Part 8

The façade of S. Martino is of the fourteenth century, as is that of S. Agostino, its neighbour, where you may find another altar by Stagio.

Then it may be at evening you seek the sea-shore, that mysterious, forlorn coast where the waves break almost with a caress. It was here, or not far away, somewhere between this little wonderful city and Viareggio, then certainly a mere village, that Shelley's body was burned, as Trelawney records.[15] "The lovely and grand scenery that surrounded us," he says, "so exactly harmonised with Shelley's genius, that I could imagine his spirit soaring over us.... Not a human dwelling was in sight.... I got a furnace made at Leghorn of iron bars and strong sheet-iron supported on a stand, and laid in a stock of fuel and such things as were said to be used by Shelley's much-loved Hellenes on their funeral pyres.... At ten on the following morning, Captain S. and myself, accompanied by several officers of the town, proceeded in our boat down the small river which runs through Via Reggio (and forms its harbour for coasting vessels) to the sea.[16] Keeping along the beach towards Massa, we landed at about a mile from Via Reggio, at the foot of the grave; the place was noted by three wand-like reeds stuck in the sand in a parallel line from high to low-water mark. Doubting the authenticity of such pyramids, we moved the sand in the line indicated, but without success. I then got five or six men with spades to dig transverse lines. In the meanwhile Lord Byron's carriage with Mr. Leigh Hunt arrived, accompanied by a party of dragoons and the chief officers of the town. In about an hour, and when almost in despair, I was paralysed with the sharp and thrilling noise a spade made in coming in direct contact with the skull. We now carefully removed the sand. This grave was even nearer the sea than the other [Williams's], and although not more than two feet deep, a quantity of the salt water oozed in.

"... We have built a much larger pile to-day, having previously been deceived as to the immense quantity of wood necessary to consume a body in the unconfined atmosphere." Mr. Shelley had been reading the poems of "Lamia" and "Isabella" by Keats, as the volume was found turned back open in his pocket; so sudden was the squall. The fragments being now collected and placed in the furnace here fired, and the flames ascended to the height of the lofty pines near us. We again gathered round, and repeated, as far as we could remember, the ancient rites and ceremonies used on similar occasions. Lord B. wished to have preserved the skull, which was strikingly beautiful in its form. It was very small and very thin, and fell to pieces on attempting to remove it.

"Notwithstanding the enormous fire, we had ample time e'er it was consumed to contemplate the singular beauty and romantic wildness of the scenery and objects around us. Via Reggio, the only seaport of the Duchy of Lucca, built and encompassed by an almost boundless expanse of deep, dark sand, is situated in the centre of a broad belt of firs, cedars, pines, and evergreen oaks, which covers a considerable extent of country, extending along the shore from Pisa to Massa. The bay of Spezia was on our right, and Leghorn on our left, at almost equal distances, with their headlands projecting far into the sea, and forming this whole space of interval into a deep and dangerous gulf. A current setting in strong, with a N.W. gale, a vessel embayed here was in a most perilous situation; and consequently wrecks were numerous: the water is likewise very shoal, and the breakers extend a long way from the shore. In the centre of this bay my friends were wrecked, and their bodies tossed about--Captain Williams seven, and Mr. Shelley nine days, e'er they were found. Before us was a most extensive view of the Mediterranean, with the isles of Gorgona, Caprera, Elba, and Corsica in sight. All around us was a wilderness of barren soil with stunted trees, moulded into grotesque and fantastic forms by the cutting S.W. gales. At short and equal distances along the coast stood high, square, antique-looking towers, with flagstaff's on the turrets, used to keep a look-out at sea and enforce the quarantine laws. In the background was the long line of the Italian Alps.

