Part 14

He drank again and eyed me darkly, and then went on in his crack-brained way, "What is life but a challenge to pretense, a constant exercise in duplicity, with so few that come to master it as an art? Every one goes about with something locked deep in his heart. Take yourself, Captain Barnaby. You have your secrets--hidden from me, from all the world--which, if they could be dragged out of you----"

His deep-set eyes bored through the darkness upon me. Hunched up in the deck chair, with his legs crossed under him, he was like an animated Buddha venting a dark philosophy and seeking to undermine my mental balance with his sophistry.

"I'm a plain man of the sea," I rejoined, bluntly. "I take life as it comes."

He smiled derisively, drained his glass, and held it out again. "But you have your secrets, rather clumsily guarded, to be sure----"

"What secrets?" I cried out, goaded almost beyond endurance.

He seemed to deprecate the vigor of my retort and lifted a cautioning hand. "Do you want every one on board to hear this conversation?"

At that moment the smoke-wrapped cone of Lakalatcha was cleft by a sheet of flame, and we confronted each other in a sort of blood-red dawn.

"There is no reason why we should quarrel," he went on, after darkness had enveloped us again. "But there are times which call for plain speaking. Major Stanleigh is probably hardly aware of just what he said to me under a little artful questioning. It seems that a lady who--shall we say, whom we both have the honor of knowing?--is in love. Love, mark you. It is always interesting to see that flower bud twice from the same stalk. However, one naturally defers to a lady, especially when one is very much in her way. _Place aux dames_, eh? Exit poor Farquharson! You must admit that his was an altruistic soul. Well, she has her freedom--if only to barter it for a new bondage. Shall we drink to the happy future of that romance?"

He lifted to me his glass with ironical invitation, while I sat aghast and speechless, my heart pounding against my ribs. This intolerable colloquy could not last forever. I deliberated what I should do if we were surprised. At the sound of a footfall or the soft creak of a plank I felt that I might lose all control and leap up and brain him with the heavy bottle in my grasp. I had an insane desire to spring at his throat and throttle his infamous bravado, tumble him overboard and annihilate the last vestige of his existence.

"Come, Captain," he urged, "you, too, have shared in smoothing the path for these lovers. Shall we not drink to their happy union?"

A feeling of utter loathing went over me. I set my glass down. "It would be a more serviceable compliment to the lady in question if I strangled you on the spot," I muttered, boldly.

"But you are forgetting that I am already dead." He threw his head back as if vastly amused, then lurched forward and held out his glass a little unsteadily to be refilled.

He gave me a quick, evil look. "Besides, the noise might disturb your passengers."

I could feel a cold perspiration suddenly breaking out upon my body. Either the fellow had obtained an inkling of the truth in some incredible way, or was blindly on the track of it, guided by some diabolical scent. Under the spell of his eyes I could not manage the outright lie which stuck in my throat.

"What makes you think I have passengers?" I parried, weakly.

With intent or not, he was again fingering the fringe of the scarf that hung over the arm of the chair.

"It is not your usual practice, but you have been carrying them lately."

He drained his glass and sat staring into it, his head drooping a little forward. The heavy wine was beginning to have its effect upon him, but whether it would provoke him to some outright violence or drag him down into a stupor, I could not predict. Suddenly the glass slipped from his fingers and shivered to pieces on the deck. I started violently at the sound, and in the silence that followed I thought I heard a footfall in the cabin below.

He looked up at length from his absorbed contemplation of the bits of broken glass. "We were talking about love, were we not?" he demanded, heavily.

I did not answer. I was straining to catch a repetition of the sound from below. Time was slipping rapidly away, and to sit on meant inevitable discovery. The watch might waken or the mate appear to surprise me in converse with my nocturnal visitor. It would be folly to attempt to conceal his presence and I despaired of getting him back to the shore while his present mood held, although I remembered that the small boat, which had been lowered after we went aground, was still moored to the rail amidships.

Refilling my own glass, I offered it to him. He lurched forward to take it, but the fumes of the wine suddenly drifted clear of his brain. "You seem very much distressed," he observed, with ironic concern. "One might think you were actually sheltering these precious love-birds."

Perspiration broke out anew upon my face and neck. "I don't know what you are talking about," I bluntly tried to fend off his implications. I felt as if I were helplessly strapped down and that he was about to probe me mercilessly with some sharp instrument. I strove to turn the direction of his thoughts by saying, "I understand that the Stanleighs are returning to England."

