Chapter 5 of 36 · 9348 words · ~47 min read

Book VII

. while from 16th October to 25th December he wrote over 2000 lines.

Dorothy and Mary Wordsworth transcribed the earlier books more than once, and a copy of some of them was given to Coleridge to take with him to Malta.

It is certain that the remaining books of 'The Prelude' were all written in the spring and early summer of 1805; the seventh, eighth, ninth, tenth, eleventh, and part of the twelfth being finished about the middle of April; the last 300 lines of book twelfth in the last week of April; and the two remaining books--the thirteenth and fourteenth--before the 20th of May. The following extracts from letters of Wordsworth to Sir George Beaumont make this clear, and also cast light on matters much more important than the mere dates of composition.

GRASMERE, Dec. 25, 1804.

"My dear Sir George,--You will be pleased to hear that I have been advancing with my work: I have written upwards of 2000 verses during the last ten weeks. I do not know if you are exactly acquainted with the plan of my poetical labour: It is twofold; first, a Poem, to be called 'The Recluse;' in which it will be my object to express in verse my most interesting feelings concerning man, nature, and society; and next, a poem (in which I am at present chiefly engaged) on _my earlier life, or the growth of my own mind,_ taken up upon a large scale. This latter work I expect to have finished before the month of May; and then I purpose to fall with all my might on the former, which is the chief object upon which my thoughts have been fixed these many years. Of this poem, that of 'The Pedlar,' which Coleridge read to you, is part; and I may have written of it altogether about 2000 lines. It will consist, I hope, of about ten or twelve thousand."

GRASMERE, May 1, 1805.

"Unable to proceed with this work, [B] I turned my thoughts again to the 'Poem on my own Life', and you will be glad to hear that I have added 300 lines to it in the course of last week. Two books more will conclude it. It will not be much less than 9000 lines,--not hundred but thousand lines long,--an alarming length! and a thing unprecedented in literary history that a man should talk so much about himself. It is not self-conceit, as you will know well, that has induced me to do this, but real humility. I began the work because I was _unprepared_ to treat _any more arduous subject_, and _diffident of my own powers_. Here, at least, I hoped that to a certain degree I should be sure of succeeding, as I had nothing to do but describe what I had felt and thought, and therefore could not easily be bewildered. This might have been done in narrower compass by a man of more address; but I have done my best. If, when the work shall be finished, it appears to the judicious to have redundancies, they shall be lopped off, if possible; but this is very difficult to do, when a man has written with thought; and this defect, whenever I have suspected it or found it to exist in any writings of mine, I have always found it incurable. The fault lies too deep, and is in the first conception."

GRASMERE, June 3, 1805.

"I have the pleasure to say that I _finished my poem_ about a fortnight ago. I had looked forward to the day as a most happy one; ... But it was not a happy day for me; I was dejected on many accounts: when I looked back upon the performance, it seemed to have a dead weight about it,--the reality so far short of the expectation. It was the first long labour that I had finished; and the doubt whether I should ever live to write 'The Recluse', and the sense which I had of this poem being so far below what I seemed capable of executing, depressed me much; above all, many heavy thoughts of my poor departed brother hung upon me, the joy which I should have had in showing him the manuscript, and a thousand other vain fancies and dreams. I have spoken of this, because it was a state of feeling new to me, the occasion being new. This work may be considered as a sort of _portico_ to 'The Recluse', part of the same building, which I hope to be able, ere long, to begin with in earnest; and if I am permitted to bring it to a conclusion, and to write, further, a narrative poem of the epic kind, I shall consider the task of my life as over. I ought to add, that I have the satisfaction of finding the present poem not quite of so alarming a length as I apprehended."

These letters explain the delay in the publication of 'The Prelude'. They show that what led Wordsworth to write so much about himself was not self-conceit, but self-diffidence. He felt unprepared as yet for the more arduous task he had set before himself. He saw its faults as clearly, or more clearly, than the critics who condemned him. He knew that its length was excessive. He tried to condense it; he kept it beside him unpublished, and occasionally revised it, with a view to condensation, in vain. The text received his final corrections in the year 1832.

Wordsworth's reluctance to publish these portions of his great poem, 'The Recluse', other than 'The Excursion', during his lifetime, was a matter of surprise to his friends; to whom he, or the ladies of his household, had read portions of it. In the year 1819, Charles Lamb wrote to him,

"If, as you say, 'The Waggoner', in some sort, came at my call, oh for a potent voice to call forth 'The Recluse' from his profound dormitory, where he sleeps forgetful of his foolish charge--the world!"

('The Letters of Charles Lamb', edited by Alfred Ainger, vol. ii. p. 26.)

The admission made in the letter of May 1st, 1805, is note-worthy:

"This defect" (of redundancy) "whenever I have suspected it or found it to exist in any writings of mine, _I have always found incurable. The fault lies too deep, and is in the first conception_."

The actual result--in the Poem he had at length committed to writing--was so far inferior to the ideal he had tried to realise, that he could never be induced to publish it. He spoke of the MS. as forming a sort of _portico_ to his larger work--the poem on Man, Nature, and Society--which he meant to call 'The Recluse', and of which one portion only, _viz._ 'The Excursion', was finished. It is clear that throughout the composition of 'The Prelude', he felt that he was experimenting with his powers. He wished to find out whether he could construct "a literary work that might live," on a larger scale than his Lyrics; and it was on the writing of a "philosophical poem," dealing with Man and Nature, in their deepest aspects, that his thoughts had been fixed for many years. From the letter to Sir George Beaumont, December 25, 1804, it is evident that he regarded the autobiographical poem as a mere prologue to this larger work, to which he hoped to turn "with all his might" after 'The Prelude' was finished, and of which he had already written about a fifth or a sixth (see 'Memoirs', vol. i. p. 304). This was the part known in the Grasmere household as "The Pedlar," a title given to it from the character of the Wanderer, but afterwards happily set aside. He did not devote himself, however, to the completion of his wider purpose, immediately after 'The Prelude' was finished. He wrote one book of 'The Recluse' which he called "Home at Grasmere"; and, though detached from 'The Prelude', it is a continuation of the narrative of his own life at the point where it is left off in the latter poem. It consists of 733 lines. Two extracts from it were published in the 'Memoirs of Wordsworth' in 1851 (vol. i. pp. 151 and 155), beginning,

'On Nature's invitation do I come,'

and

'Bleak season was it, turbulent and bleak.'

