lace on the top of each flounce; low body, with tuck, bretelles and broad colored sarsnet ribbon 1 India muslin dress, very full, $110 embroidered to imitate three flounces; and Greek body and sleeves, also embroidered to match sky-blue skirt and body to go underneath 1 India muslin dress, double 90 skirt, richly embroidered, with high jacket and long sleeves embroidered to match 1 pink satin skirt and bodice, to 25 go underneath 1 white long morning dress, 60 embroidered round the skirt and up the front, in two flounces, one hanging over the other; sleeves and cuffs to match 1 white muslin, with white spots, 80 skirt and bodice trimmed with bullion and narrow real Valenciennes lace 2 white cambric morning-dresses, 275 one very richly embroidered, in wheels and flounces; and jacket to match 1 white Swiss muslin jacket, very 100 richly embroidered; skirt and bodice to match 3 cambric tight-fitting jackets, 120 with collar and sleeves very richly embroidered, to imitate old Spanish point 5 Marie Antoinettes, made 300 entirely of French muslin, with triple bullion and double face; pink satin ribbon running through. Cost $60 each 1 pique morning dress and jacket, 75 richly embroidered 1 pique skirt, richly embroidered 50 6 fine Swiss muslin skirts, four 55 yards in each, trimmed with two rows of real lace, to set in full, finely finished 2 very rich bastistes, for 120 morning-dresses 2 very fine cambric skirts, 60 delicately embroidered, to wear with open morning-dresses 2 fine linen skirts, embroidered 40 in open work 2 silk grenadine dresses, trimmed 200 with Maltese lace and velvet; two bodices to match, blue and green 2 silk bareges, trimmed with 200 velvet and fringe, and bodice to match 1 Scotch catlin silk full dress, 100 Stewart, trimmed with black velvet and fringe, made to match colors of dress 3 Balmoral skirts, very elegant, 90 embroidered in silk 1 ponceau silk dress, trimmed 250 with llama fringe and gold balls; body and sleeves very richly trimmed to match 1 blue silk to match, trimmed 250 with steel fringe and bugles; body and sleeves richly trimmed 1 French muslin jacket, with 40 lapels and sleeves to turn back, very heavily embroidered 1 set point d'Alencon, consisting 120 of shirt sleeves, handkerchief, and collar 1 point d'Alencon extra large 100 handkerchief 1 set Honiton lace, consisting of $80 handkerchief, collar, and sleeves 1 set Maltese lace, consisting of 300 handkerchief, collar, velvet cape 1 set Irish point lace, very 80 rich, consisting of wide, deep sleeves, handkerchief and collar 1 cape of ditto, going up to the 35 neck and shut at the back 2 black lace mantillas 40 1 black lace jacket 15 1 cape, composed of Valenciennes 75 lace 2 dozen very rich embroidered 120 cambric chemises, with lace 6 ditto, with puffed bullions in 100 front 18 Irish linen chemises, with 200 very rich fronts 7 Irish linen, embroidered 40 1 dozen night-dresses, very rich 216 fronts 3 linen ditto, very rich 75 1 dozen embroidered drawers 72 2 very rich ditto 50 11 new pairs silk stockings, in 40 box 1 dozen Lisle thread stockings 20 9 pairs boots and shoes 45 3 pairs embroidered slippers, 40 very rich, in gold 1 pair Irish point lace sleeves 30 (extra) 1 black velvet embroidered 450 mantilla, imported 1 ditto, silk, embroidered with 100 bugles, imported 1 glace silk, tight-fitting 65 basque, with black zeplore lace cape; trimmed in every width with narrow lace to match 1 black silk Arab, with two 25 tassels 1 dust-wrapper, from Cashmere 18 4 magnificent opera-cloaks 175 1 red scarlet cloth cloak, 12 trimmed with yellow cord 1 cloth, drab-color cloak 8 1 cloak, with hood lined with 10 silk 2 dozen cambric, embroidered, 24 with name Fanny 1 set Russian sable muffs, cape 100 and boa 1 tortoise shell comb, made in 50 one piece and very rich 6 fancy combs 30 1 very rich mother-of-pearl, gold 85 inlaid, and vol. feathers beautifully painted by hand 1 fan of mother-of pearl, inlaid 45 in gold, with silk and white and Job's spangles 1 blue mother-of-pearl, with 35 looking-glass; imitation ruby and emeralds 6 other fans, of various kinds 25 1 parasol, all ivory handle 100 throughout, engraved with name in full, covering of silk and Irish point lace, very fine, covering the entire parasol Several other parasols $25 1 real gold head-ornament, 100 representing the comet and eclipse appearing About twenty hair-nets, silver, 40 gold, and all colors and pearls 4 ladies' bonnets, some 100 exceedingly elegant 1 box marabout feathers, for 50 dressing the hair 1 box artificial flowers l5 1 lot new ribbon, for sashes; 35 velvet, silk, and satin 1 small miniature model piano, 50 played by mechanism, from Vienna 1 lady's writing-desk, inlaid 200 with tortoise-shell and mother-of-pearl, lined with silk velvet, with compartments and secretary; carved mother-of-pearl paper-knife, gold seal, gold pencil, case full of fancy writing paper; made in Paris 1 bula work-box, elegant; inlaid 125 with silver and lined with ci-satin, fitted with gold thimble, needle, scissors, pen-knife, gold bodkin, cotton winders; outside to match French piano 1 long knitting-case to match the 40 above, fitted with needles, beads and silk of every description 1 papier-mache work-box, and 5 fitted up 1 morocco work-bag, ornamented 3 with bright steel; fitted up with scissors, thimble, etc 1 lady's Russia leather 15 shopping-bag, with silver and gilt clasps for chain and key 1 18-karat gold filigree 20 card-case 1 set gold whist-markers, in 50 hands on little box, a present unto her 1 lady's small work-bag, silk 5 fittings 1 solid silver porte-monnaie 19 1 little blue porte-monnaie; 3 velvet, and cords and tassel 1 ladies' companion, with fixings 45 in silver; a present 1 hair-pin stand; a small 14 book-case, with small drawers and mirror 1 basket of mother-of-pearl, and 35 gilt and red satin, full of wax-flowers 1 elegant Bible in gilt, edge 30 mounted in gold 43 volumes various miniature 100 books, bound most elegantly in morocco, and brought as a present from Europe 1 silver pin-cushion and sewer 23 for fastening on the table 1 elegant, richly carved ivory 400 work-table, brought from Mexico, inside fitted up with silk and different compartments, standing three feet high 1 lady's solid silver rutler, 25 from Mexico 1 gilt head-ornament, 3 representing a dagger 1 lady's English dressing-case, $250 solid silver fittings, English make and stamp, rosewood, bound with brass and gilt, fitted and lined with silver 1 pair rich carved ivory hair 155 brushes, engraved with name and crest 1 ditto engraved and crest 55 1 small ivory hair-brush 12 1 ebony hair-brush, inlaid with 20 mother-of-pearl 1 Berlin-wool worked cushion 50 1 sewing-chair, elegantly 75 embroidered seat and back 1 Berlin-wool Affghan 100 1 fire-screen, Berlin work, 125 beads, representing Charles II. hunting 1 large sole-leather trunk, about 250 four feet long and three feet deep, lined with red morocco, handsomely ornamented in gold, embossed on the red morocco, with seven compartments; very scientifically constructed for the necessities of a lady's wardrobe, with springs to hold open each compartment; and the lace compartment could, at pleasure, be rested on two steel legs, covered with gilt embossed morocco, representing a writing table, with a portfolio, containing writing materials; it had two large French patent locks 1 lady's travelling trunk, with 73 cover, containing a quantity of worn dresses, zouave cloth and gold, druided jacket cloaks, woollen ditto, opera cloak, etc Total $21,000

