Part 9

He had steeled himself to see it all, and on Saturday when the storm had subsided, and the little train started up the mountainside, his face was a gray mask, and the nearer the top he came, the more impassive, the grayer was his face. A little turn of a boulder and he knew he 'd see the ruin. A few piles and the welter of the swollen river attacking them. His eyes were open, but he saw nothing. The official beside him suddenly screamed.

"My God! Excellency! The bridge!"

"Yes, I know. The bridge is down."

"The bridge is there. Excellency, the bridge is there!"

All Lovat could do was to laugh, a vacant laugh. Yes, it was there. But it was so impossible. The sun suddenly flashed behind it, and he saw the arrogant white structure soar like a bird, joining green hill to green hill. Beneath it rolled an unknown river, not the tumbling, snarling river of a week before, but a brown concave current, become gigantic, flying northward to the greatest of waters and carrying on its thewed back death and desolation. There was something that looked like a man and then an ox. And here was the wreckage of a homestead. And there was a jaguar and here was a great serpent of the jungle, and now a horse and here a gigantic tree. But the bridge spurned the river, floated on it like a swan. Lovat jumped off on the platform.

"It holds! It stays!" he cried exultantly. He rushed toward the house. "Cecily, it holds!"

But he felt, as he flung open the door, that the house was empty.

"Cecily! Where are you, Cecily?"

There was no one there but a weeping, terrified maid.

"Where is Madame? Where is your señora?"

But she only wept and wrung her hands. Lovat, half crazy, yanked her to her feet, and shook her.

"Where is Madame?

"Cecily! Cecily!"

He ran outside. It suddenly occurred to him that all his men had made way for him from the station, with silent pitying eyes. Why, they should have been cheering, too, but for something--

"Cecily! Cecily!" He ran around the little house.

One of the big Inca foreman detached himself from a standing group, and stood in front of the frenzied man.

"Excellency," he said, "there's no good calling Madame. Madame has left us."

"Left us? What do you mean?"

"Excellency--" the big Indian threw his hands toward the river--"the bridge is there, but Madame has left us. Don't you understand?"

With numbing force the blow descended on Lovat.

"The bridge took her, you mean."

"No, señor. She left us."

Lovat suddenly straightened up.

"Mason, what do you mean?"

"Señor, when the wind came and the flood, the men quit. The wind shrieked through the arches. The river rose and attacked the piers. And the bridge groaned, and we left. It was the will of God, we thought. He did n't want this chasm joined.

"And I came up toward your house, señor, to see if everything was right there. I met Madame on the path. She had her big black cloak on.

"'You had better go back, señora,' I said.

"'I am going to the bridge,' she said.

"'But it is growing black as night, señora; you had better go back.'

"'Stand aside, Vicente,' was all she said. And there was something in her eyes that made me give way. She went on.

"Excellency, I loved Madame, as did every one here. And she liked me. And I was your man. I followed her down the path. I caught up to her at the bridge. It was blue dark, like twilight. The bridge was quivering. I caught the edge of her cape.

"'What are you going to do, señora?'

"'Stand aside, Vicente.'

"'You are crazy, señora!' I cried out.

"'No, Vicente, I am wise.'

"'You must n't, señora!'

"'I must, Vicente.'

"'Let me, señora,' I pleaded.

"'Vicente,' she said, 'you 've done your work on the bridge. Now I must do mine.'

"I could n't stop her, Excellency. Something in the face, in the eyes--I don't know--I dropped on my knees. She moved over the bridge.

"Excellency, from the time she was on it the bridge stopped quivering, the wind hushed. I saw her drop her cloak as she stood in the center. I saw her step forward, sure, unafraid. And for an instant I saw her, like a blossom in the wind....

"And so, Excellency, the bridge stands, will always stand...."

X

So there it was, all finished, all done, and for the last time Lovat looked at it, saw the green mountains, the tumbling river, the white span of the bridge. But the bridge and he were finished now. His work was done.

The little Latin-American official touched his elbow deferentially.

"Excellency, the train!"

"Yes, the train," Lovat repeated mechanically. His companion looked at him with grave sympathy. Only three months ago Lovat was a young and happy bridegroom. To-day the builder was a grave gray-haired man.

Yes, the bridge was done, Lovat knew. A little while ago it was just the product of his hand and genius and will, a thing of himself. But now it was a fulfilled entity, with its own duties, its own uses, its own destiny. Over it went trains joining country to country and sea to sea. Over it went the loping Latin people. Over it went the little patient burros, pannier-laden. In confidence all went over it.

"It will stand." Lovat knew. "It will always stand."

