Part 22

I had not been long at Golden Gate before I saw Uncle Jesse's "life-book," as he quaintly called it. He needed no coaxing to show it and he proudly gave it to me to read. It was an old leather-bound book filled with the record of his voyages and adventures. I thought what a veritable treasure trove it would be to a writer. Every sentence was a nugget. In itself the book had no literary merit; Uncle Jesse's charm of story-telling failed him when he came to pen and ink; he could only jot down roughly the outlines of his famous tales, and both spelling and grammar were sadly askew. But I felt that if anyone possessing the gift could take that simple record of a brave, adventurous life, reading between the bald lines the tale of dangers staunchly faced and duties manfully done, a wonderful story might be made from it. Pure comedy and thrilling tragedy were both lying hidden in Uncle Jesse's "life-book," waiting for the touch of the magician's hand to waken the laughter and grief and horror of thousands. I thought of my cousin, Robert Kennedy, who juggled with words in a masterly fashion, but complained that he found it hard to create incidents or characters. Here were both ready to his hand, but Robert was in Japan in the interests of his paper.

In the fall, when the harbour lay black and sullen under November skies, Mother and I went back to town, parting with Uncle Jesse regretfully. We wanted him to visit us in town during the winter but he shook his head.

"It's too far away, Mary. If lost Margaret called me I mightn't hear her there. I must be here when my time comes. It can't be very far off now."

I wrote often to Uncle Jesse through the winter and sent him books and magazines. He enjoyed them but he thought--and truly enough--that none of them came up to his life-book for real interest.

"If my life-book could be took and writ by someone that knowed how, it would beat them holler," he wrote in one of his few letters to me.

In the spring we returned joyfully to Golden Gate. It was as golden as ever and the harbour as blue; the winds still rollicked as gaily and sweetly and the breakers boomed outside the bar as of yore. All was unchanged save Uncle Jesse. He had aged greatly and seemed frail and bent. After he had gone home from his first call on us, Mother cried.

"Uncle Jesse will soon be going to seek lost Margaret," she said.

In June Robert came. I took him promptly over to see Uncle Jesse, who was very much excited when he found that Robert was a "real writing man."

"Robert wants to hear some of your stories, Uncle Jesse," I said. "Tell him the one about the captain who went crazy and imagined he was the Flying Dutchman."

This was Uncle Jesse's best story. It was a compound of humour and horror, and though I had heard it several times, I laughed as heartily and shivered as fearsomely over it as Robert did. Other tales followed; Uncle Jesse told how his vessel had been run down by a steamer, how he had been boarded by Malay pirates, how his ship had caught fire, how he had helped a political prisoner escape from a South American republic. He never said a boastful word, but it was impossible to help seeing what a hero the man had been--brave, true, resourceful, unselfish, skilful. He sat there in his poor little room and made those things live again for us. By a lift of the eyebrow, a twist of the lip, a gesture, a word, he painted some whole scene or character so that we saw it as it was.

Finally, he lent Robert his life-book. Robert sat up all night reading it and came to the breakfast table in great excitement.

"Mary, this is a wonderful book. If I could take it and garb it properly--work it up into a systematic whole and string it on the thread of Uncle Jesse's romance of lost Margaret, it would be the novel of the year. Do you suppose he would let me do it?"

"Let you! I think he would be delighted," I answered.

And he was. He was as excited as a schoolboy over it. At last his cherished dream was to be realized and his life-book given to the world.

"We'll collaborate," said Robert. "You will give the soul and I the body. Oh, we'll write a famous book between us, Uncle Jesse. And we'll get right to work."

Uncle Jesse was a happy man that summer. He looked upon the little back room we gave up to Robert for a study as a sacred shrine. Robert talked everything over with Uncle Jesse but would not let him see the manuscript. "You must wait till it is published," he said. "Then you'll get it all at once in its best shape."

Robert delved into the treasures of the life-book and used them freely. He dreamed and brooded over lost Margaret until she became a vivid reality to him and lived in his pages. As the book progressed it took possession of him and he worked at it with feverish eagerness. He let me read the manuscript and criticize it; and the concluding chapter of the book, which the critics later on were pleased to call idyllic, was modelled after my suggestions, so that I felt as if I had a share in it too.

It was autumn when the book was finished. Robert went back to town, but Mother and I decided to stay at Golden Gate all winter. We loved the spot and, besides, I wished to remain for Uncle Jesse's sake. He was failing all the time, and after Robert went and the excitement of the book-making was past, he failed still more rapidly. His tramping expeditions were over and he seldom went out in his boat. Neither did he talk a great deal. He liked to come over and sit silently for hours at our seaward window, looking out wistfully toward the Gate with his swiftly whitening head leaning on his hand. The only keen interest he still had was in Robert's book. He waited and watched impatiently for its publication.

