Part 7

When Rebecca crept upstairs, and undressing in the dark finally found herself in her bed that night, though she was aching and throbbing in every nerve, she felt a kind of peace stealing over her. She had been saved from foolishness and error; kept from troubling her poor mother; prevented from angering and mortifying her aunts.

Her heart was melted now, and she determined to win aunt Miranda's approval by some desperate means, and to try and forget the one thing that rankled worst, the scornful mention of her father, of whom she thought with the greatest admiration, and whom she had not yet heard criticised; for such sorrows and disappointments as Aurelia Randall had suffered had never been communicated to her children.

It would have been some comfort to the bruised, unhappy little spirit to know that Miranda Sawyer was passing an uncomfortable night, and that she tacitly regretted her harshness, partly because Jane had taken such a lofty and virtuous position in the matter. She could not endure Jane's disapproval, although she would never have confessed to such a weakness.

As uncle Jerry drove homeward under the stars, well content with his attempts at keeping the peace, he thought wistfully of the touch of Rebecca's head on his knee, and the rain of her tears on his hand; of the sweet reasonableness of her mind when she had the matter put rightly before her; of her quick decision when she had once seen the path of duty; of the touching hunger for love and understanding that were so characteristic in her. "Lord A'mighty!" he ejaculated under his breath, "Lord A'mighty! to hector and abuse a child like that one! 'T ain't ABUSE exactly, I know, or 't wouldn't be to some o' your elephant-hided young ones; but to that little tender will-o'-the-wisp a hard word 's like a lash. Mirandy Sawyer would be a heap better woman if she had a little gravestun to remember, same's mother 'n' I have."

"I never see a child improve in her work as Rebecca has to-day," remarked Miranda Sawyer to Jane on Saturday evening. "That settin' down I gave her was probably just what she needed, and I daresay it'll last for a month."

"I'm glad you're pleased," returned Jane. "A cringing worm is what you want, not a bright, smiling child. Rebecca looks to me as if she'd been through the Seven Years' War. When she came downstairs this morning it seemed to me she'd grown old in the night. If you follow my advice, which you seldom do, you'll let me take her and Emma Jane down beside the river to-morrow afternoon and bring Emma Jane home to a good Sunday supper. Then if you'll let her go to Milltown with the Cobbs on Wednesday, that'll hearten her up a little and coax back her appetite. Wednesday 's a holiday on account of Miss Dearborn's going home to her sister's wedding, and the Cobbs and Perkinses want to go down to the Agricultural Fair."

XI

"THE STIRRING OF THE POWERS"

Rebecca's visit to Milltown was all that her glowing fancy had painted it, except that recent readings about Rome and Venice disposed her to believe that those cities might have an advantage over Milltown in the matter of mere pictorial beauty. So soon does the soul outgrow its mansions that after once seeing Milltown her fancy ran out to the future sight of Portland; for that, having islands and a harbor and two public monuments, must be far more beautiful than Milltown, which would, she felt, take its proud place among the cities of the earth, by reason of its tremendous business activity rather than by any irresistible appeal to the imagination.

It would be impossible for two children to see more, do more, walk more, talk more, eat more, or ask more questions than Rebecca and Emma Jane did on that eventful Wednesday.

"She's the best company I ever see in all my life," said Mrs. Cobb to her husband that evening. "We ain't had a dull minute this day. She's well-mannered, too; she didn't ask for anything, and was thankful for whatever she got. Did you watch her face when we went into that tent where they was actin' out Uncle Tom's Cabin? And did you take notice of the way she told us about the book when we sat down to have our ice cream? I tell you Harriet Beecher Stowe herself couldn't 'a' done it better justice."

"I took it all in," responded Mr. Cobb, who was pleased that "mother" agreed with him about Rebecca. "I ain't sure but she's goin' to turn out somethin' remarkable,--a singer, or a writer, or a lady doctor like that Miss Parks up to Cornish."

"Lady doctors are always home'paths, ain't they?" asked Mrs. Cobb, who, it is needless to say, was distinctly of the old school in medicine.

