Chapter 9 of 22 · 3571 words · ~18 min read

Part 9

San Remo has an elder brother among the hills, which is called San Romolo, after one of the old bishops of Genoa. Who San Remo was is buried in remote antiquity; but his town has prospered, while of San Romolo nothing remains but a ruined hill-convent among pine-trees. The old convent is worth visiting. Its road carries you into the heart of the sierra which surrounds San Remo, a hill-country something like the Jura, undulating and green to the very top with maritime pines and pinasters. Riding up, you hear all manner of Alpine sounds; brawling streams, tinkling cowbells, and herdsmen calling to each other on the slopes. Beneath you lies San Remo, scarcely visible; and over it the great sea rises ever so far into the sky, until the white sails hang in air, and cloud and sea-line melt into each other indistinguishably. Spanish chestnuts surround the monastery with bright blue gentians, hepaticas, forget-me-nots, and primroses about their roots. The house itself is perched on a knoll with ample prospect to the sea and to the mountains, very near to heaven, within a theatre of noble contemplations and soul-stirring thoughts. If Mentone spoke to me of the poetry of Greek pastoral life, this convent speaks of mediæval monasticism--of solitude with God, above, beneath, and all around, of silence and repose from agitating cares, of continuity in prayer, and changelessness of daily life. Some precepts of the _Imitatio_ came into my mind: 'Be never wholly idle; read or write, pray or meditate, or work with diligence for the common needs.' 'Praiseworthy is it for the religious man to go abroad but seldom, and to seem to shun, and keep his eyes from men.' 'Sweet is the cell when it is often sought, but if we gad about, it wearies us by its seclusion.' Then I thought of the monks so living in this solitude; their cell windows looking across the valley to the sea, through summer and winter, under sun and stars. Then would they read or write, what long melodious hours! or would they pray, what stations on the pine-clad hills! or would they toil, what terraces to build and plant with corn, what flowers to tend, what cows to milk and pasture, what wood to cut, what fir-cones to gather for the winter fire! or should they yearn for silence, silence from their comrades of the solitude, what whispering galleries of God, where never human voice breaks loudly, but winds and streams and lonely birds disturb the awful stillness! In such a hermitage as this, only more wild, lived S. Francis of Assisi, among the Apennines.[7] It was there that he learned the tongues of beasts and birds, and preached them sermons. Stretched for hours motionless on the bare rocks, coloured like them and rough like them in his brown peasant's serge, he prayed and meditated, saw the vision of Christ crucified, and planned his order to regenerate a vicious age. So still he lay, so long, so like a stone, so gentle were his eyes, so kind and low his voice, that the mice nibbled breadcrumbs from his wallet, lizards ran over him, and larks sang to him in the air. There, too, in those long, solitary vigils, the Spirit of God came upon him, and the spirit of Nature was even as God's Spirit, and he sang: 'Laudato sia Dio mio Signore, con tutte le creature, specialmente messer lo frate sole; per suor luna, e per le stelle; per frate vento e per l'aire, e nuvolo, e sereno e ogni tempo.' Half the value of this hymn would be lost were we to forget how it was written, in what solitudes and mountains far from men, or to ticket it with some abstract word like Pantheism. Pantheism it is not; but an acknowledgment of that brotherhood, beneath the love of God, by which the sun and moon and stars, and wind and air and cloud, and clearness and all weather, and all creatures, are bound together with the soul of man.

Few, of course, were like S. Francis. Probably no monk of San Romolo was inspired with his enthusiasm for humanity, or had his revelation of the Divine Spirit inherent in the world. Still fewer can have felt the æsthetic charm of Nature but most vaguely. It was as much as they could boast, if they kept steadily to the rule of their order, and attended to the concerns each of his own soul. A terrible selfishness, if rightly considered; but one which accorded with the delusion that this world is a cave of care, the other world a place of torture or undying bliss, death the prime object of our meditation, and lifelong abandonment of our fellow-men the highest mode of existence. Why, then, should monks, so persuaded of the riddle of the earth, have placed themselves in scenes so beautiful? Why rose the Camaldolis and Chartreuses over Europe? white convents on the brows of lofty hills, among the rustling boughs of Vallombrosas, in the grassy meadows of Engelbergs,--always the eyries of Nature's lovers, men smitten with the loveliness of earth? There is surely some meaning in these poetic stations.