"... After the fire was kindled ... more wine was poured over Shelley's dead body than he had consumed during his life. This, with the oil and salt, made the yellow flames glisten and quiver.... The only portions that were not consumed were some fragments of bones, the jaw and the skull; but what surprised us all was that the heart remained entire. In snatching this relic from the fiery furnace my hand was severely burnt; and had anyone seen me do the act I should have been put in quarantine." Shelley's ashes were taken to Rome, and buried in the English cemetery there, a place he loved, that is perhaps the most beautiful of the beautiful graveyards of Italy.

Of Viareggio itself there is little to be said. It is a town by the seaside, full in summer of holiday-making Tuscans from Florence and the cities round about. A pretty place enough, it possesses an unique market-place covered in by ancient twisted plane trees, where the old women chaffer with the cooks and contadine. But nothing, as it seems to me, and certainly not so modern a place as Viareggio, will keep you long from Pisa. Even on the dusty way from Pietrasanta, at every turn of the road one has half expected to see the leaning tower and the Duomo. And it is really with an indescribable impatience you spend the night in Viareggio. Starting at dawn, still without a glimpse of Pisa, you enter the Pineta before the sun, that lovely, green, cool forest full of silver shadows, with every here and there a little farm for the pine cones, about which they are heaped in great banks. Coming out of this wood on the dusty road in the golden heat, between fields of cucumbers, you meet market carts and contadini returning from the city. Then you cross the Serchio in the early light, still and mysterious as a river out of Malory. And at last, suddenly, like a mirage, the towers of Pisa rise before you, faint and beautiful as in a dream. As you turn to look behind you at the world you are leaving, you find that the mountains, those marvellous Apuan Alps with their fragile peaks, have been lost in the distance and the sky; and so, with half a regret, full of expectancy and excitement nevertheless, you quicken your pace, and even in the heat set out quickly for the white city before you,--Pisa, once lord of the sea, the first great city of Tuscany.

FOOTNOTES:

[15] I no longer believe it is possible to be certain of the place. At any rate, all the guide-books, Baedeker, Murray, and Hare, are wrong, though not so far out as that gentleman who, having assured us that Boccaccio was a "little priest," and that Petrarch, Poliziano, Lorenzo, and Pulci were of no account as poets, remarks that Shelley's body was found at Lerici, and that he was burned close by.

[16] See Carmichael, _The Old Road_, etc., pp. 183-202.

VI. PISA

I

To enter Pisa by the Porta Nuova, coming at once into the Piazza del Duomo, is as though at midday, on the highway, one had turned aside into a secret meadow full of a strange silence and dazzling light, where have been abandoned among the wild flowers the statues of the gods. For the Piazza is just that--a meadow scattered with daisies, among which, as though forgotten, stand unbroken a Cathedral, a Baptistery, a Tower, and a Cemetery, all of marble, separate and yet one in the consummate beauty of their grouping. And as though weary of the silence and the light, the tower has leaned towards the flowers, which may fade and pass away. So amid the desolation of the Acropolis must the statues of the Parthenon have looked from the hills and the sea, with something of this abandoned splendour, this dazzling solitude, this mysterious calm silence, satisfied and serene.

Wherever you may be in Pisa, you cannot escape from the mysterious influence of those marvellous ghosts that haunt the verge of the city, that corner apart where the wind is white on the grass, and the shadows steal slowly through the day. The life of the world is far away on the other side of the city; here is only beauty and peace.

If you come into the Piazza, as most travellers do, from the Lung' Arno, as you turn into the Via S. Maria or out of the Borgo into the beautiful Piazza dei Cavalieri, gradually as you pass on your way life hesitates and at last deserts you. In the Via S. Maria, for instance, that winds like a stream from the Duomo towards Arno, at first all is gay with the memory and noise of the river, the dance of the sun and the wind. Then you pass a church; some shadow seems to glide across the way, and it is almost in dismay you glance up at the silent palaces, the colour of pearl, barred and empty; and then looking down see the great paved way where your footsteps make an echo; while there amid the great slabs of granite the grass is peeping. It is generally out of such a shadowy street as this that one comes into the dazzling Piazza del Duomo. But indeed, all Pisa is like that. You pass from church to church, from one deserted Piazza to another, and everywhere you disturb some shadow, some silence is broken, some secret seems to be hid. The presence of those marvellous abandoned things in the far corner of the city is felt in every byway, in every alley, in every forgotten court. "Amid the desolation of a city" this splendour is immortal, this glory is not dead.