But there was no high note of proud achievement in his thought. It would not stand because of skill in building or strength in masonry. But because there guarded it one whose pleading sacrificial fingers would unclench the angry hand of God. Flood and thunder and immense winds would spare it because of that guardian like a white flame, to whose unselfishness selfish nature must do reverence.

The official ventured to recall him:

"Excellency!"

"Just one more moment!"

He had a vision of her for the moment, and his throat quivered and his eyes were uncertain. He saw her in her white, billowing gown, with her dark head and face like a flower. Two brown shy little children were standing fearful of the bridge, and she knelt to them. "Come, darlings," he could hear the deep remembered voice. She led them confidently across his bridge, and as she led them she smiled to him.

Well, he must go. There was other work to be done, other bridges to build, until the time the Master of the Masons told him to rest. He must be about his work.

"All our life is work," he said to himself as he boarded the train. "All our love is comradeship."

Well, there was work to be done, and there was comradeship. She would always be with him now, being dead....

IN PRAISE OF LADY MARGERY KYTELER

I

All those things I dreamed about, and I thousands of miles away, are there still: the house, half farm-house and half castle, at one end an ancient military tower, at the other a thatched cottage; all the trees--the ash, the elms, the chestnut with the dark-green foliage and the prickly bulb containing the polished mahogany fruit, the rowan-trees with the gallant red berries, bitter as death, the copper beech with the foliage of lace and the fuzzy brown nuts, the apple- and pear-trees, and the trees of cherries that the birds do be ever after.

The lawns that were once shaven so closely are now rectangles of high sweet grass where the bees are seeking. And the tennis-courts, where once was the laughter of young girls--those, too, are knee-high in grass, swaying in the soft Irish wind. And here and there is a gallant yew-tree, blackly green. Roses still cling to the wall, and around all the walls are riots of flowers.

The low greenhouses are still there, under whose glass roofs grew great purple grapes, and where row on row of exotic flowers grew and delicate ferns whose names are unknown to me, so much closer are men and horses to me than flowers and ferns. Ivy is on the walls, soft-looking as velvet, and the winds and rains have been kind to the lodge and the stables. The walls are still white and a little moss is on the slates of them, and a soft and gentle grass is between the cobbled stones.

And the deep well is there. And everywhere are birds and bees. The bees are wild now, who once lived in skips of yellow straw, and their nests are in the long grass, and there, too, is the meadowlark, and under the eaves the swallows flit. And here the robin is safe with his impudent eye, and the blackbird of the yellow bill. And everywhere the throaty murmur of the wood-pigeons, the thrum of their wings.

Eh! There it is all still, at the foot of the soft and purple mountains--the Sugarloaves, the Big Sugarloaf and the Little, and the hill called Kitty Gallagher's, and the Scalp with its slender tower and the sweet shoulder of Three Rock Mountain. And below--one could pitch a stone nearly--is Dublin, the abiding city. There the Liffey, rippling gently to the sea. And one can almost see St. Patrick's, where great Swift was Dean, and Trinity, where poor Goldsmith and fearless Burke were students. The broad streets, the princely squares. And there Robert Emmet was hanged for treason against our Sovereign Lord the King, His Crown and Majesty, and Lord Edward, the rebel Geraldine, was stabbed. And there is Clontarf, where Brian the High King fought the red Danes, fought and died, but fought and conquered. And there Howth, where Iseult, the Dublin princess, sailed to marry Mark in rugged Cornwall, sailed with Tristram....

Eh! There from Mount Kyteler one can see it all--the soft dreaming mountains, the sad weeping city. And here where was once the laughter of young women, the barking of dogs, the neighing of horses, the shouting of lads--here is silence, but for the husky note of the wood-pigeon, the little thunder of his wings, and the droning of the seeking bees. All, all are dead, but here is no desolation. There is the sweet gentleness of remembered twilights, and the copper beech rustles, and the rowan nods, and the apple-trees murmur with their antique boughs: "Is it yourself is in it, Ronnie? Is it yourself, long lad? And it is long you've stayed away from us in foreign lands and bitter seas. And it's Lady Margery you 're looking for? And Paddy the Pipes? You mind him, do you so? And Jacky Sullivan--ah, the great lad! Sure, they 've just left this minute, laughing fellow. Gone to see the old earl, they have. Sure, you'll be following them, and seeing them all soon. Over the mountains they went, a wee ways. You 'll see them all soon, very soon, a wheen of years...."

Not for long will be this sweet silence, this soft, dim loneliness. Soon will be business of courts, justices sitting in wig and gown. And Mount Kyteler will die, and its name be forgotten. Sad history will pass and affairs proceed in their inexorable ordinance. And where once great Norman fighters charged in mail, and Elizabethan nobles ruffled, and the old red-faced earl swore when the gout was on him, and of late Lady Margery moved over lawns and walks with her sweet, sad-faced dignity, will be three or four little farms, their smoke blue against the purple of Three Rock Mountain. And the lawns will turn to fields of blue corn, and fat cattle will graze where once was a maze of flowers.

