Chapter 3 of 22 · 3838 words · ~19 min read

Part 3

It is this incompleteness, this comparative untruth, that gives rise to the dissatisfaction we feel in the last analysis of French character. It is delusive. The promise of beauty held out by external taste is unfulfilled; the fascination of manner bears a vastly undue proportion to the substantial kindness and trust which that immediate charm suggests. "Just Heaven!" exclaims Yorick, "for what wise reasons hast thou ordered it, that beggary and urbanity, which are at such variance in other countries, should find a way to be at unity in this?" The bearing of an Englishman seldom awakens expectation of courtesy or entertainment; yet, if vouchsafed, how to be relied on is the friendship! how generous the hospitality! The urbane salutation with which a Frenchman greets the female passenger, as she enters a public conveyance, is not followed by the offer of his seat or a slice of his reeking _pâtè_,--while the roughest backwoodsman in America, who never touched his hat or inclined his body to a stranger, will guard a woman from insult, and incommode himself to promote her comfort, with respectful alacrity. It is so in literature. How often we eagerly follow the clear exposition of a subject in the pages of a French author, to reach an impotent conclusion! or suffer our sympathies to be enlisted by the admirable description of an interior or a character in one of their novels, to find the plot which embodies them an absurd melodrama! Evanescence is the law of Parisian felicities,--selfishness the background of French politeness,--sociability flourishes in an inverse ratio to attachment; we become skeptical almost in proportion as we are attracted. If we ask the way, we are graciously directed; but if we demand the least sacrifice, we must accept volubility for service. Thus the perpetual flowering in manners, in philosophy, in politics, and in economy, is rarely accompanied by fruit in either. To enjoy Paris, we must cease to be in earnest;--to pass the time, and not to wrest from it a blessing or a triumph, is the main object. The badges, the gardens, the smiles, the agreeable phrase, the keen repartee, the tempting dish, the ingenious _vaudeville_, the pretty foot, the elegant chair and becoming curtain, the extravagant gesture, the pointed epigram or alluring formula, must be taken as so many agreeabilities,--not for things performed, but imaginatively promised. The folly of war has been demonstrated to the entire sense of mankind; at best, it is now deemed a painful necessity; yet the most serious phase of life in France is military. Depth and refinement of feeling are lonely growths, and can no more spring up in a gregarious and festal life than trees in quicksands; citizenship is based on consistent acts, not on verbosity; and brilliant accompaniments never reconcile strong hearts to the loss of independence, which some English author has acutely declared the first essential of a gentleman. The civilization of France is an artistic and scientific materialism; the spiritual element is wanting. Paris is the theatre of nations; we must regard it as a continuous spectacle, a boundless museum, a place of diversion, of study,--not of faith, the deepest want and most sacred birthright of humanity.

The want of directness, the absence of candor, the non-recognition of truth in its broad and deep sense, is, indeed, a characteristic phase of life, of expression, and of manners in France. A lover of his nation confesses that even in "_galantes aventures l'esprit prenait la place du coeur, la fantaisie celle du sentiment_." Voltaire's creed was, that "_le mensonge n'est un vice que quand il fait du mal; c'est une grande vertu quand il fait du bien_." "_L'exagération_" says De Maistre, "_est le mensonge des honnêtes gens_."

