CHAPTER XXVIII

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CHOPIN AS A TEACHER: HIS SUCCESS OR WANT OF SUCCESS AS SUCH; HIS PUPILS, AMATEUR AND PROFESSIONAL; METHOD OF TEACHING; AND TEACHING REPERTOIRE.

As Chopin rarely played in public and could not make a comfortable living by his compositions, there remained nothing for him but to teach, which, indeed, he did till his strength forsook him. But so far from regarding teaching as a burden, says his pupil Mikuli, he devoted himself to it with real pleasure. Of course, a teacher can only take pleasure in teaching when he has pupils of the right sort. This advantage, however, Chopin may have enjoyed to a greater extent than most masters, for according to all accounts it was difficult to be received as a pupil--he by no means gave lessons to anyone who asked for them. As long as he was in fair health, he taught during the season from four to five hours a day, in later years only, or almost only, at home. His fee for a lesson was twenty francs, which were deposited by the pupil on the mantelpiece.

Was Chopin a good teacher? His pupils without exception most positively affirm it. But outsiders ask: How is it, then, that so great a virtuoso has not trained players who have made the world ring with their fame? Mr. Halle, whilst pointing out the fact that Chopin's pupils have not distinguished themselves, did not wish to decide whether this was owing to a deficiency in the master or to some other cause. Liszt, in speaking to me on this subject, simply remarked: "Chopin was unfortunate in his pupils--none of them has become a player of any importance, although some of his noble pupils played very well." If we compare Liszt's pianistic offspring with Chopin's, the difference is indeed striking. But here we have to keep in mind several considerations--Chopin taught for a shorter period than Liszt; most of his pupils, unlike Liszt's, were amateurs; and he may not have met with the stuff out of which great virtuosos are made. That Chopin was unfortunate in his pupils may be proved by the early death of several very promising ones. Charles Filtsch, born at Hermannstadt, Transylvania (Hungary), about 1830, of whom Liszt and Lenz spoke so highly (see