Part 14
"The wine is sweet, the aftertaste is bitter. Set not your teeth in the golden persimmon, It is rotten at the core. Fair is the scarlet flower of the Death Lily, Pluck it not. What is beauty? What is wisdom? What is love? Be not deceived. They are threads in the fabric of illusion!"
When Abé Yasu the Diviner had spoken, he came to Tamamo and he touched her with the sacred _Gohei_.
She gave a loud and terrible cry, and on the instant her form was changed into that of a great fox having nine long tails and hair like golden wire. The fox fled from Tamamo's bower, away and away, until it reached the far plain of Nasu, and it hid itself beneath a great black stone that was upon that plain.
But the Mikado was immediately recovered from his sickness.
Soon, strange and terrible things were told concerning the great stone of Nasu. A stream of poisonous water flowed from under it and withered the bright flowers of the plain. All who drank of the stream died, both man and beast. Moreover, nothing could go near the stone and live. The traveller who rested in its shadow arose no more, and the birds that perched upon it fell dead in a moment. People named it the Death Stone, and thus it was called for more than a hundred years.
Then it chanced that Genyo, the High Priest, who was a holy man indeed, took his staff and his begging bowl and went upon a pilgrimage.
When he came to Nasu, the dwellers upon the plain put rice into his bowl.
"O thou Holy Man," they said, "beware the Death Stone of Nasu. Rest not in its shade."
But Genyo, the High Priest, having remained a while in thought, made answer thus:
"Know, my children, what is written in the Book of the Good Law: 'Herbs, trees and rocks shall all enter into Nirvana.'"
With that he took his way to the Death Stone. He burnt incense, he struck the stone with his staff, and he cried, "Come forth, Spirit of the Death Stone; come forth, I conjure thee."
Then there was a great flame of fire and a rending noise, and the Stone burst and split in sunder. From the stone and from the fire there came a woman.
She stood before the Holy Man. She said:
"I am Tamamo, once called the Proud Perfection; I am the golden-haired Fox; I know the Sorceries of the East; I was worshipped by the Princes of Ind; I was great Cathay's undoing; I was wise and beautiful, Evil incarnate. The power of the Buddha has changed me; I have dwelt in grief for a hundred years; Tears have washed away my beauty and my sin. Shrive me, Genyo, shrive me, Holy Man; Let me have peace."
"Poor Spirit," said Genyo. "Take my staff and my priestly robe and my begging bowl and set forth upon the long journey of repentance."
Tamamo took the priestly robe and put it upon her; in one hand she took the staff, in the other the bowl. And when she had done this, she vanished for ever from the sight of earthly men.
"O thou, Tathagatha," said Genyo, "and thou, Kwannon, Merciful Lady, make it possible that one day even she may attain Nirvana."
XXIX
MOMOTARO
If you'll believe me there was a time when the fairies were none so shy as they are now. That was the time when beasts talked to men, when there were spells and enchantments and magic every day, when there was great store of hidden treasure to be dug up, and adventures for the asking.
At that time, you must know, an old man and an old woman lived alone by themselves. They were good and they were poor and they had no children at all.
One fine day, "What are you doing this morning, good man?" says the old woman.
"Oh," says the old man, "I'm off to the mountains with my billhook to gather a faggot of sticks for our fire. And what are you doing, good wife?"
"Oh," says the old woman, "I'm off to the stream to wash clothes. It's my washing day," she adds.
So the old man went to the mountains and the old woman went to the stream.
Now, while she was washing the clothes, what should she see but a fine ripe peach that came floating down the stream? The peach was big enough, and rosy red on both sides.
"I'm in luck this morning," said the dame, and she pulled the peach to shore with a split bamboo stick.
By-and-by, when her good man came home from the hills, she set the peach before him. "Eat, good man," she said; "this is a lucky peach I found in the stream and brought home for you."
But the old man never got a taste of the peach. And why did he not?
All of a sudden the peach burst in two and there was no stone to it, but a fine boy baby where the stone should have been.
"Mercy me!" says the old woman.
"Mercy me!" says the old man.
The boy baby first ate up one half of the peach and then he ate up the other half. When he had done this he was finer and stronger than ever.
"Momotaro! Momotaro!" cries the old man; "the eldest son of the peach."
"Truth it is indeed," says the old woman; "he was born in a peach."
Both of them took such good care of Momotaro that soon he was the stoutest and bravest boy of all that country-side. He was a credit to them, you may believe. The neighbours nodded their heads and they said, "Momotaro is the fine young man!"
"Mother," says Momotaro one day to the old woman, "make me a good store of _kimi-dango_" (which is the way that they call millet dumplings in those parts).