In every aspect the histrionic prevails,--by facility of association and colloquial aptitude in the common intercourse of life,--by the inventive element in dress, furniture, and material arrangements, plastic to the caprice of taste and ingenuity,--by the habitudes of out-of-door life, giving greater variety and adaptation to manners,--and by a national temperament, susceptible and demonstrative. The current vocabulary suggests a perpetual recourse to the casual, a shifting of the life-scene, a recognition of the temporary and accidental. Such oft-recurring words as _flâneur_, _liaison_, _badinage_, etc., have no exact synonymes in other tongues. All that is done, thought, and felt takes a dramatic expression. Lamartine elaborates a "History of the Restoration" from two reports,--the one monarchical, the other republican,--and, by making the facts picturesque and sentimental, wins countless readers. Comte elaborates a masterly analysis of the sciences, proclaims a fascinating theory of eras or stages in human development; but the positive philosophy, of which all this is but the introduction, to be applied to the individual and society, eludes, at last, direct and complete application. A popular _savant_ dies, and students drag the hearse and scatter flowers over the grave; a philosopher lectures, and immediately his disciples form a school, and advocate his system with the ardor of partisans; a disappointed soldier commits suicide by throwing himself from Napoleon's column, while a _grisette_ and her lover make their exit through a last embrace and the fumes of charcoal; a wit seeks revenge with a clever repartee instead of his fists or cane. A lady is the centre of attraction at a reception, and, upon inquiry, we are gravely informed that the charm lies in the fact, that, though now fat and more than forty, as well as married to an old noble, in her youth she was the mistress of a celebrated poet. Notoriety, even when scandalous, is as good a social distinction as birth, fame, or beauty. Rousseau wrote a love-story, and sentiment became the rage. An artisan has a day to spare, and takes his family to a garden or a dance. Human existence, thus embellished, impulsive, and caricatured, becomes a continuous melodrama, with an occasional catastrophe induced by political revolutions. Louis XIV., the most characteristic king France ever had, is a genuine representative of this theatrical instinct and development.

Herein may we find a key to the riddle of governmental vicissitudes in France. People so easily satisfied with illusions, so fertile in superficial expedients, are like children and savages in their sense of what is novel and amusing, and their love of excitement,--and make no such demands upon reality as full-grown men and educated citizens instinctively crave. Their powers, in this regard, have not been disciplined,--their wants but vaguely realized. Accustomed to look out of themselves for a law of action, to consult authority upon every occasion, to defer to official sources for guidance in every detail of municipal and personal affairs,--the lesson of self-dependence, the courage and the knowledge needful for efficiency are wanting. "_Savez-vous_," asks an epicure, "_ce qui a chassé la gaîté? C'est la politique_." They rally at the voice of command, submit to interference, and take for granted a prescribed formula, partly because it is troublesome to think, and partly on account of inexperience in assuming responsibility. De Tocqueville has remarked, that, in every instance of attempted colonization, they have adapted themselves to, instead of elevating savage tribes. They have never gone through the process of state-education by the inevitable claim of personal duty, like the Anglo-Saxons. Hence their need of a master, and the feeling of stability realized among them only under legitimacy and despotism. Shallow reasoners argue from the mere acknowledgment of this state of things that it is an ultimate public blessing when the man appears with wit and will enough to regulate and keep from chaos a society thus destitute of political training. But those who look deeper know that this political inefficiency is but the external manifestation or the latent cause of more serious defects: by impeding healthful development in one way, it occasions a morbid development in another. If citizenship in its most free and active privilege were enjoyed, there would be less devotion to amusement, a more virile national character, and the sanctities of life would have observance. Public spirit and a political career are incentives to manly ambition,--to an employment of mind and feeling that wins men from trifling pursuits and vain diversion; they are the national basis of private usefulness; to thwart them is to condemn humanity to perpetual childhood,--to render members of a state machines.

The social evils and kinds of crime in France are referable in no small degree to the absence of great motives,--the limited spheres and hopeless routine involved in arbitrary government, unsustained by any elevated sentiment. Such a rule makes literature servile, enterprise mercenary, and manners profligate: all history proves this. It is not, therefore, rational to infer, from the apparent want of ability in the nation to take care of its own affairs, that a military despotism is justifiable; when the truth is equally demonstrated, that such a sway, by indefinitely postponing the chance to acquire the requisite training, keeps down and throws back the national impulse and destiny. The man who thus abuses power is none the less a traitor and a parricide.

THE PURSUIT OF KNOWLEDGE UNDER DIFFICULTIES; AND WHAT CAME OF IT.

"Mr. Geer!"

Mr. Geer was unquestionably asleep.