II

"Varie sono le opinioni degli Scrittori circa l'edificazione di Pisa," says Tronci in his _Annali Pisani_, published at Livorno in the seventeenth century. "Various are the opinions of writers as to the building of Pisa, but all agree that it was founded by the Greeks. Cato in his _Fragment_, and Dionysius Halicarnassus in the first book of his _History_, affirm that the founders were the Pisi Alfei Pelasgi, who had for their captain the King Pelops, as Pliny says in his _Natural History_ (lib. 5), and Solinus too, as though it were indubitable: who does not know that Pisa was from Pelops?" Certainly Pisa is very old, and whether or no King Pelops, as Pliny thought, founded the city, the Romans thought her as old as Troy. In 225 B.C. she was an Etruscan city, and the friend of Rome; in Strabo's day she was but two miles from the sea; Caesar's time she became a Roman military station; while in 4 A.D. we read that the disturbances at the elections were so serious that she was left without magistrates. That fact in itself seems to bring the city before our eyes: it is so strangely characteristic of her later history.

[Illustration: PISA

_Alinari_]

But in spite of her enormous antiquity, there are very few left of her Etruscan and Roman days, the remains of some Roman Thermae, Bagni di Nerone near the Porta Lucca being, indeed, all that we may claim, save the urns and sarcophagi scattered in the Campo Santo, from the great days of Rome. The glory of Pisa is the end of the Middle Age and the early dawn of the Renaissance. There, amid all the hurly-burly and terror of invasion and civil wars, she shines like a beacon beside the sea, proud, brave, and full of hope, almost the only city not altogether enslaved in a country in the grip of the barbarian, almost overwhelmed by the Lombards. And indeed, she was one of the first cities of Italy to fling off the Lombard yoke. Favoured by her position on the shores of the Tyrrhenian Sea, yet not so near the coast as to invite piracy, she waged incessant war on Greek and Saracen. Lombardy, heavy with conquest, fearful for her prize, which was Italy, was compelled to encourage the growth of the naval cities. It was on the sea that the future of Pisa lay, like the glory of the sun that in its splendour and pride passes away too soon.

Already in the ninth century we hear of her prowess at Salerno, while in the tenth, having possessed herself of her own government under consuls, she sent a fleet to help the Emperor Otho II in Sicily. Fighting without respite or rest, continually victorious, never downhearted, she had opened the weary story of the civil strife of Italy with a war against Lucca, in the year 1004.[17] It was the first outburst of that hatred in her heart which in the end was to destroy her for she died of a poverty of love.

In 1005, still with her fleet engaged in Sicilian waters, the Arab pirates fell upon her, and, forcing the harbour, sacked a whole quarter of the city. For the time Pisa could do little against the foes of Europe, but in 1016 she allied herself with that city which proved at last to be her deadliest foe, Genoa the Proud, and the united fleets swept down on Sardinia for vengeance. It was this victorious expedition that aroused the hatred of the Pisans for Genoa, a jealousy that was only extinguished when at last Pisa was crushed at Meloria.

