Part 3

. A Bengal Tiger Loose.

Cockburn's Theatre on Fire.

Advice to a Publican, or a Secret worth knowing.

The Glutton.

Ladies trading on their own bottom.

Oct. 25. An Old Ewe Dressed Lamb Fashion. Tegg, 42.

25. Spit-Fires. Tegg, 44.

25. Dropsy Courting Consumption. Rowlandson del. Pub. by Tegg, 45.

Nov. 1. Doctor Gallipot Placing his Fortune at the Feet of his Mistress. (See 1808.)

1. Kitchen-Stuff. Tegg, 43.

19. A Hit at Backgammon. Tegg, 46.

20. Medical Despatch, or Doctor Double-Dose Killing Two Birds with One Stone. Tegg, 47.

Bath Races. Tegg, 49.

30. Doctor Drainbarrel conveyed Home in a Wheelbarrow, in order to take his Trial for Neglect of Family Duty. Tegg, 23.

30. After Sweet Meat comes Sour Sauce, or Corporal Casey got into the Wrong Box.

Cries of London. 30 plates. 4to. _Circa_ 1810.

The Harmonic Society. Row. del.

Butler, S. 'Hudibras.' Illus. Rowdn. 1810. 8vo. (See 1809.) Pub. by T. Tegg.

1810 (?) The Sign of the Four Alls. Pub. by T. Tegg, No. 13.

Rabbit Merchant. Tegg, 25.

1810 (?) A Sale of English Beauties in the East Indies. (After James Gillray.)

A Parody on Milton.

1811.

Jan. 1. A Bird's-eye View of Smithfield Market, taken from the Bear and Ragged Staff. Pugin and Rowlandson del. Pub. by R. Ackermann.

A Bird's-eye View of Covent Garden Market. Do. do. do.

28. College Pranks, or Crabbed Fellows Taught to Caper on the Slack Rope. Tegg, 53.

Feb. A Sleepy Congregation. Tegg, 54.

12. A Midwife going to a Labour. Tegg, 55.

16. The Gig Shop, or Kicking up a Breeze at Nell Hamilton's Hop. Tegg, 56.

20. Pigeon-Hole, a Covent Garden Contrivance to Coop up the Gods. Tegg, 57.

26. A French Dentist Showing a Specimen of his Artificial Teeth and False Palates. Tegg, 58.

Mar. 1. A Catamaran, or Old Maid's Nursery.

2. Bacon-faced Fellows of Brazen-Nose Broken loose. Pub. by Tegg, 59.

10. She Stoops to Conquer. Tegg, 61.

12. The Anatomist. Tegg, 60.

16. Sailors on Horseback. Tegg, 62.

28. Kitty Careless in Quod, or Waiting for Jew Bail. Tegg, 65.

Apr. 1. Pastime in Portugal, or a Visit to the Nunneries. Tegg, 64.

5. The Last Drop.

9. Boney the Second, or the Little Baboon Created to Devour French Monkeys. Tegg, 66.

10. A Picture of Misery. Tegg, 70.--

Iron was his chest, iron was his door, His hand was iron, and his heart was more.

12. Puss in Boots, or General Junot taken by surprise. Tegg, 71.

Apr. 14. Nursing the Spawn of a Tyrant; or Frenchmen Sick of the Breed.

20. The Enraged Son of Mars and the Timid Tonson. Tegg, 67.

24. Rural Sports. A Cat in a Bowl. No. 1.

May 1. A Dog Fight.

1. Touch for Touch, or a Female Physician in full Practice. Tegg, 72.

4. Who's Mistress Now? Reprint, 1820.

16. The Bassoon, with a French Horn Accompaniment. Tegg, 75.

A Two o'clock Ordinary.

June 4. Summer Amusement, Bug Hunting.

July 11. A Ghost in the Wine Cellar. Published by Rowlandson.

14. Easter Monday, or the Cockney Hunt.

14. Rural Sports, or an Old Mole Catcher. Tegg, 83.

31. The Huntsman Rising. (See 1809.)

31. The Gamester going to Bed. Pub. by T. R., 1 James Street, Adelphi. (See also 1809.)

Aug. 20. Love Laughs at Locksmiths.

30. Masquerading. Tegg, 84.

Sept. Accommodation Ladder. Tegg, 85.

12. Sorrow's Dry, or a Cure for the Heart Ache.

20. Looking at the Comet till you get a Crick in the Neck. Tegg, 91.

25. Life and Death of the Race Horse. Tegg, 90.

29. Rural Sports. A Milling Match: Cribb and Molineaux. Tegg.

Oct. 1. Rural Sports, Smock-Racing. T. Tegg.

2. John Bull at the Italian Opera. Des. and pub. by T. R., &c. (See Oct. 2, 1805.)

Rural Sports; or a Game at Quoits.

Rural Sports; or how to show off a Well-shaped Leg.

Twelfth Night Characters, in 24 figures, by T. R.

3. Rural Sports; or a Cricket Match Extraordinary. Tegg, 96.

10. Six Classes of that Noble and useful Animal, a Horse.--The Race Horse. The War Horse. The Shooting Pony. The Hunter. The Gig Horse. The Draught Horse.

10. Distillers Looking into their own Business.

Dinners Dressed in the Neatest Manner. Pub. by Tegg, 112.

The Jockey Club, or Newmarket Meeting (111) (Betting Room).

The Sagacious Buck, or Effects of Waterproof.

Richmond Hill. After H. Bunbury. (See 1803.)

French Inn. Do.

Quaix de Paris. Do.

A Country Club.

Recruits. (See 1803.)

Morning, or the Man of Taste. After H. Bunbury.

Evening, or the Man of Feeling. Do.

Conversazione.

25. A Trip to Gretna Green. T. R., 1 James Street, Adelphi.

25. Rural Sports: Balloon Hunting. Tegg, 157.

31. Cloisters, Magdalen College, Oxford.

Nov. 25. English Manner and French Prudence, or French Dragoons brought to a Check by a Belvoir Leap. A Scene after Nature near Ciudad Rodrigo. Sept. 1811.

Dec. 2. A Man of Feeling. Tegg, No. 126.

9. Bel and the Dragon. Pub. Stockdale.

15. A Milk Sop. Tegg, 125.

Royal Academy. Somerset House.

The Harmonic Society. (See 1810, Oct. 2.)

Miseries of Travelling--A Hailstorm. Des. by H. Bunbury.

A Tutor and his Pupil Travelling in France. Do.

The Departure of La Fleur. Do.

Exhibition 'Stare' Case, Somerset House.

The Manager's Last Kick, or a New Way to Pay Old Debts. Tegg, 117.

Preparing to Start. Pub. by Tegg, 118.

Preparing for the Race.

Awkward Squads Studying the Graces.

Hiring a Servant. Tegg, 124.

Anglers (1611). H. Bunbury. Rowlandson del.

Anglers (1811). Do. do.

Patience in a Punt. Do. do.

A Templar at his Studies. Tegg, 76.

A Family Piece. Des. by H. Bunbury.

A Barber's Shop. Des. by H. Bunbury.

Modern Antiquities.

Chesterfield Burlesqued. Pub. by T. Tegg. 1811. 12mo. (See 1808.)

Munchausen at Walcheren.

1812.

Jan. 10. A Portrait. Duke of Cumberland. Pub. by Humphrey.

12. A Portrait. Lord Petersham. Humphrey.

Feb. 6. Mr. Norman as the Sultan of Cashmere ('The Golden Fish'). Norman del., Rowlandson sculp. Pub. by R. Ackermann.

10. Wet under Foot. Designed by an Amateur. Etched by Rowlandson. Humphrey.

26. A Portrait. Lord Pomfret. Humphrey.

A Cat in Pattens.

28. Plucking a Spooney.

Mar. 1. Catching an Elephant. Tegg, 146.

1. Description of a Boxing Match for 100 guineas a side between Ward and Quirk. Pub. by T. Rowlandson.

2. A Spanish Cloak. Tegg, 139.

20. Fast Day. T. R., 1 James Street.

25. Sea Stores. Tegg, 140.

25. Land Stores.

Apr. 2. The Chamber of Genius. R. invt. and pub.

Want is the scorn of every wealthy fool, And genius in rags is turned to ridicule.--_Juv._, _Sat._

4. Bug-breeders in the Dog Days.

12. The Ducking Stool. (Republished.) (See April 12, 1803.)

May 30. Italian Picture-Dealers Humbugging Milord Anglaise. Pub. by T. R., 1 St. James Street.

30. A Brace of Blackguards.

Racing. Pub. by T. Tegg, 158.

June 4. Broad Grins, or a Black Joke.

July 14. Miseries of London: 'Watermen.' T. R., Adelphi.

14. Glow Worms. (See 1805.) Pub. by T. Rowlandson, 1 James Street, Adelphi.

14. Muck Worms. Do.

The Rivals.

July 15. A Seaman's Wife's Reckoning. Woodward del., Row. sculp. Pub. by Tegg, 275.

15. The Secret History of Crim. Con. Plate I. T. Tegg, 161.

15. Do. do. Plate II. Do.

Aug. 29. Setting out for Margate. Tegg, 166. Woodward del., Row. sculp.

30. The Sweet Pea. Pub. by H. Humphrey, 27 St. James's Street.

Oct. 1. Refinement of Language. A Timber Merchant, &c. Tegg, 171.

1. Bitter Fare, or Sweeps Regaling.

30. Raising the Wind. Pub. by T. R., 1 James Street. 'When Noblemen,' &c.

Nov. 30. Christmas Gambols.

The Successful Fortune-Hunter, or Captain Shelalee leading Miss Marrowfat to the Temple of Hymen.

Hackney Assembly. The Graces, the Graces, remember the Graces. Orig. pub. 1802.

1812 (?) The Learned Scotchman, or Magistrate's Mistake. Tegg, 150.

" Preaching to some Purpose.

" New-Invented Elastic Breeches.

" A Visit to the Doctor.

" Puff Paste.

" Mock Turtle.

" Off She Goes. Pub. by Tegg.

The Tour of Doctor Syntax in Search of the Picturesque. First pub. in a separate form. With 31 illustrations by T. Rowlandson. Royal 8vo. Ackermann.

" English Exhibitions in Paris; or, French People Astonished at our Improvement in the Breed of Fat Cattle.

Petticoat Loose, a Fragmentary Poem. Stockdale. 4to. 4 plates by T. Rowlandson.

Set of Views of Cornwall.

1813.

Feb. 10. Bachelor's Fare. Bread and Cheese and Kisses. Tegg, 285.

Sept. 1. Summer Amusements at Margate, or a Peep at the Mermaids. Tegg.

1. The Last Gasp, or Toadstools Mistaken for Mushrooms. Tegg, 210.

1. Unloading a Waggon. Tegg, 214.

1. None but the Brave deserve the Fair. Tegg, 231.

20. Humours of Houndsditch, or Mrs. Shevi in a Longing Condition. Tegg, 213.

20. A Doleful Disaster; or, Miss Tubby Tatarmin's Wig Caught Fire.

Nov. 5. The Two Kings of Terror. A Transparency Exhibited at Ackermann's. The Allied Victory of Leipsic.

22. The Norwich Bull Feast, or Glory and Gluttony. Tegg, 232.

25. A Long Pull, a Strong Pull, and a Pull All together. Tegg, 233.

27. The Corsican Toad under a Harrow. Ackermann.

27. The Execution of Two Celebrated Enemies of Old England and their Dying Speeches. Pub. by R. Ackermann.

Nov. 29. Dutch Nightmare, or the Fraternal Hug Returned with a Dutch Squeeze. Ackermann.

