Part 23
The young couple felt supremely happy, and they directed their boatman to propel the boat leisurely along, that they might enjoy the enrapturing beauty of the scene; for Venice--the sea set jewel--had never looked more beautiful, and the languid air of the summer night begot a delicious sense of dreaminess and a forgetfulness of the pain and misery of the world.
As Reginald lay back with his head pillowed in the lap of his bride he happened to turn his eyes to the west, and there beheld his star of nativity as brilliant as ever. Instantly his mind reverted to that awful night when the old wizard died, and he remembered the dull red meteor, and the weird prophecy. He became so agitated that his wife was alarmed, and inquired the reason of it; but he only laughed, said it was merely a passing memory that disturbed him, and soon her kisses and caresses restored him to serenity.
The succeeding six months were uninterrupted by a single untoward incident. He passionately loved Marcelia, and was beloved in return. His rough, uncouth nature had been smoothed down and refined by his wife and the society in which he moved. He felt supremely happy, and though at times a remembrance of the awful night in the ruins of Rudstein disturbed him, he managed to shake off the influence, and find a soothing balm in the caresses of his young bride.
One day, however, there came to him an urgent message to repair to his birthplace without delay, as his mother lay at the point of death. Although he had never borne her any very strong affection, he felt it was his duty to obey the summons, and so in company with his wife he journeyed with all speed to the Black Forest.
On reaching the castle he found that his mother was already in the throes of death, and delirious; as soon as he entered her presence she rose up in her bed, without seeming to recognise him, and cursed him for being an unnatural and unfilial son. It was an awful scene, and affected Reginald in an appalling manner. Without recanting a word, or, indeed, noticing him in any way, she fell back on her pillow and expired.
For some days Reginald was prostrated, and when his gentle and loving wife tried to soothe and comfort him he repulsed her furiously, until she was broken-hearted. But when he recovered his senses he lavished caresses upon her, and gave every manifestation that he loved her devotedly. A few days later, however, he was wandering with Marcelia through a very picturesque and beautiful part of the forest, when they seated themselves on a bank overlooking a stream. For some little time Reginald remained absorbed in thought, then he began to pick up handfuls of earth and scatter them in the water, and, with a wild glare in his eyes, he mumbled:
‘This is a hateful world. All is dust and vanity. Nothing brings joy, or contentment, or peace. I am the last of my race. Why seek longer to support a rotten fabric. My kindred have squandered their substance, and destroyed the vitality of the family. Let us follow my mother through the gates of death. Come, give me your hand, Marcelia, and we will die together.’
His wife was horribly alarmed, and used every endeavour to soothe him; presently he grew calmer, and rose and allowed her to lead him away. They continued to wander further afield, at his request, until night closed, and the stars were burning. Brilliant above all the rest shone the fatal western planet, the star of Reginald’s nativity. He gazed at it for some time with horror, and pointed it out to the notice of Marcelia.
‘The hand of heaven is in it!’ he mentally exclaimed, ‘and the proud fortunes of Venoni hasten to a close.’ At this instant the ruined tower of Rudstein appeared in sight, with the moon shining fully upon it. ‘It is the place,’ resumed the maniac, ‘where a deed of blood must be done, and I am fated to perpetrate it! But fear not, my poor girl,’ he added, in a milder tone, while the tears sprang to his eyes, ‘your husband cannot harm you; he may be wretched, but he never shall be guilty!’ Although Marcelia was dreadfully alarmed she concealed her feelings as much as possible, and induced him to hurry back. When he reached the castle he looked ghastly ill, and, going to bed, sank into a sort of coma.
Night waned, morning dawned on the upland hills of the scenery, and with it came a renewal of Reginald’s disorder. The day was stormy, and in unison with the troubled feeling of his mind. He rose with the dawn, and, without a word to anyone, went off into the forest, nor did he return until the evening. Distressed beyond measure at his absence, she waited in dread suspense for his return, and sat at her casement gazing across the vast expanse of forest, which the westering sun was now flooding with a crimson light. Suddenly her door flew open, and Reginald made his appearance. His eyes were red and seemed to blaze with the light of madness, while his whole frame was convulsed as if he suffered from agonising spasms of pain.
‘It was not a dream,’ he exclaimed, ‘I have seen her, and she has beckoned us to follow.’
‘Seen her, seen who?’ asked Marcelia, alarmed at his frenzy.
