CHAPTER XXII. Contemporary Glass, 356
INDEX, 361
LIST OF ILLUSTRATIONS
I. SYRIAN OR VENETIAN GLASS. Enamelled Beaker of slightly greenish glass with a few elongated bubbles. (H. 7-1/2 in.) The Virgin and Child enthroned between conventional lilies; on either side an angel holding a tall candle; beyond, the figures of St. Peter and St. Paul. Above, an inscription in Gothic characters—D[=N]IA MATER REGIS ALTISSIMI ORA P PA. From the Adrian Hope collection. End of thirteenth century. British Museum. (_Frontispiece._)
II. UNGUENTARIA OF PRIMITIVE GLASS. British Museum.
(1) From Gurob, near Illahun, Upper Egypt. (H. 4 in.) Decoration of palm-pattern formed by double drag, on a sard-coloured translucent ground. Nineteenth Dynasty.
(2) Amphora-shaped vase. (H. 5-3/8 in.) Pattern formed by simple drag, on opaque red ground. The body apparently turned on wheel. Handles of green transparent glass. Said to come from the Ionian Islands.
(3) Small Jug of Oenochoë shape. (H. 5-1/2 in.) Palm pattern formed by double drag, on dark blue, nearly opaque ground. _Provenance_ uncertain. From the Slade collection. (_To face p. 22._)
III. EGYPTIAN GLASS PASTES. British Museum.
(1) Scarab of dark blue paste with white veins imitating _lapis lazuli_. (L. 3-1/2 in.) From Thebes. Later Empire.
(2) Vase for cosmetics, in shape of column with papyrus capital. (H. 3-3/4 in.) Slade collection.
(3) Plaque of ‘fused mosaic.’ (L. 3-1/4 in., about 3/8 in. in thickness.) From the cemetery at Denderah. Ptolemaic period. (_To face p. 32._)
IV. (1) Small bottle (‘lachrymatory’). (H. 3 in.) Glass of various colours arranged in wavy lines, and now in part iridescent. Probably from a Greco-Roman tomb. Slade collection.
(2) Bowl of thin white glass, finished on the lathe. (Diam. 3-3/4 in.) Probably from a late Greek tomb.
(3) Spherical vase of pale blue transparent glass. (H. 3-3/8 in.) The mark of the two parts of the mould into which the glass was blown is visible. Decoration of dolphins, fishes, etc., on bands. Probably Roman, first century A.D. Slade collection. 1, 2, and 3, all in British Museum. (_To face p. 45._)
V. TWO BOWLS OF MILLEFIORI ROMAN GLASS. Probably Roman, first century A.D. British Museum.
(1) Madrepore pattern, in dark purple ground. (Diam. 5 in.)
(2) Breccia pattern, in purple ground with white scrolls. From the Durand collection. (Diam. 5-1/4 in.) (_To face p. 50._)
VI. (1) Beaker with oval bosses, formed by blowing into a mould with apertures. (H. 5 in.) Clear white glass. Said to have come from Constantinople. Greco-Roman, first century A.D.
(2) Tall-necked flask of pale green transparent glass. (H. 6-3/4 in.) Maze-like pattern, formed by blowing into mould. Greco-Roman. From Melos.
(3) Small octagonal pyx, or case for cosmetics. (H. 6-1/4 in.) White opaque glass (but probably originally transparent); blown into mould. From Sidon. Probably first century B.C. 1, 2, and 3, all in British Museum. (_To face p. 56._)
VII. SEPULCHRAL GLASS FROM THE SYRIAN COAST (said to come from Mount Carmel). Probably about first century B.C. Pale green glass, with iridescence. British Museum.
(1) Vase for cosmetics in shape of double column. (H. 5-1/4 in.)
(2) Vase with six handles. (H. 4-1/4 in.)
(3) Vase with handles and stringings of cobalt-blue. (H. 8 in.) (_To face p. 60._)
VIII. BOWL OF OLIVE-GREEN GLASS, carved in high (detached) relief. Mounted on metal stand and with metal rim. Deep red by transmitted light. Subject—The Madness of Lycurgus. Probably Roman, about third or fourth century A.D. From the collection of Lord Rothschild. (_To face p. 73._)
IX. ROMAN GLASS FROM GRAVES IN BRITAIN. British Museum.
(1) Jug of pale olive glass, with iridescence. (H. 8-3/8 in.) From Colchester.