30. Plump to the Devil we boldly Kicked both Nap and his Partner Joe. Tegg, 234.

Dec. 4. The Corsican Munchausen Humming the Lads of Paris. Pub. by Ackermann.

6. Funking the Corsican. Pub. by Ackermann.

10. The Mock Phoenix, or a Vain Attempt to Rise again. Pub. by Ackermann.

12. Friends and Foes, up he Goes! Sending the Corsican Munchausen to St. Cloud. Ackermann.

14. Political Chemist and German Retorts, or Dissolving the Rhenish Confederacy. Ackermann.

14. Napoleon le Grand.

Astre brillant, immense, il éclaire, il féconde, Et seul fait, à son gré, tous les destins du monde.

Mock Auction, or Boney Selling Stolen Goods. Ackermann.

30. How to Vault into the Saddle, or a new-invented Patent Crane for the accommodation of Rheumatic Rectors.

1813 (?) Doctor Syntax, in the middle of a smoking hot political squabble, wishes to wet his whistle. Tegg, 209.

Witches in a Hayloft. Tegg, 226.

Business and Pleasure. Tegg, 272. (See 1810.)

The Glutton. Pub. by T. Tegg, 274.

" The Quaker and the Commissioners of Excise. Tegg, 276.

" A-going! A-going! Newton del., Rowlandson sc. Pub. by Tegg, 291.

" Giving up the Ghost, or one too many. Tegg, 292.

Hopes of the Family, or Miss Marrowfat at Home for the Holidays. Tegg, 293.

" The Cobbler's Cure for a Scolding Wife. Tegg, 294.

" Cracking a Joke. Woodward del., Rowlandson sc. Tegg, 296.

" Ghost of my Departed Husband, whither art thou gone?

Tour of Doctor Syntax in Search of the Picturesque. Royal 8vo. Ackermann.

Poetical Sketches of Scarborough. With 21 Illustrations by J. Green. Etched by Thomas Rowlandson. Pub. by R. Ackermann.

Engelbach. Letters from Italy, 1809-13. Republished as 'Letters from Naples and the Campagna Felice.' 17 plates by Rowlandson. (See 1815.)

1814.

Jan. 1. The Double Humbug, or the Devil's Imp Praying for Peace. Ackermann.

1. Death and Bonaparte.

1. Madame Véry, Restaurateur, Palais Royal, Paris. R. sc. T. N., 348.

1. La Belle Limonadière au Café des Mille Colonnes. Palais Royal, Paris.

30. Quarter-day, or Clearing the Premises without Consulting your Landlord. Tegg, 310.

Feb. 10. Kicking up a Breeze, or Barrow Women Basting a Beadle. Tegg.

14. Progress of Gallantry, or Stolen Kisses Sweetest. Rowlandson. Pub. by Tegg, 313.

20. A Tailor's Wedding. Tegg, 315.

Mar. 1. Crimping a Quaker. Tegg, 317. Originally published as 261.

2. Head Runner of Runaways from Leipzic Fair. R. Ackermann.

12. The Devil's Darling. R. Ackermann.

April. Arms of Napoleon Bonaparte, the Tyrant of France. Supported by Satan (French Devil) and Death. Pub. by R. Ackermann.

The Hieroglyphic Portrait of Napoleon. Pub. by Ackermann.

Do. do. Alexander. Do.

9. Blucher the Brave Extracting the Groan of Abdication from the Corsican Bloodhound. T., 322.

12. Coming in at the Death of the Corsican Fox. Scene the Last. R. Ackermann.

12. Bloody Boney, the Carcase Butcher, left off Trade by Retiring to Scarecrow Island. Tegg, 323.

15. The Rogue's March. Tegg, 321.

16. A Friendly Visit.

17. The Affectionate Farewell, or Kick for Kick. Aker.

20. A Delicate Finish to a French (Corsican) Usurper. J. N. del., R. sc. Pub. by Asperne, Cornhill.

25. Nap. Dreading his Doleful Doom, or his Grand Entry into the Isle of Elba. Tegg, 328.

May 1. The Tyrant of the Continent is Fallen, Europe is Free, England Rejoices. Ackermann.

1. Boney Turned Moralist. What I was, what I am, what I ought to be. Ackermann.

1. Irish Jaunting Car. Hull des., Rowlandson fec.

8. Peace and Plenty. Tegg, 324.

15. Macassar Oil, or an Oily Puff for Soft Heads. Rowlandson. Tegg, 316 (265).

June 14. Miseries of London, or a Surly, Saucy Hackney Coachman.

20. Rural Sports, or a Pleasant Way of Making Hay. Tegg, 16.

July 14. The Rivals. Pub. by T. Rowlandson, James Street.

14. Portsmouth Point, Tegg, 255.

23. The Naumacia to commemorate a Peace. (Aquatic Spectacle on the Serpentine).

Sept. 5. The three principal Requisites to form a Man of Fashion.

15. The Four Seasons of Love--Spring, Summer, Autumn, Winter.

20. Johanna Southcott the Prophetess Excommunicating the Bishops. Tegg, 341.

1814 (?) Rural Sports. Buck-Hunting. Pub. by T. Tegg.

1815.

Jan. 1. Female Politicians. Woodward del., Rowlandson sc. Pub. by T. Tegg.

Mar. 1. Breaking-up of the Blue Stocking Club. Tegg, 343.

1. Defrauding the Customs, or Shipping Goods not Fairly Entered. Tegg, 344.

1. Hodge's Explanation of a Hundred Magistrates. W. del., R. sc. Tegg, 345.

1. Sailors Drinking the Tunbridge Waters. Tegg, 346. (Pub. as 242 originally.)

13. A Lamentable Case of a Juryman. Tegg, 347.

Apr. 7. The Flight of Buonaparte from Hell Bay. R. Ackermann.

Apr. 8. Hell Hounds Rallying Round the Idol of France. Rowlandson. Ackermann.

N. D. Vive le Roi! Vive l'Empereur!! Vive le Diable!!! French Constancy. Rowlandson. Ackermann.

12. Scene in a New Pantomime to be Performed at the Theatre Royal of Paris. Rowlandson. Ackermann.

16. The Corsican and his Bloodhounds at the Window of the Tuileries looking over Paris. Rowlandson. Ackermann.

May 10. The Carter and the Gipsies. Pub. by T. Tegg.

June 1. Ackermann's Transparency on the Victory of Waterloo. Rowlandson. Ackermann, 101 Strand.

July 14. Easter Monday, or the Cockney Hunt.

16. My Ass. Pub. by I. Sidebotham, 96 Strand. Desd. and etd. by T. R., verses by J. Yedis. (6 compts).

Measuring Substitutes for the Army of Reserve.

27. Transparency Exhibited at Ackermann's, in the Strand, Nov. 27, 1815. Day of Celebration of General Peace in London.

A Journeyman Tailor.

Neighbours. Pub. by Tegg, 235.

28. A Rare Acquisition to the Royal Menagerie. A Present from Waterloo by Marshals Wellington and Blucher. Pub. by R. Ackermann.

28. Boney's Trial, Sentence, and Dying-Speech, or Europe's Injuries Avenged. Rowlandson. Ackermann.

1815 (?) An Eating House.

" Banditti. (See 1808.)

" Virtue in Danger. "

" An Unexpected Return, or a Snip in Danger. "

" A Musical Doctor and his Scholars. "

Slap Bang Shop.

Jack Tar Admiring the Fair Sex.

Accidents will Happen.

Sympathy.

Despatch, or Jack Preparing for Sea.

Deadly-Lively.

The Fort.

Officer. The Military Adventures of Johnny Newcome. 1815. 8vo.

Lewis Engelbach. Naples and the Campagna Felice. 8vo. Reprinted from 'Repository of Arts.' Pub. by R. Ackermann.

The Dance of Death. With Illustrations. 2 vols. royal 8vo. Ackermann. (See 1816.)

Oct. The Grand Master, or Adventures of Qui Hi in Hindostan, by Quiz. 8vo. Pub. by Tegg. 1816.

1816.

Jan. 10. Exhibition at Bullock's Museum of Buonaparte's Carriage, taken at Waterloo. Ackermann.

Mar. 31. The Attempt to Wash the Blackamoor White, in the White Hall, City of Laputa.

1816 (?) Bostonian Electors of Lancashire. Pub. by W. Holland.

World in Miniature. 8vo.

Military Adventures of Johnny Newcome. 1816. (See 1815.)

Figure Subjects for Landscapes, &c., &c. Groups and Views. R. Ackermann, 8vo.

The Dance of Death. 2 vols. 1814-16. R. Ackermann, Strand.

Relics of a Saint, by Ferdinand Farquhar. 12mo. 1816. Frontispiece by Rowlandson. Pub. by T. Tegg.

1817.

May 1. 24 Plates to 'Vicar of Wakefield.' Repub. 1823.

The Dance of Life. Illustrated with 28 coloured engravings by T. Rowlandson. Pub. by R. Ackermann. Royal 8vo. (See 1821.)

The New Sentimental Journal.

Grotesque Drawing Book. 40 illustrations, 8vo.

World in Miniature. 58 etchings. 4to. 1817.

Pleasures of Human Life. 1817.

1818.

Jan. 20. The Last Jig, or Adieu to Old England. Pub. by T. Tegg.

The Adventures of Johnny Newcome in the Navy. By Alfred Burton. 8vo.

Wild Irish, or Paddy from Cork, with his Coat Buttoned Behind.

Doncaster Fair, or the Industrious Yorkshire Bites.

1819.

May 9. A Rough Sketch of the Times as delineated by Sir Francis Burdett.

Who Killed Cock Robin? (Manchester Massacre.) John Cahnac. 8vo.

Female Intrepidity, or the Heroic Maiden. (Chap book.)

Egyptian Hall. Mansion House.

Freemasons' Tavern.

1820.

1820 (?) Chemical Lectures (Sir H. Davy).

The Second Tour of Doctor Syntax in Search of Consolation. With 24 Illustrations by Thomas Rowlandson. Royal 8vo. Pub. by R. Ackermann.

Rowlandson's Characteristic Sketches of the Lower Orders. 54 coloured plates. Intended as a Companion to the 'New Picture of London.' 12mo.

1821.

May. A Smoky House and a Scolding Wife.

Tricks on the Turf--Settling to Lose a Race.

Le Don Quichotte Romantique, ou Voyage du Docteur Syntaxe à la Recherche du Pittoresque et du Romantique. 28 Illustrations drawn on stone (after the designs of Rowlandson) by Malapeau, Lith. de G. Engelmann. Paris.

Journal of Sentimental Travels in the Southern Provinces of France. 18 plates after Rowlandson. 8vo. Pub. by R. Ackermann.

1822.

The History of Johnny Quæ Genus. The Little Foundling of the late Doctor Syntax. Royal 8vo. Pub. by R. Ackermann.

Rowlandson's Sketches from Nature. 8vo. 17 views, in one volume (collected).

The Third Tour of Doctor Syntax. In Search of a Wife. Royal 8vo., with 25 Illustrations by Thos. Rowlandson. Pub. by R. Ackermann.

May. Die Reise des Doktor Syntax, um das Malerische aufzusuchen. Ein Gedicht frei aus dem Englischen ins Deutsche übertragen. Lith. v. F. E. Rademacher, Berlin.

Crimes of the Clergy. 8vo. Two plates by T. Rowlandson.

1823.

March. The Guardian of the Night. Pub. by S. W. Fores.

June 13. Not at Home, or a Disappointed Dinner Hunter. Pub. by John Fairburn, Broadway, Ludgate Hill.

19. An Old Poacher Caught in a Snare. R. inv. et sculp.

Aug. 1. Hot Goose, Cabbage, and Cucumbers.

The Tooth Ache, or Torment and Torture.