‘My mother,’ replied the maniac. ‘Listen while I tell you the strange story. I thought, as I was wandering in the forest, a sylph of heaven approached, and revealed the countenance of my mother. I flew to join her, but was withheld by a wizard, who pointed to the western star. On a sudden loud shrieks were heard, and the sylph assumed the guise of a demon. Her figure towered to an awful height, and she pointed in scornful derision to you; yes, to you, my wife. With rage she drew you towards me. I seized--I murdered you, and strange cries and groans filled the air. I heard the voice of the fiendish astrologer shouting as from a charnel house, “Your destiny is accomplished, and the victim may retire with honour.” Then, I thought, the fair front of heaven was obscured, and thick gouts of clotted clammy blood showered down in torrents from the blackened clouds of the west. The star shot through the air, and--the phantom of my mother again beckoned me to follow.’
The maniac ceased, and rushed in agony from the apartment. Marcelia followed, and discovered him leaning in a trance against the wainscot of the library. With gentlest motion she drew his hand in hers, and led him into the open air. They rambled on, heedless of the gathering storm, until they discovered themselves at the base of the tower of Rudstein. Suddenly the maniac paused. A horrid thought seemed flashing across his brain, as with giant grasp he seized Marcelia in his arms, and bore her to the fatal apartment. In vain she shrieked for help, for pity. ‘Dear Reginald, it is Marcelia who speaks, you cannot surely harm her.’ He heard--he heeded not, nor once staid his steps till he reached the room of death. On a sudden his countenance lost its wildness, and assumed a more fearful, but composed look of determined madness. He advanced to the window, dragged away the rotting curtain, and gazed on the stormy face of heaven. Dark clouds flitted across the horizon, and thunder echoed in the distance. To the west the fatal star was still visible, but shone with sickly lustre. At this instant a flash of lightning illumined the whole apartment, and threw a broad red glare upon a skeleton that mouldered upon the floor. Reginald observed it with affright, and remembered the unburied astrologer. He advanced to Marcelia, and, pointing to the rising moon, ‘A dark cloud is sailing by,’ he shudderingly exclaimed, ‘but ere the full orb again shines forth you shall die; I will accompany you in death, and hand in hand will we pass into the presence of our people.’
The poor girl shrieked for pity, but her voice was lost in the angry ravings of the storm.
The cloud in the meantime sailed on--it approached--the moon was dimmed, darkened, and finally buried in its gloom. The maniac marked the hour, and rushed with a fearful cry towards his victim. With murderous resolution he grasped her throat, while the helpless hand and half-strangled articulation implored his compassion. After one final struggle the hollow death-rattle announced that life was extinct, and that the murderer held a corpse in his arms. An interval of reason now occurred, and on the partial restoration of his mind Reginald discovered himself the unconscious murderer of Marcelia. Madness--deepest madness again took possession of his faculties. He laughed--he shouted aloud with the unearthly yellings of a fiend, and in the raging violence of his delirium he rushed out, climbed to the summit of the tower, and hurled himself headlong from it.
In the morning the bodies of the young couple were discovered, and buried in the same tomb. The fatal ruin of Rudstein still exists, but is now commonly avoided as the residence of the spirits of the departed. Day by day it slowly crumbles to earth, and affords a shelter for the night raven or the wild things of the forests. Superstition has consecrated it to herself, and the tradition of the country has invested it with all the awful appendages of a charnel house. The wanderer who passes at nightfall shudders while he surveys its utter desolation, and exclaims as he travels on:
‘Surely this is a spot where guilt may thrive in safety, or bigotry weave a spell to enthral her misguided votaries.’
XIII
THE DANCE OF THE DEAD
FOUNDED ON A WELL-KNOWN GERMAN LEGEND
Neisse is a small town in Silesia. At the period of this story it lay somewhat out of the beaten track, and its inhabitants led a simple, primitive sort of life, although bickerings and wranglings, cheating and knavery were not altogether unknown among them. On the whole, however, they were a fairly virtuous people, and the town earned an enviable reputation for hospitality, in spite of the fact that the mayor was far from being hospitable himself, but he did not hesitate to dispense hospitality with a lavish hand when he could do so out of the town funds.
This mayor, whose name was Hertzstein, was an exceedingly proud and ambitious man. He had been born in very humble circumstances indeed, his father having been a charcoal burner; but Rupert Hertzstein was endowed with more than average intelligence, though even as a lad he displayed a grasping, covetous disposition that made him many youthful enemies. As he grew in years he by no means changed, but he managed to make his way. Before he was fifteen he went to Saxony and apprenticed himself to a worker in precious metals, and showed so much intelligence that before he had completed the term of his apprenticeship he was master of his trade.