(2) Vase of olive-green glass, with two handles, each ending in quilled attachments. (H. 9 in.) From Bayford, near Sittingbourne. (_To face p. 86._)
X. GILT GLASS OF THE CEMETERIES. Fifth century A.D. British Museum.
(1) Part of a bowl, the sides ornamented with small medallions of gilt glass. Subjects—Adam and Eve, Sacrifice of Isaac, Jonas, the Three Children, Daniel, etc. (Max. dimension, 6-1/2 in.) Found near the Church of St. Severinus, Cologne.
(2) Disc from base of bowl. (Diam. 3-3/4 in.) Below, Christ, between Timothy and Hippolytus; above, St. Paul, St. Sixtus, and St. Laurence, standing between torque columns.
(3) Portraits of Bride and Bridegroom—Orfitus and Constantia; with figure of Hercules and congratulatory inscription. (Diam. 4 in.) (_To face p. 91._)
XI. BYZANTINE GLASS, from the Treasury of St. Mark’s, Venice. (Reproduced from Passini, _Tesoro di S. Marco_.)
(1) ‘Balance-pan’ lamp of clear glass for suspension. On the silver rim, an invocation to St. Pantaleone by the Bishop of Iberia. (Diam. 10-1/2 in.)
(2) Ellipsoid lamp, for suspension. Common glass, carved in high relief with shells, fishes, etc. Silver rim, with cloisons for jewels and sockets for candles. (Chief diam. 8 in.)
(3) Paten, or more likely ‘balance-pan’ lamp. Greenish glass, incised with a series of concentric rings. (Diam. 7 in.) (_To face p. 96._)
XII. CANTHARUS-SHAPED VASE of sky-blue, bubbly glass. (H. 6-1/4 in.) Probably a chalice. _Circa_ fifth century A.D. Found at Amiens. From the Pourtalès collection. British Museum. (_To face p. 98._)
XIII. BYZANTINE OR EARLY SARACENIC GLASS, from the Treasury of St. Mark’s, Venice. (Reproduced from Passini, _Tesoro di S. Marco_.)
Pear-shaped vase, set with ‘false’ metal spout and handle, to resemble an ampulla. Carved in low relief, in imitation of rock-crystal—design of two sheep-like animals amid conventional foliage. (Glass alone 4 in. in H.) (_To face p. 101._)
XIV. BYZANTINE OR LATE ROMAN GLASS, from the Treasury of St. Mark’s, Venice. (Reproduced from Passini, _Tesoro di S. Marco_.)
_Situla_ of greenish glass, carved in high (detached) relief with a hunting scene. Below, a raised grating, supported on rods of glass (_diatretum_ work). H. 11 in. (_To face p. 102._)
XV. GLASS BEADS. British Museum.
(1) Cylindrical beads with white and yellow pellets: (i) Blue glass with satyr-like mask; (ii) opaque greenish glass. Probably from Cyprus. Greek or Phœnician.
(2) Two Chevron beads. _Provenance_ uncertain. Slade collection.
(3) Three chains of beads, from Frankish tombs in the Rhine-Moselle district. (_To face p. 108._)
XVI. ANGLO-SAXON GLASS. Prunted Beaker of olive-green glass. (H. 11-1/8 in.) From burial-mound, Taplow. British Museum. (_To face p. 111._)
XVII. ANGLO-SAXON GLASS. (1) Conical cup of pale green glass, with applied threadings. (H. 10-1/4 in.) From Kempston, Bedfordshire. British Museum.