This certainly did not indicate a sufficiently warm appreciation of Mrs. Geer's social charms; but the enormity of the offence will be greatly modified by a brief review of the attending circumstances. If you will but consider that the crackling of burning wood in a huge Franklin stove is strongly soporific in its tendencies,--that the cushion of a capacious arm-chair, constructed and adjusted as if with a single eye to a delicious dose, nay, to a long succession of doses, is a powerful temptation to a sleepy soul,--that the regular, and, it must be confessed, somewhat monotonous _click, click, click_ of Mrs. Geer's knitting-needles only served to measure, without disturbing the silence,--and, lastly, that they had been husband and wife for thirty years,--you will not cease to wonder that Mr. Geer

"was glorious, O'er all the ills of life victorious."

To most men, an interruption at such a time would have been particularly annoying; but when Mrs. Geer spoke in that way, Mr. Geer, asleep or awake, always made a point of hearing; so he roused himself, and turned his round, honest face and placid blue eyes on the partner of his bosom, who went on,--

"Mr. Geer, our Ivy will be seventeen, come fall."

"Possible?" replied Mr. Geer. "Who'd 'a' thunk it?"

Mr. Geer, as you may infer, was eminently a free-thinker, or rather, a free-actor, in respect of irregular verbs. In fact, he tyrannized over all parts of speech: wrested nouns and verbs from their original shape, till you could hardly recognize their distorted faces; and committed that next worst sin to murdering one's mother, namely,--murdering one's mother-tongue, with an _abandon_ that was absolutely fascinating. Having delivered his opinion thus sententiously, he at once subsided, closed his placid eyes, and retired into his inner world of--thought, perhaps.

"_Mr. Geer!_"

This time he fairly jumped from his seat, and cast about him scared, blinking eyes.

"Mr. Geer, how can you sleep away your precious time so?"

"Sleep? I--I--am sure, I was never wider awake in my life."

"Well, then, tell me what I said."

"Said? Eh,--eh,--something about Ivy, wasn't it?"

And Mr. Geer nervously twitched up the skirts of his coat, and replaced his awry cushion, and began to think that perhaps, after all, he had been asleep. But Mrs. Geer was too much interested in the subject of her own cogitations to pursue her victory farther; so she answered,--

"Yes, and what is a-going to become of her?"

"Lud, lud! What's the matter?" asked Mr. Geer, wildly.

"Matter? Why, she'll be seventeen, come fall, and doesn't know a thing."

"O Lud! that all? That a'n't nothin'."

And Mr. Geer settled comfortably down into his arm-chair once more. He felt decidedly relieved. Visions of smallpox, cholera, and throat-distemper, the worst evils that he could think of and dread for his darling, had been conjured up by his wife's words; and when he found the real state of the case, a great burden, which had suddenly fallen on his heart, was as suddenly lifted.

"But I tell you it _is_ something," continued Mrs. Geer, energetically. "Ivy is 'most a woman, and has never been ten miles from home in her life, and to no school but our little district"----

"And she's as pairk a gal," interrupted Mr. Geer, "as any you'll find in all the ten miles round, be the other who she will."

"She's well enough in her way," replied Mrs. Geer, in all the humility of motherly pride; "and so much the more reason why she shouldn't be let go so. There's Mr. Dingham sending his great logy girls to Miss Porter's seminary. (I wonder if he expects they'll ever turn out anything.) And here's our Ivy, bright as a button, and you full well able to maintain her like a lady, and have done nothing but turn her out to grass all her life, till she's fairly run wild. I declare it's a shame. She ought to be sent to school to-morrow."

"Nonsense, Sally! nonsense! I a'n't a-goin' lo have no such doin's. Sha'n't go off to school. What's the use havin' her, if she can't stay at home with us? Let Mr. Dingham send his gals to Chiny, if he wants to. All the book-larnin' in the world won't make 'em equal to our Ivy with only her own head. I don't want her to go to gettin' up high-falutin' notions. She's all gold now. She don't need no improvin'. Sha'n't budge an inch. Sha'n't stir a step."