He was twenty-two when he returned to his native town, with a little money and a young wife. A daughter was born to him, and grew to be the most beautiful girl in Neisse. Her father prospered, made money, and became mayor. Indeed, he was a little king in his own way, but was tyrannical and exacting, and while everybody adored Brunhelda, his pretty daughter, he was far from being respected. When any of the young men of the village tried to win his favour in the hope of gaining the daughter’s hand, he ordered them off with a peremptoriness that left no doubt about his determination.
‘My girl,’ he used to boast, ‘shall marry a lord. My father was a charcoal burner, and in my youth I knew the curse of poverty. Now I am going to be the founder of a family, and rather than let Brunhelda marry a humble person I would carry her to her grave.’
Although he expressed himself thus forcibly and emphatically, he did not explain how he hoped to get a lord as a son-in-law, but that was a detail; and, being a deep, designing, and crafty man, he probably had some matured plan in his own mind.
Now it chanced that when Brunhelda was two-and-twenty a young artist came to Neisse, which was famed for a very ancient church and for marvellous views, which were to be obtained from different parts of the town, for it stood on an eminence in a very beautiful and fertile country. It was, therefore, no uncommon thing for artists to visit the place. This particular one became known as Robert Kuno, and he took up his quarters at the village inn. One day he was in the ancient church sketching a very picturesque archway, when Brunhelda entered with a number of other girls, laden with flowers, as they were going to decorate the church in honour of some festival.
Robert was at once attracted by Brunhelda’s beauty, and, getting into conversation with her, he begged that she would pose for him while he made a drawing. She was by no means loth to do this. Indeed, she felt flattered, for she knew she was good-looking, and she would have been a strange woman if she had had no vanity. Robert placed her in the position he wanted near the archway, and produced a sketch, which he promised to turn into a painting, and he asked her to favour him again on the morrow, which she did, and the next day, and the day after that, and as a natural result the young artist began to talk to her in a way which by no means displeased her, although she knew that her father would be furious if he came to hear of it. And sure enough he did hear of it. Some envious jade went to him, and told him that Brunhelda was going day after day to the church to meet the artist.
The day following the mayor repaired to the church, and screened himself behind a pillar and witnessed the flirtation between Brunhelda and the artist, until at length, losing his self-control, he suddenly presented himself before them, and there was a scene. He used some very harsh terms to the young man, and, seizing the sketch he had been making of the girl, he stamped on it, and vowed if Robert did not leave Neisse within twelve hours he would have him arrested as a vagabond and confined in the stocks. Then he took his daughter home and lectured her on the monstrous wickedness of her conduct in allowing a ‘vulgar, common artist fellow’ to talk love to her.
As Robert failed to comply with the order to clear off, the mayor, true to his word, had him arrested as a vagabond, having no visible means of subsistence, and he was placed in the stocks which stood on the green opposite the mayor’s house. The tyrannical magistrate thought that when his daughter saw her admirer in such an undignified position she would be disgusted, and think no more of him. But herein he was mistaken, for he caught her kissing her hand to him from her window, and manifesting every sign of sympathy. So Robert was at once set at liberty, on condition that he immediately left the place, which he consented to do, much to the joy and comfort of the mayor.
It was nearly a year after that an old bag-piper one day entered the town of Neisse. He was a strange, weird-looking old man, with great masses of white hair hanging about his shoulders, and heavy, beetling eyebrows screening his keen, grey eyes. His pipes, which seemed older than himself, were unlike any that had been seen before, and when the old piper tuned them up he awoke the most marvellous melody. Whence he came and whither he was going no one knew, and being by no means communicative, they were left in ignorance. But one thing he made clear--he did not lack money, and as there happened to be a very pretty little cottage to let, whose owner had recently died, the piper bargained for it and bought it, and soon after a young man came to live with him, and rumour soon had it that this young man was the strange piper’s foster-son. Apparently the son was nearly blind, for he wore large blue goggle glasses, and always went about with a stick.
The son was very reserved and would not mix with the people, but the old piper became such a favourite owing to the sweet music he was able to discourse, that he was invited every evening, when the weather was fine, to repair to the village green, where the people were wont to dance. He was so wonderfully well-informed, too, and seemed to have travelled so extensively, that the old citizens invited him to their dinners, and he was petted and flattered. He played his pipes at christenings and wedding feasts, as well as pathetic and solemn airs when the dead were committed to the earth.