"I want to live till I see it," he said, "just that long--then I'll be ready to go. He said it would be out in the spring--I must hang on till it comes, Mary."

There were times when I doubted sadly if he would "hang on." As the winter wore away he grew frailer and frailer. But ever he looked forward to the coming of spring and "the book," _his_ book, transformed and glorified.

One day in young April the book came at last. Uncle Jesse had gone to the post office faithfully every day for a month, expecting it, but this day he was too feeble to go and I went for him. The book was there. It was called simply, _The Life-Book of Jesse Boyd_, and on the title page the names of Robert Kennedy and Jesse Boyd were printed as collaborators.

I shall never forget Uncle Jesse's face as I handed it to him. I came away and left him reading it, oblivious to all else. All night the light burned in his window, and I looked out across the sands to it and pictured the delight of the old man poring over the printed pages whereon his own life was portrayed. I wondered how he would like the ending--the ending I had suggested. I was never to know.

After breakfast I went over to Uncle Jesse's house, taking some little delicacy Mother had cooked for him. It was an exquisite morning, full of delicate spring tints and sounds. The harbour was sparkling and dimpling like a girl, the winds were playing hide and seek roguishly among the stunted firs, and the silver-flashing gulls were soaring over the bar. Beyond the Gate was a shining, wonderful sea.

When I reached the little house on the point I saw the lamp still burning wanly in the window. A quick alarm struck at my heart. Without waiting to knock, I lifted the latch, and entered.

Uncle Jesse was lying on the old sofa by the window, with the book clasped to his heart. His eyes were closed and on his face was a look of the most perfect peace and happiness--the look of one who has long sought and found at last.

We could not know at what hour he had died, but somehow I think he had his wish and went out when the morning came in through the Golden Gate. Out on that shining tide his spirit drifted, over the sunrise sea of pearl and silver, to the haven where lost Margaret waited beyond the storms and calms.

The Little Black Doll

Everybody in the Marshall household was excited on the evening of the concert at the Harbour Light Hotel--everybody, even to Little Joyce, who couldn't go to the concert because there wasn't anybody else to stay with Denise. Perhaps Denise was the most excited of them all--Denise, who was slowly dying of consumption in the Marshall kitchen chamber because there was no other place in the world for her to die in, or anybody to trouble about her. Mrs. Roderick Marshall thought it very good of herself to do so much for Denise. To be sure, Denise was not much bother, and Little Joyce did most of the waiting on her.

At the tea table nothing was talked of but the concert; for was not Madame Laurin, the great French Canadian prima donna, at the hotel, and was she not going to sing? It was the opportunity of a lifetime--the Marshalls would not have missed it for anything. Stately, handsome old Grandmother Marshall was going, and Uncle Roderick and Aunt Isabella, and of course Chrissie, who was always taken everywhere because she was pretty and graceful, and everything that Little Joyce was not.

Little Joyce would have liked to go to the concert, for she was very fond of music; and, besides, she wanted to be able to tell Denise all about it. But when you are shy and homely and thin and awkward, your grandmother never takes you anywhere. At least, such was Little Joyce's belief.

Little Joyce knew quite well that Grandmother Marshall did not like her. She thought it was because she was so plain and awkward--and in

## part it was. Grandmother Marshall cared very little for granddaughters

who did not do her credit. But Little Joyce's mother had married a poor man in the face of her family's disapproval, and then both she and her husband had been inconsiderate enough to die and leave a small orphan without a penny to support her. Grandmother Marshall fed and clothed the child, but who could make anything of such a shy creature with no gifts or graces whatever? Grandmother Marshall had no intention of trying. Chrissie, the golden-haired and pink-cheeked, was Grandmother Marshall's pet.

Little Joyce knew this. She did not envy Chrissie but, oh, how she wished Grandmother Marshall would love her a little, too! Nobody loved her but Denise and the little black doll. And Little Joyce was beginning to understand that Denise would not be in the kitchen chamber very much longer, and the little black doll couldn't _tell_ you she loved you--although she did, of course. Little Joyce had no doubt at all on this point.

Little Joyce sighed so deeply over this thought that Uncle Roderick smiled at her. Uncle Roderick _did_ smile at her sometimes.

"What is the matter, Little Joyce?" he asked.

"I was thinking about my black doll," said Little Joyce timidly.

"Ah, your black doll. If Madame Laurin were to see it, she'd likely want it. She makes a hobby of collecting dolls all over the world, but I doubt if she has in her collection a doll that served to amuse a little girl four thousand years ago in the court of the Pharaohs."