These will be found in vol. ii. of this edition, pp. 118 and 121 respectively.

The autobiographical poem remained, as already stated, during Wordsworth's lifetime without a title. The name finally adopted--'The Prelude'--was suggested by Mrs. Wordsworth, both to indicate its relation to the larger work, and the fact of its having been written comparatively early.

As the poem was addressed to Coleridge, it may be desirable to add in this place his critical verdict upon it; along with the poem which he wrote, on hearing Wordsworth read a portion of it to him, in the winter of 1806, at Coleorton.

In his 'Table Talk' (London, 1835, vol. ii. p. 70), Coleridge's opinion is recorded thus:

"I cannot help regretting that Wordsworth did not first publish his thirteen (fourteen) books on the growth of an individual mind--superior, as I used to think, upon the whole to 'The Excursion'. You may judge how I felt about them by my own Poem upon the occasion. Then the plan laid out, and, I believe, partly suggested by me, was, that Wordsworth should assume the station of a man in mental repose, one whose principles were made up, and so prepared to deliver upon authority a system of philosophy. He was to treat man as man,--a subject of eye, ear, touch, and taste in contact with external nature, and informing the senses from the mind, and not compounding a mind out of the senses; then he was to describe the pastoral and other states of society, assuming something of the Juvenalian spirit as he approached the high civilisation of cities and towns, and opening a melancholy picture of the present state of degeneracy and vice; thence he was to infer and reveal the proof of, and necessity for, the whole state of man and society being subject to, and illustrative of a redemptive process in operation, showing how this idea reconciled all the anomalies, and promised future glory and restoration. Something of this sort was, I think, agreed on. It is, in substance, what I have been all my life doing in my system of philosophy.

"I think Wordsworth possessed more of the genius of a great Philosopher than any man I ever knew, or, as I believe, has existed in England since Milton; but it seems to me that he ought never to have abandoned the contemplative position which is peculiarly--perhaps, I might say exclusively--fitted for him. His proper title is 'Spectator ab extra'."

The following are Coleridge's Lines addressed to Wordsworth:

TO WILLIAM WORDSWORTH

COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND

Friend of the wise! and teacher of the good! Into my heart have I received that lay More than historic, that prophetic lay Wherein (high theme by thee first sung aright) Of the foundations and the building up Of a Human Spirit thou hast dared to tell What may be told, to the understanding mind Revealable; and what within the mind By vital breathings secret as the soul Of vernal growth, oft quickens in the heart Thoughts all too deep for words!-- Theme hard as high, Of smiles spontaneous, and mysterious fears (The first-born they of Reason and twin-birth), Of tides obedient to external force, And currents self-determined, as might seem, Or by some inner power; of moments awful, Now in thy inner life, and now abroad, When power streamed from thee, and thy soul received The Light reflected, as a light bestowed-- Of fancies fair, and milder hours of youth, Hyblean murmurs of poetic thought Industrious in its joy, in vales and glens, Native or outland, lakes and famous hills! Or on the lonely high-road, when the stars Were rising; or by secret mountain-streams, The guides and the companions of thy way! Of more than Fancy, of the Social Sense Distending wide, and man beloved as man, Where France in all her towns lay vibrating Like some becalmed bark beneath the burst Of Heaven's immediate thunder, when no cloud Is visible, or shadow on the main. For thou wert there, thine own brows garlanded, Amid the tremor of a realm aglow, Amid a mighty nation jubilant, When from the general heart of humankind Hope sprang forth like a full-born Deity! --Of that dear Hope afflicted and struck down, So summoned homeward, thenceforth calm and sure, From the dread watch-tower of man's absolute self, With light unwaning on her eyes, to look Far on--herself a glory to behold. The Angel of the vision! Then (last strain) Of Duty, chosen laws controlling choice,

## Action and joy!--An Orphic song indeed,

A song divine of high and passionate thoughts To their own music chanted! O great Bard! Ere yet that last strain dying awed the air, With stedfast eye I viewed thee in the choir Of ever-enduring men. The truly great Have all one age, and from one visible space Shed influence! They, both in power and act, Are permanent, and Time is not with them, Save as it worketh for them, they in it. Nor less a sacred roll, than those of old, And to be placed, as they, with gradual fame Among the archives of mankind, thy work Makes audible a linked lay of Truth, Of Truth profound a sweet continuous lay, Not learnt, but native, her own natural notes! Ah! as I listened with a heart forlorn, The pulses of my being beat anew: And even as life returns upon the drowned, Life's joy rekindling roused a throng of pains-- Keen pangs of Love, awakening as a babe Turbulent, with an outcry in the heart; And fears self-willed, that shunned the eye of hope; And hope that scarce would know itself from fear; Sense of past youth, and manhood come in vain, And genius given, and knowledge won in vain; And all which I had culled in wood-walks wild, And all which patient toil had reared, and all, Commune with thee had opened out--but flowers Strewed on my corse, and borne upon my bier, In the same coffin, for the self-same grave!

... Eve following eve, Dear tranquil time, when the sweet sense of Home Is sweetest! moments for their own sake hailed, And more desired, more precious for thy song, In silence listening, like a devout child, My soul lay passive, by thy various strain Driven as in surges now beneath the stars, With momentary stars of my own birth, Fair constellated foam, [C] still darting off Into the darkness; now a tranquil sea, Outspread and bright, yet swelling to the moon.

