Part 23

"But if he thought he was so precious to the world, wasn't it more than ever his duty to preserve his existence? He could see other people die in his place, but he couldn't see himself bucking up against a broken heart. Isn't that what the strong man does? Lives out his life when he doesn't at all like the look of it? Say what you like, he was a coward, Havelock--at the last, anyhow."

"I won't ask for your opinion just yet, thank you. Perhaps if Ferguson had been sure he would ever do good work again, he wouldn't have taken himself off. That might have held him. He might have stuck by on the chance. But I doubt it. Don't you see? He loved the girl too much."

"Thought he couldn't live without her," snorted Chantry.

"Oh, no--not that. But if she was right, he was the meanest skunk alive. He owed the world at least two deaths, so to speak. The only approach you can make to dying twice is to die in your prime, of your own volition." Havelock spoke very slowly. "At least, that's the way I've worked it out. He didn't say so. He was careful as a cat."

"You think"--Chantry leaned forward, very eager at last--"that he decided she was right? That I'm right--that we're all of us right?"

Havelock the Dane bowed his head in his huge hands. "No. If you ask me, I think he kept his own opinion untarnished to the end. When I told him I thought he was right, he just nodded, as if one took that for granted. But it didn't matter to him. I am pretty sure that he cared only what _she_ thought."

"If he didn't agree with her? And if she had treated him like a criminal? He must have despised her, in that case."

"He never said one word of her--bar quoting some of _her_ words--that wasn't utterly gentle. You could see that he loved her with his whole soul. And--it's my belief--he gave her the benefit of the doubt. In killing himself, he acted on the hypothesis that she had been right. It was the one thing he could do for her."

"But if no one except you thinks it was suicide--and you can't prove it--"

"Oh, he had to take that chance--the chance of her never knowing--or else create a scandal. And that would have been very hard on her and on his family. But there were straws she could easily clutch at--as I have clutched at them. The perfect order in which everything happened to be left--even the last notes he had made. His laboratory was a scientist's paradise, they tell me. And the will, made after she threw him over, leaving everything to her. Not a letter unanswered, all little bills paid, and little debts liquidated. He came as near suggesting it as he could, in decency. But I dare say she will never guess it."

"Then what did it profit him?"

"It didn't profit him, in your sense. He took a very long chance on her guessing. That wasn't what concerned him."

"I hope she will never guess, anyhow. It would ruin her life, to no good end."

"Oh, no." Havelock was firm. "I doubt if she would take it that way. If she grasped it at all, she'd believe he thought her right. And if he thought her right, of course he wouldn't want to live, would he? She would never think he killed himself simply for love of her."

"Why not?"

"Well, she wouldn't? She wouldn't be able to conceive of Ferguson's killing himself merely for that--with _his_ notions about survival."

"As he did."

"As he did--and didn't."

"Ah, she'd scarcely refine on it as you are doing, Havelock. You're amazing."

"Well, he certainly never expected her to know that he did it himself. If he had been the sort of weakling that dies because he can't have a

## particular woman, he'd have been also the sort of weakling that leaves a

letter explaining."

"What then did he die for? You'll have to explain to me. Not because he couldn't have her; not because he felt guilty. Why, then? You haven't left him a motive."

"Oh, haven't I? The most beautiful motive in the whole world, my dear fellow. A motive that puts all your little simple motives in the shade."

"Well, what?"

"Don't you see? Why, I told you. He simply assumed, for all practical purposes, that she had been right. He gave himself the fate he knew she considered him to deserve. He preferred--loving her as he did--to do what she would have had him do. He knew she was wrong; but he knew also that she was made that way, that she would never be right. And he took her for what she was, and loved her as she was. His love--don't you see?--was too big. He couldn't revolt from her: she had the whole of him--except, perhaps, his excellent judgment. He couldn't drag about a life which she felt that way about. He destroyed it, as he would have destroyed anything she found loathsome. He was merely justifying himself to his love. He couldn't hope she would know. Nor, I believe, could he have lied to her. That is, he couldn't have admitted in words that she was right, when he felt her so absolutely wrong; but he could make that magnificent silent act of faith."

Chantry still held out. "I don't believe he did it. I hold with the coroner."

"I don't. He came as near telling me as he could without making me an accessory before the fact. There were none of the loose ends that the most orderly man would leave if he died suddenly. Take my word for it, old man."

A long look passed between them. Each seemed to be trying to find out with his eyes something that words had not helped him to.

Finally Chantry protested once more. "But Ferguson couldn't love like that."

Havelock the Dane laid one hand on the arm of Chantry's chair and spoke sternly. "He not only could, but did. And there I am a better authority than you. Think what you please, but I will not have that fact challenged. Perhaps you could count up on your fingers the women who are loved like that; but, anyhow, she was. My second cousin once removed, damn her!" He ended with a vicious twang.