"What for do you want _kimi-dango_?" says his mother.
"Why," says Momotaro, "I'm going on a journey, or as you may say, an adventure, and I shall be needing the _kimi-dango_ on the way."
"Where are you going, Momotaro?" says his mother.
"I'm off to the Ogres' Island," says Momotaro, "to get their treasure, and I should be obliged if you'd let me have the _kimi-dango_ as soon as may be," he says.
So they made him the _kimi-dango_, and he put them in a wallet, and he tied the wallet to his girdle and off he set.
"_Sayonara_, and good luck to you, Momotaro!" cried the old man and the old woman.
"_Sayonara! Sayonara!_" cried Momotaro.
He hadn't gone far when he fell in with a monkey.
"Kia! Kia!" says the monkey. "Where are you off to, Momotaro?"
Says Momotaro, "I'm off to the Ogres' Island for an adventure."
"What have you got in the wallet hanging at your girdle?"
"Now you're asking me something," says Momotaro; "sure, I've some of the best millet dumplings in all Japan."
"Give me one," says the monkey, "and I will go with you."
So Momotaro gave a millet dumpling to the monkey, and the two of them jogged on together. They hadn't gone far when they fell in with a pheasant.
"Ken! Ken!" said the pheasant. "Where are you off to, Momotaro?"
Says Momotaro, "I'm off to the Ogres' Island for an adventure."
"What have you got in your wallet, Momotaro?"
"I've got some of the best millet dumplings in all Japan."
"Give me one," says the pheasant, "and I will go with you."
So Momotaro gave a millet dumpling to the pheasant, and the three of them jogged on together.
They hadn't gone far when they fell in with a dog.
"Bow! Wow! Wow!" says the dog. "Where are you off to, Momotaro?"
Says Momotaro, "I'm off to the Ogres' Island."
"What have you got in your wallet, Momotaro?"
"I've got some of the best millet dumplings in all Japan."
"Give me one," says the dog, "and I will go with you."
So Momotaro gave a millet dumpling to the dog, and the four of them jogged on together. By-and-by they came to the Ogres' Island.
"Now, brothers," says Momotaro, "listen to my plan. The pheasant must fly over the castle gate and peck the Ogres. The monkey must climb over the castle wall and pinch the Ogres. The dog and I will break the bolts and bars. He will bite the Ogres, and I will fight the Ogres."
Then there was the great battle.
The pheasant flew over the castle gate: "Ken! Ken! Ken!"
Momotaro broke the bolts and bars, and the dog leapt into the castle courtyard. "Bow! Wow! Wow!"
The brave companions fought till sundown and overcame the Ogres. Those that were left alive they took prisoners and bound with cords--a wicked lot they were.
"Now, brothers," says Momotaro, "bring out the Ogres' treasure."
So they did.
The treasure was worth having, indeed. There were magic jewels there, and caps and coats to make you invisible. There was gold and silver, and jade and coral, and amber and tortoise-shell and mother-of-pearl.
"Here's riches for all," says Momotaro. "Choose, brothers, and take your fill."
"Kia! Kia!" says the monkey. "Thanks, my Lord Momotaro."
"Ken! Ken!" says the pheasant. "Thanks, my Lord Momotaro."
"Bow! Wow! Wow!" says the dog. "Thanks, my dear Lord Momotaro."
XXX
THE MATSUYAMA MIRROR
[Illustration: The Matsuyama Mirror.--_P. 228._]
A long, long time ago there lived in a quiet spot a young man and his wife. They had one child, a little daughter, whom they both loved with all their hearts. I cannot tell you their names, for they have long since been forgotten; but the name of the place where they lived was Matsuyama, in the Province of Echigo.
It happened once, while the little girl was still a baby, that the father was obliged to go to the great city, the capital of Japan, upon some business. It was too far for the mother and her little baby to go, so he set out alone, after bidding them goodbye and promising to bring them home some pretty present.
The mother had never been farther from home than the next village, and she could not help being a little frightened at the thought of her husband taking such a long journey; and yet she was a little proud too, for he was the first man in all that country-side who had been to the big town where the king and his great lords lived, and where there were so many beautiful and curious things to be seen.
At last the time came when she might expect her husband back, so she dressed the baby in its best clothes, and herself put on a pretty blue dress which she knew her husband liked.
You may fancy how glad this good wife was to see him come home safe and sound, and how the little girl clapped her hands, and laughed with delight when she saw the pretty toys her father had brought for her. He had much to tell of all the wonderful things he had seen upon the journey, and in the town itself.