Here is a sentence of the _Imitatio_ which throws some light upon the hymn of S. Francis and the sites of Benedictine monasteries, by explaining the value of natural beauty for monks who spent their life in studying death: 'If thy heart were right, then would every creature be to thee a mirror of life, and a book of holy doctrine. There is no creature so small and vile that does not show forth the goodness of God.' With this sentence bound about their foreheads, walked Fra Angelico and S. Francis. To men like them the mountain valleys and the skies, and all that they contained, were full of deep significance. Though they reasoned '_de conditione humanæ miseriæ_,' and '_de contemptu mundi_,' yet the whole world was a pageant of God's glory, a testimony to His goodness. Their chastened senses, pure hearts, and simple wills were as wings by which they soared above the things of earth, and sent the music of their souls aloft with every other creature in the symphony of praise. To them, as to Blake, the sun was no mere blazing disc or ball, but 'an innumerable company of the heavenly host singing, "Holy, holy, holy is the Lord God Almighty."' To them the winds were brothers, and the streams were sisters--brethren in common dependence upon God their Father, brethren in common consecration to His service, brethren by blood, brethren by vows of holiness. Unquestioning faith rendered this world no puzzle; they overlooked the things of sense because the spiritual things were ever present, and as clear as day. Yet did they not forget that spiritual things are symbolised by things of sense; and so the smallest herb of grass was vital to their tranquil contemplations. We who have lost sight of the invisible world, who set our affections more on things of earth, fancy that because these monks despised the world, and did not write about its landscapes, therefore they were dead to its beauty. This is mere vanity: the mountains, stars, seas, fields, and living things were only swallowed up in the one thought of God, and made subordinate to the awfulness of human destinies. We to whom hills are hills, and seas are seas, and stars are ponderable quantities, speak, write, and reason of them as of objects interesting in themselves. The monks were less ostensibly concerned about such things, because they only found in them the vestibules and symbols of a hidden mystery.

The contrast between the Greek and mediæval modes of regarding Nature is not a little remarkable. Both Greeks and monks, judged by nineteenth-century standards, were unobservant of natural beauties. They make but brief and general remarks upon landscapes and the like. The [Greek: pontiôn te kumatôn anêrithmon gelasma] is very rare. But the Greeks stopped at the threshold of Nature; the forces they found there, the gods, were inherent in Nature, and distinct. They did not, like the monks, place one spiritual power, omnipotent and omnipresent, above all, and see in Nature lessons of Divine government. We ourselves having somewhat overstrained the latter point of view, are now apt to return vaguely to Greek fancies. Perhaps, too, we talk so much about scenery because it is scenery to us, and the life has gone out of it.

I cannot leave the Cornice without one word about a place which lies between Mentone and San Remo. Bordighera has a beauty which is quite distinct from both. Palms are its chief characteristics. They lean against the garden walls, and feather the wells outside the town, where women come with brazen pitchers to draw water. In some of the marshy tangles of the plain, they spring from a thick undergrowth of spiky leaves, and rear their tall aërial arms against the deep blue background of the sea or darker purple of the distant hills. White pigeons fly about among their branches, and the air is loud with cooings and with rustlings, and the hoarser croaking of innumerable frogs. Then, in the olive-groves that stretch along the level shore, are labyrinths of rare and curious plants, painted tulips and white periwinkles, flinging their light of blossoms and dark glossy leaves down the swift channels of the brawling streams. On each side of the rivulets they grow, like sister cataracts of flowers instead of spray. At night fresh stars come out along the coast, beneath the stars of heaven; for you can see the lamps of Ventimiglia and Mentone and Monaco, and, far away, the lighthouses upon the promontories of Antibes and the Estrelles. At dawn, a vision of Corsica grows from the sea. The island lies eighty miles away, but one can trace the dark strip of irregular peaks glowing amid the gold and purple of the rising sun. If the air is clear and bright, the snows and overvaulting clouds which crown its mountains shine all day, and glitter like an apparition in the bright blue sky. 'Phantom fair,' half raised above the sea, it stands, as unreal and transparent as the moon when seen in April sunlight, yet not to be confounded with the shape of any cloud. If Mentone speaks of Greek legends, and San Romolo restores the monastic past, we feel ourselves at Bordighera transported to the East; and lying under its tall palms can fancy ourselves at Tyre or Daphne, or in the gardens of a Moslem prince.

