Part 16

LEARNING MANY LANGUAGES.--The learning of many languages fills the memory with words instead of with facts and thoughts, and this is a vessel which, with every person, can only contain a certain limited amount of contents. Therefore the learning of many languages is injurious, inasmuch as it arouses a belief in possessing dexterity and, as a matter of fact, it lends a kind of delusive importance to social intercourse. It is also indirectly injurious in that it opposes the acquirement of solid knowledge and the intention to win the respect of men in an honest way. Finally, it is the axe which is laid to the root of a delicate sense of language in our mother-tongue, which thereby is incurably injured and destroyed. The two nations which produced the greatest stylists, the Greeks and the French, learned no foreign languages. But as human intercourse must always grow more cosmopolitan, and as, for instance, a good merchant in London must now be able to read and write eight languages, the learning of many tongues has certainly become a necessary evil; but which, when finally carried to an extreme, will compel mankind to find a remedy, and in some far-off future there will be a new language, used at first as a language of commerce, then as a language of intellectual intercourse generally, then for all, as surely as some time or other there will be aviation. Why else should philology have studied the laws of languages for a whole century, and have estimated the necessary, the valuable, and the successful portion of each separate language?

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THE WAR HISTORY OF THE INDIVIDUAL.--In a single human life that passes through many styles of culture we find that struggle condense which would otherwise have been played out between two generations, between father and son; the closeness of the relationship _sharpens_ this struggle, because each party ruthlessly drags in the familiar inward nature of the other party; and thus this struggle in the single individual becomes most _embittered \_ here every new phase disregards the earlier ones with cruel injustice and misunderstanding of their means and aims.

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A QUARTER OF AN HOUR EARLIER.--A mark is found occasionally whose views are beyond his time, but only to such an extent that he anticipates the common views of the next decade. He possesses public opinion before it is public; that is, he has fallen into the arms of a view that deserves to be trivial a quarter of an hour sooner than other people. But his fame is usually far noisier than the fame of those who are really great and prominent.

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THE ART OF READING.--Every strong tendency is one-sided; it approaches the aim of the straight line and, like this, is exclusive, that is, it does not touch many other aims, as do weak parties and natures in their wave-like rolling to-and-fro; it must also be forgiven to philologists that they are one-sided. The restoration and keeping pure of texts, besides their explanation, carried on in common for hundreds of years, has finally enabled the right methods to be found; the whole of the Middle Ages was absolutely incapable of a strictly philological explanation, that is, of the simple desire to comprehend what an author says--it _was_ an achievement, finding these methods, let it not be undervalued! Through this all science first acquired continuity and steadiness, so that the art of reading rightly, which is called philology, attained its summit.

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THE ART OF REASONING.--The greatest advance that men have made lies in their acquisition of the art to _reason rightly._ It is not so very natural, as Schopenhauer supposes when he says, "All are capable of reasoning but few of judging," it is learnt late and has not yet attained supremacy. False conclusion are the rule in older ages; and the mythologies of all peoples, their magic and their superstition, their religious cult and their law are the inexhaustible sources of proof of this theory.

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PHASES OF INDIVIDUAL CULTURE.--Th strength and weakness of mental productiveness depend far less on inherited talents than on the accompanying amount of _elasticity._ Most educated young people of thirty turn round at this solstice of their lives and are afterwards disinclined for new mental turnings. Therefore, for the salvation of a constantly increasing culture, a new generation is immediately necessary, which will not do very much either, for in order to come up with the father's culture the son must exhaust almost all the inherited energy which the father himself possessed at that stage of life when his son was born; with the little addition he gets further on (for as here the road is being traversed for the second time progress is--a little quicker; in order to learn that which the father knew, the son does not consume quite so much strength). Men of great elasticity, like Goethe, for instance, get through almost more than four generations in succession would be capable of; but then they advance too quickly, so that the rest of mankind only comes up with them in the next century, and even then perhaps not completely, because the exclusiveness of culture and the consecutiveness of development have been weakened by the frequent interruptions. Men catch up more quickly with the ordinary phases of intellectual culture which has been acquired in the course of history. Nowadays they begin to acquire culture as religiously inclined children, and perhaps about their tenth year these sentiments attain to their highest point, and are then changed into weakened forms (pantheism), whilst they draw near to science; they entirely pass by God, immortality, and such-like things, but are overcome by the witchcraft of a metaphysical philosophy. Eventually they find even this unworthy of belief; art, on the contrary, seems to vouchsafe more and more, so that for a time metaphysics is metamorphosed and continues to exist either as a transition to art or as an artistically transfiguring temperament. But the scientific sense grows more imperious and conducts man to natural sciences and history, and particularly to the severest methods of knowledge, whilst art has always a milder and less exacting meaning. All this usually happens within the first thirty years of a man's life. It is the recapitulation of a _pensum,_ for which humanity had laboured perhaps thirty thousand years.