Sept. 18. The Chance-seller of the Exchequer Putting an Extinguisher on Lotteries. Ackermann; also Fairburn, Ludgate Hill.

C. M. Westmacott. The Spirit of the Public Journals for the year 1823. 3 vols. 8vo.

Third Tour of Doctor Syntax. 1823. Royal 8vo.

The three Tours of Doctor Syntax. Pocket edition, 3 vols. 16mo.

Sept. Oliver Goldsmith.--'The Vicar of Wakefield.' 8vo. 24 illustrations by Rowlandson. Pub. by R. Ackermann.

1824.

Apr. 1. Interruption, or Inconvenience of a Lodging House. Reprint. (See 1789.)

1825.

Nov. 19. Pie-us Ecstasy, or Godliness (the Itinerant Preacher's) Great Gain. Pub. by A. Bengo.

Bernard Blackmantle. (Charles Molloy Westmacott.) English Spy. 2 vols. 8vo. Do.

The Spirit of the Public Journals for the years 1823-4-5. (See 1823.)

Posthumous.

The Humourist, with 50 engravings, &c., after designs by the late Thomas Rowlandson. Published 1831.

_ADDENDUM TO THE CHRONOLOGICAL SUMMARY OF ROWLANDSON'S CARICATURES._

The Editor has found it necessary to append a supplementary list of subjects which have been brought under his notice too late either to be arranged in the body of the present work, or even to be comprised in the general chronological summary; his attention being directed to these additional caricatures long after he had reluctantly arrived at the conclusion that it was hopeless to expect to render the foregoing classification more complete.

In the Introduction to this review of pictorial satires by Thomas Rowlandson allusions will be found (vol. i. p. 4) to a noteworthy collection of his productions, both social and political, in course of formation by Mr. F. Harvey, of St. James's Street, the result of many years' vigilant activity in securing everything of consequence by the artist which happened to come into the print market, with comparative indifference to cost.

The arrangement of this gathering, already amounting to twenty-three volumes, consisting entirely of excellent examples of the caricaturist's engraved works, has been proceeding coincidently with the preparation of the present volumes, and both selections have been brought as near to completion as is practicable at precisely the same time.

The writer has the satisfaction of realising that the promise referred to in his preface, made by Mr. Harvey many years ago, has been redeemed before it is altogether worthless, as concerns his desire to supply a summary of the caricaturist's published productions as comprehensive as circumstances are likely to permit, to which much importance is attached from a collector's point of view.

It must be acknowledged that the extensive accumulation in the possession of Mr. Harvey has contributed to this result, if at the eleventh hour; in his collection numerous examples of interest are found which have hitherto escaped the Editor's researches. Many of the titles set down in the body of the foregoing Summary and in the Addendum, drawn from the resources placed at his disposal by the kindness of Mr. Harvey, are in all probability perfectly novel to the majority of even experienced 'Rowlandson fanciers.'

No date.

A Counsellor's Opinion after he had retired from Practice.

1790.

Croesus and Thalia.

All Fours. Designed by H. Bunbury. Rowlandson sculp.

Nov. 20. Satan, Sin, and Death. W. Hogarth invt. Rowlandson del.

Dec. 1. A series of single-figure subjects, designed by Woodward and engraved by Rowlandson.

A Smart. A Greenhorn. A Jessamy. A Choice Spirit. A Jemmy. A Buck. An Honest Fellow. A Blood.

1791.

Mar. 1. The Pursuit. (Chase of a Highwayman by a _possé_ of horsemen.) A large and important subject.

Companion to 'The Attack,' published contemporaneously, and described in vol. i. p. 289.

Dec. 1. Returning from the Races.

1. Selling a Horse.

1. Modish--Prudent. (Another version of the pair of female figure subjects engraved 1787. See vol. i. pp. 220-1.)

1792.

Jan. 1. A series of four large sporting subjects, figures in wooded backgrounds. Painted by George Morland, and engraved by Thomas Rowlandson.

Partridge-Shooting. Pleasant-Shooting. Snipe-Shooting. Duck-Shooting. (Originally pub. in 1790.)

July 18. The Paviour's Joy. Companion to 'The Chairman's Terror' (vol. i. p. 308).

1794.

A Field Day in Hyde Park. Aquatinted by T. Malton. A large and important subject, evidently belonging to the same series as 'The English Barracks,' &c. (Aug. 12, 1791). See vol. i. pp. 294-5.

1795.

Jan. 1. Billingsgate Brutes.

1797.

Oct. 22. Glorious Defeat of the Dutch Navy, Oct. 10, 1797, by Admirals Lord Duncan and Sir Richard Onslow; with a view, drawn on the spot, of the six Dutch line-of-battle ships captured and brought into Yarmouth. Pub. by T. Rowlandson, 1 James Street, Adelphi.

1798.

Mar. 16. England Invaded, or Frenchmen Naturalised (Loyal Volunteers). Pub. by I. Harris.

Apr. 3. A Return from a Visit. (After H. Bunbury.)

May 15. Military Fly. (See 'Loyal Volunteers of London,' June 20, 1799, vol. i. pp. 375-7.)

May 18. Rehearsal of a French Invasion, as performed before the Invalids, at the Island of St. Marcou, on the morning of ye 7 of May, 1798. Pub. by R. Ackermann.

June 1. Soldiers Attending Divine Service. (The Invasion Panic and Volunteer forces.)

Aug. 8. Smuggling In--Smuggling Out. (See 1810.)

18. The Miller's Love.

Sept. 3. Sadler's Flying Artillery. (See 'Loyal Volunteers of London,' June 20, 1799, vol. i. pp. 375-7.)

Oct. 9. Fraternization in Grand Cairo, or the Mad General and his Boney-party likely to become tame Mussulmen. Pub. by R. Ackermann.

17. Erin-go-Bray. The Allied Republics of France and Ireland. Pub. by S. W. Fores.

Nov. 1. Effects of British Valour on the French Directory. Pub. by R. Ackermann.

1799.

Jan. 20. A Magic Lantern. Merke sculp.

Mar. 1. Cries of London. Pl. 7. Old Clothes. (See 'Cries of London,' vol. i. pp. 354-6.)

20. Fast Day. Pub. by T. Rowlandson, 1 James Street, Adelphi.

Aug. 1. Change Alley. No. 1. Waddling In. (See 'Waddling Out,' vol. i. p. 366.)

Horse Accomplishments.--A Vaulter. (See 'Horse Accomplishments,' vol. i. p. 366.)

30. Country Characters. Republished 1800. (See vol. ii. pp. 13, 14.)

Oct. 1. Matrimonial Comforts. Republished 1800. (See vol. ii. pp. 14-16.)

28. Sailor and Banker, or the Firm in Danger. (See 'A Note of Hand,' vol. i. p. 369.)

Dec. 20. The Monkey Room in the Tower. Pub. by R. Ackermann.

Connoisseurs of Art.

Slaverers.

O Tempora, O Mores! S. Alken fecit.

1800.

Jan. 1. Preparing to Start. (See vol. ii. p. 222.)

The Race and the Course. Companion.

Buck's Beauty and Rowlandson's Connoisseur. Pub. by W. Holland.

21. Titlepage to series of twenty subjects.

LE BRUN TRAVESTIED, or Caricatures of the Passions. Designed by G. M. Woodward. Etched by T. Rowlandson. Pub. by R. Ackermann.

No. 3. Admiration.

('Hatred or Jealousy' should be numbered 19. See vol. ii. pp. 1, 2.)

Aug. 15. Shaving a Forestaller.

The Tinker.

Swinging.

1801.

Jan. 15. A Mahomedan Mousetrap. Companion to 'Symptoms of Sanctity.' (See vol. ii. pp. 27-8.)

April 1. Public Characters. A group of portraits arranged behind a lattice or window-frame. Woodward del. Rowlandson sculp.

Oct. 12. John Bull in the year 1800.--War.

John Bull in the year 1801.--Peace. Pub. by R. Ackermann.

Nov. 15. A British Seaman.--A Heart of Oak.

Market Place, Cambridge.

1802.

May 1. Plate 6. School of Honours. 'A Compendious

Treatise on Modern Education.' ('The Stages of Man's Schooling.' See vol. ii. p. 47.)

July 1. Manager (Garrick) and Spouter. Republished.

Bookseller and Author. Republished. (See 1784).

One Tree Hill. Greenwich Park.

1803.

May 1. The Easter Hunt. Designed by H. Bunbury. Pub. by R. Ackermann.

The City Hunt. Ditto, ditto.

Nov. The Trumpet and the Bassoon. (See 1811.)

A Trip to Gretna Green. (See 1785.)

1804.

June 30. A Dismounted Light Horse Volunteer. Woodward del. Rowlandson sculp.

1805.

Apr. 28. The Political Death and Last Will and Testament of Johnny Macree. Pub. by T. Rowlandson. (See series of satires upon the impeachment of Lord Melville, vol. ii. pp. 49, 50.)

May 25. A Sailor's Marriage. Woodward inv. Rowlandson sculp. Pub. by R. Ackermann. (Companion to 'A Sailor's Will.' See vol. ii. p. 51.)

July 28. The Blessings of Partnership. Designed by Woodward. Rowlandson fec.

Nov. 25. A Sailor in a Stable.

Dec. 3. A Sailor's Observations upon the lamented Death of Lord Nelson. Designed by Woodward. Rowlandson del. Pub. by R. Ackermann.

9. The Brave Tars of the 'Victory,' and the Remains of the lamented Nelson. Designed by Woodward. Rowlandson del. Pub. by R. Ackermann.

11. The French Admiral on board the 'Euryalus.'

1806.

Apr. 16. The New Property Tax paying his Respects to John Bull.

20. A Brace of Brimstones. (See 'A Cake in Danger,' vol. ii. p. 58.)

May 1. The Poacher. (See 'A Maiden Aunt Smelling Fire,' vol. ii. pp. 58, 59.)

June 23. Political Terriers Hunting the Property Tax. (See satires upon the Grenville and Fox Administration, vol. ii. pp. 58-61.)

1807.

July 14. The Rivals.

Oct. 9. The Honeymoon.

Miseries of Human Life. House Cleaning.

Pull'd Turkey.

Collar'd Pig. Companions to 'A Calf's Pluck' and 'Rusty Bacon.' (See vol. ii. pp. 80-2.)

1808.

Aug. 23. Horrid Visions, or Nappy Napp'd at Last. Woodward del. Rowlandson sculp.

Nov. 1. Notice to Quit, or a Will of their own. (See caricatures against Bonaparte, vol. ii. pp. 92-102.) Pub. by Tegg.

A Musical Doctor and his Scholars. Pub. by Reeve & Jones. (See 1815.)

The Unexpected Return, or the Snip in Danger. Ditto. (See series of plagiarisms from Rowlandson's drawings. Pub. by Reeve & Jones. Vol. ii. pp. 90, 91, 297.)

1809.

Feb. 23. St. Valentine's Day, or John Bull Intercepting a Letter to his Wife. Pub. by Tegg.

(Parody of the Duke of York's letters to Mrs. Clarke. 'Yorkshire Hieroglyphics,' pl. 1, March 8, 1809.)

Mar. 3. Farmer Blunt's Apology. (Satire on 'The Delicate Investigation.') (See Rowlandson's caricatures upon the 'Clarke Scandal,' vol. ii. pp. 135-162.)

Apr. 17. Dr. Donovan. ('Investigation of the Charges brought against H.R.H. the Duke of York,' &c. See Chronological Summary, 1809.)

21. Connoisseurs. (A plagiarism.) Pub. by Reeve & Jones. (See 1799.)

Portsmouth Breeze.