"The Stanleighs--quite so," he nodded agreement, and fixed me with a maudlin stare. Something prompted me to fill his glass again. He drank it off mechanically. Again I poured, and he obediently drank. With an effort he tried to pick up the thread of our conversation:

"What did you say? Oh, the Stanleighs ... yes, yes, of course." He slowly nodded his head and fell silent. "I was about to say ..." He broke off again and seemed to ruminate profoundly.... "Love-birds----" I caught the word feebly from his lips, spoken as if in a daze. The glass hung dripping in his relaxed grasp.

It was a crucial moment in which his purpose seemed to waver and die in his clouded brain. A great hope sprang up in my heart, which was hammering furiously. If I could divert his fuddled thoughts and get him back to shore while the wine lulled him to forgetfulness.

I leaned forward to take the glass which was all but slipping from his hand when Lakalatcha flamed with redoubled fury. It was as if the mountain had suddenly bared its fiery heart to the heavens, and a muffled detonation reached my ears.

Farquharson straightened up with a jerk and scanned the smoking peak, from which a new trickle of white-hot lava had broken forth in a threadlike waterfall. He watched its graceful play as if hypnotized, and began babbling to himself in an incoherent prattle. All his faculties seemed suddenly awake, but riveted solely upon the heavy laboring of the mountain. He was chiding it in Malay as if it were a fractious child. When I ventured to urge him back to shore he made no protest, but followed me into the boat. As I pushed off and took up the oars he had eyes for nothing but the flaming cone, as if its leaping fires held for him an Apocalyptic vision.

I strained at the oars as if in a race, with all eternity at stake, blindly urging the boat ahead through water that flashed crimson at every stroke. The mountain now flamed like a beacon, and I rowed for dear life over a sea of blood.

Farquharson sat entranced before the spectacle, chanting to himself a kind of insane ritual, like a Parsee fire-worshiper making obeisance before his god. He was rapt away to some plane of mystic exaltation, to some hinterland of the soul that merged upon madness. When at length the boat crunched upon the sandy shore he got up unsteadily from the stern and pointed to the pharos that flamed in the heavens.

"The fire upon the altar is lit," he addressed me, oracularly, while the fanatic light of a devotee burned in his eyes. "Shall we ascend and prepare the sacrifice?"

I leaned over the oars, panting from my exertions, indifferent to his rhapsody.

"If you'll take my advice, you'll get back at once to your bungalow and strip off that wet sleeping-suit," I bluntly counseled him, but I might as well have argued with a man in a trance.

He leaped over the gunwale and strode up the beach. Again he struck his priestlike attitude and invoked me to follow.

"The fire upon the altar waits," he repeated, solemnly. Suddenly he broke into a shrill laugh and ran like a deer in the direction of the forest that stretched up the slopes of the mountain.

The mate's face, thrust over the rail as I drew alongside the schooner, plainly bespoke his utter bewilderment. He must have though me bereft of my senses to be paddling about at that hour of the night. The tide had made, and the _Sylph_, righting her listed masts, was standing clear of the shoal. The deck was astir, and when the command was given to hoist the sails it was obeyed with an uneasy alacrity. The men worked frantically in a bright, unnatural day, for Lakalatcha was now continuously aflame and tossing up red-hot rocks to the accompaniment of dull sounds of explosion.

My first glance about the deck had been one of relief to note that Joyce and his wife were not there, although the commotion of getting under sail must have awakened them. A breeze had sprung up which would prove a fair wind as soon as the _Sylph_ stood clear of the point. The mate gave a grunt of satisfaction when at length the schooner began to dip her bow and lay over to her task. Leaving him in charge, I started to go below, when suddenly Mrs. Joyce, fully dressed, confronted me. She seemed to have materialized out of the air like a ghost. Her hair glowed like burnished copper in the unnatural illumination which bathed the deck, but her face was ashen, and the challenge of her eyes made my heart stop short.

"You have been awake long?" I ventured to ask.

"Too long," she answered, significantly, with her face turned away, looking down into the water. She had taken my arm and drawn me toward the rail. Now I felt her fingers tighten convulsively. In the droop of her head and the tense curve of her neck I sensed her mad impulse which the dark water suggested.

"Mrs. Joyce!" I remonstrated, sharply.

She seemed to go limp all over at the words. I drew her along the deck for a faltering step or two, while her eyes continued to brood upon the water rushing past. Suddenly she spoke:

"What other way out is there?"

"Never that," I said, shortly. I urged her forward again. "Is your husband asleep?"

"Thank God, yes!"

"Then you have been awake----"

"For over an hour," she confessed, and I detected the shudder that went over her body.

"The man is mad----"

"But I am married to him." She stopped and caught at the rail like a prisoner gripping at the bars that confine him. "I cannot--cannot endure it! Where are you taking me? Where _can_ you take me? Don't you see that there is no escape--from this?"