And all the crops will prosper there. And the children that are born of the farmer folk will be happy as the birds in the trees. There will be no blight on the milk the cows give, and there will be great luck on the stock of the kindly land. Always will there be prodigal bees and the dancing of swallows.

There are houses and lands that are kindly, and places that are sinister, fields that are surly, meadows that are sweetly generous. Old things, if we watch them, have a very human quality, and that is because they have been intimately connected with people who have these qualities themselves. One influences one's surroundings so much. Whirling sparks of personality fall from us and charge what we have usually by us. On all the estate came such a current of sweetness that even the thieving wood-pigeons grew generous, leaving the young trees alone.

Will she ever come back here when Mount Kyteler is gone, and the little whitewashed farmhouses are an outpost against the heather of Three Rock Mountain? I think she will. She will have so much beauty to know, now she is dead, that she will not begrudge the loss of the flower gardens and the courts where tennis was played. Apple-trees and flowers will be hers wherever she is, and perhaps the same ones--who can say no? Yet I can see her come to visit the whitewashed houses in the hushed summer twilight, when the daisies have tucked in their modest heads and only the great foam of the hawthorn billows over the country-side. On some warm little breeze from Three Rock Mountain she will come. And horses in their stalls will know her, and the kine will turn their heads to her, lowing gently, and the dogs will bark joyously, and some little child on the floor will stand up suddenly and run forward, its arms outstretched, bubbles of laughter beating from the tiny lips....

II

Now when the last Lord Kyteler died, there was very little fuss made. Another poverty-stricken Irish peer gone. He had n't been rich enough to own an estate large enough for tenants to squabble on. A few farms here and there through the country, Mount Kyteler itself, not worth a tremendous amount. He was the last lord of one of these very, very old families who had been lost in the back-wash of Irish history. Once Kytelers had fought in the Holy Land under Richard the Lion-Hearted and had fought later under Irish viceroys against the O'Bernes and O'Tooles and O'Moores of the Wicklow hills; and antiquarians remembered that Dame Alice Kyteler was the most sinister witch of all Ireland, and was burned at the stake in Kilkenny many centuries before. But it was a matter of politics more than demonology, though undoubtedly Dame Alice was second only to Gilles de Rais, murderer and Marshal of France, in worship of evil idols and in sinister sacrifice....

It was one of these old names that should have died out, when the medieval chivalry of Europe died, Knights Templar and sporting Norman bishops and morbid medieval ladies. But it existed, as many things exist in Ireland and are forgotten in Europe and never known in America,--strange Christian customs, strange pagan beliefs,--and "It" the most horrible of all horrible ghosts.

They were a poor family, as poor is understood in Ireland. That is, they had money enough for all necessities and many luxuries. They had money enough for food, for clothes, for a few good horses for conveyance and hunting, and they could go to the viceregal court at Dublin Castle and be decent figures there. But they could not keep racehorses, which is really a great hardship if you are Irish, and they could not afford to live in London as an Irish nobleman should live, which should be as a very great nobleman indeed. They were as well off as a rich farmer, and they had a title, and they were not intolerably proud.

If you were to meet a very red-faced man in tweeds and with a heavy stick, at the Curragh races, betting modest sovereigns, and were told that he was the Earl of Mount Kyteler, you would feel that there was something wrong. He had not that terrible courtesy of the earls and better sort of dukes which makes you feel like a clodhopper, no matter from which particular Irish king you claim direct descent. He was too human, too decent an old skate; you chuckled when you thought of a coronet cocked rakishly over that red, weather-beaten face.

Oh, but Lady Margery! that was different!

Her appearance I could describe to you: the close-bound black hair, the face like some rain-washed flower, the dark luminous eyes and laughing lips, the balanced neck, the body that was half boy's and half young woman's. All that means nothing, but if I say that when she appeared there was a chime like an old silver bell, such antique sweetness came upon the air ... the feet that never seemed to touch the ground, her long, white, quiet hands. How that old-world title fitted her, described her! Not demure miss, not buxom mistress, but the Lady Margery Kyteler.

How important it is for me to bring her back, to have her real for an instant in the clear air! But not as a necromancer under the glittering stars, with circle and acolyte, fire, sword, and crown, saying terrible words--Here be the symbols of secret things, the flags and banners of God the Conqueror, the weapons to compel the aerial potencies--and have that sweet face come white and fearful in the gray dawn. I would have her seen with her merry smile, her feet that moved lightly, as to hidden music, her long quiet hands. For all her boyish strong body, there was such harmony and light, one knew that beyond the body was something that would not die with the years--no more than the sun dies when it drops into the sea, or the sweet, friendly moon. To see her was more than miracles; she convinced better than the fathers of the church.