Such lavish expenditure is a natural consequence of a state of society where wealth is the main distinction. Mrs. John Smith's position as a leader of the _ton_ is due exclusively to her great riches and her elaborate displays. Mrs. Richard Roe will naturally try to outshine her, and thus rise above her in the social scale. Many persons seeking admission into such society, and finding wealth the only requisite, will make any sacrifice to accomplish their end. If they have not wealth they will affect to have it. They could not counterfeit good birth, or high breeding, but they can assume the appearance of being wealthy. They can conduct themselves, for a while at least, in a manner utterly disproportioned to their means, and so they go on, until their funds and credit being exhausted, they are forced to drop out of the circles in which they have moved, and the so-called friends who valued them only for their supposed wealth, instantly forget that they ever knew them. No more invitations are left for them, they are not even tolerated in "good society," and are "cut" on the street as a matter of course.

Not a year passes but records the failure of some prominent business man in New York. His friends are sorry for him, and admit that he was prudent and industrious in his business. "His family did it," they tell you, shaking their heads. "They lived too fast. Took too much money to run the house, to dress, and to keep up in society." Only the All Seeing Eye can tell how many men who stand well in the mercantile community are tortured continually by the thought that their extravagance or that of their families is bringing them to sure and certain ruin; for not even in New York can a man live beyond his actual means. They have not the moral courage to live within their legitimate incomes. To do so would be to lose their positions in society, and they go on straining every nerve to meet the demands upon them, and then the crash comes, and they are ruined.

Those who dwell in the great city, and watch its ways with observant eyes, see many evils directly attributable to the sin of extravagance. These evils are not entirely of a pecuniary nature. There are others of a more terrible character. Keen observers see every day women whose husbands and fathers are in receipt of limited incomes, dressing as if their means were unlimited. All this magnificence is not purchased out of the lawful income of the husband or father. The excess is made up in other ways--often by the sacrifice of the woman's virtue. She finds a man willing to pay liberally for her favors, and carries on an intrigue with him, keeping her confiding husband in ignorance of it all the while. She may have more than one lover--perhaps a dozen. When a woman sins from motives such as these, she does not stop to count the cost. Her sole object is to get money, _and she gets it_. It is this class of nominally virtuous married and unmarried women that support the infamous houses of assignation to be found in the city.