"But do consider, Mr. Geer, the child has got to leave us some time. We can't have her always."

"Why can't we?" exclaimed Mr. Geer, almost fiercely.

"Sure enough! Why can't we? There a'n't nobody besides you and me, I suppose, that thinks she's pairk. What's John Herricks and Dan Norris hangin' round for all the time?"

"And they may hang round till the cows come home! Nary hair of Ivy's head shall they touch,--nary one on em!"

Just at this juncture of affairs, the damsel in question bounded into the room.

"Come here, Ivy," said the old man; "your mother's been a-slanderin' you; says you don't know nothin'."

Ivy knelt before him, rested her arms on his knees, and turned upon him a pair of palpably roguish eyes.

"Father, it _is_ an awful slander. I do know a sight."

"Lud, child, yes! I knew you did. No more you don't want to marry John Herricks, do you?"

"Oh, Daddy Geer! O--h--h!"

"Nor Dan Norris? nor none of 'em?"

"Never a one, father."

"Nor don't you ever think of gettin' married and slavin' yourself out for nobody. I'm plenty well able to take care of you, as long as I live. You'll never live so happy as you do at home; and you'll break my heart to go away, Ivy."

"I'll never go, papa." (She pronounced it with the accent on the first syllable.) "Indeed, I never will. I'll never be married, as long as I live."

"No more you sha'n't, good child, good child!"

And again Farmer Geer betook himself to the depths of his arm-chair, with the complacent consciousness of having faithfully discharged his parental duties. "She should not go to school. She would not be married. She had said she would not, and of course she would not."

"Of course I shall not," mused Ivy, as she lay in her white bed. "What could put it into poor papa's head? Marry John Herricks, with his everlasting smirk, and his diddling walk, and take care of all the Herricks' sisters and mothers and aunts, and the Herricks' cows and horses and pigs--and--hens--and--and"----

But Ivy had kept her thoughts on her marriage longer than ever before in her life; and ere she had finished the inventory of John Herricks's personal property and real estate, the blue eyes were closed in the sweet, sound sleep of youth and health.

Mrs. Geer, in her estimate of her daughter's attainments, was partly right and partly wrong. Ivy had never been "finished" at Mrs. Porter's seminary, and was consequently in a highly unfinished condition. "Small Latin and less Greek" jostled each other in her head. German and French, Italian and Spanish, were strange tongues to Ivy. She could not dance, nor play, nor draw, nor paint, nor work little dogs on footstools.

What, then, could she do?

_Imprimis_, she could climb a tree like a squirrel. _Secundo_, she could walk across the great beam in the barn like a year-old kitten. In the pursuit of hens' eggs she knew no obstacles; from scaffold to scaffold, from haymow to haymow, she leaped defiant. She pulled out the hay from under the very noses of the astonished cows, to see if, perchance, some inexperienced pullet might there have deposited her golden treasure. With all four-footed beasts she was on the best of terms. The matronly and lazy old sheep she unceremoniously hustled aside, to administer consolation and caresses to the timid, quaking lamb in the corner behind. Without saddle or bridle she could

"Ride a black horse To Banbury Cross."

(N.B.--I don't say she actually did. I only say she could; and under sufficiently strong provocation, I have no doubt she would.) She knew where the purple violets and the white innocence first flecked the spring turf, and where the ground-sparrows hid their mottled eggs. All the little waddling, downy goslings, the feeble chickens, and faint-hearted, desponding turkeys, that broke the shell too soon, and shivered miserably because the spring sun was not high enough in the morning to warm them, she fed with pap, and cherished in cotton-wool, and nursed and watched with eager, happy eyes. O blessed Ivy Geer! True Sister of Charity! Thrice blessed stepmother of a brood whose name was Legion!