"And now"--Havelock rose--"I'd like your opinion."

"About what?"

"Well, can't you see the beautiful sanity of Ferguson?"

"No, I can't," snapped Chantry. "I think he was wrong, both in the beginning and in the end. But I will admit he was not a coward. I respect him, but I do not think, at any point, he was right--except perhaps in 'doing' the coroner."

"That settles it, then," said Havelock. And he started towards the door.

"Settles what, in heaven's name?"

"What I came to have settled. I shan't tell her. If I could have got one other decent citizen--and I confess you were my only chance--to agree with me that Ferguson was right,--right about his fellow passengers on the _Argentina_, right about tow-head on the track,--I'd have gone to her, I think. I'd rather like to ruin her life, if I could."

A great conviction approached Chantry just then. He felt the rush of it through his brain.

"No," he cried. "Ferguson loved her too much. He wouldn't like that--not as you'd put it to her."

Havelock thought a moment. "No," he said in turn; but his "no" was very humble. "He wouldn't. I shall never do it. But, my God, how I wanted to!"

"And I'll tell you another thing, too." Chantry's tone was curious. "You may agree with Ferguson all you like; you may admire him as much as you say; but you, Havelock, would never have done what he did. Not even"--he lifted a hand against interruption--"if you knew you had the brain you think Ferguson had. You'd have been at the bottom of the sea, or under the engine wheels, and you know it."

He folded his arms with a hint of truculence.

But Havelock the Dane, to Chantry's surprise, was meek. "Yes," he said, "I know it. Now let me out of here."

"Well, then,"--Chantry's voice rang out triumphant,--"what does that prove?"

"Prove?" Havelock's great fist crashed down on the table. "It proves that Ferguson's a better man than either of us. I can think straight, but he had the sand to act straight. You haven't even the sand to think straight. You and your reactionary rot! The world's moving, Chantry. Ferguson was ahead of it, beckoning. You're an ant that got caught in the machinery, I shouldn't wonder."

"Oh, stow the rhetoric! We simply don't agree. It's happened before." Chantry laughed scornfully. "I tell you I respect him; but God Almighty wouldn't make me agree with him."

"You're too mediæval by half," Havelock mused. "Now, Ferguson was a knight of the future--a knight of Humanity."

"Don't!" shouted Chantry. His nerves were beginning to feel the strain. "Leave chivalry out of it. The _Argentina_ business may or may not have been wisdom, but it certainly wasn't cricket."

"No," said Havelock. "Chess, rather. The game where chance hasn't a show--the game of the intelligent future. That very irregular and disconcerting move of his.... And he got taken, you might say. She's an irresponsible beast, your queen."

"Drop it, will you!" Then Chantry pulled himself together, a little ashamed. "It's fearfully late. Better stop and dine."

"No, thanks." The big man opened the door of the room and rested a foot on the threshold. "I feel like dining with some one who appreciates Ferguson."

"I don't know where you'll find him." Chantry smiled and shook hands.

"Oh, I carry him about with me. Good-night," said Havelock the Dane.

A JURY OF HER PEERS[11]

[Note 11: Copyright, 1917, by The Crowell Publishing Company. Copyright, 1918, by Susan Glaspell Cook.]

BY SUSAN GLASPELL

From _Every Week_

When Martha Hale opened the storm-door and got a cut of the north wind, she ran back for her big woolen scarf. As she hurriedly wound that round her head her eye made a scandalized sweep of her kitchen. It was no ordinary thing that called her away--it was probably farther from ordinary than anything that had ever happened in Dickson County. But what her eye took in was that her kitchen was in no shape for leaving: her bread all ready for mixing, half the flour sifted and half unsifted.

She hated to see things half done; but she had been at that when the team from town stopped to get Mr. Hale, and then the sheriff came running in to say his wife wished Mrs. Hale would come too--adding, with a grin, that he guessed she was getting scarey and wanted another woman along. So she had dropped everything right where it was.

"Martha!" now came her husband's impatient voice. "Don't keep folks waiting out here in the cold."

She again opened the storm-door, and this time joined the three men and the one woman waiting for her in the big two-seated buggy.

After she had the robes tucked around her she took another look at the woman who sat beside her on the back seat. She had met Mrs. Peters the year before at the county fair, and the thing she remembered about her was that she didn't seem like a sheriff's wife. She was small and thin and didn't have a strong voice. Mrs. Gorman, sheriff's wife before Gorman went out and Peters came in, had a voice that somehow seemed to be backing up the law with every word. But if Mrs. Peters didn't look like a sheriff's wife, Peters made it up in looking like a sheriff. He was to a dot the kind of man who could get himself elected sheriff--a heavy man with a big voice, who was particularly genial with the law-abiding, as if to make it plain that he knew the difference between criminals and non-criminals. And right there it came into Mrs. Hale's mind, with a stab, that this man who was so pleasant and lively with all of them was going to the Wrights' now as a sheriff.