The _Sylph_ rose and sank to the first long roll of the open sea.

"When we reach Malduna----" I began, but the words were only torture.

"I cannot--cannot go on. Take me back!--to that island. Let me live abandoned--or rather die----"

"Mrs. Joyce, I beg of you...."

The schooner rose and dipped again.

For what seemed an interminable time we paced the deck together while Lakalatcha flamed farther and farther astern. Her words came in fitful snatches as if spoken in a delirium, and at times she would pause and grip the rail to stare back, wild-eyed, at the receding island.

Suddenly she started, and in a sort of blinding, noonday blaze I saw her face blanch with horror. It was as if at that moment the heavens had cracked asunder and the night had fallen away in chaos. Turning, I saw the cone of the mountain lifting skyward in fragments--and saw no more, for the blinding vision remained seared upon the retina of my eyes. Across the water, slower paced, came the dread concussion of sound.

"Good God! It's carried away the whole island!" I heard the mate's voice bellowing above the cries of the men. The _Sylph_ scudded before the approaching storm of fire redescending from the sky....

The first gray of the dawn disclosed Mrs. Joyce still standing by the rail, her hand nestling within the arm of her husband, indifferent to the heavy grayish dust that fell in benediction upon her like a silent shower of snow.

* * * * *

The island of Muloa remains to-day a charred cinder lapped about by the blue Pacific. At times gulls circle over its blackened and desolate surface devoid of every vestige of life. From the squat, truncated mass of Lakalatcha, shorn of half its lordly height, a feeble wisp of smoke still issues to the breeze, as if Vulcan, tired of his forge, had banked its fire before abandoning it.

FOOTNOTE:

[9] Copyright, 1920, by Harper & Brothers. Copyright, 1921, by Lee Foster Hartman.

THE STICK-IN-THE-MUDS[10]

#By# RUPERT HUGHES

From _Collier's Weekly_

A skiff went prowling along the Avon River in the unhurried English twilight that releases the sunset with reluctance and defers luxuriously the roll call of the stars.

The skiff floated low, for the man alone in it was heavy and he was in no greater haste than the northern night. Which was against the traditions, for he was an American, an American business man.

He was making his way through the sky-hued water stealthily lest he disturb the leisure of the swans, drowsy above their own images; lest he discourage the nightingale trying a few low flute notes in the cathedral tower of shadow that was a tree above the tomb of Shakespeare.

The American had never heard a nightingale and it was his first pilgrimage to the shrine of the actor-manager whose productions Americans curiously couple with the Bible as sacred lore.

During the day Joel Wixon had seen the sights of Stratford with the others from his country and from England and the Continent. But now he wanted to get close to Shakespeare. So he hired the skiff and declined the services of the old boat lender.

And now he was stealing up into the rich gloom the church spread across the river. He was pushing the stern of the boat foremost so that he could feast his eyes. He was making so little speed that the only sounds were the choked sob of the water where the boat cleaved it gently and the tinkle of the drops that fell from the lazy oars with something of the delicate music of the uncertain nightingale.

Being a successful business man, Wixon was a suffocated poet. The imagination and the passion and the orderliness that brought him money were the same energies that would have made him a success in verse. But lines were not his line, and he was inarticulate and incoherent when beauty overwhelmed him, as it did in nearly every form.

He shivered now before the immediate majesty of the scene, and the historic meanings that enriched it as with an embroidered arras. Yet he gave out no more words than an Æolian harp shuddering with ecstasy in a wind too gentle to make it audible.

In such moods he hunted solitude, for he was ashamed to be seen, afraid to be observed in the raptures that did not belong in the vocabulary of a business man.

He had talked at noon about the fact that he and Shakespeare's father were in wool, and he had annoyed a few modest Americans by comparing the petty amount of the elder Shakespeare's trade with the vast total pouring from his own innumerable looms driven with the electricity that the Shakespeares had never dreamed of.

He had redeemed himself for his pretended brag by a meek admission:

"But I'm afraid my boy will never write another 'Hamlet.'"

Yet what could he know of his own son? How little Will Shakespeare's father or his scandalized neighbors could have fancied that the scapegrace good-for-naught who left the town for the town's good would make it immortal; and, coming back to die and lie down forever beside the Avon, would bring a world of pilgrims to a new Mecca, the shrine of the supreme unique poet of all human time?

A young boy even now was sauntering the path along the other shore, so lazily tossing pebbles into the stream that the swans hardly protested. It came upon Wixon with a kind of silent lightning that Shakespeare had once been such another boy skipping pebbles across the narrow river and peering up into the trees to find out where the nightingale lurked.