And when--O Friend! my comforter and guide! Strong in thyself, and powerful to give strength!-- Thy long-sustained Song finally closed, And thy deep voice had ceased--yet thou thyself Wert still before my eyes, and round us both That happy vision of beloved faces-- Scarce conscious, and yet conscious of its close I sate, my being blended in one thought (Thought was it? or aspiration? or resolve?) Absorbed, yet hanging still upon the sound-- And when I rose I found myself in prayer.

It was at Coleorton, in Leicestershire,--where the Wordsworths lived during the winter of 1806-7, in a farm-house belonging to Sir George Beaumont, and where Coleridge visited them,--that 'The Prelude' was read aloud by its author, on the occasion which gave birth to these lines.--Ed.

[Footnote A: See the 'De Quincey Memorials,' vol. i. p. 125.--Ed.]

[Footnote B: A poem on his brother John.--Ed.]

[Footnote C: Compare

"A beautiful white cloud of foam at momentary intervals, coursed by the side of the vessel with a roar, and little stars of flame danced and sparkled and went out in it: and every now and then light detachments of this white cloud-like foam darted off from the vessel's side, each with its own small constellation, over the sea, and scoured out of sight like a Tartar troop over a wilderness."

S. T. C. in 'Biographia Literaria', Satyrane's Letters, letter i. p. 196 (edition 1817).--Ed.]

* * * * *

BOOK FIRST

INTRODUCTION.--CHILDHOOD AND SCHOOL-TIME

O there is blessing in this gentle breeze, A visitant that while it fans my cheek Doth seem half-conscious of the joy it brings From the green fields, and from yon azure sky. Whate'er its mission, the soft breeze can come 5 To none more grateful than to me; escaped From the vast city, [A] where I long had pined A discontented sojourner: now free, Free as a bird to settle where I will. What dwelling shall receive me? in what vale 10 Shall be my harbour? underneath what grove Shall I take up my home? and what clear stream Shall with its murmur lull me into rest? The earth is all before me. [B] With a heart Joyous, nor scared at its own liberty, 15 I look about; and should the chosen guide Be nothing better than a wandering cloud, I cannot miss my way. I breathe again! Trances of thought and mountings of the mind Come fast upon me: it is shaken off, 20 That burthen of my own unnatural self, The heavy weight of many a weary day [C] Not mine, and such as were not made for me. Long months of peace (if such bold word accord With any promises of human life), 25 Long months of ease and undisturbed delight Are mine in prospect; whither shall I turn, By road or pathway, or through trackless field, Up hill or down, or shall some floating thing Upon the river point me out my course? 30

Dear Liberty! Yet what would it avail But for a gift that consecrates the joy? For I, methought, while the sweet breath of heaven Was blowing on my body, felt within A correspondent breeze, that gently moved 35 With quickening virtue, but is now become A tempest, a redundant energy, Vexing its own creation. Thanks to both, And their congenial powers, that, while they join In breaking up a long-continued frost, 40 Bring with them vernal promises, the hope Of active days urged on by flying hours,-- Days of sweet leisure, taxed with patient thought Abstruse, nor wanting punctual service high, Matins and vespers of harmonious verse! 45

Thus far, O Friend! [D] did I, not used to make A present joy the matter of a song, Pour forth that day my soul in measured strains That would not be forgotten, and are here Recorded: to the open fields I told 50 A prophecy: poetic numbers came Spontaneously to clothe in priestly robe A renovated spirit singled out, Such hope was mine, for holy services. My own voice cheered me, and, far more, the mind's 55 Internal echo of the imperfect sound; To both I listened, drawing from them both A cheerful confidence in things to come.

Content and not unwilling now to give A respite to this passion, I paced on 60 With brisk and eager steps; and came, at length, To a green shady place, [E] where down I sate Beneath a tree, slackening my thoughts by choice, And settling into gentler happiness. 'Twas autumn, and a clear and placid day, 65 With warmth, as much as needed, from a sun Two hours declined towards the west; a day With silver clouds, and sunshine on the grass, And in the sheltered and the sheltering grove A perfect stillness. Many were the thoughts 70 Encouraged and dismissed, till choice was made Of a known Vale, [F] whither my feet should turn, Nor rest till they had reached the very door Of the one cottage [G] which methought I saw. No picture of mere memory ever looked 75 So fair; and while upon the fancied scene I gazed with growing love, a higher power Than Fancy gave assurance of some work Of glory there forthwith to be begun, Perhaps too there performed. Thus long I mused, 80 Nor e'er lost sight of what I mused upon, Save when, amid the stately groves of oaks, Now here, now there, an acorn, from its cup Dislodged, through sere leaves rustled, or at once To the bare earth dropped with a startling sound. 85 From that soft couch I rose not, till the sun Had almost touched the horizon; casting then A backward glance upon the curling cloud Of city smoke, by distance ruralised; Keen as a Truant or a Fugitive, 90 But as a Pilgrim resolute, I took, Even with the chance equipment of that hour, The road that pointed toward the chosen Vale. [F] It was a splendid evening, and my soul Once more made trial of her strength, nor lacked 95 Æolian visitations; but the harp Was soon defrauded, and the banded host Of harmony dispersed in straggling sounds, And lastly utter silence! "Be it so; Why think of any thing but present good?" [H] 100 So, like a home-bound labourer I pursued My way beneath the mellowing sun, that shed Mild influence; nor left in me one wish Again to bend the Sabbath of that time To a servile yoke. What need of many words? 105 A pleasant loitering journey, through three days Continued, brought me to my hermitage, [I] I spare to tell of what ensued, the life In common things--the endless store of things, Rare, or at least so seeming, every day 110 Found all about me in one neighbourhood-- The self-congratulation, and, from morn To night, unbroken cheerfulness serene. [K] But speedily an earnest longing rose To brace myself to some determined aim, 115 Reading or thinking; either to lay up New stores, or rescue from decay the old By timely interference: and therewith Came hopes still higher, that with outward life I might endue some airy phantasies 120 That had been floating loose about for years, And to such beings temperately deal forth The many feelings that oppressed my heart. That hope hath been discouraged; welcome light Dawns from the east, but dawns to disappear 125 And mock me with a sky that ripens not Into a steady morning: if my mind, Remembering the bold promise of the past, Would gladly grapple with some noble theme, Vain is her wish; where'er she turns she finds 130 Impediments from day to day renewed.