(2) Drinking-cup of olive-green glass. (H. 8-1/2 in.) From Faversham, Kent. British Museum (Gibbs Bequest). (_To face p. 112._)
XVIII. HEDWIG GLASS (so-called). Two views of a cup of nearly colourless glass (H. about 4 in.), carved in relief with lion, griffin, and shield. German or Oriental; thirteenth century, or perhaps earlier. Now mounted on Gothic metal stand, which is not shown. Germanic Museum, Nuremberg. (_To face p. 114._)
XIX. MEDIÆVAL GLASS FURNACE. Reproduction of a coloured miniature from a manuscript, written probably in 1023, of Rabanus Maurus (_De Originibus Rerum_), preserved in the library at Monte Cassino. (_To face p. 124._)
XX. GERMAN GLASS, FOURTEENTH AND FIFTEENTH CENTURY. Dark bluish-green glass, from the Germanic Museum, Nuremberg.
(1) Prunted cup for holding relics.
(2) Wax cover to above, with seal of the Abbey to which it belonged. (_To face p. 137._)
XXI. Do. do.
(1) Small cup with pap-shaped prunts.
(2) Cup with conical cover, containing relics. (_To face p. 137._)
XXII. SARACENIC GLASS. Pilgrim bottle; brownish, amber-coloured thick glass, enamelled and gilt. (H. about 8 in.) On the flattened back a rose-wheel design. Long preserved at Würzburg; said to come from Mesopotamia. _Circa_ 1300 A.D. British Museum. (_To face p. 153._)
XXIII. SARACENIC GLASS. Tall-necked bottle; decorated with enamelled and gilt medallions, Chinese phœnix, etc. (H. 17-1/2 in.) The inscription has been read ‘Glory to our Lord the Sultan, the wise, the just, the warrior King.’ Bought in Cairo. _Circa_ 1300 A.D. Victoria and Albert Museum (Myers Bequest). (_To face p. 154._)
XXIV. SARACENIC GLASS. Victoria and Albert Museum.
(1) Small lamp of clear white glass, a little decayed on surface. (H. 8-1/4 in.) Enamels of white, red, and yellow with gold, sparingly applied—horsemen with falcons; gold frieze on rim and foot. Stated to have come from a Christian monastery in Syria. Late thirteenth or early fourteenth century. Myers Bequest.
(2) Vessel for oil. Probably to be suspended in a large mosque lamp (lantern). (H. 6-1/2 in.) Pale greenish-blue glass, with remains of the gilding that formerly covered it. (_To face p. 156._)
XXV. SARACENIC GLASS. Beaker enamelled with frieze of three polo-players, between two bands with inscription in Arabic, both in praise of ‘our Lord the Sultan’ (without date or proper name). About 1300. The silver-gilt foot and cover are probably Augsburg work of the early sixteenth century. From a reproduction in water-colours of the original in the _Grüne Gewölbe_, Dresden. (_To face p. 162._)
XXVI. SARACENIC GLASS. Mosque lamp (H. 16 in.) from Cairo. Clear white glass with many bubbles. Eight handles for suspension. Design of lotus-blossom, etc., outlined in opaque red, and the interstices filled with translucent blue enamel. Early fourteenth century. Victoria and Albert Museum (Myers Bequest). (_To face p. 168._)
XXVII. (1) DRINKING-CUP (Diam. 5-1/2 in.) of honey-coloured glass. In centre, enamelled figure of ‘the angel who serves the wine to the faithful.’ Angel’s wings and surrounding band, gold upon a lavender-blue ground. Persian in style, but according to M. Schefer, possibly made at Ermenas and enamelled at Aleppo. Probably fifteenth century. British Museum.
(2) HOLLOW SPHERE of honey-coloured enamelled glass. (Diam. 4 in.) Ornament of chain of mosque lamp. _Provenance_ unknown, but probably from Northern Syria. British Museum. (_To face p. 172._)
XXVIII. VENETIAN GLASS. The Aldrevandini Beaker. (H. 5-1/8 in.) Thin clear glass with black specks, enamelled with three shields bearing the arms of South German towns: (1) Three stag-horns in fesse, azure; (2) argent, three keys in fesse, gules; (3) per fesse argent and sable, in chief a bar. Between, apple-green leaves outlined in white. Some enamelling also inside. Inscription in Gothic letters. About 1300 A.D. British Museum. (_To face p. 179._)
XXIX. VENETIAN GLASS. The Berovieri Cup. (H. c. 8-1/2 in.) _Coppa Nuziale_ (marriage cup) of deep-blue glass, enamelled and gilt. The heads of bride and bridegroom in medallions. Between, (1) a procession of knights and ladies approaching a fountain; (2) bathing in fountain. Attributed to Angelo Berovieri. About 1440. Museo Civico, Venice. (_To face p. 194._)
XXX. VENETIAN GLASS. (1) Lamp for suspension, enamelled with studs of white on coloured ground. (H. 11 in.) Shield with _stemma_ of Tiepolo family. Early sixteenth century. Museo Civico, Venice.