Very unconsciously she did all this. And very embarrassed she would have been and a little mad she would have thought one, had she been told she was an argument for eternity. Know her to be eternal, but see her playing with a terrier, pulling its tail, its ears, and clipping it deftly under the jaw as it snapped playfully. Or stroking the sleek neck of a horse, and talking to it as horses love to be talked to, or kneeling to comfort some crying child of the people, and wooing it back to happiness by being very happy herself....

III

Now by the ordinance of time and nature the old earl was quietly gathered to his forbears--to Gilles de Kyteler, who came over to Ireland with Strongbow; to Piers Kyteler, who could run against a horse for five miles; to Dame Alice Kyteler, whose name is still used to frighten little children; to Fulke, or the bastard Kyteler, who joined with Silken Thomas in rebellion; Hugh, who lost the family money in the South Sea Bubble; to another Pierce, who backed Boxer Donelly, the Irishman, against the English champion, Cooper, for a thousand pounds--and won!--to Hugh, who grew rare tulips, and to Patrick, of whom it was said he was the stupidest man in Ireland. Some one has written a book about the family; possibly it's worth reading, probably not.

And now of the family of the Earls of Mount Kyteler there was only one left, the Lady Margery Kyteler, and she was alone in the world.

Except for the ordinary natural grief for the old earl, whom she loved and liked, she did n't mind being alone. Mount Kyteler had now only seven servants, an ancient cook and two equally ancient maids, a gardener so ancient as to need an assistant, who was himself so verging on the ancient that it was a puzzle as to what assistance he could give. There were a couple of lads in the stable, lads of fifty, a groom, and a coachman, the coachman assuming the livery of butler on great occasions, such as in Horse Show Week. Ancient grumbling people they all were, who were united only in this, that they loved her. Among themselves there were always ancient grudges, present fights. And instead of her ruling them, they ruled her with a terrible tyranny.

The old cook below-stairs was forever complaining of the great work to be done, and refusing to have any help given her.

"Is it bringing in another you 'd be and me here child and woman for fifty years? Twelve years old I was when they brought me into the pantry and set me to cleaning knives, and now it's on top of me you 'd be bringing some streel you 'd be getting out of a register's office, a woman does be following the tinkers to the Country Wicklow, mad with love. Och, to think of the insult put on me this day! _Wirra, is thrue_!"

"Sure, it 's only to help you, Peggy."

"And what help would I be needing, me that's the fine, supple woman, in the prime o' my years! Ne'er a day over sixty I am, and thirty hard years' work in me still."

"But you were complaining, Peggy."

"Sure, 't was only to keep my mind active I was."

The old gardener could be terrible, with his face like an apple and his bent back. He watched her as he might watch a thieving boy.

"Now, if it's a thing you 'd be wanting chrysanthemums, my lady, would n't it be the right and proper thing for you to be coming to me, that's the head gardener of this garden, and if it's a thing there 's chrysanthemums in it, you 'll get them, and if it's a thing there 's no chrysanthemums in it, you won't."

"I thought I 'd save you trouble, Darby."

"And what trouble would you be saving me, my Lady, by destroying the symmetry of the design? All the work that 's on me, and ne'er a hand's turn do I get from the young fellow that's the assistant. Devil the hand's turn he 's done in all the forty-three years he 's been here, barring playing the bagpipes in the greenhouse and talking about the good ould times. I mind the time your grandfather was in it, my Lady--a real gentleman him. He would n't put a hand on an apple, or a gooseberry itself, without asking the head gardener's permission."

Also were the two ancient maids problems in their way. They were forever sniffing at each other, and complaining of each other to Margery.

"If your Ladyship would be so kind as to give Rose Ann a tip about her conduct, 't would be a mercy so. For the queer way she does be acting with the postman is no credit to this house at all. New ribbons in her cap, indeed, looking for love, when she ought to be making her peace with God and man."

But Rose Ann had the same story.

"If your Ladyship pleases, a wee word to Ellen would not be out of the way. 'T is the postman, your Ladyship, has been complaining bitterly. 'Ma'am,' says he to me, 'would you be telling a secret?' 'If so be as I know it,' says I, 'I will.' 'Is that one,' says he, 'right in her head?' 'Is it Ellen you mean?' says I. ''T is that same,' says he. ''T is that has been puzzling myself, but why do you ask?' say I. ''T is the dirty look she has in her eye,' says he, 'and the queer conversation is at her. "'T is the world's wonder you never married," she does be telling me, "and you the fine lad you are."' Your Ladyship should speak to her. You should so."

"I will, Rose Ann."