"I think Joyce's black doll is very ugly," said Chrissie. "My wax doll with the yellow hair is ever so much prettier."

"My black doll isn't ugly," cried Little Joyce indignantly. She could endure to be called ugly herself, but she could not bear to have her darling black doll called ugly. In her excitement she upset her cup of tea over the tablecloth. Aunt Isabella looked angry, and Grandmother Marshall said sharply: "Joyce, leave the table. You grow more awkward and careless every day."

Little Joyce, on the verge of tears, crept away and went up the kitchen stairs to Denise to be comforted. But Denise herself had been crying. She lay on her little bed by the low window, where the glow of the sunset was coming in; her hollow cheeks were scarlet with fever.

"Oh! I want so much to hear Madame Laurin sing," she sobbed. "I feel lak I could die easier if I hear her sing just one leetle song. She is Frenchwoman, too, and she sing all de ole French songs--de ole songs my mudder sing long 'go. Oh! I so want to hear Madame Laurin sing."

"But you can't, dear Denise," said Little Joyce very softly, stroking Denise's hot forehead with her cool, slender hand. Little Joyce had very pretty hands, only nobody had ever noticed them. "You are not strong enough to go to the concert. I'll sing for you, if you like. Of course, I can't sing very well, but I'll do my best."

"You sing lak a sweet bird, but you are not Madame Laurin," said Denise restlessly. "It is de great Madame I want to hear. I haf not long to live. Oh, I know, Leetle Joyce--I know what de doctor look lak--and I want to hear Madame Laurin sing 'fore I die. I know it is impossible--but I long for it so--just one leetle song."

Denise put her thin hands over her face and sobbed again. Little Joyce went and sat down by the window, looking out into the white birches. Her heart ached bitterly. Dear Denise was going to die soon--oh, very soon! Little Joyce, wise and knowing beyond her years, saw that. And Denise wanted to hear Madame Laurin sing. It seemed a foolish thing to think of, but Little Joyce thought hard about it; and when she had finished thinking, she got her little black doll and took it to bed with her, and there she cried herself to sleep.

At the breakfast table next morning the Marshalls talked about the concert and the wonderful Madame Laurin. Little Joyce listened in her usual silence; her crying the night before had not improved her looks any. Never, thought handsome Grandmother Marshall, had she appeared so sallow and homely. Really, Grandmother Marshall could not have the patience to look at her. She decided that she would not take Joyce driving with her and Chrissie that afternoon, as she had thought of, after all.

In the forenoon it was discovered that Denise was much worse, and the doctor was sent for. He came, and shook his head, that being really all he could do under the circumstances. When he went away, he was waylaid at the back door by a small gypsy with big, black, serious eyes and long black hair.

"Is Denise going to die?" Little Joyce asked in the blunt, straightforward fashion Grandmother Marshall found so trying.

The doctor looked at her from under his shaggy brows and decided that here was one of the people to whom you might as well tell the truth first as last, because they are bound to have it.

"Yes," he said.

"Soon?"

"Very soon, I'm afraid. In a few days at most."

"Thank you," said Little Joyce gravely.

She went to her room and did something with the black doll. She did not cry, but if you could have seen her face you would have wished she would cry.

After dinner Grandmother Marshall and Chrissie drove away, and Uncle Roderick and Aunt Isabella went away, too. Little Joyce crept up to the kitchen chamber. Denise was lying in an uneasy sleep, with tear stains on her face. Then Little Joyce tiptoed down and sped away to the hotel.

She did not know just what she would say or do when she got there, but she thought hard all the way to the end of the shore road. When she came out to the shore, a lady was sitting alone on a big rock--a lady with a dark, beautiful face and wonderful eyes. Little Joyce stopped before her and looked at her meditatively. Perhaps it would be well to ask advice of this lady.

"If you please," said Little Joyce, who was never shy with strangers, for whose opinion she didn't care at all, "I want to see Madame Laurin at the hotel and ask her to do me a very great favour. Will you tell me the best way to go about seeing her? I shall be much obliged to you."

"What is the favour you want to ask of Madame Laurin?" inquired the lady, smiling.

"I want to ask her if she will come and sing for Denise before she dies--before Denise dies, I mean. Denise is our French girl, and the doctor says she cannot live very long, and she wishes with all her heart to hear Madame Laurin sing. It is very bitter, you know, to be dying and want something very much and not be able to get it."

"Do you think Madame Laurin will go?" asked the lady.

"I don't know. I am going to offer her my little black doll. If she will not come for that, there is nothing else I can do."

A flash of interest lighted up the lady's brown eyes. She bent forward.

"Is it your doll you have in that box? Will you let me see it?"