"I have brought you a very pretty thing," said he to his wife; "it is called a mirror. Look and tell me what you see inside." He gave to her a plain white wooden box, in which, when she had opened it, she found a round piece of metal. One side was white, like frosted silver, and ornamented with raised figures of birds and flowers; the other was bright as the clearest crystal. Into it the young mother looked with delight and astonishment, for, from its depths was looking at her with parted lips and bright eyes, a smiling happy face.
"What do you see?" again asked the husband, pleased at her astonishment and glad to show that he had learned something while he had been away.
"I see a pretty woman looking at me, and she moves her lips as if she was speaking, and--dear me, how odd, she has on a blue dress just like mine!"
"Why, you silly woman, it is your own face that you see!" said the husband, proud of knowing something that his wife didn't know. "That round piece of metal is called a mirror. In the town everybody has one, although we have not seen them in this country-place before."
The wife was charmed with her present, and for a few days could not look into the mirror often enough; for you must remember that as this was the first time she had seen a mirror, so, of course, it was the first time she had ever seen the reflection of her own pretty face. But she considered such a wonderful thing far too precious for everyday use, and soon shut it up in its box again and put it away carefully among her most valued treasures.
Years passed on, and the husband and wife still lived happily. The joy of their life was their little daughter, who grew up the very image of her mother, and who was so dutiful and affectionate that everybody loved her. Mindful of her own little passing vanity on finding herself so lovely, the mother kept the mirror carefully hidden away, fearing that the use of it might breed a spirit of pride in her little girl.
She never spoke of it, and as for the father he had forgotten all about it. So it happened that the daughter grew up as simple as the mother had been, and knew nothing of her own good looks, or of the mirror which would have reflected them.
But by-and-by a terrible misfortune happened to this happy little family. The good, kind mother fell sick; and, although her daughter waited upon her, day and night, with loving care, she got worse and worse, until at last there was no doubt but that she must die.
When she found that she must so soon leave her husband and child, the poor woman felt very sorrowful, grieving for those she was going to leave behind, and most of all for her little daughter.
She called the girl to her and said, "My darling child, you know that I am very sick; soon I must die and leave your dear father and you alone. When I am gone, promise me that you will look into this mirror every night and every morning; there you will see me, and know that I am still watching over you." With these words she took the mirror from its hiding-place and gave it to her daughter. The child promised, with many tears, and so the mother, seeming now calm and resigned, died a short time after.
Now this obedient and dutiful daughter never forgot her mother's last request, but each morning and evening took the mirror from its hiding-place, and looked in it long and earnestly. There she saw the bright and smiling vision of her lost mother. Not pale and sickly as in her last days, but the beautiful young mother of long ago. To her at night she told the story of the trials and difficulties of the day; to her in the morning she looked for sympathy and encouragement in whatever might be in store for her.
So day by day she lived as in her mother's sight, striving still to please her as she had done in her lifetime, and careful always to avoid whatever might pain or grieve her.
Her greatest joy was to be able to look in the mirror and say, "Mother, I have been to-day what you would have me to be."
Seeing her look into the mirror every night and morning without fail, and seem to hold converse with it, her father at length asked her the reason of her strange behaviour. "Father," she said, "I look in the mirror every day to see my dear mother and to talk with her." Then she told him of her mother's dying wish, and how she had never failed to fulfil it. Touched by so much simplicity, and such faithful, loving obedience, the father shed tears of pity and affection. Nor could he find it in his heart to tell the child that the image she saw in the mirror was but the reflection of her own sweet face, becoming by constant sympathy and association more and more like her dead mother's day by day.
XXXI
BROKEN IMAGES
Once there lived two brothers who were princes in the land.
The elder brother was a hunter. He loved the deep woods and the chase. He went from dawn to dark with his bow and his arrows. Swiftly he could run; he was strong and bright-eyed. The younger brother was a dreamer; his eyes were gentle. From dawn to dark he would sit with his book or with his thoughts. Sweetly could he sing of love, or of war, or of the green fields, and tell stories of the fairies and of the time of the gods.
Upon a fair day of summer the hunter betook himself very early to the woods, as was his wont. But the dreamer took his book in his hand, and, musing, he wandered by the stream's side, where grew the yellow mimulus.
"It is the fairies' money," he said; "it will buy all the joys of fairyland!" So he went on his way, smiling.
And when he had continued for some time, he came to a holy shrine. And there led to the shrine a hundred steps, moss-grown and grey. Beside the steps were guardian lions, carved in stone. Behind the shrine was Fugi, the Mystic Mountain, white and beautiful, and all the lesser hills rose softly up like prayers.