(2) Stemless cup of thin clear glass. (H. 5-1/2 in.) Decorated with scrolls, lions, and birds, in ‘painted’ enamel. About 1450. Dug up while excavating the foundations of the new Campanile. Museo Civico, Venice. (_To face p. 199._)
XXXI. VENETIAN GLASS. Flower-vase. (H. 11 in.) Transparent, colourless glass, slightly greyish, with tendency to deliquescence on surface: threading and studs of cobalt-blue. Probably sixteenth century. British Museum. (Slade, _ex_ Bernal collection.) (_To face p. 200._)
XXXII. VENETIAN GLASS. Spherical vase (H., with ‘made-up’ foot, 9-1/2 in.) of opaque white glass, decorated with gilt scrolls and bosses and a pair of rudely drawn mermaids. Sixteenth century. British Museum. (Slade, _ex_ D’Azeglio collection.) (_To face p. 203._)
XXXIII. VENETIAN GLASS. Pilgrim’s bottle. (H. 6-1/2 in.) Design (Cupid fishing, and Venus and Anchises) painted in blue on opaque white (_lattimo_) ground. Early sixteenth century. Museo Civico, Venice. (_To face p. 204._)
XXXIV. VENETIAN GLASS, enamelled and gilt. Early sixteenth century. British Museum.
(1) Plate of thin glass. (Diam. 7 in.) In centre a shield with oak tree, green and gold on blue ground. (? Rovere arms.) Round margin a ring of delicate pattern in powder gold. Early sixteenth century. (Slade collection.)
(2) Tazza of thin glass. (Diam. 6 in.) Coat of arms in lozenge in centre, surrounded by ring with flowers in oval medallions—apple-green, dull red, blue and yellow enamels. Powder gold band round margin. (Slade, _ex_ Bernal collection.) (_To face p. 214._)
XXXV. FRENCH GLASS OF RENAISSANCE. British Museum. (Slade collection.)
(1) Statuette of Louis XIII. or XIV. (H. 4-1/4 in.) Opaque white glass with coloured enamels. Probably made at Nevers. Seventeenth century.
(2) Statuette of man with muff. (H. of figure, 5 in.) Opaque white, porcelain-like glass, on a copper base. On stand of white Dresden china, partly gilt.
(3) Small burette (H. 5 in.) of dark greenish-blue transparent glass; the body and neck splashed with green, white, and red enamels. Gilt berry-like bosses on body. Probably sixteenth century. (_To face p. 233._)
XXXVI. SPANISH GLASS. Victoria and Albert Museum.
(1) Vase of pale bottle-green glass; four handles with quilled edges. (H. 6-1/2 in.) From the South of Spain. Sixteenth or seventeenth century.
(2) Jug of white transparent glass (H. 8-1/2 in.), made at S. Ildefonso.
(3) Vase of transparent glass, slightly greenish. (H. 6 in.) Two handles with quilled edges. From the South of Spain. Sixteenth or seventeenth century. (_To face p. 245._)
XXXVII. GERMAN GLASS. Roemer of green glass; berry prunts on waist; the foot built up of glass stringing. _Circa_ 1600. Germanic Museum, Nuremberg. (_To face p. 254._)
XXXVIII. GERMAN GLASS FURNACE. Sixteenth century. From Agricola, _De Re Metallica_, Basle, 1556. (_To face p. 260._)
XXXIX. GERMAN GLASS. _Willkomm Humpen_, enamelled in colours with the _Reichs-adler_. On the wings, as recorded by an inscription on the back, the arms of the various members of the Holy Roman Empire. Dated 1656. Greenish glass; below margin, a ring of ‘powdered’ gold, between beading of white and blue enamel. British Museum (Henderson Bequest). (_To face p. 264._)
XL. GERMAN GLASS. British Museum.
(1) Beaker of clear white glass. (H. 5-1/2 in.) Enamelled with double eagle, white and blue, with yellow beaks and claws; at the back a sprig of lily-of-the-valley. Dated 1596. From the Bernal collection.