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RETROGRADED, NOT LEFT BEHIND.--Whoever, in the present day, still derives his development from religious sentiments, and perhaps lives for some length of time afterwards in metaphysics and art, has assuredly gone back a considerable distance and begins his race with other modern men under unfavourable conditions; he apparently loses time and space. But because he stays in those domains where ardour and energy are liberated and force flows continuously as a volcanic stream out of an inexhaustible source, he goes forward all the more quickly as soon as he has freed himself at the right moment from those dominators; his feet are winged, his breast has learned quieter, longer, and more enduring breathing. He has only retreated in order to have sufficient room to leap; thus something terrible and threatening may lie in this retrograde movement.

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A PORTION OF OUR EGO AS AN ARTISTIC OBJECT.--It is a sign of superior culture consciously to retain and present a true picture of certain phases of development which commoner men live through almost thoughtlessly and then efface from the tablets of their souls: this is a higher species of the painter's art which only the few understand. For this it is necessary to isolate those phases artificially. Historical studies form the qualification for this painting, for they constantly incite us in regard to a portion of history, a people, or a human life, to imagine for ourselves a quite distinct horizon of thoughts, a certain strength of feelings, the prominence of this or the obscurity of that. Herein consists the historic sense, that out of given instances we can quickly reconstruct such systems of thoughts and feelings, just as we can mentally reconstruct a temple out of a few pillars and remains of walls accidentally left standing. The next result is that we understand our fellow-men as belonging to distinct systems and representatives of different cultures--that is, as necessary, but as changeable; and, again, that we can separate portions of our own development and put them down independently.

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CYNICS AND EPICUREANS.--The cynic recognises the connection between the multiplied and stronger pains of the more highly cultivated man and the abundance of requirements; he comprehends, therefore, that the multitude of opinions about what is beautiful, suitable, seemly and pleasing, must also produce very rich sources of enjoyment, but also of displeasure. In accordance with this view he educates himself backwards, by giving up many of these opinions and withdrawing from certain demands of culture; he thereby gains a feeling of freedom and strength; and gradually, when habit has made his manner of life endurable, his sensations of displeasure are, as a matter of fact, rarer and weaker than those of cultivated people, and approach those of the domestic animal; moreover, he experiences everything with the charm of contrast, and--he can also scold to his heart's content; so that thereby he again rises high above the sensation-range of the animal. The Epicurean has the same point of view as the cynic; there is usually only a difference of temperament between them. Then the Epicurean makes use of his higher culture to render himself independent of prevailing opinions, he raises himself above them, whilst the cynic only remains negative. He walks, as it were, in wind-protected, well-sheltered, half-dark paths, whilst over him, in the wind, the tops of the trees rustle and show him how violently agitated is the world out there. The cynic, on the contrary, goes, as it were, naked into the rushing of the wind and hardens himself to the point of insensibility.

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MICROCOSM AND MACROCOSM OF CULTURE.--The best discoveries about culture man makes within himself when he finds two heterogeneous powers ruling therein. Supposing some one were living as much in love for the plastic arts or for music as he was carried away by the spirit of science, and that he were to regard it as impossible for him to end this contradiction by the destruction of one and complete liberation of the other power, there would therefore remain nothing for him to do but to erect around himself such a large edifice of culture that those two powers might both dwell within it, although at different ends, whilst between them there dwelt reconciling, intermediary powers, with predominant strength to quell, in case of need, the rising conflict. But such an edifice of culture in the single individual will bear a great resemblance to the culture of entire periods, and will afford consecutive analogical teaching concerning it. For wherever the great architecture of culture manifested itself it was its mission to compel opposing powers to agree, by means of an overwhelming accumulation of other less unbearable powers, without thereby oppressing and fettering them.