And now it would content me to yield up Those lofty hopes awhile, for present gifts Of humbler industry. But, oh, dear Friend! The Poet, gentle creature as he is, 135 Hath, like the Lover, his unruly times; His fits when he is neither sick nor well, Though no distress be near him but his own Unmanageable thoughts: his mind, best pleased While she as duteous as the mother dove 140 Sits brooding, lives not always to that end, But like the innocent bird, hath goadings on That drive her as in trouble through the groves; [L] With me is now such passion, to be blamed No otherwise than as it lasts too long. 145

When, as becomes a man who would prepare For such an arduous work, I through myself Make rigorous inquisition, the report Is often cheering; for I neither seem To lack that first great gift, the vital soul, 150 Nor general Truths, which are themselves a sort Of Elements and Agents, Under-powers, Subordinate helpers of the living mind: Nor am I naked of external things, Forms, images, nor numerous other aids 155 Of less regard, though won perhaps with toil And needful to build up a Poet's praise. Time, place, and manners do I seek, and these Are found in plenteous store, but nowhere such As may be singled out with steady choice; 160 No little band of yet remembered names Whom I, in perfect confidence, might hope To summon back from lonesome banishment, And make them dwellers in the hearts of men Now living, or to live in future years. 165 Sometimes the ambitious Power of choice, mistaking Proud spring-tide swellings for a regular sea, Will settle on some British theme, some old Romantic tale by Milton left unsung; More often turning to some gentle place 170 Within the groves of Chivalry, I pipe To shepherd swains, or seated harp in hand, Amid reposing knights by a river side Or fountain, listen to the grave reports Of dire enchantments faced and overcome 175 By the strong mind, and tales of warlike feats, Where spear encountered spear, and sword with sword Fought, as if conscious of the blazonry That the shield bore, so glorious was the strife; Whence inspiration for a song that winds 180 Through ever changing scenes of votive quest Wrongs to redress, harmonious tribute paid To patient courage and unblemished truth, To firm devotion, zeal unquenchable, And Christian meekness hallowing faithful loves. 185 Sometimes, more sternly moved, I would relate How vanquished Mithridates northward passed, And, hidden in the cloud of years, became Odin, the Father of a race by whom Perished the Roman Empire: [M] how the friends 190 And followers of Sertorius, [N] out of Spain Flying, found shelter in the Fortunate Isles, [O] And left their usages, their arts and laws, To disappear by a slow gradual death, To dwindle and to perish one by one, 195 Starved in those narrow bounds: [P] but not the soul Of Liberty, which fifteen hundred years Survived, and, when the European came With skill and power that might not be withstood, Did, like a pestilence, maintain its hold 200 And wasted down by glorious death that race Of natural heroes: or I would record How, in tyrannic times, some high-souled man, Unnamed among the chronicles of kings, Suffered in silence for Truth's sake: or tell, 205 How that one Frenchman, [Q] through continued force Of meditation on the inhuman deeds Of those who conquered first the Indian Isles, Went single in his ministry across The Ocean; not to comfort the oppressed, 210 But, like a thirsty wind, to roam about Withering the Oppressor: how Gustavus sought Help at his need in Dalecarlia's mines: [R] How Wallace fought for Scotland; left the name Of Wallace to be found, like a wild flower, 215 All over his dear Country; [S] left the deeds Of Wallace, like a family of Ghosts, To people the steep rocks and river banks, Her natural sanctuaries, with a local soul Of independence and stern liberty. 220 Sometimes it suits me better to invent A tale from my own heart, more near akin To my own passions and habitual thoughts; Some variegated story, in the main Lofty, but the unsubstantial structure melts 225 Before the very sun that brightens it, Mist into air dissolving! Then a wish, My best and favourite aspiration, mounts With yearning toward some philosophic song Of Truth that cherishes our daily life; 230 With meditations passionate from deep Recesses in man's heart, immortal verse [T] Thoughtfully fitted to the Orphean lyre; [U] But from this awful burthen I full soon Take refuge and beguile myself with trust 235 That mellower years will bring a riper mind And clearer insight. Thus my days are past In contradiction; with no skill to part Vague longing, haply bred by want of power, From paramount impulse not to be withstood, 240 A timorous capacity from prudence, From circumspection, infinite delay. Humility and modest awe themselves Betray me, serving often for a cloak To a more subtle selfishness; that now 245 Locks every function up in blank reserve, Now dupes me, trusting to an anxious eye That with intrusive restlessness beats off Simplicity and self-presented truth. Ah! better far than this, to stray about 250 Voluptuously through fields and rural walks, And ask no record of the hours, resigned To vacant musing, unreproved neglect Of all things, and deliberate holiday. Far better never to have heard the name 255 Of zeal and just ambition, than to live Baffled and plagued by a mind that every hour Turns recreant to her task; takes heart again, Then feels immediately some hollow thought Hang like an interdict upon her hopes. 260 This is my lot; for either still I find Some imperfection in the chosen theme, Or see of absolute accomplishment Much wanting, so much wanting, in myself, That I recoil and droop, and seek repose 265 In listlessness from vain perplexity, Unprofitably travelling toward the grave, Like a false steward who hath much received And renders nothing back. Was it for this That one, the fairest of all rivers, [V] loved 270 To blend his murmurs with my nurse's song, And, from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flowed along my dreams? For this, didst thou, O Derwent! winding among grassy holms 275 Where I was looking on, a babe in arms, Make ceaseless music that composed my thoughts To more than infant softness, giving me Amid the fretful dwellings of mankind A foretaste, a dim earnest, of the calm 280 That Nature breathes among the hills and groves? When he had left the mountains and received On his smooth breast the shadow of those towers [W] That yet survive, a shattered monument Of feudal sway, the bright blue river passed 285 Along the margin of our terrace walk; [X] A tempting playmate whom we dearly loved. Oh, many a time have I, a five years' child, In a small mill-race severed from his stream, Made one long bathing of a summer's day; 290 Basked in the sun, and plunged and basked again Alternate, all a summer's day, or scoured The sandy fields, leaping through flowery groves Of yellow ragwort; or when rock and hill, The woods, and distant Skiddaw's lofty height, 295 Were bronzed with deepest radiance, stood alone Beneath the sky, as if I had been born On Indian plains, and from my mother's hut Had run abroad in wantonness, to sport A naked savage, in the thunder shower. 300