"Land, no, mother; there ain't no home'path 'bout Miss Parks--she drives all over the country."

"I can't see Rebecca as a lady doctor, somehow," mused Mrs. Cobb. "Her gift o' gab is what's goin' to be the makin' of her; mebbe she'll lecture, or recite pieces, like that Portland elocutionist that come out here to the harvest supper."

"I guess she'll be able to write down her own pieces," said Mr. Cobb confidently; "she could make 'em up faster 'n she could read 'em out of a book."

"It's a pity she's so plain looking," remarked Mrs. Cobb, blowing out the candle.

"PLAIN LOOKING, mother?" exclaimed her husband in astonishment. "Look at the eyes of her; look at the hair of her, an' the smile, an' that there dimple! Look at Alice Robinson, that's called the prettiest child on the river, an' see how Rebecca shines her ri' down out o' sight! I hope Mirandy'll favor her comin' over to see us real often, for she'll let off some of her steam here, an' the brick house'll be consid'able safer for everybody concerned. We've known what it was to hev children, even if 't was more 'n thirty years ago, an' we can make allowances."

Notwithstanding the encomiums of Mr. and Mrs. Cobb, Rebecca made a poor hand at composition writing at this time. Miss Dearborn gave her every sort of subject that she had ever been given herself: Cloud Pictures; Abraham Lincoln; Nature; Philanthropy; Slavery; Intemperance; Joy and Duty; Solitude; but with none of them did Rebecca seem to grapple satisfactorily.

"Write as you talk, Rebecca," insisted poor Miss Dearborn, who secretly knew that she could never manage a good composition herself.

"But gracious me, Miss Dearborn! I don't talk about nature and slavery. I can't write unless I have something to say, can I?"

"That is what compositions are for," returned Miss Dearborn doubtfully; "to make you have things to say. Now in your last one, on solitude, you haven't said anything very interesting, and you've made it too common and every-day to sound well. There are too many 'yous' and 'yours' in it; you ought to say 'one' now and then, to make it seem more like good writing. 'One opens a favorite book;' 'One's thoughts are a great comfort in solitude,' and so on."

"I don't know any more about solitude this week than I did about joy and duty last week," grumbled Rebecca.

"You tried to be funny about joy and duty," said Miss Dearborn reprovingly; "so of course you didn't succeed."

"I didn't know you were going to make us read the things out loud," said Rebecca with an embarrassed smile of recollection.

"Joy and Duty" had been the inspiring subject given to the older children for a theme to be written in five minutes.

Rebecca had wrestled, struggled, perspired in vain. When her turn came to read she was obliged to confess she had written nothing.

"You have at least two lines, Rebecca," insisted the teacher, "for I see them on your slate."

"I'd rather not read them, please; they are not good," pleaded Rebecca.

"Read what you have, good or bad, little or much; I am excusing nobody."

Rebecca rose, overcome with secret laughter, dread, and mortification; then in a low voice she read the couplet:--

When Joy and Duty clash Let Duty go to smash.

Dick Carter's head disappeared under the desk, while Living Perkins choked with laughter.

Miss Dearborn laughed too; she was little more than a girl, and the training of the young idea seldom appealed to the sense of humor.

"You must stay after school and try again, Rebecca," she said, but she said it smilingly. "Your poetry hasn't a very nice idea in it for a good little girl who ought to love duty."

"It wasn't MY idea," said Rebecca apologetically. "I had only made the first line when I saw you were going to ring the bell and say the time was up. I had 'clash' written, and I couldn't think of anything then but 'hash' or 'rash' or 'smash.' I'll change it to this:--

When Joy and Duty clash, 'T is Joy must go to smash."

"That is better," Miss Dearborn answered, "though I cannot think 'going to smash' is a pretty expression for poetry."