"The country's not very pleasant this time of year," Mrs. Peters at last ventured, as if she felt they ought to be talking as well as the men.

Mrs. Hale scarcely finished her reply, for they had gone up a little hill and could see the Wright place now, and seeing it did not make her feel like talking. It looked very lonesome this cold March morning. It had always been a lonesome-looking place. It was down in a hollow, and the poplar trees around it were lonesome-looking trees. The men were looking at it and talking about what had happened. The county attorney was bending to one side of the buggy, and kept looking steadily at the place as they drew up to it.

"I'm glad you came with me," Mrs. Peters said nervously, as the two women were about to follow the men in through the kitchen door.

Even after she had her foot on the door-step, her hand on the knob, Martha Hale had a moment of feeling she could not cross that threshold. And the reason it seemed she couldn't cross it now was simply because she hadn't crossed it before. Time and time again it had been in her mind, "I ought to go over and see Minnie Foster"--she still thought of her as Minnie Foster, though for twenty years she had been Mrs. Wright. And then there was always something to do and Minnie Foster would go from her mind. But _now_ she could come.

* * *

The men went over to the stove. The women stood close together by the door. Young Henderson, the county attorney, turned around and said, "Come up to the fire, ladies."

Mrs. Peters took a step forward, then stopped. "I'm not--cold," she said.

And so the two women stood by the door, at first not even so much as looking around the kitchen.

The men talked for a minute about what a good thing it was the sheriff had sent his deputy out that morning to make a fire for them, and then Sheriff Peters stepped back from the stove, unbuttoned his outer coat, and leaned his hands on the kitchen table in a way that seemed to mark the beginning of official business. "Now, Mr. Hale," he said in a sort of semi-official voice, "before we move things about, you tell Mr. Henderson just what it was you saw when you came here yesterday morning."

The county attorney was looking around the kitchen.

"By the way," he said, "has anything been moved?" He turned to the sheriff. "Are things just as you left them yesterday?"

Peters looked from cupboard to sink; from that to a small worn rocker a little to one side of the kitchen table.

"It's just the same."

"Somebody should have been left here yesterday," said the county attorney.

"Oh--yesterday," returned the sheriff, with a little gesture as of yesterday having been more than he could bear to think of. "When I had to send Frank to Morris Center for that man who went crazy--let me tell you, I had my hands full _yesterday_. I knew you could get back from Omaha by to-day, George, and as long as I went over everything here myself--"

"Well, Mr. Hale," said the county attorney, in a way of letting what was past and gone go, "tell just what happened when you came here yesterday morning."

Mrs. Hale, still leaning against the door, had that sinking feeling of the mother whose child is about to speak a piece. Lewis often wandered along and got things mixed up in a story. She hoped he would tell this straight and plain, and not say unnecessary things that would just make things harder for Minnie Foster. He didn't begin at once, and she noticed that he looked queer--as if standing in that kitchen and having to tell what he had seen there yesterday morning made him almost sick.

"Yes, Mr. Hale?" the county attorney reminded.

"Harry and I had started to town with a load of potatoes," Mrs. Hale's husband began.

Harry was Mrs. Hale's oldest boy. He wasn't with them now, for the very good reason that those potatoes never got to town yesterday and he was taking them this morning, so he hadn't been home when the sheriff stopped to say he wanted Mr. Hale to come over to the Wright place and tell the county attorney his story there, where he could point it all out. With all Mrs. Hale's other emotions came the fear now that maybe Harry wasn't dressed warm enough--they hadn't any of them realized how that north wind did bite.

"We come along this road," Hale was going on, with a motion of his hand to the road over which they had just come, "and as we got in sight of the house I says to Harry, 'I'm goin' to see if I can't get John Wright to take a telephone.' You see," he explained to Henderson, "unless I can get somebody to go in with me they won't come out this branch road except for a price _I_ can't pay. I'd spoke to Wright about it once before; but he put me off, saying folks talked too much anyway, and all he asked was peace and quiet--guess you know about how much he talked himself. But I thought maybe if I went to the house and talked about it before his wife, and said all the women-folks liked the telephones, and that in this lonesome stretch of road it would be a good thing--well, I said to Harry that that was what I was going to say--though I said at the same time that I didn't know as what his wife wanted made much difference to John--"

Now, there he was!--saying things he didn't need to say. Mrs. Hale tried to catch her husband's eye, but fortunately the county attorney interrupted with:

"Let's talk about that a little later, Mr. Hale. I do want to talk about that, but I'm anxious now to get along to just what happened when you got here."