28. A Visit to the Synagogue.

May 26. This is the House in Gloucester Place. Plate 1.

Do. do. do. " 2.

(The York and Clarke Scandal. See 'The Delicate Investigation,' vol. ii. pp. 135-162.)

July 18. An Old Catch newly revived. 'York and Clarke Scandal.' (See 'The Delicate Investigation,' vol. ii. pp. 135-162.)

APPENDIX

APPENDIX.

ADDITIONAL SOURCES OF REFERENCE UPON ROWLANDSON'S CARICATURES.

CATALOGUE OF PRINTS AND DRAWINGS IN THE BRITISH MUSEUM.

Further information is open to enquirers who are interested in tracing the works of the caricaturist. The important catalogue of the satirical prints and drawings in the British Museum, now in course of publication, will include all the examples found in that institution, if the Trustees decide to continue it beyond the limit originally settled (about 1770). The preparation of the catalogue in question, which has been placed in the hands of probably the very ablest authority on the subject of satire who has ever lived, is of necessity a work of time. The elucidation of the earlier graphic satires has occupied years of patient industry, by which alone the social and political pictorial 'skits' could be made intelligible--an undertaking which the lapse of time annually makes more complicated as regards the interpretation of those lighter trifles of bygone times, which, in spite of their triviality, often possess an historical value, unintelligible to the majority of students, because hidden away in the obscurity of allusions beyond the vision of the present generation.

The task of tracing and explaining the intentions of the graphic satirists, commenced by Mr. Edward Hawkins, original owner of an immense collection of their works, is being continued and successfully carried out for the Trustees of the British Museum by Mr. Frederic George Stephens. The catalogue, an important contribution to the history of the subject, has, as we have said, already been years in hand, and is slowly but surely advancing through the comparatively lost paths of the past. A new light has been thrown upon the satires of the times of the Tudors, the Stuarts, the Commonwealth, the Restoration, the accession of the Prince of Orange and of the House of Hanover. The results of the editor's painstaking researches are completed and open for consultation up to the conclusion of the Hogarth period; the notices upon the works of the great luminary of the school, which are included in the volume published in the present year, will be found of so thoroughly exhaustive a character, that the interest generally felt in Hogarth is likely to be increased, especially as a considerable amount of entirely new and curious matter has been discovered by Mr. Stephens in the course of his investigations.

CATALOGUE OF PRINTS AND DRAWINGS IN THE BRITISH MUSEUM.

Div. 1. Political and Personal Satires. Prepared for publication by Frederic George Stephens, and containing many descriptions by Edward Hawkins, late Keeper of the Antiquities, F.S.A. Printed by order of the Trustees. With an introduction by George William Reid, Esq., Keeper of the Prints and Drawings in the British Museum.

* * * * *

A selection of subjects, treated by Rowlandson with more freedom than is consonant with the taste of the latter half of the nineteenth century, is also given by PISANUS FRAXI, in his elaborate and exhaustive work CENTURIA LIBRORUM ABSCONDITORUM (1879). Pisanus Fraxi has set down (pp. 346-398) descriptions of over one hundred and twenty subjects of more or less erotic tendency. The major part of the etchings included by this authority are of necessity inadmissible in the present work, owing to their licentious suggestiveness; but a few of the subjects described in the 'Centuria Librorum Absconditorum,' restricted exclusively to social caricatures by Rowlandson, the originals of which maybe consulted in the Print Room and Library of the British Museum, are also instanced in the foregoing pages.

* * * * *

ORIGINAL DRAWINGS BY T. ROWLANDSON IN THE PRINT ROOM OF THE BRITISH MUSEUM.

Blood Royal. Duke of Cumberland, with spyglass, followed by his footman. A back view of the Prince Regent, shown in the distance, talking to some officers.

A Drunkard. An inebriated figure has fallen, in a state of partial insensibility, on his back, in a spirit-cellar, leaving the liquor running; a stout and by no means elegant female, of evidently Dutch construction, is trying to bring the toper to consciousness by the use of a birch-broom.

The Trout Fisher Rising.

Rowing for the Coat and Badge.

A Prize Fight.

Domestic Tranquillity.

Portsmouth Harbour, 1816.

Landscape (in Gainsborough's manner).

A Market Town in Cornwall.

A Continental Scene, 17th century. Lady in coach, running footman before; piazza in distance.

Landscape in Cornwall.

'Putting up Horses.' A country scene.

Portrait of George Morland, full length, standing before a fireplace in a well-appointed apartment. (About 1787, when Morland was living in considerable style at a handsome new house, the corner of Warren's Place, Hampstead.) The person of the artist is carefully studied, and the items of his dress are most characteristically noted, this being the time of Morland's most marked foppishness.

Guildhall Association.

Portrait of a Lady.

A Beau and his Chronometer.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE POSSESSION OF GEORGE WILLIAM REID, ESQ., KEEPER OF THE PRINTS AND DRAWINGS IN THE BRITISH MUSEUM.

View of a Castle. View near Bridgport, Dorsetshire. View in Devonshire.

* * * * *

WINDSOR CASTLE. THE ROYAL COLLECTION.

An English Review. Purchased by George IV. A French Review. Ditto.

* * * * *

ORIGINAL WORKS BY THOMAS ROWLANDSON IN THE SOUTH KENSINGTON MUSEUM. (COLLECTION OF WATER-COLOUR DRAWINGS OF THE ENGLISH SCHOOL.)

The Parish Vestry, 1784. Bequeathed by William Smith, Esq. Brook Green Fair (about 1800). Bequeathed by William Smith, Esq. The Elephant and Castle Inn, Newington. The gift of G. W. Atkinson, Esq.

* * * * *

DYCE COLLECTION, SOUTH KENSINGTON MUSEUM.

Landscape. 11 × 8. A roadside inn, where three officers have stopped for refreshment; one is seated by his mistress and gives alms to a beggar woman; another, likewise seated, is absorbed by the bottle and wine; the third is standing at the door and using his eyeglass. Signed 'T. Rowlandson, 1784.' Engraved in this work. See _Benevolence_, vol. i. p. 316.

View on the Thames off Deptford, with a large number of vessels near the Dockyard. 16 × 10. Men who have been bathing scramble into a boat on the left, very near the holiday parties which are passing to and fro.

Hampton Bridge, on the left; boats on the river, two of which are pleasure ones; a stout old fellow is on the left, with his wife on his arm, and a long pipe in his mouth. 16 × 10.

Hampton Court Palace. 16 × 10. View of the open space in front, with a carriage and four horses, and its military escort, leaving the gate; a carter with horses on the left, and, on the right, four idle fellows amusing themselves by teaching a dog to 'beg.' Signed 'Rowlandson,' and dated 1820.

Landscape. 16 × 10. Timber waggon drawn by eight horses crossing a bridge, which spans a rapid stream struggling between high rocks; cottages are on the left, one by the roadside, and another on the hill.

Portsmouth Harbour.[29] 13 × 8. Lord Howe's victory: the French prizes brought into the harbour. The people assembled on the ramparts cheering, a group in front scrambling to get possession of the top of a wall. Signed 'Rowlandson.'

Portsmouth Harbour. 17 × 11. A repetition of the last, with numerous additional figures introduced, and more highly finished than the other. Signed 'Rowlandson,' and dated 1780.

Exterior of Strawberry Hill. 14 × 9. A gouty old gentleman, his wife and dog, promenade near the walls; another old fellow either enraptured by a glance of the building or making love to two servant-girls who look over the wall. A donkey braying across the fence to the left.

Landscape, with a large flock of sheep browsing on downs, and guarded by a young shepherd, whose wife is working at his side; a dog is looking at him. 9 × 5.

Bridge at Knaresborough, Yorkshire. 13 × 9. 'The World's End' inn on the left, and the landlord directing persons in a cart, who have probably stopped for refreshments. Signed 'Rowlandson,' and dated, 1807.

'Sir Henry Morshead felling his timber to settle his play debts.' 9 × 5. Three men chop and fell trees, a fourth takes instructions from a soldier on guard; a parson stands near. Signed 'Rowlandson,' and dated 1816.

St. Austell, Cornwall. 9 × 5. View, looking up the principal street, the church in the distance; groups of persons in the foreground are scrutinised by a hairdresser who stands at his door.

Kew Palace. 16 × 11. Seen across the river; a boatman steadying his boat for three stout persons to enter it; two ladies already apparently occupy all the spare room; other pleasure boats are on the water, some with sails.

Landscape. 15 × 11. An approach to a village across a bridge, a woman carrying a bundle; a horseman and other figures are in the foreground.

Museum of Ancient Paintings in the Palace of Portici, near Naples. 8 × 5. Three gallants, including two military officers, attend a young lady; her father is behind, accompanied by the custodian. _Vide_ 'Naples and the Campagna Felice,' 1815, _ante_, pp. 301-2.

Glastonbury, Somersetshire. 9 × 5. View, up the principal street, with a church in the distance; a carriage, with post-horses at full gallop, frightening a woman riding on a donkey near; women gossiping while getting water at the conduit. The subject etched by the artist as plate 24 of 'Rowlandson's World in Miniature,' No. 2, 1816.

'Betting Post.' 8 × 5. View on a racecourse. A crowd of ruffians on horseback surround a man who is about to read a list of the names of the favourite horses, but is interrupted by the impatience of his companions, whom he endeavours to prevent riding over him; a gouty old fellow, also on horseback, carries his crutches with him. Engraved in this work. See description, vol. i. p. 257.

ILLUSTRATIONS TO 'THE TOUR OF DR. SYNTAX IN SEARCH OF THE PICTURESQUE.'[30]

Dr. Syntax pursued by a bull. 7 × 4.

Syntax, still trembling with affright, Clung to the tree with all his might. Vol. i. p. 40.

Dr. Syntax drawing from Nature. 7 × 4.

The Doctor now, with genius big, First drew a cow, and then a pig. Vol. i. p. 121.

Dr. Syntax at a card party. 8 × 4.

The comely pair by whom he sat, A lady cheerful in her chat.--Vol. iii. p. 163.

The remainder of the series appear to have been designed for the work, but not etched nor used as suggestions to Mr. Combe, excepting those noted. It may not be generally known at the present time that the Tours were written to elucidate the designs, which the following introduction fully explains: 'This second tour is, like the former one, a work of suggestions from the plates by Mr. Rowlandson, though not with such entire reserve as the first. Some few of the subjects may have been influenced by hints from me; and I am willing to suppose that such are the least amusing of them.'--_Introduction to the second volume_, 1820.

Dr. Syntax--unable to pull up at the Land's End--is fearful of being carried to the World's End. 10 × 7. View on the coast during a storm, with the vivid flashes of lightning frightening the people, and the heavy waves dashing on the shore.

Dr. Syntax taking wine with a lady in a drawing-room, while the daughter of his hostess and her lover exchange caresses on a rustic seat under the verandah.

Dr. Syntax thrown off his horse while hunting. 7 × 8.

Your sport, my lord, I cannot take, For I must go and hunt a lake.--Vol. i. p. 108.

Mr. Combe no doubt thought it as well, although availing himself of the hint that hunting was not suited to the Doctor's taste, to mention the fact of the Doctor being asked to join the sport, and his declining the invitation, as he was about to make some drawings on the lake.

Dr. Syntax leading a lady to the entrance of a grand mansion: most probably giving the idea of the Doctor escorting Lady Bounty from the garden to her mansion on their first interview. 9 × 5.

For while he sojourns he will be The object of all courtesy.--Vol. ii. p. 217.

Dr. Syntax gazing at some ruins; a man and boy in attendance. 8 × 4. One plate was probably thought sufficient to illustrate 'Sketching the Ruins, and Tumbling into the Water,' through his seat giving way, the latter one being used.