Fair seed-time had my soul, and I grew up Fostered alike by beauty and by fear: Much favoured in my birth-place, and no less In that beloved Vale to which erelong We were transplanted [Y]--there were we let loose 305 For sports of wider range. Ere I had told Ten birth-days, [Z] when among the mountain slopes Frost, and the breath of frosty wind, had snapped The last autumnal crocus, [a] 'twas my joy With store of springes o'er my shoulder hung 310 To range the open heights where woodcocks run Along the smooth green turf. [b] Through half the night, Scudding away from snare to snare, I plied That anxious visitation;--moon and stars Were shining o'er my head. I was alone, 315 And seemed to be a trouble to the peace That dwelt among them. Sometimes it befel In these night wanderings, that a strong desire O'erpowered my better reason, and the bird Which was the captive of another's toil 320 Became my prey; and when the deed was done I heard among the solitary hills Low breathings coming after me, and sounds Of undistinguishable motion, steps Almost as silent as the turf they trod. 325

Nor less when spring had warmed the cultured Vale, [c] Moved we as plunderers where the mother-bird Had in high places built her lodge; though mean Our object and inglorious, yet the end Was not ignoble. Oh! when I have hung 330 Above the raven's nest, by knots of grass And half-inch fissures in the slippery rock But ill sustained, and almost (so it seemed) Suspended by the blast that blew amain, Shouldering the naked crag, [d] oh, at that time 335 While on the perilous ridge I hung alone, With what strange utterance did the loud dry wind Blow through my ear! the sky seemed not a sky Of earth--and with what motion moved the clouds!

Dust as we are, the immortal spirit grows 340 Like harmony in music; there is a dark Inscrutable workmanship that reconciles Discordant elements, makes them cling together In one society. How strange that all The terrors, pains, and early miseries, 345 Regrets, vexations, lassitudes interfused Within my mind, should e'er have borne a part, And that a needful part, in making up The calm existence that is mine when I Am worthy of myself! Praise to the end! 350 Thanks to the means which Nature deigned to employ; Whether her fearless visitings, or those That came with soft alarm, like hurtless light Opening the peaceful clouds; or she may use Severer interventions, ministry 355 More palpable, as best might suit her aim.

One summer evening (led by her) I found A little boat tied to a willow tree Within a rocky cave, [e] its usual home. Straight I unloosed her chain, and stepping in 360 Pushed from the shore. It was an act of stealth And troubled pleasure, nor without the voice Of mountain-echoes did my boat move on; Leaving behind her still, on either side, Small circles glittering idly in the moon, 365 Until they melted all into one track Of sparkling light. But now, like one who rows, Proud of his skill, to reach a chosen point With an unswerving line, I fixed my view Upon the summit of a craggy ridge, 370 The horizon's utmost boundary; far above Was nothing but the stars and the grey sky. She was an elfin pinnace; lustily I dipped my oars into the silent lake, And, as I rose upon the stroke, my boat 375 Went heaving through the water like a swan; When, from behind that craggy steep till then The horizon's bound, a huge peak, black and huge, As if with voluntary power instinct Upreared its head. [f] I struck and struck again, 380 And growing still in stature the grim shape Towered up between me and the stars, and still, For so it seemed, with purpose of its own And measured motion like a living thing, Strode after me. With trembling oars I turned, 385 And through the silent water stole my way Back to the covert of the willow tree; There in her mooring-place I left my bark,-- And through the meadows homeward went, in grave And serious mood; but after I had seen 390 That spectacle, for many days, my brain Worked with a dim and undetermined sense Of unknown modes of being; o'er my thoughts There hung a darkness, call it solitude Or blank desertion. No familiar shapes 395 Remained, no pleasant images of trees, Of sea or sky, no colours of green fields; But huge and mighty forms, that do not live Like living men, moved slowly through the mind By day, and were a trouble to my dreams. 400

Wisdom and Spirit of the universe! Thou Soul that art the eternity of thought, That givest to forms and images a breath And everlasting motion, not in vain By day or star-light thus from my first dawn 405 Of childhood didst thou intertwine for me The passions that build up our human soul; Not with the mean and vulgar works of man, But with high objects, with enduring things-- With life and nature, purifying thus 410 The elements of feeling and of thought, And sanctifying, by such discipline, Both pain and fear, until we recognise A grandeur in the beatings of the heart. Nor was this fellowship vouchsafed to me 415 With stinted kindness. In November days, When vapours rolling down the valley made A lonely scene more lonesome, among woods At noon, and 'mid the calm of summer nights, When, by the margin of the trembling lake, 420 Beneath the gloomy hills homeward I went In solitude, such intercourse was mine; Mine was it in the fields both day and night, And by the waters, all the summer long.