"O peerless Fugi," said the dreamer, "O passionless wonder mountain! To see thee is to hear sweet music without sound, the blessed harmony of silence."
Then he climbed the steps, moss-grown and grey. And the lions that were carved in stone rose up and followed him, and they came with him to the inner gates of the shrine and stayed there.
In the shrine there was a hush of noonday. The smoke of incense curled and hung upon the air. Dimly shone the gold and the bronze, the lights and the mystic mirrors.
There was a sound of singing in the shrine, and turning, the dreamer saw a man who stood at his right hand. The man was taller than any child of earth. Moreover, his face shone with the glory of a youth that cannot pass away. He held a year-old child upon his arm and hushed it to sleep, singing a strange melody. When the babe fell asleep he was well pleased, and smiled.
"What babe is that?" said the dreamer.
"O dreamer, it is no babe, but a spirit."
"Then, my lord, what are you?" said the dreamer.
"I am Jizo, who guards the souls of little children. It is most pitiful to hear their crying when they come to the sandy river-bed, the _Sai-no-kawara_. O dreamer, they come alone, as needs they must, wailing and wandering, stretching out their pretty hands. They have a task, which is to pile stones for a tower of prayer. But in the night come the _Oni_ to throw down the towers and to scatter all the stones. So the children are made afraid, and their labour is lost."
"What then, my lord Jizo?" said the dreamer.
"Why, then I come, for the Great One gives me leave. And I call 'Come hither, wandering souls.' And they fly to me that I may hide them in my long sleeves. I carry them in my arms and on my breast, where they lie light and cold,--as light and cold as the morning mist upon the mountains."
When he had spoken, the year-old child stirred and murmured: so he rocked it, and wandered to and fro in the quiet temple court and hushed it as he went.
So the swift moments flew and the noontide passed away.
Presently there came to the shrine a lady most gentle and beautiful. Grey was her robe, and she had silver sandals on her feet. She said, "I am called The Merciful. For mankind's dear sake, I have refused eternal peace. The Great One has given to me a thousand loving arms, arms of mercy. And my hands are full of gifts. O dreamer, when you dream your dreams you shall see me in my lotus boat when I sail upon the mystic mere."
"Lady, Lady Kwannon ..." said the dreamer.
Then came one clothed in blue, speaking with a sweet, deep, well-known voice.
"I am Benten, the Goddess of the Sea and the Goddess of Song. My dragons are about me and beneath my feet. See their green scales and their opal eyes. Greeting, O dreamer!"
After her there came a band of blooming boys, laughing and holding out their rosy arms. "We are the Sons of the Sea Goddess," they said. "Come, dreamer, come to our cool caves."
The God of Roads came, and his three messengers with him. Three apes were the three messengers. The first ape covered his eyes with his hands, for he could see no evil thing. The second ape covered his ears with his hands, for he could hear no evil thing. The third ape covered his mouth with his hands, for he could speak no evil thing. Then came She, the fearful woman who takes the clothes of the dead who are not able to pay their toll, so that they must stand shivering at the entrance of the mysterious Three Ways. They are unfortunate indeed.
And many and many a vision the dreamer saw in that enchanted shrine.
And dark night fell, with storm and tempest and the sound of rain upon the roof. Yet the dreamer never stirred. Suddenly there was a sound of hurrying feet without. A voice called loud, "My brother, my brother, my brother!..." In sprang the hunter through the golden temple doors.
"Where are you?" he cried, "my brother, my brother!" He had his swinging lantern in his hand and held it high, as he flung his long blown hair back over his shoulder. His face was bright with the rain upon it, his eyes were as keen as an eagle's.
"O brother ..." said the dreamer, and ran to meet him.
"Now the dear gods be thanked that I have you safe and sound," said the hunter. "Half the night I have sought you, wandering in the forest and by the stream's side. I was all to blame for leaving you ... my little brother." With that, he took his brother's face between his two warm hands.
But the dreamer sighed, "I have been with the gods all night," he said, "and I think I see them still. The place is holy."
Then the hunter flashed his light upon the temple walls, upon the gilding and the bronze.
"I see no gods," he said.
"What see you, brother?"
"I see a row of stones, broken images, grey, with moss-grown feet."
"They are grey because they are sad, they are sad because they are forgotten," said the dreamer.
But the hunter took him by the hand and led him into the night.
The dreamer said, "O brother, how sweet is the scent of the bean fields after the rain."
"Now bind your sandals on," said the hunter, "and I'll run you a race to our home."
XXXII
THE TONGUE-CUT SPARROW