(2) Jug of pale purple glass (H. 8 in.) with pewter lid. Enamelled with a white dog pursuing a red stag and fox. In addition green, blue, and yellow enamels. Dated 1595. From the Slade collection. (_To face p. 267._)
XLI. GERMAN GLASS. _Willkomm Humpen._ Enamelled in colours with hunting scene, the game being driven into net. About 1600. British Museum. (_To face p. 268._)
XLII. GERMAN GLASS. Covered beaker of clear white glass. (H. with cover 6-3/4 in.) Engraved with design of _amorini_ dancing among vines. The metal knob of cover is enamelled and gilt, and on the interior button are enamelled the arms of the Archbishop of Trèves, with the following inscription:—Joan Hugo D.G. Arc. Trev. PR. EL. EP. SP. Early eighteenth century. (_To face p. 283._)
XLIII. DUTCH GLASS. Beaker in the form of a _roemer_. (H. 9 in.) On the bowl, in medallions, heads symbolising the four seasons, scratched with the diamond. The waist, decorated with berry prunts, showing remains of gilding. On this part is scratched (in English) ‘August the 18th, 1663,’ and the letters H./W.E. between bay branches. On the foot a landscape with hunting scene. British Museum. (_To face p. 296._)
XLIV. ENGLISH WINE-GLASSES. British Museum.
(1) Wine-glass, early eighteenth century. (H. 8-3/4 in.) The hollow knop of the moulded stem is decorated with prunts and encloses a sixpence of Queen Anne (dated 1707).
(2) Jacobite wine-glass with opaque twisted stem. (H. 7-3/4 in.) On the bowl is engraved a portrait of the Young Pretender, inscribed ‘_Cognoscunt me mei_’; at the back are the words _Premium Virtutis_ under a crown.
(3) Jacobite wine-glass with air-twisted stem. Round the bowl are engraved the words ‘Immortal Memory’; above, a band of vine-leaves, and below, fleurs-de-lis and roses. Presented by Mr. A. Hartshorne. (_To face p. 327._)
XLV. ENGLISH FLINT GLASS. Victoria and Albert Museum.
(1) Standing cup and cover (H. 12 in.) on square, stepped foot. Carved in relief with gadroons descending spirally. End of eighteenth century. Presented by Mr. H. B. Lennard.
(2) Bowl standing on square base. (H. 8-1/2 in.) The whole of the surface facetted; the under surface of the foot cut into square compartments. End of eighteenth century. Presented by Mr. H. B. Lennard. (_To face p. 332._)
XLVI. PERSIAN GLASS. Tall-necked vase of colourless glass; body shaped in a mould; _appliqué_ stringings on foot. Taken from a tomb at Baku. Vincent Robinson collection. (_To face p. 338._)
XLVII. PERSIAN GLASS. Victoria and Albert Museum. Seventeenth or eighteenth century.
(1) Tall-necked, pear-shaped vase, the surface spirally ribbed, of deep blue transparent glass. (H. 11 in.)
(2) Cruet-shaped vase of clear white glass. (H. 9 in.) From the Richard collection.
(3) Perfume sprinkler, with curved neck and barnacle-shaped lip. Blue transparent glass, the surface spirally ribbed. (H. 12 in.) (_To face p. 340._)
XLVIII. INDIAN GLASS. Indian Museum. Vase or basin with wide-spreading lip. (H. 5-3/4 in.) Milky, semi-transparent glass; the ground gilt, surrounding white flowers, with pistils of red enamel. _Provenance_ unknown. (Delhi district?) (_To face p. 343._)
XLIX. CHINESE GLASS. Victoria and Albert Museum.
(1) Bowl of mottled green glass with purple markings, imitating jade. (H. 2-7/8 in.) Eighteenth century. From the Bernal collection.