Note.--Dec. 1873. My old impressions are renewed and confirmed by a third visit, after seven years, to this coast. For purely idyllic loveliness, the Cornice is surpassed by nothing in the South. A very few spots in Sicily, the road between Castellammare and Amalfi, and the island of Corfu, are its only rivals in this style of scenery. From Cannes to Sestri is one continuous line of exquisitely modulated landscape beauty, which can only be fully appreciated by travellers in carriage or on foot.

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_AJACCIO_

It generally happens that visitors to Ajaccio pass over from the Cornice coast, leaving Nice at night, and waking about sunrise to find themselves beneath the frowning mountains of Corsica. The difference between the scenery of the island and the shores which they have left is very striking. Instead of the rocky mountains of the Cornice, intolerably dry and barren at their summits, but covered at their base with villages and ancient towns and olive-fields, Corsica presents a scene of solitary and peculiar grandeur. The highest mountain-tops are covered with snow, and beneath the snow-level to the sea they are as green as Irish or as English hills, but nearly uninhabited and uncultivated. Valleys of almost Alpine verdure are succeeded by tracts of chestnut wood and scattered pines, or deep and flowery brushwood--the 'maquis' of Corsica, which yields shelter to its traditional outlaws and bandits. Yet upon these hillsides there are hardly any signs of life; the whole country seems abandoned to primeval wildness and the majesty of desolation. Nothing can possibly be more unlike the smiling Riviera, every square mile of which is cultivated like a garden, and every valley and bay dotted over with white villages. After steaming for a few hours along this savage coast, the rocks which guard the entrance to the bay of Ajaccio, murderous-looking teeth and needles ominously christened Sanguinari, are passed, and we enter the splendid land-locked harbour, on the northern shore of which Ajaccio is built. About three centuries ago the town, which used to occupy the extreme or eastern end of the bay, was removed to a more healthy point upon the northern coast, so that Ajaccio is quite a modern city. Visitors who expect to find in it the picturesqueness of Genoa or San Remo, or even of Mentone, will be sadly disappointed. It is simply a healthy, well-appointed town of recent date, the chief merits of which are, that it has wide streets, and is free, externally at least, from the filth and rubbish of most southern seaports.

But if Ajaccio itself is not picturesque, the scenery which it commands, and in the heart of which it lies, is of the most magnificent. The bay of Ajaccio resembles a vast Italian lake--a Lago Maggiore, with greater space between the mountains and the shore. From the snow-peaks of the interior, huge granite crystals clothed in white, to the southern extremity of the bay, peak succeeds peak and ridge rises behind ridge in a line of wonderful variety and beauty. The atmospheric changes of light and shadow, cloud and colour, on this upland country, are as subtle and as various as those which lend their beauty to the scenery of the lakes, while the sea below is blue and rarely troubled. One could never get tired with looking at this view. Morning and evening add new charms to its sublimity and beauty. In the early morning Monte d'Oro sparkles like a Monte Rosa with its fresh snow, and the whole inferior range puts on the crystal blueness of dawn among the Alps. In the evening, violet and purple tints and the golden glow of Italian sunset lend a different lustre to the fairyland. In fact, the beauties of Switzerland and Italy are curiously blended in this landscape.

In soil and vegetation the country round Ajaccio differs much from the Cornice. There are very few olive-trees, nor is the cultivated ground backed up so immediately by stony mountains; but between the seashore and the hills there is plenty of space for pasture-land, and orchards of apricot and peach-trees, and orange gardens. This undulating champaign, green with meadows and watered with clear streams, is very refreshing to the eyes of Northern people, who may have wearied of the bareness and greyness of Nice or Mentone. It is traversed by excellent roads, recently constructed on a plan of the French Government, which intersect the country in all directions, and offer an infinite variety of rides or drives to visitors. The broken granite of which these roads are made is very pleasant for riding over. Most of the hills through which they strike, after starting from Ajaccio, are clothed with a thick brushwood of box, ilex, lentisk, arbutus, and laurustinus, which stretches down irregularly into vineyards, olive-gardens, and meadows. It is, indeed, the native growth of the island; for wherever a piece of ground is left untilled, the macchi grow up, and the scent of their multitudinous aromatic blossoms is so strong that it may be smelt miles out at sea. Napoleon, at S. Helena, referred to this fragrance when he said that he should know Corsica blindfold by the smell of its soil. Occasional woods of holm oak make darker patches on the landscape, and a few pines fringe the side of enclosure walls or towers. The prickly pear runs riot in and out among the hedges and upon the walls, diversifying the colours of the landscape with its strange grey-green masses and unwieldy fans. In spring, when peach and almond trees are in blossom, and when the roadside is starred with asphodels, this country is most beautiful in its gladness. The macchi blaze with cistus flowers of red and silver. Golden broom mixes with the dark purple of the great French lavender, and over the whole mass of blossom wave plumes of Mediterranean heath and sweet-scented yellow coronilla. Under the stems of the ilex peep cyclamens, pink and sweet; the hedgerows are a tangle of vetches, convolvuluses, lupines, orchises, and alliums, with here and there a purple iris. It would be difficult to describe all the rare and lovely plants which are found here in a profusion that surpasses even the flower-gardens of the Cornice, and reminds one of the most favoured Alpine valleys in their early spring.