Little Joyce nodded. Mutely she opened the box and took out the black doll. The lady gave an exclamation of amazed delight and almost snatched it from Little Joyce. It was a very peculiar little doll indeed, carved out of some black polished wood.

"Child, where in the world did you get this?" she cried.

"Father got it out of a grave in Egypt," said Little Joyce. "It was buried with the mummy of a little girl who lived four thousand years ago, Uncle Roderick says. She must have loved her doll very much to have had it buried with her, mustn't she? But she could not have loved it any more than I do."

"And yet you are going to give it away?" said the lady, looking at her keenly.

"For Denise's sake," explained Little Joyce. "I would do anything for Denise because I love her and she loves me. When the only person in the world who loves you is going to die, there is nothing you would not do for her if you could. Denise was so good to me before she took sick. She used to kiss me and play with me and make little cakes for me and tell me beautiful stories."

The lady put the little black doll back in the box. Then she stood up and held out her hand.

"Come," she said. "I am Madame Laurin, and I shall go and sing for Denise."

Little Joyce piloted Madame Laurin home and into the kitchen and up the back stairs to the kitchen chamber--a proceeding which would have filled Aunt Isabella with horror if she had known. But Madame Laurin did not seem to mind, and Little Joyce never thought about it at all. It was Little Joyce's awkward, unMarshall-like fashion to go to a place by the shortest way there, even if it was up the kitchen stairs.

Madame Laurin stood in the bare little room and looked pityingly at the wasted, wistful face on the pillow.

"This is Madame Laurin, and she is going to sing for you, Denise," whispered Little Joyce.

Denise's face lighted up, and she clasped her hands.

"If you please," she said faintly. "A French song, Madame--de ole French song dey sing long 'go."

Then did Madame Laurin sing. Never had that kitchen chamber been so filled with glorious melody. Song after song she sang--the old folklore songs of the _habitant_, the songs perhaps that Evangeline listened to in her childhood.

Little Joyce knelt by the bed, her eyes on the singer like one entranced. Denise lay with her face full of joy and rapture--such joy and rapture! Little Joyce did not regret the sacrifice of her black doll--never could regret it, as long as she remembered Denise's look.

"T'ank you, Madame," said Denise brokenly, when Madame ceased. "Dat was so beautiful--de angel, dey cannot sing more sweet. I love music so much, Madame. Leetle Joyce, she sing to me often and often--she sing sweet, but not lak you--oh, not lak you."

"Little Joyce must sing for me," said Madame, smiling, as she sat down by the window. "I always like to hear fresh, childish voices. Will you, Little Joyce?"

"Oh, yes." Little Joyce was quite unembarrassed and perfectly willing to do anything she could for this wonderful woman who had brought that look to Denise's face. "I will sing as well as I can for you. Of course, I can't sing very well and I don't know anything but hymns. I always sing hymns for Denise, although she is a Catholic and the hymns are Protestant. But her priest told her it was all right, because all music was of God. Denise's priest is a very nice man, and I like him. He thought my little black doll--_your_ little black doll--was splendid. I'll sing 'Lead, Kindly Light.' That is Denise's favourite hymn."

Then Little Joyce, slipping her hand into Denise's, began to sing. At the first note Madame Laurin, who had been gazing out of the window with a rather listless smile, turned quickly and looked at Little Joyce with amazed eyes. Delight followed amazement, and when Little Joyce had finished, the great Madame rose impulsively, her face and eyes glowing, stepped swiftly to Little Joyce and took the thin dark face between her gemmed hands.

"Child, do you know what a wonderful voice you have--what a marvellous voice? It is--it is--I never heard such a voice in a child of your age. Mine was nothing to it--nothing at all. You will be a great singer some day--far greater than I--yes. But you must have the training. Where are your parents? I must see them."

"I have no parents," said the bewildered Little Joyce. "I belong to Grandmother Marshall, and she is out driving."

"Then I shall wait until your Grandmother Marshall comes home from her drive," said Madame Laurin decidedly.

Half an hour later a very much surprised old lady was listening to Madame Laurin's enthusiastic statements.

"How is it I have never heard you sing, if you can sing so well?" asked Grandmother Marshall, looking at Little Joyce with something in her eyes that had never been in them before--as Little Joyce instantly felt to the core of her sensitive soul. But Little Joyce hung her head. It had never occurred to her to sing in Grandmother Marshall's presence.

"This child must be trained by-and-by," said Madame Laurin. "If you cannot afford it, Mrs. Marshall, I will see to it. Such a voice must not be wasted."

"Thank you, Madame Laurin," said Grandmother Marshall with a gracious dignity, "but I am quite able to give my granddaughter all the necessary advantages for the development of her gift. And I thank you very much for telling me of it."