From the conjugal and filial conversation which I have faithfully reported, a casual observer, particularly if young and inexperienced, might infer that the question of Miss Ivy's education was definitively settled, and that she was henceforth to remain under the paternal roof. I should, myself, have fallen into the same error, had not a long and intimate acquaintance with the female sex generated and cherished a profound and mournful conviction of the truth of the maxim, that appearances are deceitful. E.g., a woman has set her heart on something, and is refused. She pouts and sulks: that is clouds, and will soon blow over. She scolds, storms, and raves (I speak in a figure; I mean she does something as much like that as a tender, delicate, angelic woman can): that is thunder, and only clears the air. She betakes herself to tears, sobs, and embroidered cambric: that's a shower, and everything will be greener and fresher after it. You may go your ways,--one to his farm, another to his merchandise; the world will not wind up its affairs just yet. But, put the case, she goes on the even tenor of her way unmoved:

"Beware! beware! Trust her not; she is fooling thee."

Thus Mrs. Geer, who was a thorough tactician. Like Napoleon, she was never more elated than after a defeat. Before consulting her husband at all, she had contemplated the subject in all its bearings, and had deliberately decided that Ivy was to go to school. The consent of the senior partner of the firm was a secondary matter, which time and judicious management would infallibly secure. Consequently, notwithstanding the unpropitious result of their first colloquy, she the next day commenced preparations for Ivy's departure, as unhesitatingly, as calmly, as assiduously, as if the day of that departure had been fixed.

Mrs. Geer was right. She knew she was, all the time. She had a sublime faith in herself. She felt in her soul the divine afflatus, and pressed forward gloriously to her goal. Mr. Geer had as much firmness, not to say obstinacy, as falls to the lot of most men; but Mrs. Geer had more; and as Launce Outram, hard beset, so pathetically moaned, "A woman in the very house has such deused opportunities!" so Farmer Geer grumbled, and squirmed, and remonstrated, and--yielded.

Mrs. Geer was _not_ right. She had reckoned without her host. Her affairs were gliding down the very Appian Way of prosperity in a chariot-and-four, with footmen and outriders, when, presto! they turned a sharp and unexpected corner, and over went the whole establishment into a mirier mire than ever bespattered Dr. Slop.

To speak without a parable. When her expected Hegira was announced to Miss Mary Ives Geer, that young lady, to the ill-concealed vexation of her mother, and the not-attempted-to-be-concealed exultation of her father, expressed decided disapprobation of the whole scheme. As she was the chief _dramatis persona_, the very Hamlet of the play, this unlooked-for decision somewhat interfered with Mrs. Geer's plans. All the eloquence of that estimable woman was brought to bear on this one point; but this one point was invincible. Expostulation and entreaty were alike vain. Neither ambition nor pleasure could hold out any allurements to Ivy. Maternal authority was at length hinted at, only hinted at, and the spoiled child declared that she had not had her own will and way for sixteen years to give up quietly in her seventeenth. One last resort, one forlorn hope,--one expedient, which had never failed to overcome her childish stubbornness: "Would she grieve her parents so much as to oppose this their darling wish?" And Ivy burst into tears, and begged to know if she should show her love to her father and mother by going away from them. This drove the nail into her old father's heart, and then the little vixen clenched it by throwing herself into his arms, and sobbing, "Oh, papa! would you turn your Ivy out of doors and break her heart?"

Flimsiest of fallacies! Shallowest of sophists! But she was the only and beloved child of his old age; so the fallacy passed unchallenged; the strong arms closed around the naughty girl; and the soothing voice murmured, "There, there, Ivy! don't cry, child! Lud! lud! you sha'n't be bothered; no more you sha'n't, lovey!" and the _status quo_ was restored.

"It is not in the sea nor in the strife We feel benumbed and wish to be no more, But in the after silence on the shore, When all is lost, except a little life,"

said one who had breasted the stormiest sea and plunged into the fiercest strife. Ivy, who had never read Byron, and therefore could not be suspected of any Byronical affectations, felt it, when, having gained her point, she sat down alone in her own room. When her single self had been pitted against superior numbers, age, experience, and parental authority, all her heroism was roused, and she was adequate to the emergency; but her end gained, the excitement gone, the sense of disobedience alone remaining, and she was thoroughly uncomfortable, nay, miserable.