But now, alas! no more remains Than will reward the painter's pains. Vol. i. p. 71.

Dr. Syntax in the Jail; a young fellow and three dogs on the left. 7 × 4.

Boarding a Man-of-war. 8 × 5. A boatload of people awaiting their turn to ascend a rope ladder, on which a gentleman of the party is fixed in rather an uncomfortable position. _Vide_ 'Naples and the Campagna Felice,' 1815, _ante_, pp. 301-2.

Dr. Syntax frightened by the appearance of a large fish having a form resembling that of a whale; his companion and some fishwives are also greatly alarmed, and a few of them lie sprawling on the ground. 8 × 4.

Dr. Syntax drawing the waterfall at Ambleside, while his man Patrick is eating voraciously. 8 × 5.

Bold sketches from the very scene Where, with his neighbours, he had been. Vol. ii. p. 64.

A Lady repulsing with the poker her guests, consisting of eight gentlemen, among whom is the Doctor; her dog by her side appears to be equally pugnacious. 8 × 5.

Dr. Syntax riding and chatting with a lady, under an avenue of trees; a footman behind them. 8 × 5.

Dr. Syntax playing at cards with a young lady; an old wooden-legged officer seated near, apparently not in the best of tempers; three other young ladies seated on the sofa take much interest in the game. 8 × 5.

Dr. Syntax gently opens the door of a garret, and is horrified to find a woman of the _pavé_ reclining back in her chair dead; a dog is seen on the left playing with her wig. 8 × 4.

Dr. Syntax skating and saluting three ladies who stand on the bank of the frozen river. 8 × 5.

* * * * *

The following drawings by Thomas Rowlandson, with several engravings of his London views, already described under the accounts of his prints in this work, were exhibited (1879) in the western portion of the Exhibition Galleries, South Kensington, in the valuable and interesting series of

VIEWS OF LONDON AND WESTMINSTER. COLLECTED AND EXHIBITED BY JOHN GREGORY CRACE, ESQ.

Entrance to Blackwall Docks, 1801.[31]

Perry's Dock, Blackwall, 1801.

View of the Reservoir in the Green Park, looking south (towards Westminster), 1810.

* * * * *

Original drawing of Brooks's Subscription Room, in the possession of

HENRY BANDERET, ESQ. BROOKS'S CLUB.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN POSSESSION OF W. R. BAKER, J.P., ESQ., OF BAYFORDBURY PARK, HERTFORD.

At Bayfordbury Park--where, it will be remembered, the celebrated collection of the Kit Cat Club, a national gallery of portraits, by Sir Godfrey Kneller, of the most interesting character, has its home--the choice examples of Rowlandson's skill appear to have been secured by the family at one time, and that at what may be considered the artist's best period--a little before the production of _Vauxhall Gardens_, and the series contributed to the exhibitions of the Royal Academy.

The Bath Coffee House. A highly amusing interior, representing the various fashionable characters to be met with on the Great Bath and Bristol Road a century back.

Rustic Scene. Carters' horses watering.

Scene outside a Lodge in a London Park, crowded with animated groups of folks of _bon ton_, as they might be seen disporting themselves in the fashionable resorts, where the 'best company' of the day was to be encountered in 1785.

The Waggoner's Halt.

Sailors Soliciting Charity. A party of Rodney's 'old salts,' disabled, and reduced to appeal to charity; a model of a ship-of-war is dragged about on wheels to attract the attention and sympathies of the passers-by.

French Barracks, 1786. A highly finished example of one of Rowlandson's most famous subjects (exhibited at the Royal Academy, 1787). It probably preceded the exhibited drawing, since it is executed on a somewhat reduced scale to that of the engraving. A full description of this admirable design is given under the list of subjects belonging to 1791 (Aug. 12).

Death and the Apothecary. This subject is drawn in Rowlandson's most careful method. In the writer's opinion it is one of the earliest examples of the artist's finished works which have come under his attention, and is probably of the same date as the _School of Eloquence_, mentioned under 1780, which, as he has noted, has suffered at the hands of the anonymous etcher. Death, as a grim skeleton, is intruding into the apartment of an invalid by the window; the patient has armed himself with a gruelspoon to ward off this sudden attack from the unassailable foe, while a corpulent apothecary, standing in ambush behind his client, has snatched up a gigantic syringe, which he is pointing, by way of a great gun, at the bony framework of the ghastly actor who has dropped in to complete the quack's handiwork and snatch away a profitable customer. The whole of the background is worked out like a fine etching, in a fainter line than the figures, much in the style which distinguishes the etchings of Mortimer.

Hertford Market Place (market day). This view of the old county town of Hertford is one of the finest and most interesting of those drawings which Rowlandson has left of the quaint towns of his day. It is altogether of an important character, being nearly 30 inches in length. It represents the Town Hall, the market-place, and certain picturesque ancient houses, faced with carved scroll-work, which front the corner hard by. The traveller will find these buildings exactly as Rowlandson viewed them a century ago; and, on a market-day, he will see the dealers' stalls, the country people busying themselves about their purchases, and the gentry passing or riding by, called to the town on local affairs, in some respects the same as a century ago. This scene, animated in itself as it is presented in our day, falls very far short of the prospect the artist has preserved, for the antique costumes have disappeared; and, comfortable as may be those of the generation who occupy themselves on the spot, the attractions found in the caricaturist's picture are looked for in vain; for the light flowing robes, the hats and feathers which aided the winning graces of the fair, the nodding plumes, and the scarlet and gold of the military bucks, the rustling silk cassocks, shovel-hats, and full-bottom wigs of the Church dignitaries, and all such characteristic accessories of the scene, no longer display themselves to assist the observer's sense of the picturesque.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON. (COLLECTION OF W. T. B. ASHLEY, ESQ., DECEASED.)

The Faro Table at Devonshire House. 1797.

Bricklayers' Arms on a Race Day.

Rape of the Sabines.

Nymphs of King's Place.

Prize Fight between Cribb and Molyneux.

Portrait of a Pugilist.

Tilbury Fort. The Stile.

Windy Weather.

Female Portrait.

'Thus, whatsoever course we bend, at every mess we find a friend.'

Exhibition of Baboons at the Tower Menagerie.

Going from Market.

Rag Fair in 1802.

The Punch Bowl, or the Loving Cup, with Commodore Regaling. (Grog on Board.)

The Peasant Girl and Amorous Dignitary.

Village, with old Inn and Church. Market Day.

The Coal Hole. (Figures eating oysters, drinking punch, &c.)

The Family Supper.

The Sick Man, surrounded by his Family.

Napoleon, on his return from Elba, Surveying Paris from the Window of the Tuileries.

The Old English Drinking Club, with effects of alcohol after free libations to Bacchus. 1798.

The Mischievous Urchin and the Blind Fiddler.

Man Selling Images. Man Selling Fowls. Man Selling Cakes. (Cries of London.)

An Enthusiastic Itinerant Preacher: the Adventures of Thomas Wildgoose.

The Town Crier.

Mutual Recriminations, and Plymouth Dock.

The Oyster Wench.

The Pic Nic.

Anatomical Lecture.

The Chelsea Stage Coach.

The Squire's Kitchen.

Barrow Women Basting the Beadle.

Militia Meeting.

Drawing from Life at the Academy. 'Given to my old friend, John Thomas Smith.'

Nymphs Bathing. Satyr and Nymphs. Nymphs and Tritons.

Scene at a Steeple Chase.

Figures Carousing, Death in Waiting. (Deadly-lively.)

Milk Seller. The Unsuspicious Husband.

An Artist Painting a Portrait.

Villagers Dancing to a Fiddle.

Interior of a Church during a Sermon.

William Hill, the Blind Sexton at Cambridge.

The Burglars.

Sale by Auction of Old Materials at Westminster; with view of the Abbey and old houses.

Greenwich, with view of the Old Salutation Tavern.

The Studio.

Bathing.

Sitting out a Long Sermon.

The Milkmaid.

The Old Commodore, Admiral Paisley.

Harlow Bush Fair.

Rooks Waiting for Pigeons.

Posting in Scotland. Posting in Ireland.

Saving the Old China from Fire.

Hunting Party, with Hounds, at the door of an Inn.

Funeral Ceremony.

Group of Soldier and Sweetheart.

An Auctioneer.

Specimens of Comparative Anatomy, and Illustrations of the Pythagorean Doctrine. (A series.)

Peace and Plenty.

How to get rid of a troublesome Customer.

A Catchpenny.

Interior of an Eating House.

The Vicar Removed.

Delineations of the Passions and various phases of Character. (A series.)

Teetotal Feast.

Monkey Island.

Scene by the River.

The Magic Lantern.

Village, with Procession of Dignitaries of the Church to the Tavern.

Drunken Pensioner in a Critical Position.

Mrs. Sturt and her Pupils.

Stock Jobbers.

Sepulchres.

Domestic Jars.

Cranbourn Alley.

The Gourmand.

Nobleman Cutting down his Timber to Pay his Debts of Honour.

Tax Gatherers.

The Reading Room.

Evening Party.

Leaving Home.

Wayside Inn.

## Parties at an Inn-door.

The Post Chaise.

Apothecary's Shop.

The Old Gentleman and his Young Wife.

Groups of Human Heads. (A series.)

The Broken Pitcher.

Jupiter and Leda.

Tender Appeal.

Petition.

Skating Scene.

Wrestling Match.

Balloon Hunting.

'We three Cunning Dogs be.'

[Illustration: THE APPARITION.]

Three Dignitaries of the Church.

The Special Pleader.

## Scene in the Opera.

Horns to Sell.

Selling the Elixir of Life.

The Meat Market Evacuated, or the Sans-Culottes in Possession.

Flea-Catching.

A Turk and a Tartar.

Neapolitan Tricks.

Interior of a Pawnbroker's Shop.

A Scold.

The Shipwreck.

Robbing the Miser of his Gold.

The Bachelor's Bitter Cup.

The Vicar at Dinner.

The Old Husband and Young Wife.

The Apothecary's Shop. Death at the Mortar.

Selling Signor Puffado's Sauce à la Russe.

Portsmouth Point.

A Woolcomber at Work.

Elopement from School.

The Hurdy-Gurdy Player.

Connoisseurs Looking at a Picture.

An Old Hag Looking out of Window, with a Cock and Breeches Below.

An Elderly Lady at her Toilet, holding a Rose and viewing herself in a Mirror, &c.

Good News--Bad News.

A Pig's Whisper.

A Waiting Maid's Insinuation.

Scene with Highwaymen.

Halfway House.

Mishaps.

One Tree Hill, Greenwich Park.

Rural Recreation.

Cottages near Buckingham.

The Laboratory.

Money-Changers.

Nuns at Devotion.

Nuns at a Window, Selling their Wares to Admiring Cavaliers. ('Pastime in Portugal.')

Launceston, Cornwall, an Auction Proceeding.

Sea Coast, with Fishermen.

Eating Oysters, a First Course.

Market Day.

Landscape, with Figures Dancing before a Country Alehouse. Skittle-Playing, &c.

Landscape, with Sportsmen and Cottage.

View on the River, 1791.

Sketches of Two Female Figures.

Rural Courtship.

The Old Debauchee Carried to Bed.

The Unequal Match.

Hulls of Men-of-War Ready to be Launched.

'Sculls? Oars?'

The Market-Mishap.

Landscape, with Monks at Devotion.

Farm-shed: Children at Play.

The Sick Patient, the Doctor, and the Enraged Wife.

Divinities and Divines.

Surgeon and Apothecary.

Mrs. Grant's Bagnio.

Watchmen Taking an Unprotected Female to Prison.

Country House. Figures at Table.