Perhaps three hundred years from now some other shrine would claim the pilgrims, the home perhaps of some American boy now groping through the amber mists of adolescence or some man as little revered by his own neighbors and rivals as the man Shakespeare was when he went back to Avon to send back to London his two plays a year to the theatres.

Being a practical man, which is a man who strives to make his visions palpable, Wixon thought of his own home town and the colony of boys that prospered there in the Middle West.

He knew that no one would seek the town because of his birth there, for he was but a buyer of fleeces, a carder of wools, a spinner of threads, and a weaver of fabrics to keep folks' bodies warm. His weaves wore well, but they wore out.

The weavers of words were the ones whose fabrics lasted beyond the power of time and mocked the moths. Was there any such spinner in Carthage to give the town eternal blazon to ears of flesh and blood? There was one who might have been the man if----

Suddenly he felt himself again in Carthage. There was a river there too; not a little bolt of chatoyant silk like the Avon, which they would have called a "crick" back there. Before Carthage ran the incomprehensible floods of old Mississippi himself, Father of Waters, deep and vast and swift. They had lately swung a weir across it to make it work--a concrete wall a mile wide and more, and its tumbling cascades spun no little mill wheels, but swirled thundering turbines that lighted cities and ran street cars a hundred miles away.

And yet it had no Shakespeare.

And yet again it might have had if----

The twilight was so deep now that he shipped his oars in the gloom and gave himself back to the past.

He was in another twilight, only it was the counter twilight between star quench and sun blaze.

Two small boys, himself one of them; his sworn chum, Luke Mellows, the other, meeting in the silent street just as the day tide seeped in from the east and submerged the stars.

Joel had tied a string to his big toe and hung it from his window. Luke had done the same. They were not permitted to explode alarm clocks and ruin the last sweets of sleep in either home. So they had agreed that the first to wake should rise and dress with stealth, slip down the dark stairs of his house, into the starlit street and over to the other's home and pull the toe cord.

On this morning Luke had been the earlier out, and his triumphant yanks had dragged Joel feet first from sleep, and from the bed and almost through the window. Joel had howled protests in shrill whispers down into the gloom, and then, untying his outraged toe, had limped into his clothes and so to the yard.

The two children, in the huge world disputed still by the night, had felt an awe of the sky and the mysteries going on there. The envied man who ran up the streets of evenings lighting the gas street lamps was abroad again already with his little ladder and his quick insect-like motions; only, now he was turning out the lights, just as a similar but invisible being was apparently running around heaven and putting out the stars.

Joel remembered saying: "I wonder if they're turnin' off the stars up there to save gas too."

Luke did not like the joke. He said, using the word "funny" solemnly: "It's funny to see light putting out light. The stars will be there all day, but we won't be able to see 'em for the sun."

(Wixon thought of this now, and of how Shakespeare's fame had drowned out so many stars. A man had told him that there were hundreds of great writers in Shakespeare's time that most people never heard of.)

As the boys paused, the air quivered with a hoarse _moo_! as of a gigantic cow bellowing for her lost calf. It was really a steamboat whistling for the bridge to open the draw and let her through to the south with her raft of logs.

Both of the boys called the boat by name, knowing her voice: "It's the Bessie May Brown!" They started on a run to the bluff overlooking the river, their short legs making a full mile of the scant furlong.

Often as Joel had come out upon the edge of that bluff on his innumerable journeys to the river for fishing, swimming, skating, or just staring, it always smote him with the thrill Balboa must have felt coming suddenly upon the Pacific.

On this morning there was an unwonted grandeur: the whole vault of the sky was curdled with the dawn, a reef of solid black in the west turning to purple and to amber and finally in the east to scarlet, with a few late planets caught in the meshes of the sunlight and trembling like dew on a spider's web.

And the battle in the sky was repeated in the sea-like river with all of the added magic of the current and the eddies and the wimpling rushes of the dawn winds.

On the great slopes were houses and farmsteads throwing off the night and in the river the Bessie May Brown, her red light and her green light trailing scarfs of color on the river, as she chuffed and clanged her bell, and smote the water with her stern wheel. In the little steeple of the pilot house a priest guided her and her unwieldy acre of logs between the piers of the bridge whose lanterns were still belatedly aglow on the girders and again in echo in the flood.

Joel filled his little chest with a gulp of morning air and found no better words for his rhapsody than: "Gee, but ain't it great?"

To his amazement, Luke, who had always been more sensitive than he, shook his head and turned away.

"Gosh, what do you want for ten cents?" Joel demanded, feeling called upon to defend the worthiness of the dawn.