Having been instructed in the use of the indefinite pronoun "one" as giving a refined and elegant touch to literary efforts, Rebecca painstakingly rewrote her composition on solitude, giving it all the benefit of Miss Dearborn's suggestion. It then appeared in the following form, which hardly satisfied either teacher or pupil:--

SOLITUDE

It would be false to say that one could ever be alone when one has one's lovely thoughts to comfort one. One sits by one's self, it is true, but one thinks; one opens one's favorite book and reads one's favorite story; one speaks to one's aunt or one's brother, fondles one's cat, or looks at one's photograph album. There is one's work also: what a joy it is to one, if one happens to like work. All one's little household tasks keep one from being lonely. Does one ever feel bereft when one picks up one's chips to light one's fire for one's evening meal? Or when one washes one's milk pail before milking one's cow? One would fancy not.

R. R. R.

"It is perfectly dreadful," sighed Rebecca when she read it aloud after school. "Putting in 'one' all the time doesn't make it sound any more like a book, and it looks silly besides."

"You say such queer things," objected Miss Dearborn. "I don't see what makes you do it. Why did you put in anything so common as picking up chips?"

"Because I was talking about 'household tasks' in the sentence before, and it IS one of my household tasks. Don't you think calling supper 'one's evening meal' is pretty? and isn't 'bereft' a nice word?"

"Yes, that part of it does very well. It is the cat, the chips, and the milk pail that I don't like."

"All right!" sighed Rebecca. "Out they go; Does the cow go too?"

"Yes, I don't like a cow in a composition," said the difficult Miss Dearborn.

The Milltown trip had not been without its tragic consequences of a small sort; for the next week Minnie Smellie's mother told Miranda Sawyer that she'd better look after Rebecca, for she was given to "swearing and profane language;" that she had been heard saying something dreadful that very afternoon, saying it before Emma Jane and Living Perkins, who only laughed and got down on all fours and chased her.

Rebecca, on being confronted and charged with the crime, denied it indignantly, and aunt Jane believed her.

"Search your memory, Rebecca, and try to think what Minnie overheard you say," she pleaded. "Don't be ugly and obstinate, but think real hard. When did they chase you up the road, and what were you doing?"

A sudden light broke upon Rebecca's darkness.

"Oh! I see it now," she exclaimed. "It had rained hard all the morning, you know, and the road was full of puddles. Emma Jane, Living, and I were walking along, and I was ahead. I saw the water streaming over the road towards the ditch, and it reminded me of Uncle Tom's Cabin at Milltown, when Eliza took her baby and ran across the Mississippi on the ice blocks, pursued by the bloodhounds. We couldn't keep from laughing after we came out of the tent because they were acting on such a small platform that Eliza had to run round and round, and part of the time the one dog they had pursued her, and part of the time she had to pursue the dog. I knew Living would remember, too, so I took off my waterproof and wrapped it round my books for a baby; then I shouted, 'MY GOD! THE RIVER!' just like that--the same as Eliza did in the play; then I leaped from puddle to puddle, and Living and Emma Jane pursued me like the bloodhounds. It's just like that stupid Minnie Smellie who doesn't know a game when she sees one. And Eliza wasn't swearing when she said 'My God! the river!' It was more like praying."

"Well, you've got no call to be prayin', any more than swearin', in the middle of the road," said Miranda; "but I'm thankful it's no worse. You're born to trouble as the sparks fly upward, an' I'm afraid you allers will be till you learn to bridle your unruly tongue."

"I wish sometimes that I could bridle Minnie's," murmured Rebecca, as she went to set the table for supper.

"I declare she IS the beatin'est child!" said Miranda, taking off her spectacles and laying down her mending. "You don't think she's a leetle mite crazy, do you, Jane?"

"I don't think she's like the rest of us," responded Jane thoughtfully and with some anxiety in her pleasant face; "but whether it's for the better or the worse I can't hardly tell till she grows up. She's got the making of 'most anything in her, Rebecca has; but I feel sometimes as if we were not fitted to cope with her."

"Stuff an' nonsense!" said Miranda "Speak for yourself. I feel fitted to cope with any child that ever was born int' the world!"