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HAPPINESS AND CULTURE.--We are moved at the sight of our childhood's surroundings,--the arbour, the church with its graves, the pond and the wood,--all this we see again with pain. We are seized with pity for ourselves; for what have we not passed through since then! And everything here is so silent, so eternal, only we are so changed, so moved; we even find a few human beings, on whom Time has sharpened his teeth no more than on an oak tree,--peasants, fishermen, woodmen--they are unchanged. Emotion and self-pity at the sight of lower culture is the sign of higher culture; from which the conclusion may be drawn that happiness has certainly not been increased by it. Whoever wishes to reap happiness and comfort in life should always avoid higher culture.

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THE SIMILE OF THE DANCE.--It must now be regarded as a decisive sign of great culture if some one possesses sufficient strength and flexibility to be as pure and strict in discernment as, in other moments, to be capable of giving poetry, religion, and metaphysics a hundred paces' start and then feeling their force and beauty. Such a position amid two such different demands is very difficult, for science urges the absolute supremacy of its methods, and if this insistence is not yielded to, there arises the other danger of a weak wavering between different impulses. Meanwhile, to cast a glance, in simile at least, on a solution of this difficulty, it may be remembered that _dancing_ is not the same as a dull reeling to and fro between different impulses. High culture will resemble a bold dance,--wherefore, as has been said, there is need of much strength and suppleness.

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OF THE RELIEVING OF LIFE.--A primary way of lightening life is the idealisation of all its occurrences; and with the help of painting we should make it quite clear to ourselves what idealising means. The painter requires that the spectator should not observe too closely or too sharply, he forces him back to a certain distance from whence to make his observations; he is obliged to take for granted a fixed distance of the spectator from the picture,--he must even suppose an equally certain amount of sharpness of eye in his spectator; in such things he must on no account waver. Every one, therefore, who desires to idealise his life must not look at it too closely, and must always keep his gaze at a certain distance. This was a trick that Goethe, for instance, understood.

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AGGRAVATION AS RELIEF, AND _VICE VERSA._--Much that makes life more difficult in certain grades of mankind serves to lighten it in a higher grade, because such people have become familiar with greater aggravations of life. The contrary also happens; for instance, religion has a double face, according to whether a man looks up to it to relieve him of his burden and need, or looks down upon it as-upon fetters laid on him to prevent him from soaring too high into the air.

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THE HIGHER CULTURE IS NECESSARILY MISUNDERSTOOD.--He who has strung his instrument with only two strings, like the scholars who, besides the _instinct of knowledge_ possess only an acquired _religious_ instinct, does not understand people who can play upon more strings. It lies in the nature of the higher, _many-stringed_ culture that it should always be falsely interpreted by the lower; an example of this is when art appears as a disguised form of the religious. People who are only religious understand even science as a searching after the religious sentiment, just as deaf mutes do not know what music is, unless it be visible movement.

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LAMENTATION.--It is, perhaps, the advantages of our epoch that bring with them a backward movement and an occasional undervaluing of the _vita contemplativa._ But it must be acknowledged that our time is poor in the matter of great moralists, that Pascal, Epictetus, Seneca, and Plutarch are now but little read, that work and industry--formerly in the following of the great goddess Health--sometimes appear to rage like a disease. Because time to think and tranquillity in thought are lacking, we no longer ponder over different views, but content ourselves with hating them. With the enormous acceleration of life, mind and eye grow accustomed to a partial and false sight and judgment, and all people are like travellers whose only acquaintance with countries and nations is derived from the railway. An independent and cautious attitude of knowledge is looked upon almost as a kind of madness; the free spirit is brought into disrepute, chiefly through scholars, who miss their thoroughness and ant-like industry in his art of regarding things and would gladly banish him into one single corner of science, while it has the different and higher mission of commanding the battalion rear-guard of scientific and learned men from an isolated position, and showing them the ways and aims of culture. A song of lamentation such as that which has just been sung will probably have its own period, and will cease of its own accord on a forcible return of the genius of meditation.

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THE CHIEF DEFICIENCY OF ACTIVE PEOPLE.--Active people are usually deficient in the higher activity, I mean individual activity. They are

## active as officials, merchants, scholars, that is as a species, but not

as quite distinct separate and _single_ individuals; in this respect they are idle. It is the misfortune of the active that their activity is almost always a little senseless. For instance, we must not ask the money-making banker the reason of his restless activity, it is foolish. The active roll as the stone rolls, according to the stupidity of mechanics. All mankind is divided, as it was at all times and is still, into slaves and freemen; for whoever has not two-thirds of his day for himself is a slave, be he otherwise whatever he likes, statesman, merchant, official, or scholar.