When he began this time, it was very deliberately and carefully:

"I didn't see or hear anything. I knocked at the door. And still it was all quiet inside. I knew they must be up--it was past eight o'clock. So I knocked again, louder, and I thought I heard somebody say, 'Come in.' I wasn't sure--I'm not sure yet. But I opened the door--this door," jerking a hand toward the door by which the two women stood, "and there, in that rocker"--pointing to it--"sat Mrs. Wright."

Every one in the kitchen looked at the rocker. It came into Mrs. Hale's mind that that rocker didn't look in the least like Minnie Foster--the Minnie Foster of twenty years before. It was a dingy red, with wooden rungs up the back, and the middle rung was gone, and the chair sagged to one side.

"How did she--look?" the county attorney was inquiring.

"Well," said Hale, "she looked--queer."

"How do you mean--queer?"

As he asked it he took out a note-book and pencil. Mrs. Hale did not like the sight of that pencil. She kept her eye fixed on her husband, as if to keep him from saying unnecessary things that would go into that note-book and make trouble.

Hale did speak guardedly, as if the pencil had affected him too.

"Well, as if she didn't know what she was going to do next. And kind of--done up."

"How did she seem to feel about your coming?"

"Why, I don't think she minded--one way or other. She didn't pay much attention. I said, 'Ho' do, Mrs. Wright? It's cold, ain't it?' And she said, 'Is it?'--and went on pleatin' at her apron.

"Well, I was surprised. She didn't ask me to come up to the stove, or to sit down, but just set there, not even lookin' at me. And so I said: 'I want to see John.'

"And then she--laughed. I guess you would call it a laugh.

"I thought of Harry and the team outside, so I said, a little sharp, 'Can I see John?' 'No,' says she--kind of dull like. 'Ain't he home?' says I. Then she looked at me. 'Yes,' says she, 'he's home.' 'Then why can't I see him?' I asked her, out of patience with her now. ''Cause he's dead,' says she, just as quiet and dull--and fell to pleatin' her apron. 'Dead?' says I, like you do when you can't take in what you've heard.

"She just nodded her head, not getting a bit excited, but rockin' back and forth.

"'Why--where is he?' says I, not knowing _what_ to say.

"She just pointed upstairs--like this"--pointing to the room above.

"I got up, with the idea of going up there myself. By this time I--didn't know what to do. I walked from there to here; then I says: 'Why, what did he die of?'

"'He died of a rope round his neck,' says she; and just went on pleatin' at her apron."

* * *

Hale stopped speaking, and stood staring at the rocker, as if he were still seeing the woman who had sat there the morning before. Nobody spoke; it was as if every one were seeing the woman who had sat there the morning before.

"And what did you do then?" the county attorney at last broke the silence.

"I went out and called Harry. I thought I might--need help. I got Harry in, and we went upstairs." His voice fell almost to a whisper. "There he was--lying over the--"

"I think I'd rather have you go into that upstairs," the county attorney interrupted, "where you can point it all out. Just go on now with the rest of the story."

"Well, my first thought was to get that rope off. It looked--"

He stopped, his face twitching.

"But Harry, he went up to him, and he said, 'No, he's dead all right, and we'd better not touch anything.' So we went downstairs.

"She was still sitting that same way. 'Has anybody been notified?' I asked. 'No,' says she, unconcerned.

"'Who did this, Mrs. Wright?' said Harry. He said it businesslike, and she stopped pleatin' at her apron. 'I don't know,' she says. 'You don't _know_?' says Harry. 'Weren't you sleepin' in the bed with him?' 'Yes,' says she, 'but I was on the inside.' 'Somebody slipped a rope round his neck and strangled him, and you didn't wake up?' says Harry. 'I didn't wake up,' she said after him.

"We may have looked as if we didn't see how that could be, for after a minute she said, 'I sleep sound.'

"Harry was going to ask her more questions, but I said maybe that weren't our business; maybe we ought to let her tell her story first to the coroner or the sheriff. So Harry went fast as he could over to High Road--the Rivers' place, where there's a telephone."

"And what did she do when she knew you had gone for the coroner?" The attorney got his pencil in his hand all ready for writing.

"She moved from that chair to this one over here"--Hale pointed to a small chair in the corner--"and just sat there with her hands held together and looking down. I got a feeling that I ought to make some conversation, so I said I had come in to see if John wanted to put in a telephone; and at that she started to laugh, and then she stopped and looked at me--scared."