"I know you do, Mirandy; but that don't MAKE you so," returned Jane with a smile.

The habit of speaking her mind freely was certainly growing on Jane to an altogether terrifying extent.

XII

"SEE THE PALE MARTYR"

It was about this time that Rebecca, who had been reading about the Spartan boy, conceived the idea of some mild form of self-punishment to be applied on occasions when she was fully convinced in her own mind that it would be salutary. The immediate cause of the decision was a somewhat sadder accident than was common, even in a career prolific in such things.

Clad in her best, Rebecca had gone to take tea with the Cobbs; but while crossing the bridge she was suddenly overcome by the beauty of the river and leaned over the newly painted rail to feast her eyes on the dashing torrent of the fall. Resting her elbows on the topmost board, and inclining her little figure forward in delicious ease, she stood there dreaming.

The river above the dam was a glassy lake with all the loveliness of blue heaven and green shore reflected in its surface; the fall was a swirling wonder of water, ever pouring itself over and over inexhaustibly in luminous golden gushes that lost themselves in snowy depths of foam. Sparkling in the sunshine, gleaming under the summer moon, cold and gray beneath a November sky, trickling over the dam in some burning July drought, swollen with turbulent power in some April freshet, how many young eyes gazed into the mystery and majesty of the falls along that river, and how many young hearts dreamed out their futures leaning over the bridge rail, seeing "the vision splendid" reflected there and often, too, watching it fade into "the light of common day."

Rebecca never went across the bridge without bending over the rail to wonder and to ponder, and at this special moment she was putting the finishing touches on a poem.

Two maidens by a river strayed Down in the state of Maine. The one was called Rebecca, The other Emma Jane. "I would my life were like the stream," Said her named Emma Jane, "So quiet and so very smooth, So free from every pain."

"I'd rather be a little drop In the great rushing fall! I would not choose the glassy lake, 'T would not suit me at all!" (It was the darker maiden spoke The words I just have stated, The maidens twain were simply friends And not at all related.)

But O! alas I we may not have The things we hope to gain; The quiet life may come to me, The rush to Emma Jane!

"I don't like 'the rush to Emma Jane,' and I can't think of anything else. Oh! what a smell of paint! Oh! it is ON me! Oh! it's all over my best dress! Oh! what WILL aunt Miranda say!"

With tears of self-reproach streaming from her eyes, Rebecca flew up the hill, sure of sympathy, and hoping against hope for help of some sort.

Mrs. Cobb took in the situation at a glance, and professed herself able to remove almost any stain from almost any fabric; and in this she was corroborated by uncle Jerry, who vowed that mother could git anything out. Sometimes she took the cloth right along with the spot, but she had a sure hand, mother had!

The damaged garment was removed and partially immersed in turpentine, while Rebecca graced the festal board clad in a blue calico wrapper of Mrs. Cobb's.

"Don't let it take your appetite away," crooned Mrs. Cobb. "I've got cream biscuit and honey for you. If the turpentine don't work, I'll try French chalk, magneshy, and warm suds. If they fail, father shall run over to Strout's and borry some of the stuff Marthy got in Milltown to take the currant pie out of her weddin' dress."

"I ain't got to understandin' this paintin' accident yet," said uncle Jerry jocosely, as he handed Rebecca the honey. "Bein' as how there's 'Fresh Paint' signs hung all over the breedge, so 't a blind asylum couldn't miss 'em, I can't hardly account for your gettin' int' the pesky stuff."

"I didn't notice the signs," Rebecca said dolefully. "I suppose I was looking at the falls."

"The falls has been there sence the beginnin' o' time, an' I cal'late they'll be there till the end on 't; so you needn't 'a' been in sech a brash to git a sight of 'em. Children comes turrible high, mother, but I s'pose we must have 'em!" he said, winking at Mrs. Cobb.

When supper was cleared away Rebecca insisted on washing and wiping the dishes, while Mrs. Cobb worked on the dress with an energy that plainly showed the gravity of the task. Rebecca kept leaving her post at the sink to bend anxiously over the basin and watch her progress, while uncle Jerry offered advice from time to time.