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IN FAVOUR OF THE IDLE.--As a sign that the value of a contemplative life has decreased, scholars now vie with active people in a sort of hurried enjoyment, so that they appear to value this mode of enjoying more than that which really pertains to them, and which, as a matter of fact, is a far greater enjoyment. Scholars are ashamed of _otium._ But there is one noble thing about idleness and idlers. If idleness is really the _beginning_ of all vice, it finds itself, therefore, at least in near neighbourhood of all the virtues; the idle man is still a better man than the active. You do not suppose that in speaking of idleness and idlers I am alluding to you, you sluggards?

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MODERN UNREST.--Modern restlessness increases towards the west, so that Americans look upon the inhabitants of Europe as altogether peace-loving and enjoying beings, whilst in reality they swarm about like wasps and bees. This restlessness is so great that the higher culture cannot mature its fruits, it is as if the seasons followed each other too quickly. For lack of rest our civilisation is turning into a new barbarism. At no period have the active, that is, the restless, been of _more_ importance. One of the necessary corrections, therefore, which must be undertaken in the character of humanity is to strengthen the contemplative element on a large scale. But every individual who is quiet and steady in heart and head already has the right to believe that he possesses not only a good temperament, but also a generally useful virtue, and even fulfils a higher mission by the preservation of this virtue.

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To WHAT EXTENT THE ACTIVE MAN IS LAZY.--I believe that every one must have his own opinion about everything concerning which opinions are possible, because he himself is a peculiar, unique thing, which assumes towards all other things a new and never hitherto existing attitude. But idleness, which lies at the bottom of the active man's soul, prevents him from drawing water out of his own well. Freedom of opinion is like health; both are individual, and no good general conception can be set up of either of them. That which is necessary for the health of one individual is the cause of disease in another, and many means and ways to the freedom of the spirit are for more highly developed natures the ways and means to confinement.

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_CENSOR VITÆ_--Alternations of love and hatred for a long period distinguish the inward condition of a man who desires to be free in his judgment of life; he does not forget, and bears everything a grudge, for good and evil. At last, when the whole tablet of his soul is written full of experiences, he will not hate and despise existence, neither will he love it, but will regard it sometimes with a joyful, sometimes with a sorrowful eye, and, like nature, will be now in a summer and now in an autumn mood.

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THE SECONDARY RESULT.--Whoever earnestly desires to be free will therewith and without any compulsion lose all inclination for faults and vices; he will also be more rarely overcome by anger and vexation. His will desires nothing more urgently than to discern, and the means to do this,--that is, the permanent condition in which he is best able to discern.

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THE VALUE OF DISEASE.--The man who is bed-ridden often perceives that he is usually ill of his position, business, or society, and through them has lost all self-possession. He gains this piece of knowledge from the idleness to which his illness condemns him.

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SENSITIVENESS IN THE COUNTRY.--If there are no firm, quiet lines on the horizon of his life, a species of mountain and forest line, man's inmost will itself becomes restless, inattentive, and covetous, as is the nature of a dweller in towns; he has no happiness and confers no happiness.

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PRUDENCE OF THE FREE SPIRITS.--Free-thinkers, those who live by knowledge alone, will soon attain the supreme aim of their life and their ultimate position towards society and State, and will gladly content themselves, for instance, with a small post or an income that is just sufficient to enable them to live; for they will arrange to live in such a manner that a great change of outward prosperity, even an overthrow of the political order, would not cause an overthrow of their life. To all these things they devote as little energy as possible in order that with their whole accumulated strength, and with a long breath, they may dive into the element of knowledge. Thus they can hope to dive deep and be able to see the bottom. Such a spirit seizes only the point of an event, he does not care for things in the whole breadth and prolixity of their folds, for he does not wish to entangle himself in them. He, too, knows the weekdays of restraint, of dependence and servitude. But from time to time there must dawn for him a Sunday of liberty, otherwise he could not endure life. It is probable that even his love for humanity will be prudent and somewhat short-winded, for he desires to meddle with the world of inclinations and of blindness only as far as is necessary for the purpose of knowledge. He must trust that the genius of justice will say something for its disciple and protege if accusing voices were to call him poor in love. In his mode of life and thought there is a _refined heroism,_ which scorns to offer itself to the great mob-reverence, as its coarser brother does, and passes quietly through and out of the world. Whatever labyrinths it traverses, beneath whatever rocks its stream has occasionally worked its way--when it reaches the light it goes clearly, easily, and almost noiselessly on its way, and lets the sunshine strike down to its very bottom.

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