Many were the attempts of the Arabs to regain Sardinia, but Pisa was not to be deceived. Coasting along the African shore, her fleet took Bona and threatened Carthage. Yet in 1050 the Arabs of Morocco and Spain stole the island from her, only Cagliari holding out under the nobles for the mother city. There was more than the loss of Sardinia at stake, for with the victory of the Arabs the highway of the sea was no longer secure, the existence of Pisa, and not of Pisa only, was threatened. So we find Genoa once more standing beside Pisa in the fight of Europe. The fleets again were combined, this time under the command of a Pisan, one Gualduccio, a plebeian. He sailed for Cagliari, landed his men, and engaged the enemy on the beach. The Arabs were led by the King Mogahid, Rè Musetto, as the Italians called him. He was over eighty years old at the time, and though still full of cunning valour, attacked by the fleets in front and the garrison in the rear, his army was defeated and put to flight. He himself, fleeing on horseback, was wounded in two places, and falling was captured; and they took him in chains to Pisa, where he died. Thus Sardinia once more fell into the hands of Europe, and the island, divided in fiefs under the rule of Pisa,[18] was held and governed by her.

But Pisa was not yet done with the Arab. She stood for Europe. In 1063 she fought at Palermo, returning laden with booty. It was then, after much discussion in the Senate,[19] sending an embassy to the Pope and another to "Rè Henrico di Germania," that she decided to employ this spoil in building the Duomo, in the place where the old Church of S. Reparata stood, and more anciently the Baths of Hadrian, the Emperor. The temple, Tronci tells us,[20] was dedicated to the Magnificent Queen of the Universe, Mary, ever Virgin, most worthy Mother of God, Advocate of sinners. It was begun in 1064, and many years, as Tronci says, were consumed in the building of it.[21] The pillars--and there are many--were brought by the Pisans from Africa, from Egypt, from Jerusalem, from Sardinia, and other far lands.

At this time Pisa was divided into four parts, called _Quartieri_. The first was called _Ponte_, the ensign of which was a rosy Gonfalon; the second, _di Mezzo_, which had a standard with seven yellow stripes on a red field; the third, _Foriporta_, which had a white gate in a rosy field; and the fourth, _Chinsica_ with a white cross in a red field.[22]

Nor was the Duomo the only building that the Pisans undertook about this time. Eight years later, the Church of S. Pietro in Vincoli, called to-day S. Pierino, was built on a spot where of old "there was a temple of the Gentiles" dedicated to Apollo; that, when the Pisans received the faith of Jesus Christ, they gave to St. Peter, the Prince of the Apostles. This church appears to have been consecrated by the great Archbishop Peter on 30th August 1119.

These two churches, and especially the Duomo, still perhaps the most wonderful church in Italy, prove the greatness of the civilisation of Pisa at this time. She was then a self-governed city, owing allegiance, it is true, to the Marquisate of Tuscany, but with consuls of her own. Since she was so warlike, the nobles naturally had a large part in her affairs. In the Crusade of 1099 the Pisans were late, as the Genoese never ceased to remind them,--to come late, in Genoa, being spoken of as "_Come l'ajuto di Pisa_"; and, indeed, like the Genoese, the Pisans thought as much of their own commercial advantage in these Holy Wars as of the Tomb of Jesus. In 1100 they returned from Jerusalem, their merchants having gained, _una loggia, una contrada, un fondaco e una chiesa_ for their nation in Constantinople, with many other fiscal benefits. Nor were they forgetful of their Duomo, for they came home with much spoil, bringing the bodies of the Saints Nicodemus the Prince of the Pharisees, Gamaliel the master of St. Paul, and Abibone, one of the seventy-two disciples of our Lord Jesus Christ.[23]

Encouraged by their success, not long afterwards, they, in their invincible confidence and force, decided to undertake another enterprise. Urged thereto by their Archbishop Peter, they set out, partly for glory, partly in the hope of spoil to free the thousands of Christians held captive by the Arabs in the Balearic islands. The fleet sailed on the 6th August 1114, the Feast of S. Sisto, the anniversary of other victories. There were, it seems, some three hundred ships of diverse strength; and every sort of person, old and young, took part in this adventure. Going astray, they first landed in Catalonia and did much damage; then, "acknowledging their unfortunate mistake," they found the island, where, under Archbishop Peter and the Pope's gonfalone, they were entirely successful. They released the captives, and, amid the immense spoil, they brought away the son of the Moorish king, whom later they baptized in Pisa and sent back to the Moors. The Pisan dead were, however, very many. At first they thought to load a ship with the slain and bring them home again; but this was not found possible. Sailing at last for Marseilles, they buried them there in the Badia di S. Vittore, later bringing the monks to Pisa.