And in the frosty season, when the sun 425 Was set, and visible for many a mile The cottage windows blazed through twilight gloom, I heeded not their summons: happy time It was indeed for all of us--for me It was a time of rapture! Clear and loud 430 The village clock tolled six,--I wheeled about, Proud and exulting like an untired horse That cares not for his home. All shod with steel, We hissed along the polished ice in games Confederate, imitative of the chase 435 And woodland pleasures,--the resounding horn, The pack loud chiming, and the hunted hare. So through the darkness and the cold we flew, And not a voice was idle; with the din Smitten, the precipices rang aloud; 440 The leafless trees and every icy crag Tinkled like iron; [g] while far distant hills Into the tumult sent an alien sound Of melancholy not unnoticed, while the stars Eastward were sparkling clear, and in the west 445 The orange sky of evening died away. Not seldom from the uproar I retired Into a silent bay, or sportively Glanced sideway, leaving the tumultuous throng, To cut across the reflex of a star 450 That fled, and, flying still before me, gleamed Upon the glassy plain; and oftentimes, When we had given our bodies to the wind, And all the shadowy banks on either side Came sweeping through the darkness, spinning still 455 The rapid line of motion, then at once Have I, reclining back upon my heels, Stopped short; yet still the solitary cliffs Wheeled by me--even as if the earth had rolled With visible motion her diurnal round! 460 Behind me did they stretch in solemn train, Feebler and feebler, and I stood and watched Till all was tranquil as a dreamless sleep. [h]

Ye Presences of Nature in the sky And on the earth! Ye Visions of the hills! 465 And Souls of lonely places! can I think A vulgar hope was yours when ye employed Such ministry, when ye through many a year Haunting me thus among my boyish sports, On caves and trees, upon the woods and hills, 470 Impressed upon all forms the characters Of danger or desire; and thus did make The surface of the universal earth With triumph and delight, with hope and fear, Work like a sea? Not uselessly employed, 475 Might I pursue this theme through every change Of exercise and play, to which the year Did summon us in his delightful round.

We were a noisy crew; the sun in heaven Beheld not vales more beautiful than ours; 480 Nor saw a band in happiness and joy Richer, or worthier of the ground they trod. I could record with no reluctant voice The woods of autumn, and their hazel bowers With milk-white clusters hung; the rod and line, 485 True symbol of hope's foolishness, whose strong And unreproved enchantment led us on By rocks and pools shut out from every star, All the green summer, to forlorn cascades Among the windings hid of mountain brooks. [i] 490 --Unfading recollections! at this hour The heart is almost mine with which I felt, From some hill-top on sunny afternoons, [j] The paper kite high among fleecy clouds Pull at her rein like an impetuous courser; 495 Or, from the meadows sent on gusty days, Beheld her breast the wind, then suddenly Dashed headlong, and rejected by the storm.

Ye lowly cottages wherein we dwelt, A ministration of your own was yours; 500 Can I forget you, being as you were So beautiful among the pleasant fields In which ye stood? or can I here forget The plain and seemly countenance with which Ye dealt out your plain comforts? Yet had ye 505 Delights and exultations of your own. [k] Eager and never weary we pursued Our home-amusements by the warm peat-fire At evening, when with pencil, and smooth slate In square divisions parcelled out and all 510 With crosses and with cyphers scribbled o'er, We schemed and puzzled, head opposed to head In strife too humble to be named in verse: Or round the naked table, snow-white deal, Cherry or maple, sate in close array, 515 And to the combat, Loo or Whist, led on A thick-ribbed army; not, as in the world, Neglected and ungratefully thrown by Even for the very service they had wrought, But husbanded through many a long campaign. 520 Uncouth assemblage was it, where no few Had changed their functions; some, plebeian cards [l] Which Fate, beyond the promise of their birth, [m] Had dignified, and called to represent The persons of departed potentates. 525 Oh, with what echoes on the board they fell! Ironic diamonds,--clubs, hearts, diamonds, spades, A congregation piteously akin! Cheap matter offered they to boyish wit, Those sooty knaves, precipitated down 530 With scoffs and taunts, like Vulcan out of heaven: The paramount ace, a moon in her eclipse, Queens gleaming through their splendour's last decay, And monarchs surly at the wrongs sustained By royal visages. Meanwhile abroad 535 Incessant rain was falling, or the frost Raged bitterly, with keen and silent tooth; And, interrupting oft that eager game, From under Esthwaite's splitting fields of ice The pent-up air, struggling to free itself, 540 Gave out to meadow grounds and hills a loud Protracted yelling, like the noise of wolves Howling in troops along the Bothnic Main. [n]

Nor, sedulous as I have been to trace How Nature by extrinsic passion first 545 Peopled the mind with forms sublime or fair, And made me love them, may I here omit How other pleasures have been mine, and joys Of subtler origin; how I have felt, Not seldom even in that tempestuous time, 550 Those hallowed and pure motions of the sense Which seem, in their simplicity, to own An intellectual charm; that calm delight Which, if I err not, surely must belong To those first-born affinities that fit 555 Our new existence to existing things, And, in our dawn of being, constitute The bond of union between life and joy.

Yes, I remember when the changeful earth, And twice five summers on my mind had stamped 560 The faces of the moving year, even then I held unconscious intercourse with beauty Old as creation, drinking in a pure Organic pleasure from the silver wreaths Of curling mist, or from the level plain 565 Of waters coloured by impending clouds. [o]

The sands of Westmoreland, the creeks and bays Of Cumbria's rocky limits, they can tell How, when the Sea threw off his evening shade, And to the shepherd's hut on distant hills 570 Sent welcome notice of the rising moon, How I have stood, to fancies such as these A stranger, linking with the spectacle No conscious memory of a kindred sight, And bringing with me no peculiar sense 575 Of quietness or peace; yet have I stood, Even while mine eye hath moved o'er many a league Of shining water, gathering as it seemed Through every hair-breadth in that field of light New pleasure like a bee among the flowers. 580

Thus oft amid those fits of vulgar joy Which, through all seasons, on a child's pursuits Are prompt attendants, 'mid that giddy bliss Which, like a tempest, works along the blood And is forgotten; even then I felt 585 Gleams like the flashing of a shield;--the earth And common face of Nature spake to me Rememberable things; sometimes, 'tis true, By chance collisions and quaint accidents (Like those ill-sorted unions, work supposed 590 Of evil-minded fairies), yet not vain Nor profitless, if haply they impressed Collateral objects and appearances, Albeit lifeless then, and doomed to sleep Until maturer seasons called them forth 595 To impregnate and to elevate the mind. --And if the vulgar joy by its own weight Wearied itself out of the memory, The scenes which were a witness of that joy Remained in their substantial lineaments 600 Depicted on the brain, and to the eye Were visible, a daily sight; and thus By the impressive discipline of fear, By pleasure and repeated happiness, So frequently repeated, and by force 605 Of obscure feelings representative Of things forgotten, these same scenes so bright, So beautiful, so majestic in themselves, Though yet the day was distant, did become Habitually dear, and all their forms 610 And changeful colours by invisible links Were fastened to the affections.