(2) Spindle-shaped vase of orange, ‘tortoise-shell’ glass. (H. 7-1/2 in.) The stopper of silver, inlaid with Chinese characters; the base European.
(3) Small tripod vase of mottled yellow glass, in form of incense-burner. (H. 3-3/4 in.) Eighteenth century. (_To face p. 350._)
SELECTED BIBLIOGRAPHY OF WORKS ON GLASS
AGRICOLA (GEORG): _De Re Metallica_ (last chapter of work). Basle, 1556.
APPERT (L.) ET HENRIVAUX: _Verre et Verrerie_. Paris, 1894.
APPERT (L.): _Notes sur les verres des Vitraux Anciens_. Paris, 1896.
BAPST (A.): _Chinesische Glasarbeiten; Zeitschrift für Bildende Kunst_, 1885.
BATE (PERCY): _English Table-Glass_. No date. (1904?)
BIRINGUCCIO (V.): _De la Pirotechnia_. Venice, 1540.
BLANCOURT (HAUDICQUER DE): _L’Art de la Verrerie_. Paris, 1697.
BONTEMPS (G.):—
_Guide du Verrier_. Paris, 1868.
_Exposé des moyens employés pour la fabrication des Verres Filigranés_. 1845.
BORDONI: _L’Arte Vetraria in Altare_. Savona, 1884.
BOSC D’ANTIC (P.): _Mémoires sur l’Art de la Verrerie_. Paris, 1780.
BOUTELLIER (L’ABBÉ): _Histoire des Gentilshommes Verriers de Nevers_.
BRENT (JOHN): ‘On Chevron Beads.’ _Archæologia_, vol. xlv.
BRINCKMANN (JUSTUS): Various Catalogues, etc., of the Hamburg Museum.
BUCHER (B.): _Die Glassammlung des K.K. Oesterreich. Museum_. Vienna, 1888.
BUSHELL (S. W.):—
_Oriental Ceramic Art_. New York, 1899.
_Chinese Art_, vol. ii. (South Kensington Art Handbooks). 1906.
BUSSELIN (D.): _Les Célèbres Verreries de Venise_. Venice, 1846.
CECCHETTI:—
_Delle Origini dell’ Arte Vetraria Muranese_. R. Institute Veneto, 1872.
_Monographie dell’ Arte Vetraria._ Venice, 1874.
CZIHAK (E. VON): _Schlesische Gläser_. Breslau, 1891.
DALTON (O. M.):—
_Catalogue of Early Christian Antiquities in the British Museum—Cemetery Glasses_. 1901.
‘Gilded Glass of Catacombs.’ _Archæological Journal_, 1901.
DEVILLE (A.): _Histoire de l’Art de la Verrerie dans l’Antiquité_. Paris, 1873.
DOBBS (H. C.): ‘Glass-blowers of North-west Provinces.’ _Journal of Indian Art_, vol. vii.
ERACLIUS: _see_ HERACLIUS.
FILLON (B.): _L’Art de Terre chez les Poitevins_. Niort, 1864.
FIORAVANTI (L.): _Dello Specchio di Scienza Universale_, Bk. vii. cap. 29. Venice, 1567.
FOURCAUD (L. DE): _Émile Gallé_. Paris, 1903.
FOWLER (J.): ‘On the Process of Decay in Glass.’ _Archæologia_, vol. xlvi.
FRANKS (SIR A. W.):—
_Guide to Glass Room in British Museum_, 1888.
_Art Treasures of United Kingdom. Vitreous Art._ 1858.
FRIEDRICH (C.): _Die Altdeutschen Gläser_. Nürnberg, 1884.
FROEHNER (W.): _La Verrerie Antique_. _Collection Charvet_, 1879.
GARNIER (E.):—
_Histoire de la Verrerie et de l’Émaillerie_. Tours, 1886.