"You must 'a' laid all over the breedge, deary," said Mrs. Cobb; "for the paint 's not only on your elbows and yoke and waist, but it about covers your front breadth."

As the garment began to look a little better Rebecca's spirits took an upward turn, and at length she left it to dry in the fresh air, and went into the sitting-room.

"Have you a piece of paper, please?" asked Rebecca. "I'll copy out the poetry I was making while I was lying in the paint."

Mrs. Cobb sat by her mending basket, and uncle Jerry took down a gingham bag of strings and occupied himself in taking the snarls out of them,--a favorite evening amusement with him.

Rebecca soon had the lines copied in her round school-girl hand, making such improvements as occurred to her on sober second thought.

THE TWO WISHES BY REBECCA RANDALL

Two maidens by a river strayed, 'T was in the state of Maine. Rebecca was the darker one, The fairer, Emma Jane. The fairer maiden said, "I would My life were as the stream; So peaceful, and so smooth and still, So pleasant and serene."

"I'd rather be a little drop In the great rushing fall; I'd never choose the quiet lake; 'T would not please me at all." (It was the darker maiden spoke The words we just have stated; The maidens twain were simply friends, Not sisters, or related.)

But O! alas! we may not have The things we hope to gain. The quiet life may come to me, The rush to Emma Jane!

She read it aloud, and the Cobbs thought it not only surpassingly beautiful, but a marvelous production.

"I guess if that writer that lived on Congress Street in Portland could 'a' heard your poetry he'd 'a' been astonished," said Mrs. Cobb. "If you ask me, I say this piece is as good as that one o' his, 'Tell me not in mournful numbers;' and consid'able clearer."

"I never could fairly make out what 'mournful numbers' was," remarked Mr. Cobb critically.

"Then I guess you never studied fractions!" flashed Rebecca. "See here, uncle Jerry and aunt Sarah, would you write another verse, especially for a last one, as they usually do--one with 'thoughts' in it--to make a better ending?"

"If you can grind 'em out jest by turnin' the crank, why I should say the more the merrier; but I don't hardly see how you could have a better endin'," observed Mr. Cobb.

"It is horrid!" grumbled Rebecca. "I ought not to have put that 'me' in. I'm writing the poetry. Nobody ought to know it IS me standing by the river; it ought to be 'Rebecca,' or 'the darker maiden;' and 'the rush to Emma Jane' is simply dreadful. Sometimes I think I never will try poetry, it's so hard to make it come right; and other times it just says itself. I wonder if this would be better?

But O! alas! we may not gain The good for which we pray The quiet life may come to one Who likes it rather gay,

I don't know whether that is worse or not. Now for a new last verse!"

In a few minutes the poetess looked up, flushed and triumphant. "It was as easy as nothing. Just hear!" And she read slowly, with her pretty, pathetic voice:--

Then if our lot be bright or sad, Be full of smiles, or tears, The thought that God has planned it so Should help us bear the years.

Mr. and Mrs. Cobb exchanged dumb glances of admiration; indeed uncle Jerry was obliged to turn his face to the window and wipe his eyes furtively with the string-bag.

"How in the world did you do it?" Mrs. Cobb exclaimed.

"Oh, it's easy," answered Rebecca; "the hymns at meeting are all like that. You see there's a school newspaper printed at Wareham Academy once a month. Dick Carter says the editor is always a boy, of course; but he allows girls to try and write for it, and then chooses the best. Dick thinks I can be in it."

"IN it!" exclaimed uncle Jerry. "I shouldn't be a bit surprised if you had to write the whole paper; an' as for any boy editor, you could lick him writin', I bate ye, with one hand tied behind ye."

"Can we have a copy of the poetry to keep in the family Bible?" inquired Mrs. Cobb respectfully.

"Oh! would you like it?" asked Rebecca. "Yes indeed! I'll do a clean, nice one with violet ink and a fine pen. But I must go and look at my poor dress."