I began My story early--not misled, I trust, By an infirmity of love for days Disowned by memory--ere the breath of spring 615 Planting my snowdrops among winter snows: [p] Nor will it seem to thee, O Friend! so prompt In sympathy, that I have lengthened out With fond and feeble tongue a tedious tale. Meanwhile, my hope has been, that I might fetch 620 Invigorating thoughts from former years; Might fix the wavering balance of my mind, And haply meet reproaches too, whose power May spur me on, in manhood now mature To honourable toil. Yet should these hopes 625 Prove vain, and thus should neither I be taught To understand myself, nor thou to know With better knowledge how the heart was framed Of him thou lovest; need I dread from thee Harsh judgments, if the song be loth to quit 630 Those recollected hours that have the charm Of visionary things, those lovely forms And sweet sensations that throw back our life, And almost make remotest infancy A visible scene, on which the sun is shining? [q] 635

One end at least hath been attained; my mind Hath been revived, and if this genial mood Desert me not, forthwith shall be brought down Through later years the story of my life. The road lies plain before me;--'tis a theme 640 Single and of determined bounds; and hence I choose it rather at this time, than work Of ampler or more varied argument, Where I might be discomfited and lost: And certain hopes are with me, that to thee 645 This labour will be welcome, honoured Friend!

* * * * *

FOOTNOTES TO BOOK THE FIRST

[Footnote A: On the authority of the poet's nephew, and others, the "city" here referred to has invariably been supposed to be Goslar, where he spent the winter of 1799. Goslar, however, is as unlike a "vast city" as it is possible to conceive. Wordsworth could have walked from end to end of it in ten minutes.

One would think he was rather referring to London, but there is no evidence to show that he visited the metropolis in the spring of 1799. The lines which follow about "the open fields" (l. 50) are certainly more appropriate to a journey from London to Sockburn, than from Goslar to Gottingen; and what follows, the "green shady place" of l. 62, the "known Vale" and the "cottage" of ll. 72 and 74, certainly refer to English soil.--Ed.]

[Footnote B: Compare 'Paradise Lost', xii. l. 646.

'The world was all before them, where to choose.'

Ed.]

[Footnote C: Compare 'Lines composed above Tintern Abbey', II. 52-5 (vol. ii. p. 53.)--Ed.]

[Footnote D: S. T. Coleridge.--Ed.]

[Footnote E: At Sockburn-on-Tees, county Durham, seven miles south-east of Darlington.--Ed.]

[Footnote F: Grasmere.--Ed.]

[Footnote G: Dove Cottage at Town-end.--Ed.]

[Footnote H: This quotation I am unable to trace.--Ed.]

[Footnote I: Wordsworth spent most of the year 1799 (from March to December) at Sockburn with the Hutchinsons. With Coleridge and his brother John he went to Windermere, Rydal, Grasmere, etc., in the autumn, returning afterwards to Sockburn. He left it again, with his sister, on Dec. 19, to settle at Grasmere, and they reached Dove Cottage on Dec. 21, 1799.--Ed.]

[Footnote K: See Dorothy Wordsworth's Grasmere Journal, _passim._--Ed.]

[Footnote L: Compare the 2nd and 3rd of the 'Stanzas written in my pocket-copy of Thomson's Castle of Indolence', vol. ii. p. 306, and the note appended to that poem.--Ed.]

[Footnote M: Mithridates (the Great) of Pontus, 131 B.C. to 63 B.C. Vanquished by Pompey, B.C. 65, he fled to his son-in-law, Tigranes, in Armenia. Being refused an asylum, he committed suicide. I cannot trace the legend of Mithridates becoming Odin. Probably Wordsworth means that he would invent, rather than "relate," the story. Gibbon ('Decline and Fall of the Roman Empire', chap. x.) says,

"It is supposed that Odin was the chief of a tribe of barbarians, who dwelt on the banks of Lake Maeotis, till the fall of Mithridates, and the arms of Pompey menaced the north with servitude; that Odin, yielding with indignant fury to a power which he was unable to resist, conducted his tribe from the frontiers of Asiatic Sarmatia into Sweden."

See also Mallet, 'Northern Antiquities', and Crichton and Wheaton's 'Scandinavia' (Edinburgh Cabinet Library):

"Among the fugitive princes of Scythia, who were expelled from their country in the Mithridatic war, tradition has placed the name of Odin, the ruler of a potent tribe in Turkestan, between the Euxine and the Caspian."

Ed.]

[Footnote N: Sertorius, one of the Roman generals of the later Republican era (see Plutarch's biography of him, and Corneille's tragedy). On being proscribed by Sylla, he fled from Etruria to Spain; there he became the leader of several bands of exiles, and repulsed the Roman armies sent against him. Mithridates VI.--referred to in the previous note--aided him, both with ships and money, being desirous of establishing a new Roman Republic in Spain. From Spain he went to Mauritania. In the Straits of Gibraltar he met some sailors, who had been in the Atlantic Isles, and whose reports made him wish to visit these islands.--Ed.]

[Footnote O: Supposed to be the Canaries.--Ed.]

[Footnote P:

"In the early part of the fifteenth century there arrived at Lisbon an old bewildered pilot of the seas, who had been driven by tempests he knew not whither, and raved about an island in the far deep upon which he had landed, and which he had found peopled, and adorned with noble cities. The inhabitants told him that they were descendants of a band of Christians who fled from Spain when that country was conquered by the Moslems."

(See Washington Irving's 'Chronicles of Wolfert's Roost', etc.; and Baring Gould's 'Curious Myths of the Middle Ages'.)--Ed.]