Now, while the glory of Pisa shone thus upon the waters far away, the Lucchesi thought to seize Pisa herself, deprived of her manhood. But the Florentines, who at this time were friends with Pisa, since their commerce depended upon the Porto Pisano, sent a company to guard the city, encamping some two miles off; for since so much loot lay to hand, to wit, Pisa herself, the Florentine captains feared lest they might not be able to hold their men. And, indeed, one of their number entered the city intent on the spoil, but was taken, and they judged him worthy only of death. But the Pisans, not to be outdone in honour, refused to allow him to be executed in their territory; then the Florentines bought a plot of ground near the camp, and killed him there. When the fleet returned and heard this, they determined to send Florence a present to show their gratitude. Now, among the spoil were some bronze gates and two rosy pillars of porphyry, very precious. Then they besought the Florentines to choose one of these, the gates or the pillars, as a gift. And Florence chose the pillars, which stand to-day beside the eastern gate of the Baptistery in that city. But on the way to Florence they encountered the Mugnone in flood, and were thrown down and broken there. Hence the Florentines, that scornful and suspicious folk, swore that the Pisans had cracked their gifts themselves with fire before sending them, that Florence might not possess things so fair.

Other jealousies, too, arose out of the success of Pisa, though indirectly. For the Genoese, never content that she should have the overlordship of Sardinia, were still more disturbed when Pope Gelasius II., that Pisan, gave Corsica to Pisa, so that about 1125[24] they made war on her. The war lasted many years, till Innocent II, being Pope and come to Pisa, made peace, giving the Genoese certain rights in Corsica. About this time S. Bernard was in Pisa, where in 1134 Innocent II held a General Council; not for long, however, for in the same year he set out for Milan to reconcile that Church with Rome.

Her quarrel with Genoa was scarcely finished when Pisa found herself at war with the Normans in Southern Italy, defending heroically the city of Naples and utterly destroying Amalfi, the wonderful republic of the South.[25] Certainly the might of Pisa was great; her supremacy was unquestionable from Lerici to Piombino, but behind her hills Lucca was on watch, not far away Florence her friend as yet, held the valley of the Arno, while Genoa on the sea dogged her steps between the continents. Thus Pisa stood in the middle of the twelfth century the strongest and most warlike city in Tuscany, full of ambition and the love of beauty and glory. For it was now in 1152 that she began to build the Baptistery, and in 1174 the famous Campanile, a group of buildings with the Duomo unrivalled in the world.

Meanwhile the Great Countess of Tuscany had died in 1115; more and more Italy became divided against itself, and by the end of the century Guelph and Ghibelline, commune and noble, were tearing her in pieces. Tuscany, really little more than a group of communes devoted to trade, with the great feudatories ever in the offing, without any real unity, slowly became the stronghold of the Guelphs. Only Pisa,[26] glorying in the strength of the sea and the splendour of war, was Ghibelline, with Siena on her sunny hills. Now, having won Sardinia for herself, her nobles there established were, as was their manner everywhere, continually at feud. The Church, thinking to make Pisan sovereignty less secure, supported the weaker. Already Innocent III had, following this plan, called on the Pisans to withdraw their claim to the island. And it was a Pisan noble, Visconti, who, marrying into one of the island families related to Gregory IX, recognised the Papal suzerainty. Thus this family in Pisa became Guelph. But the other nobles, among whom was the Gherardesca family, threw their weight on the other side, and so Pisa, who had ever leaned that way, became staunchly Ghibelline.[27]