Dr. Accum Lecturing at the Surrey Institution.

Funeral Procession from a Country Mansion.

The Old Bailey during a Trial.

Departure of a Bride and Bridegroom in a Post-Chaise.

Levée Day at St. James's--Going to Court.

Hull of a Man-of-War.

Interior of a Kitchen--Family at Dinner.

The Apparition.

Blacksmith's Shop.

Old Alehouse Door.

Clearing the Premises without Consulting your Landlord.

'Be cautious upon what you fix your affections, and withdraw your neck from the yoke.'

The Old Commodore.

The Apothecary in Adoration.

Heads of Doctor Gosset, Governor Wall, and Doctor Gall, 'drawn by T. Rowlandson, and given to his old friend, Mr. John Thomas Smith.'

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE POSSESSION OF THE EDITOR OF THE PRESENT VOLUMES.

The Tuileries at Paris.

A Celebration at the Great Room of the 'Crown and Anchor' Tavern.

Love and Dust.

Large Landscape--View in Wales: Fishing, Netting, &c.

Summer Amusement, or a Game at Bowls.

Large Classic Landscape--Water Nymphs, &c.

A Press Gang.

Dissolution of Partnership, or Striking a Balance.

_Une Bonne Bouche!_ (A Titanic gourmand with an entire sucking-pig impaled on his fork.)

A Turk and a Tartar (the Tartar in this instance being a high-spirited nymph, a flower-girl).

A Cry for a Cat. (A beadle going round with his bell, &c.)

A Travelling Princess, and an Indifferent Ambassador. (Caroline of Brunswick, &c.)

Sortie from a Levée.

New Flora.

Awkward Attendant--'Hints to Footmen.' (On the reverse the sketch of 'a Masquerade.')

Private Amusement--Noble Science of Boxing. 'Nobility and Gentry taught.'

Fashionable Beauties. (A pair of Nymphs of St. James's.)

A Nincompoop, or Henpecked Husband.

Ram Inn at Newmarket--Card-Sharpers and Countrymen.

[Illustration: SORTIE FROM A LEVÉE.]

A Little Tighter.

Sly Boots.

The Apparition.

How to Treat a Refractory Member.

A Finishing School.

Luxury and Avarice.

Lust and Desire.

'The Vicar of Wakefield.'

'The Vicar of Wakefield': The Family Picture.

The Old Bailey.

Hunting Scene in a Park.

A Park--Horses and Figures.

View of Clifton.

Garden Pastimes.

Rocky Landscape:--Bathers at a Stream.

Hussar taking Refreshment at a Cottage Door.

John Thomas Serres. The Husband of the Princess (The 'Princess' Olive of Cumberland).

Miseries of Reading and Writing:--'Losing the post when you would as willingly lose your life.'

Syrens Catching a Porpoise.

Rag Fair, 1801.

Landscape Scene.

A Mad Dog in a Dining Room. (See 1809, page 133.)

Clifton from the Heights.

[Illustration: A TOAD-EATER.]

The Quay.

A Shipping Scene.

Greenwich Geese.

A Wild Landscape.

A Toad-Eater.

Incantations.

The Dolphin Inn.

Bob Derry of Newmarket.

Buy my Strawberries.

An Old Sinner.

Stolen Kisses.

The Highwayman betrayed.

A Prize Fight.

Contrasts: The Long and the Short of it.

A Clockmaker's Shop.

A Neapolitan Ambassador. (Lady Hamilton, &c.)

Seeking among the Slain after the Fall of Troy.

Forget and Forgive, or Honest Jack shaking hands with Mynheer.

Playing Tricks upon Travellers; or, Disturbed by Sham Spectres.

Veteran Topers.

A Jew Family.

Lethargy.

A Nun of Winter's Sisterhood.

The Butterfly Fancier on the Wing, or the Tulip Fancier's Flower Beds Sacrificed.

Pair of Female Figures.

Smoking a Customer.

Preparing to Start.

Landscape, Sea-Shore, Boat-Building.

Monmouth.

Entrance to the Town of Carnarvon, Wales. 1804.

Poets' Corner, Westminster Abbey.

Cottage in Devonshire.

Lord Fitzwilliam's seat near Malton, Yorkshire. 1803.

Oxford Jockeys, or the Landlord in Trouble for his Cattle.

[Illustration: SMOKING A CUSTOMER.]

Dutch Market Women landing at the Brill.

View on the Maeze, Holland.

Dock Head.

Yarmouth, in the Isle of Wight.

Market Place at Yarmouth, Norfolk.

Mode of Travelling in Holland.

Travelling in Germany.

Travelling in the Prussian Dominions.

The Market Place, Dusseldorf.

View of a Post House in the Emperor of Germany's Dominions.

Inn Yard at Cologne.

Brighton Downs.

Blackheath.

View of the Thames from Blackheath.

Diana in the Straw, or the Squire, a treat for the Quornites.

Trying on her Mistress's Clothes, or a peep into the Kitchen. 1801.

The Castatrophe, or Crash to the Grandmother's old China.

A Visit from Houndsditch to Pall Mall.

Admiral Nelson recruiting with his brave Tars after the Battle of the Nile.

Views of Oxford and Cambridge:--

North View of Friar Bacon's Study at Oxford. View of Oxford Castle. View of Queen's College, Oxford. A View of the Theatre, Printing House, &c., Oxford. Inside View of the Cupola in the public Library. Merton College and Chapel, from the First Quadrangle. Merton College. Oxford. A Western View of All Souls' College. Oxford. The Libraries and Schools from Exeter College Gardens. A South View of the Observatory. Oxford. St. Peter's House. Cambridge. Trinity College. Cambridge. King's College and part of Clare Hall. Cambridge. View of Jesus College. Cambridge. Trinity College and Library, and part of St. John's College, Cambridge.

Views in Cornwall, Devon, &c.

View on Bodmin Downs. Cornwall. Hamethothey Mill. Cornwall. Hengar House, near Camelford, the seat of Matthew Mitchell, Esq. Cornish Cottages. Corn-mill in Cornwall. Cornish Scene. Collecting the Tythes. Liskeard Moors. Cornwall. St. Columb. Cornwall. St. Kew Church near Wade Bridge. Cornwall. View near Bodmin in Cornwall. Treelile House, North Cornwall. Cottage, near Landhearn. Cornwall. The Barrow Sands. North Coast. Cornwall. Stone Bridge. Cornwall. Hengar Woods, near Camelford. Cornwall. Hengar Woods. (Another view.) Cottage on the Router Moor, near Camelford. Cornwall. Vicarage of St. Udy, near Bodmin. Cornwall. Stone Bridge. Cornwall. Shipwreck. Cornwall. Monastery. Cornwall. Near Truro. Cornwall. View of the Convent at Landhearn, near St. Columb. Cornwall. The seat of Lord Arundale. Cottage in Cornwall. Old Buildings. Cornwall. Roadside and Bridge. Cornwall. Cottage near Launceston. Cornwall. The Disbanded Soldier. Camelford Cattle Fair. Cornwall. Cottage. Devonshire. Near Plymouth. A Travelling Tinker. View at Fair Point. Plymouth. View near Taunton. Somersetshire. Taunton Vale. Somersetshire. A Wheelwright. Devonshire. Country Carpenters. Devonshire. Near Conway. North Wales. Falls, Conway. North Wales.

Wells.

Bath.

Bath Races.

Pump Room. Bath.

The Bath. Bath.

City of Norwich.

Ouse Bridge. York.

York Cathedral.

Entrance to the Town of York during the Races.

Views on the Thames:--

Richmond. Town Hall and Market Place at Kingston-upon-Thames. Mr. Zoffany's House at Chiswick. Greenwich. Near Pyrfleet. Fishing House at Chertsey. Hampton Bridge. Hampton Wick. Near Richmond. Near Datchett. Near Bray.

The Waggoner's Rest. Moonlight.

War time. Gun, Horses, and Ammunition.

Embarkation of Troops for La Vendée.

Troops on the March; convoying Stores.

The Surrey Fencibles dispersing the Rioters in St. George's Fields. June 13, 1795.

Embarkation of Cavalry.

Troops on the March; Bag and Baggage.

Waggoners.

The Passage Boat.

The Serenade.

Hunting Morning.

Market Day at Aberystwith.

Camp-followers.

Near Lewes. Sussex.

Disasters of the Streets. Chairmen in a Dilemma.

Coach in a Slough.

A Coach Wrecked.

Turks.

Returning from a Country Party.

The Smithy.

A Showery Day.

Fireside at an Inn.

A Bar Parlour.

Devotion.

Rag Fair. Pair of Views.

Concerto Spirituale.

The Dog Barber. La Francia.

The Village Barber.

An Unwelcome Visitor.

New Shoes.

Shot at a Hawk. Scene at Newmarket.

Sunday Morning at Cambridge.

Visit to the Camp.

Patience in a Punt.

A Town-bred Brat. 1802.

A Wayside Meeting.

College Service.

Stock Jobbers.

Loan Contractors.

The Propagation of a Lie (in three slips).

The Pleasures of the Country, or returning from a Visit across a Muddy Road.

A Snug Rubber, or Playing for the Odd Trick.

Making a Bowl of Punch.

Old Age, Condolence on Crutches.

Saved.

Drowned.

Jerry Sneak and Mr. Sullen. A Henpecked Husband.

Scene from 'King John.'

_Arthur._ Let me not be bound. Nay, hear me, Hubert, drive those men away.

A Flat between two Sharps. Outside a Billiard Room. 1803.

A Journeyman Tailor.

Green and Large Cucumbers.

The Dancing Bear; or, the Graces, the Graces, remember the Graces!

Counsellor Humbug, or Guardians of our Property, here and hereafter.

Quaker Courtship. Waiting for the Movement of the Spirit.

Methodists broke Loose.

Market Place, Richmond, in Yorkshire.

Green Man near Nottingham. 1803.

View of Nottingham.

The Meal in the Shade.

Labourers at Rest.

Near Canterbury.

Officers Holding a Review.

Fish Market at Brighton.

The Rising Sun. Halt at an Inn.

Putting off to Sea. A Breezy Day.

Cabin of a Man-of-War. Drinking a Toast.

A Cottage Scene. Washing Day. Pigs Feeding.

Exeter Gaol.

A Man-of-War.

Devon.

Lincoln.

Market Day. The Golden Fleece.

View of Stamford, Lincolnshire.

Cattle at a Waterfall.

The Royal Oak.

Country Courtship.

Near Honiton. Devonshire.

Farm Yard near Honiton. Devonshire.

Sunday Morning.

Returning from Work.

The Waggoner's Inn.

Waterside Inn. 'The Boatman's Rest.'

Resting beside a Barn.

Carnarvon Castle Gate.

The Windmill.

The Sailor Saved.

Near Beverley. 1803.

Ships Unloading.

Driving Home Cargo.

View of the River Itchen, near Southampton.

Southampton Waters.

Carisbrook Church and Castle, Isle of Wight.

Soldiers Drinking.

Troops stopping to Refresh on their Road to Join the Camp on Barham Downs. Aug. 20, 1799.

Returning from a Race.

Cottages and Park.

The Road to the River.

Waggon and Horses Climbing a Hill.

Saturday Night. Repose from Toil.

The Wounded Soldier. 1804.

Horsemen Drinking outside an Inn.

Newgate. Morning of an Execution.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON. (COLLECTION OF THOMAS CAPRON, ESQ., ARUNDEL HOUSE, RICHMOND.)