[Footnote Q: Dominique de Gourgues, a French gentleman, who went in 1568 to Florida, to avenge the massacre of the French by the Spaniards there. (Mr. Carter, in the edition of 1850.)--Ed.]

[Footnote R: Gustavus I. of Sweden. In the course of his war with Denmark he retreated to Dalecarlia, where he was a miner and field labourer.--Ed.]

[Footnote S: The name--both as Christian and surname--is common in Scotland, and towns (such as Wallacetown, Ayr) are named after him.

"Passed two of Wallace's caves. There is scarcely a noted glen in Scotland that has not a cave for Wallace, or some other hero."

Dorothy Wordsworth's 'Recollections of a Tour made in Scotland in 1803' (Sunday, August 21).--Ed.]

[Footnote T: Compare 'L'Allegro', l. 137.--Ed.]

[Footnote U: Compare 'Paradise Lost', iii. 17.--Ed.]

[Footnote V: The Derwent, on which the town of Cockermouth is built, where Wordsworth was born on the 7th of April 1770.--Ed.]

[Footnote W: The towers of Cockermouth Castle.--Ed.]

[Footnote X: The "terrace walk" is at the foot of the garden, attached to the old mansion in which Wordsworth's father, law-agent of the Earl of Lonsdale, resided. This home of his childhood is alluded to in 'The Sparrow's Nest', vol. ii. p. 236. Three of the "Poems, composed or suggested during a Tour, in the Summer of 1833," refer to Cockermouth. They are the fifth, sixth, and seventh in that series of Sonnets: and are entitled respectively 'To the River Derwent'; 'In sight of the Town of Cockermouth'; and the 'Address from the Spirit of Cockermouth Castle'. It was proposed some time ago that this house--which is known in Cockermouth as "Wordsworth House,"--should be purchased, and since the Grammar School of the place is out of repair, that it should be converted into a School, in memory of Wordsworth. This excellent suggestion has not yet been carried out--Ed.]

[Footnote Y: The Vale of Esthwaite.--Ed.]

[Footnote Z: He went to Hawkshead School in 1778.--Ed.]

[Footnote a: About mid October the autumn crocus in the garden "snaps" in that district.--Ed.]

[Footnote b: Possibly in the Claife and Colthouse heights to the east of Esthwaite Water; but more probably the round-headed grassy hills that lead up and on to the moor between Hawkshead and Coniston, where the turf is always green and smooth.--Ed.]

[Footnote c: Yewdale: see next note. "Cultured Vale" exactly describes the little oat-growing valley of Yewdale.--Ed.]

[Footnote d: As there are no "naked crags" with "half-inch fissures in the slippery rocks" in the "cultured vale" of Esthwaite, the locality referred to is probably the Hohne Fells above Yewdale, to the north of Coniston, and only a few miles from Hawkshead, where a crag, now named Raven's Crag, divides Tilberthwaite from Yewdale. In his 'Epistle to Sir George Beaumont', Wordsworth speaks of Yewdale as a plain

'spread Under a rock too steep for man to tread, Where sheltered from the north and bleak north-west Aloft the Raven hangs a visible nest, Fearless of all assaults that would her brood molest.'

Ed.]

[Footnote e: Dr. Cradock suggested the reading "rocky cove." Rocky cave is tautological, and Wordsworth would hardly apply the epithet to an ordinary boat-house.--Ed.]

[Footnote f: The "craggy steep till then the horizon's bound," is probably the ridge of Ironkeld, reaching from high Arnside to the Tom Heights above Tarn Hows; while the "huge peak, black and huge, as if with voluntary power instinct," may he either the summit of Wetherlam, or of Pike o'Blisco. Mr. Rawnsley, however, is of opinion that if Wordsworth rowed off from the west bank of Fasthwaite, he might see beyond the craggy ridge of Loughrigg the mass of Nab-Scar, and Rydal Head would rise up "black and huge." If he rowed from the east side, then Pike o'Stickle, or Harrison Stickle, might rise above Ironkeld, over Borwick Ground.--Ed.]

[Footnote g: Compare S. T. Coleridge.

"When very many are skating together, the sounds and the noises give an impulse to the icy trees, and the woods all round the lake _tinkle_."

'The Friend', vol. ii. p. 325 (edition 1818).--Ed.]

[Footnote h: The two preceding paragraphs were published in 'The Friend', December 28, 1809, under the title of the 'Growth of Genius from the Influences of Natural Objects on the Imagination, in Boyhood and Early Youth', and were afterwards inserted in all the collective editions of Wordsworth's poems, from 1815 onwards. For the changes of the text in these editions, see vol. ii. pp. 66-69.--Ed.]

[Footnote i: The becks amongst the Furness Fells, in Yewdale, and elsewhere.--Ed.]

[Footnote j: Possibly from the top of some of the rounded moraine hills on the western side of the Hawkshead Valley.--Ed.]

[Footnote k: The pupils in the Hawkshead school, in Wordsworth's time, boarded in the houses of village dames. Wordsworth lived with one Anne Tyson, for whom he ever afterwards cherished the warmest regard, and whose simple character he has immortalised. (See especially in the fourth book of 'The Prelude', p. 187, etc.) Wordsworth lived in her cottage at Hawkshead during nine eventful years. It still remains externally unaltered, and little, if at all, changed in the interior. It may be reached through a picturesque archway, near the principal inn of the village (The Lion); and is on the right of a small open yard, which is entered through this archway. To the left, a lane leads westwards to the open country. It is a humble dwelling of two storeys. The floor of the basement flat-paved with the blue flags of Coniston slate--is not likely to have been changed since Wordsworth's time. The present door with its "latch" (see book ii . l. 339), is probably the same as that referred to in the poem, as in use in 1776, and onwards. For further details see notes to book iv .--Ed.]

[Footnote l: Compare Pope's 'Rape of the Lock', canto iii. l. 54:

'Gained but one trump, and one plebeian card.'

Ed.]

[Footnote m: Compare Walton's 'Compleat Angler',