_Spitzer Catalogue_, vol. iii. ‘La Verrerie.’
GARRUCCI (P. R.):—
_Storia dell’ Arte Christiana_, vol. iii. 1876.
_Vetri ornati di Figure in Oro._ 1858 and 1864.
GARZONI (T.): _Piazza Universale di tutte le professioni del Mondo_. Discorso lxiv. Venice, 1585.
GERSPACH: _L’Art de la Verrerie_. Paris, 1885.
GRIFFITH (F.): _Egypt Exploration Fund_. Tanis, Part ii. 1888.
HALLEN (REV. A.): ‘Glass-making in Sussex, etc.’ _Scottish Antiquary_, 1893.
HARTSHORNE (ALBERT): _Old English Glasses_. 1897.
HAVARD (H.): _Les Arts de l’Ameublement_. _La Verrerie._ Paris, 1894.
HERACLIUS or ERACLIUS: _De Artibus et Coloribus Romanorum_. Eitelberger von Edelberg: _Quellenschriften für Kunstgeschichte_, vol. iv.
HIRTH (F.): _Chinesische Studien_; _Zur Geschichte des Glases in China_. Leipsic, 1890. And other papers.
D’HOLBACH (BARON)?: _Art de la Verrerie, de Neri, Merret et Kunckel_. Paris, 1752.
D’HONDT (P.): _L’Art de la Verrerie_. Liége, 1891.
HOUDOY (J.): _Verrerie à la façon de Venise_. Paris, 1873.
KUNCKEL (J.): _Ars Vitraria Experimentalis_. 1679.
LABARTE (J.):—
_La Collection Debruge Duménil_. Paris, 1847.
_Histoire des Arts Industriels_, vol. iv. Paris, 1866.
LACROIX (P.): _Les Arts au Moyen Âge et à l’Époque de la Renaissance_. Paris, 1869.
LANE-POOLE (S.):—
_The Art of the Saracens in Egypt_. London, 1886.
_Arabic Glass Weights in British Museum_. 1891.
LAYARD (SIR A. H.): _Nineveh and its Remains_. 1853.
LAZARI (V.): _Notizia delle Opere d’Arte della Raccolta Correr_. Venice, 1859.
LOBMEYR (L.): _Die Glas-industrie_. Stuttgart, 1874.
LOYSEL (C.): _Essai sur la Verrerie_. Paris, 1800. (Written earlier.)
MATHESIUS: _Sarepta oder Bergpostil_ (Sermon xv.). Nürnberg, 1562.
MERRET (C.): _The Art of Glass of Neri translated into English_. London, 1662.
MILANESI (G.): _Tre Trattatelli dell’ Arte del Vetro per Mosaici_. (Fifteenth century MSS.) 1864.
MINUTOLI (H. DE): _Ueber der Anfertigung der farbigen Gläser bei den Römern_. Berlin, 1836.
MOLINIER (E.): _La Peinture sous Verre_. _Spitzer Catalogue_, vol. iii.
NAPLES: _Description of Museo Borbonico_. _Glass_, vols. v., xi., and xv.
NERI (A.): _L’Arte Vetraria_. 1612.
NESBITT (A.):—
_Catalogue of Slade Collection of Glass_. Privately printed, 1871.
_Catalogue of Glass Vessels in South Kensington Museum_, 1878.
_Glass_ (South Kensington Art Handbooks), 1875.
‘Opus Sectile in Glass.’ _Archæologia_, vol. xlv.
_Encyclopædia Britannica_, article ‘Glass.’ 1879.
OWEN (H.): _Ceramic Art in Bristol_ (chapter on Bristol Glass). 1873.
PASSINI (A.): _Il Tesoro di San Marco_. Venice, 1886.
PELIGOT (M. E.): _La Verre, Histoire et Fabrication_. 1876.
PELLAT (APSLEY):—
_Curiosities of Glass-making_. London, 1849.
_Memoir on the Origin, etc., of Glass-making_. London, 1821.
PELLETIER: _Les Verriers du Lyonnais_. 1887.