Mr. Capron's selection contains numerous subjects from the collections of Lord Farnham and the late W. T. Ashley, Esq. Besides being the owner of a very fine selection of the best prints after Rowlandson, many of considerable size, value, and importance, (for the loan of several choice examples, which are both rare and difficult to obtain, the writer begs to record his grateful acknowledgments to the fortunate possessor;) Mr. Capron has also collected quite a gallery of original drawings; among the number are some truly capital examples. The titles of a selection from the numerous subjects are as follow. (See also the collection of the late Mr. Ashley.)

French Barracks.

Cries of London.

Plymouth Dock.

Street Musicians.

Portsmouth Point.

The Love Letter.

Grog Aboard.

The Female Volunteer.

Relief from Hard Study.

Hen and Chickens.

Late Hours at Mrs. Sturt's.

Temptation.

A Snooking Kenn.

_Fiez-vous à Filles_: Stripping a Cully.

Illustrations from _Johnny Quæ Genus_. Waiting on a Lady of Fashion.

Unpleasant Reflections.

State Pledges.

Matrimony. (_Dance of Life._)

The Cobbler's Method.

A Domestic Scrimmage.

'The Long wished-for Day come at Last.'

All Souls.

Beyond a Joke.

Nuns at Devotion.

Snow-balling the Blackamoor.

Concert à la Catalini.

Money Bags. A Golden Shower.

Westminster Abbey.

A Levee, St. James's Palace.

Presence Chamber, St. James's Palace.

Stock Exchange.

Brewers' Horses.

Arrival of the Post Boy.

Epsom Downs, or More Downs than One. 1816.

John Bull stuck in a bog in France.

Jean Crapaud run away with in England.

The Laboratory.

A Duck. 1823.

Humours of a Rustic Inn.

The Club.

The Coal Hole.

The Cock Tavern, Fleet Street.

Mutual Recriminations.

Dragging the Pond.

A Pic-Nic. The Social Day. 1812.

Dinner at the Fair.

Althorpe Wells, Discovered by Queen Anne's Physician.

Leaving Home.

Clearing the Premises without Consulting your Landlord.

A British Tar, and Charitable Feelings.

Trying to Move a Jew.

Jew and Gentile, or Old Clothes and Doll Tearsheet.

A Superannuated Beau.

Ballet Master at the Opera House.

A French Noble in his Shooting Dress Sketched at Boulogne, 1778. First September, Trying the Sight.

Introducing a Pigeon to a Hazard Table.

William Cussons, Shaver. John Street, Adelphi.

The Walking Stewart, an Eccentric Character.

Dirty Work, Levee Day, or Court Ceremony.

Katharine and the Tailor.

A Banker's. (The Spider's Web). A Ready Money Customer.

A Banker's. (The Wasp). A Discount.

A Lowland Family.

Putting a Husband to Bed.

Old Cronies.

Recruiting.

The Ménage.

Billiards.

Lost and Won. Red Wins.

Saving the Old China from Fire.

Posting in Ireland.

Posting in Scotland.

French War. Interior of a French Prison. (An Abbey.)

A Cooper. A Farrier.

Travelling Savoyard. An Itinerant Showman. Bear, Monkey, and Performing Dogs.

Innocent Cause.

The Magic Lantern. A Galantee Show.

Sham Fits. 1802.

Deadly-Lively.

Doctor Graham's Cold Earth and Warm Mud Bath.

Volunteer Foot. Westminster Light Horse.

Admiral Paisley--'The Tough Old Commodore.'

Why, the bullets and the gout Have so knocked his hull about That he'll never like the sea any more!

Rent Day. A Light Piece.

An Apothecary.

A Ridotto.

A Pastoral Piper.

A Fresh Graduate.

Pomona, or Ripe Fruit.

Life Academy, Somerset House. T. Rowlandson. With inscription by the Artist: 'Given to my old friend Smith.'[32]

The Graces.

Nicolas Poussin: Venus, Mars, and the Loves.

Bellona.

An Apotheosis. Prometheus.

Nessus and Dejanira.

Acis and Galatea pursued by Polyphemus.

Etruscan Frescoes.

Venus and Cupid.

Neptune discovering Venus to the Tritons.

Pan and Syrinx.

Tritons and Nereids.

Doctor Syntax and the Bees.

'Doctor Primrose Preaching to the Prisoners,' and numerous illustrations to the 'Vicar of Wakefield.'

The major part of the Illustrations to 'The Dance of Life,' and a few Examples of the Designs for 'The Dance of Death.'

Pair of Large Hunting Scenes.

Diving Belles.

The Introduction. Mrs. Sturt's.

Mrs. Sturt and her Pupils (from Mr. Ashley's Collection).

Tuileries Gardens.

Stowe Gardens.

Richmond Hill.

THE FOLLOWING DRAWINGS HAVE ALSO COME UNDER THE EDITOR'S ATTENTION.

A Tailor's Wedding.

The Unwelcome Intruder. (1803.)

The Rival Butchers.

The Cobbler.

The Fishmonger.

Animal Magnetism: the Centre of Attraction.

The Alchemist.

The Pavior's Joy.

The Clamorous Tax-gatherer calling on the Doctor.

The Old Admiral.

Apples! a Street Cry.

Alms. An admiral (with a wooden leg) and his family relieving an invalided old sailor.

Mrs. Shevi in a Longing Condition (for a Little Pig).

Chevalier D'Eon at Angelo's Rooms. 'Angelo's Fencing Academy, also the Broadsword Exercise, Boxing, &c. Terms for Fencing, Lessons, &c.'

Washing in the Highlands.

A Butcher's Shop.

COLLECTION OF JOHN COLE STOGDON, M.A., ESQ., 18 CLIFFORD'S INN.

This gentleman, amongst a rich gathering of drawings, caricatures, and social satires, has secured numerous good examples of prints executed by Rowlandson, including the rare series of the 'Stages of Man's Schooling' (1802). We have to instance a spirited drawing by the caricaturist, which is in the possession of Mr. Stogdon: 'Forbidden Fruit.'

FIGURE DRAWINGS AFTER THE OLD MASTERS BY THOMAS ROWLANDSON, IN THE COLLECTION OF COLONEL GOULD WESTON, THURLOE SQUARE.

Venus: Carlo Marratti.

Venus: Bouchér.

Nymph Surprised by Satyr: Gerard Lairesse.

Diana and Hunter: Gerard Lairesse.

Diana and Nymphs: Giulio Romano.

Leda and Swan: Giulio Romano.

Venus Arranging her Hair: Andrea del Sarto.

Venus and Cupid: Andrea del Sarto.

Venus and Cupid: Palma Vecchio.

Lucretia: Andrea del Sarto.

Venus and Mars: Pietro de Cortona.

Rape of the Sabines: Polidore.

Leda and Swan: Canache.

Venus and Man Playing Guitar: Titian.

Susanna and Elders: Guercino.

Venus Sleeping--back exposed: Guercino.

Zulieka and Joseph: Domenichino.

Venus and Loves: Domenichino.

The drawings mentioned above, like most of the caricaturist's fluent renderings of subjects after the Old Masters, are far removed from mere copies or servile imitations, being, in actual fact, free adaptations of the works in question, strongly characterised with the individualities of Rowlandson's style.

Colonel Weston, in addition to this unique series, possesses a collection of original drawings by the artist, which includes, among numerous interesting examples of varying importance, one of Rowlandson's most graceful and finished drawings, worked out with a taste and delicacy altogether remarkable. The subject is a domestic scene, introducing two charming figures (likenesses in all probability) executed after the style of the portrait of Morland (mentioned in the first part of this work, now in the Print Room, British Museum, see p. 412), and evidently executed at the same period.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON. (COLLECTION IN THE POSSESSION OF JOHN WEST, ESQ., BAYSWATER.)

R. Moser, R.A., Keeper of the Royal Academy. A serious portrait, boldly executed, both outline and shadows put in with a reed pen, in the manner of Mortimer. Evidently a sketch made from life when Rowlandson was an Academy student.

Colonel O'Kelly taking a Private Trial previous to his Making a Match. (See Racing Series, 1789: The Betting Post, The Mount, &c.)

Race-horses arriving for a Spring Meeting.

The Gambler Going to Bed. (See pp. 208-210).

Congregation Leaving a Chapel. 1820. A large drawing, crowded with figures. (See collection belonging to William Bates, Esq.)

'As You Like It,' act ii. scene 7: Fifth Age. (Engraved.) The collection of Shakspearean subjects drawn by Rowlandson to illustrate the 'Seven Ages of Man' is in the possession of General Sir Henry de Bathe, Wood End, near Chichester.

An Anatomical Lecture.

The Morning Toilette. A fashionable beauty holding a _levée_ under the hands of her perruquier.

The Morning Meal.--

The cup that cheers but not inebriates.

The Tuileries Gardens, Paris. A small sketch for the larger drawing. (See collection in the Editor's possession.)

An Out-of-door Scene in Paris. (Companion.)

A Squabble in St. Giles's.

The Awkward Servant. (See collection in possession of the Editor.)

Horse-Racing: Introducing a Novice to a spirited Mount.

Mrs. Clarke and the York Shop. Mrs. C. receiving bribes as a commission agent.

'Tis woman that seduces all mankind.

Also in the collection of Thomas Capron, Esq.--

Portrait of a Foreigner.

Portrait of an Old Gentleman. The face of this figure may be a caricatured representation of the artist's appearance late in life.

Portrait of an Old Lady.

An Equestrian Military Portrait. (German officer.)

Portrait of a Quaker.

Looking at a Procession in the Park.

An Allegorical Design.

Carisbrooke Castle.

Hunting Scene.

The Thames at Twickenham.

The Social Day.

Interior of Exeter Cathedral (during sermon time).

View in the Environs of London.

Continental View, in Rowlandson's early manner (a cloister).

Yeomanry Cavalry Refreshing at an Inn.

Cattle Watering.

Scene at a Seaport.

Chatham: View of the Medway and Men-of-war; Troops and Military Train riding along the shore.

Waterside Scene, near a port on the South coast; Passengers landing, &c.

Views of Cornwall, Devonshire, Somerset, &c.

ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF JOHN CHESTER, ESQ., OF OLD SQUARE, LINCOLN'S INN.

Toilette of an Antiquated Belle. A large and fine drawing, after the school of the old masters.

The Village Festival. Figures dancing in a ring on the green, skittle-players, &c. Important subject, somewhat in the manner of Teniers the Younger.

Interior of a Pawnbroker's Shop. 'The Last Shift' (engraved and published November 1, 1808).

Taste, or Milord Anglais and Italian Picture-Dealers. (Engraved 1812. See p. 234.)

A Scold.--

A smoking chimney, and a scolding wife.

A Breezy Day.

Death at the Door. An upright subject, earlier than the series entitled the 'Dance of Death.'

An Old Miser and a Young Wife.

An Old Woman and her Cat at a Window.

Original frontispiece to the collected series of 'Miseries of Human Life.'

Designs for illustrations to the 'Dance of Death.'

The Squire. The Shipwreck.--

The dangers of the ocean o'er, Death wrecks the sailors on the shore.

ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF A. H. BATES, ESQ., EDGBASTON, BIRMINGHAM.

An Old Soldier's Widow. 6 × 5-1/2 inches.

A Fat Man and Death. 5 × 4.

The Widower's Consolation. 6 × 4-1/2.--

Two bores all at once have taken a trip: I've buried my rib, and got rid of the hip.

Woman on a rock by a stormy sea, on which is an empty boat, &c. 7 × 4-1/2.

Doctor Syntax at a Bookstall. Folio. (Engraved on a reduced scale in the 'Humourist,' by W. H. Harrison.)

A Nobleman Cutting Down his Timber to Pay his Debts. 10 inches in length.

A sheet of grotesque heads formed of vegetables, &c.

Death and the Glutton. Large 8vo.

Exterior of a Public House. 8vo.