Since the French occupied Corsica they have done much for the island by improving its harbours and making good roads, and endeavouring to mitigate the ferocity of the people. But they have many things to contend against, and Corsica is still behind the other provinces of France. The people are idle, haughty, umbrageous, fiery, quarrelsome, fond of gipsy life, and retentive through generations of old feuds and prejudices to an almost inconceivable extent. Then the nature of the country itself offers serious obstacles to its proper colonisation and cultivation. The savage state of the island and its internal feuds have disposed the Corsicans to quit the seaboard for their mountain villages and fortresses, so that the great plains at the foot of the hills are unwholesome for want of tillage and drainage. Again, the mountains themselves have in many parts been stripped of their forests, and converted into mere wildernesses of macchi stretching up and down their slopes for miles and miles of useless desolation. Another impediment to proper cultivation is found in the old habit of what is called free pasturage. The highland shepherds are allowed by the national custom to drive down their flocks and herds to the lowlands during the winter, so that fences are broken, young crops are browsed over and trampled down, and agriculture becomes a mere impossibility. The last and chief difficulty against which the French have had to contend, and up to this time with apparent success, is brigandage. The Corsican system of brigandage is so very different from that of the Italians, Sicilians, and Greeks, that a word may be said about its peculiar character. In the first place, it has nothing at all to do with robbery and thieving. The Corsican bandit took to a free life among the macchi, not for the sake of supporting himself by lawless depredation, but because he had put himself under a legal and social ban by murdering some one in obedience to the strict code of honour of his country. His victim may have been the hereditary foe of his house for generations, or else the newly made enemy of yesterday. But in either case, if he had killed him fairly, after a due notification of his intention to do so, he was held to have fulfilled a duty rather than to have committed a crime. He then betook himself to the dense tangles of evergreens which I have described, where he lived upon the charity of countryfolk and shepherds. In the eyes of those simple people it was a sacred duty to relieve the necessities of the outlaws, and to guard them from the bloodhounds of justice. There was scarcely a respectable family in Corsica who had not one or more of its members thus _alla campagna_, as it was euphemistically styled. The Corsicans themselves have attributed this miserable state of things to two principal causes. The first of these was the ancient bad government of the island: under its Genoese rulers no justice was administered, and private vengeance for homicide or insult became a necessary consequence among the haughty and warlike families of the mountain villages. Secondly, the Corsicans have been from time immemorial accustomed to wear arms in everyday life. They used to sit at their house doors and pace the streets with musket, pistol, dagger, and cartouch-box on their persons; and on the most trivial occasion of merriment or enthusiasm they would discharge their firearms. This habit gave a bloody termination to many quarrels, which might have ended more peaceably had the parties been unarmed; and so the seeds of _vendetta_ were constantly being sown. Statistics published by the French Government present a hideous picture of the state of bloodshed in Corsica even during this century. In one period of thirty years (between 1821 and 1850) there were 4319 murders in the island. Almost every man was watching for his neighbour's life, or seeking how to save his own; and agriculture and commerce were neglected for this grisly game of hide-and-seek. In 1853 the French began to take strong measures, and, under the Prefect Thuillier, they hunted the bandits from the macchi, killing between 200 and 300 of them. At the same time an edict was promulgated against bearing arms. It is forbidden to sell the old Corsican stiletto in the shops, and no one may carry a gun, even for sporting purposes, unless he obtains a special licence. These licences, moreover, are only granted for short and precisely measured periods.