One marvellous tune that he played was known as ‘Grandfather’s Dance,’ and so inspiriting was this, such a wild, mad, rhythmical jingle, that even the oldest of men and women who could move their limbs at all could not resist its strains, and fell to dancing. Indeed, the strains, it was averred, restored youth to the old, and even the paralytic and the rheumatic threw away their crutches when they heard them.
Now, strangely enough, the effect of the old man’s art on his foster-son was _nil_. He remained silent and mournful at the most mirth-inspiring tunes the piper played to him; and at the balls, to which he was often invited, he rarely mingled with the gay, but would retire into a corner, and fix his eyes on the loveliest fair one that graced the room, neither daring to address, nor to offer her his hand. This one was Brunhelda, and occasionally he managed to get speech with her, and it was noted that she was by no means averse to talk to him. And at such times she easily read in his brightening face the eloquent gratitude of his heart; and although she turned blushingly away, the fire on her cheeks, and the sparkling in her eyes, kindled new flames of love and hope in her lover’s bosom, for this young man was none other than the artist who had resorted to this stratagem to woo her. And he was neither blind nor near sighted, but the goggles afforded him a disguise.
Willibald, such was the name of the piper, had for a long time promised to assist the love-sick youth in obtaining his soul’s dearest object. Sometimes he intended, like the wizards of yore, to torment the mayor with an enchanted dance, and compel him by exhaustion to grant everything; sometimes, like a second Orpheus, he proposed to carry away, by the power of his harmony, the sweet bride from the Tartarian abode of her father. But Robert always had objections: he never would allow the parent of his fair one to be harmed by the slightest offence, and hoped to win him by perseverance and complacency.
Willibald said to him one day, ‘You are an idiot, if you hope to win, by an open and honourable sentiment, the approbation of a rich and proud old fool. He will not surrender without some of the plagues of Egypt are put in force against him. When once Brunhelda is yours, and he no more can change what has happened, then you will find him friendly and kind. He will bow to the inevitable. I blame myself for having promised to do nothing against your will, but death acquits every death, and still I shall help you in my own way.’
Poor Robert was not the only one on the path of whose life the mayor strewed thorns and briars. The whole town had very little affection for their chief, and delighted to oppose him at every opportunity; for he was harsh and cruel, and punished severely the citizens for trifling and innocent mirth, unless they purchased pardon by the means of heavy penalties and bribes. After the yearly wine-fair in the month of January he was in the habit of obliging them to pay all their earnings into his treasury, to make amends for their past merriments. One day the tyrant of Neisse had put their patience to too hard a trial, and broken the last tie of obedience from his oppressed townsmen. The malcontents had created a riot, and filled their persecutor with deadly fear; for they threatened nothing less than to set fire to his house, and to burn him, together with all the riches he had gathered by oppressing them.
At this critical moment, Robert went to Willibald, and said to him, ‘Now, my old friend, is the time when you may help me with your art, as you frequently have offered to do. If your music be really so powerful as you say it is, go then and deliver the mayor by softening the enraged mob. As a reward he certainly will grant you anything you may request. Speak then a word for me and my love, and demand my beloved Brunhelda as the price of your assistance.’
The bag-piper laughed at this speech, and replied:
‘We must satisfy the follies of children in order to prevent them crying.’ And so he took his bag-pipe and walked slowly down to the town-house square, where the rioters, armed with pikes, lances, and lighted torches, were laying waste the mansion of the worshipful head of the town.
Willibald placed himself near a pillar, and began to play his ‘Grandfather’s Dance.’ Scarcely were the first notes of this favourite tune heard, when the rage-distorted countenances became smiling and cheerful, the frowning brows lost their dark expression, pikes and torches fell out of the threatening fists, and the enraged assailants moved about marking with their steps the measure of the music. At last, the whole multitude began to dance, and the square, that was lately the scene of riot and confusion, bore now the appearance of a gay dancing assembly. The piper, with his magic bag-pipe, led on through the streets, all the people danced behind him, and each citizen returned jumping to his home, which shortly before he had left with very different feelings.
The mayor, saved from this imminent danger, knew not how to express his gratitude; he promised to Willibald everything he might demand, even were it half his property. But the bag-piper replied, smiling, saying his expectations were not so lofty, and that for himself he wanted no temporal goods whatever; but since his lordship, the mayor, had pledged his word to grant to him everything he might demand, so he beseeched him, with due respect, to grant fair Brunhelda’s hand for his foster-son.