PETRIE (FLINDERS):—
_Burlington Fine Arts Club; Introduction to Catalogue of Egyptian Exhibition_, 1895.
_Tell-el-Amarna_. _Egypt Exploration Fund_. 1894.
PINCHART (A.): _Les Fabriques des Verres de Venise, d’Anvers et de Bruxelles au XVI^e. et au XVII^e. siècles_. _Bulletins des Commissions Royales_. Bruxelles, 1882.
PLINIUS SECUNDUS (CAIUS): _Historia Naturalis_, Bk. xxxvi. caps. 44-47.
PORTER (G. R.): ‘Glass and Porcelain.’ _Lardner’s Cabinet Encyclopædia_. London, 1832.
POWELL (H. J.):—
_Principles of Glass-making_. London, 1883.
_Encyclopædia Britannica_, article ‘Glass.’ 1902.
READ (C. H.):—
‘Glass in South Saxon Graves.’ _Archæologia_, vol. lv.
‘On a Saracenic Goblet of Enamelled Glass.’ _Archæologia_, vol. lviii.
RIAÑO (J. F.): _Industrial Arts in Spain_, Part ii. (South Kensington Handbooks). 1879.
SANTI (M.): _Origini dell’ Arte Vetraria in Venezia e Murano_.
SAUZAY (A.):—
_La Verrerie depuis les Temps les plus reculés_. Paris, 1868.
SAUZAY (A.):—
_Marvels of Glass-making_. (Translation of above.) London, 1870.
SCHEBEK (E.): _Böhmens Glasindustrie und Glashandel_. Prague, 1878.
SCHMORANZ (G.): _Old Oriental Gilt and Enamelled Vessels_. German and English Editions. Vienna and London, 1899.
SCHUERMANS (H.): _The Wanderings of the Muranese and Altarist Glass-workers. Eleven Letters_. _Bulletins des Commissions Royales_. Bruxelles, 1883-1891.
_Spitzer Catalogue_. _See_ GARNIER and MOLINIER.
THEOPHILUS: _Diversarum Artium Schedula_. Eitelberger von Edelberg. _Quellenschriften für Kunstgeschichte_, vol. viii. Vienna, 1874.
URE (A.): _Dictionary of Arts_, article ‘Glass.’ 1853.
VOPEL (H.): _Die Altchristlichen Goldgläser_. Freiberg, 1899.
ZANETTI (V.):—
_Monographia della Vetraria Veneziana_. Venice, 1873.
_Museo Civico di Murano_; _Guida di Murano_. Venice, 1866.
KEY TO THE PRECEDING LIST
_Egyptian_, _etc._ Griffith, Layard, Petrie.
_Greco-Roman and Roman._ Deville, Froehner, Fowler, Minutoli, Naples Museum, Nesbitt, Pliny.
_Early Christian_, _Byzantine_, _Anglo-Saxon_, _etc._ Brent, Dalton, Garrucci, Heraclius, Passini, Read, Theophilus, Vopel.
_Saracenic and Perso-Indian._ Lane-Poole, Dobbs, Read, Schmoranz.
_Venetian_ (Murano and Altare). Biringuccio, Bontemps, Bordoni, Busselin, Cecchetti, Fioravanti, Garzoni, Houdoy, Labarte, Lazari, Neri, Pinchart, Santi, Schuermans, Zanetti.
_French and Spanish._ Boutellier, Fillon, Fourcaud, Gamier, Gerspach, Pelletier, Riaño.
_German._ Agricola, Brinckmann, Von Czihak, Friedrich, Kunckel, Lobmeyr, Mathesius, Schebek.
_English._ Bate, Hallen, Hartshorne, Merret, Owen, Pellat.
_Chinese._ Bapst, Bushell, Hirth.
_Technical._ Appert, Blancourt, Bontemps, Bosc d’Antic, D’Holbach, Kunckel, Lobmeyr, Loysel, Merret, Neri, Peligot, Pellat, Porter, Powell, Ure.
_General and historical._ Brinckmann, Franks, Garnier, Gerspach, Havard, Labarte, Lacroix, Nesbitt, Sauzay.
GLASS