Sepulchres. 8vo.

Doctor Eady and his Patients. 8vo.

Execution Dock. 5 × 6.

The Old Blind Sexton. Folio.

Three figures seated at table; one said to be the portrait of Hamilton, the artist. 8vo.

The Milkmaid's Tempter. 5 × 4.

Drawing-room scene. Milliner displaying a dress. Numerous figures, probably designed as frontispiece for a magazine of fashions.

Domestic Jars. 9 × 4 in. Man and woman quarrelling; the former seated in a chair, with a large bass-viol beside him.

LIST OF ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE COLLECTION OF WILLIAM BATES, ESQ., B.A., M.R.C.S, &c., BIRMINGHAM.[33]

'Cornish Peasantry.' 10-1/4 × 6-1/2. Five peasants, admirably grouped, seated on a sort of timber-cart, drawn by two oxen. Woody background. Signed 'Rowlandson.'

Acis and Galatea. 8-1/2 × 6.

Apollo and Daphne. 8-1/2 × 6. Companion to the above. A vigorously-drawn recollection of the antique.

The Cottage Door. 11-1/2 × 8-1/2. A group of rustics seated at the door of a cottage. On the right hand a man with a donkey laden with vegetables. In the manner of Morland.

'The Road to Ruin.' 13-1/2 × 9-1/2. The young squire is seated at a round table, with his mistress on his knee. Opposite to him is a 'led-captain,' dealing out cards and inciting the squire to bet. In the centre, standing at the table, is a plethoric chaplain, wholly intent upon the manufacture of a bowl of punch, the ingredients for which he is pouring simultaneously from two bottles into the bowl. The complete absorption of each of these personages in his own special object is admirably depicted.

Brentford Market Place. 17-1/2 × 12. An admirable drawing, exhibiting hundreds of market-people disposed in groups, with the Town House in the central background and the 'Three Kings' inn on the right hand. The grouping is excellent, the scene full of animation and bustle, the sense of space and general keeping perfect, and the whole equal in power and effect to the works of the Dutch painters.

Shepherd and Sheep. 17-1/4 × 4-1/2. A standing figure in the middle of a group of five sheep; something in the manner of Gainsborough.

The Funeral. 7 × 4-1/2. The parson advances, reading the burial service. Next comes the clerk, carrying a child's coffin, and followed by a group of female mourners, wringing their hands, holding handkerchiefs to their eyes, and some carrying umbrellas. To the right a female gravedigger, holding a spade in one hand and tolling the bell with the other. To illustrate the old song of 'The Vicar and Moses':--

When come to the grave the clerk humm'd a stave, Whilst the surplice was wrapped round the priest; When so droll was the figure of Moses and Vicar, That the parish still laugh at the jest. Singing tol de rol, &c.

An Oriental Scene. 8-1/2 × 5-1/2. In the foreground a gibbet, from which is hanging in chains the headless body of a woman. By the side an impaling-stake and wheel. Two men in foreign garb are looking on. In the distance a city, with towers and minarets.

'The Industrious Wife and Idle Husband.' 5-1/2 × 4. The wife is busily engaged at the washtub; a cradle, with twins asleep, at her back; while the husband, with pipe, glass, and jug, sits over the fire with a boon companion. Full of Hogarthian humour.

Burglars Alarmed. 11 × 9-1/2. A drawing of extraordinary vigour. A brutal-looking ruffian, in a frieze coat, holding a bloody knife in one hand and enjoining attention with the other, is striding over the corpses of two women, both with their throats cut. A second ruffian, with alarm depicted on his countenance, holds a candle in his right hand and grasps a bloodstained coal-hammer in his left. In the background a fate is seen peeping through a window. A piece that can hardly be looked at without a subsequent attack of nightmare.

Landscape. Lake scene, hilly background. 9 × 7. Very broad in treatment.

Commodore Trunnion and Lieut. Hatchway on their way to the Wedding. 14-1/2 × 8. (See Smollett's 'Peregrine Pickle,' vol. i. chap. 8.)

Jolly Companions. 11 × 8. A group of five, heads and shoulders. A man is apparently singing from a ballad-sheet. A woman at his right hand is blowing with the bellows, and the other faces are on the broad grin.

The Pipe Dance. 4-1/2 × 3. Two Punch-and-Judy-like figures dancing, and holding a pipe over head. Small, but very spirited.

The Forge. 9-1/2 × 6-1/2. A group of four horses outside a forge. The blacksmith holds up the hoof of one; the farmer stands by, and a woman advances holding a cup of ale. Signed 'Rowlandson, 1791.' As fine as Morland.

Maternal Solicitude. 6-1/2 × 4-3/4. A mother bends over her child on a couch, both entirely nude.

Nymph and Cupid. 7-1/4 × 5-1/2. A naked nymph recumbent; a winged cupid, bow in hand, descends towards her.

Henpecked Husbands. 10 × 6-1/4. A woman has hold of the greatly elongated nose of her husband in one hand, and belabours him with a whip in the other. On the left a group of women toss a husband in a blanket, and on the right a wife is thrashing her husband on the ground, whom she also holds by the nose.

Death in the Pot. 6 × 3-1/2. A plethoric figure drinks from a bowl, while a skeleton figure is about to strike him from above.

Zion Chapel. 13-1/2 × 8-1/4. A congregation of over fifty persons, who have just emerged from the portal of 'Zion Chaple' (_sic_), are passing slowly along. The door is blocked up by the departing worshippers; a fish-woman standing by indulges in some ribald observations, and a pious old lady holds up her hands in horror.

The Table d'Hôte. 13-3/4 × 9. A spirited and characteristic drawing, exhibiting a numerous company of both sexes seated at a dinner-table. French waiters, pig-tailed and nightcapped, are drawing corks, filling glasses, and flying to and fro with dishes, &c. One of the guests is teaching a dog to beg; a woman and girl, with tambourine and triangle, appear on the left to amuse the company.

Interior of a Prison. 9-1/2 × 6. From the collection of the celebrated Henry Angelo, the professor of fencing, who in his 'Reminiscences' (vol. ii. p. 324) gives an account of its production. Rowlandson, it appears, had been robbed one night, and went next day in search of the thief. 'We first repaired,' says the reminiscent, 'to St. Giles's, Dyott Street, and Seven Dials. In one of the night-houses four ill-looking fellows, _des coupes-jarret_, so attracted our attention that, whilst we sat over our noggins of spirits, as he (Rowlandson) always carried his sketch-book with him, he made an excellent caricature group of them for me, introducing a prison in the background.... He afterwards finished it for me in his best style, superior to the greater part of his works. This is now (1830) about forty years ago. The coloured drawing was once included in my collection.' Here we have the four thieves sitting and lying in various positions. Prisoners in another group are playing cards. Another ruffian is stretched at full length asleep in the foreground. The drawing, grouping, and colouring are alike admirable, and would have done honour to Salvator Rosa.

'The Miser Lying in State: the Prodigal Heir-Apparent.' 14 × 9-1/2. The 'heir-apparent,' with his profligate companions, male and female, is seated at a table, on which we see a punchbowl, &c. A coffin occupies an elevated position in the background, and from it appears to be struggling to emerge the supposed defunct miser, while an allegorical figure above seems to be nailing down the lid.

The Fire. 9-1/2 × 6. On the right a house on fire, flames issuing from the windows, the doorway crowded with watermen, and persons carrying out bedding and other effects. On the left firemen manipulating the hose and directing the stream against the flaming windows, in ridiculously suggestive attitudes. The central figure is an enormously fat woman, whose night-dress, drawn up to support a mass of crockery, displays her _Rubensesque_ and redundant charms to the watermen, who turn their grinning faces to gaze upon the spectacle.

'Leaving the Premises without Consulting the Landlord.' 11 × 8-1/2. A cart, seen at the back, heaped up with furniture, occupies the centre. A woman on the left laden with gridirons, warming-pans, &c. On the right a girl, graceful as one of Stothard's female figures, places in the cart a birdcage. In the foreground miscellaneous articles of minor furniture, and two children playing with the house-cat.

Outside the Court-House. 14-1/2 × 10-1/2. The scene is apparently the Magistrate's Court and the Town Hall in some county town. The ground in front is crowded with various individuals waiting for the cases in which they are interested to be called on. We see the farmer, the parson, a jockey, a huntsman, a footman, a butcher, a soldier, an actor, and many others. The beadle is seated on a step, making love to an old woman, who holds a tankard in her hand. Dogs are scattered about, attendant on their masters.

Interior of Eating-House. 7-1/4 × 5. A dining-table, at which are seated some seventeen people, male and female. One of the guests, a stout, portly man, has left the table, and is seizing his hat, as if offended. A neighbour attempts to restrain him, while the waiters appear amused.

Bridewell. 9 × 6. A procession of fifteen female prisoners are escorted through the courtyard of Bridewell from one department of the prison to another, in pairs, in charge of turnkeys, female warders looking on. Penitence, grief, and hardened impudence are admirably depicted on the several faces.

Returning from a Voyage. 9-1/2 × 6. A sea beach, with a schooner and sloops at anchor. A boat has just landed a group of passengers, among whom is a girl with a cockatoo on her wrist.

Pickaback. 4-1/2 × 3-1/2. A man, carrying a woman on his back, is fording a brook.

Picture Exhibition. 9 × 5-1/2. Connoisseurs at an exhibition of pictures.

Gaming House. 9 × 5-1/2. A drawing similar to that which serves as frontispiece to the 'Beauties of Tom Brown.'

Nymphs Bathing. 8-1/4 × 5-1/4. Eight female figures, entirely nude, sporting in a stream, or seated on its banks. Leafy background.

Nymphs Attiring. 8-1/4 × 5-1/4. Five female figures, entirely nude, seated on the banks of a stream, dressing their hair.

The Village Politicians. 15 × 9-3/4. Dated 1821.

FOOTNOTES:

[29] _Vide_ Biography, vol. i. p. 67.

[30] See account of the _Three Tours of Dr. Syntax_, _ante_, pp. 176, 247-252.

[31] Another version of the drawing, in the possession of the Editor, reproduced (p. 20) as 'The Quay,' in the introductory biographical sketch to this work.

[32] Antiquity Smith, Author of the 'Life of Nollekens;' once Keeper of the Prints and Drawings, British Museum, &c.

[33] See _George Cruikshank: the Artist, the Humourist, and the Man, with some account of his brother Robert. A Critico-Bibliographical Essay_. By William Bates. B.A., M.R.C.S.E., &c., Professor of Classics in Queen's College, Birmingham; Surgeon to the Borough Hospital, &c., with numerous illustrations by G. Cruikshank, including several from original drawings in the possession of the author. Houlston and Sons, 1879. Also _The 'Fraser' Portraits. A Gallery of Illustrious Literary Characters_ (1830-1838), drawn by the late Daniel Maclise, R.A., and accompanied by Notices chiefly by the late William Maginn, LL.D. Edited by William Bates, B.A., &c. Chatto and Windus, 1874, 4to.

INDICES.

INDEX OF NAMES, PERSONS, &c.

Ackermann, Rudolph (Rowlandson's publisher), i. 85, 89-93

Ackermann's _Poetical Magazine_, i. 33

Addington, Hon. H., 'The Doctor,' i. 246

Alexander, Emperor of Russia, ii. 281, 294

Angelo, Henry, 'Reminiscences,' i. 55, 64-6, 68, 70-2, 78-9, 85, 87-8, 287, 298-300, 374; ii. 5

Angelo's Fencing Rooms, i. 241

Angelo and Rowlandson at Vauxhall, i. 62-3, 156

-- and Son, Hungarian and Highland Broadsword Exercise, i. 374

-- Henry, his sketch of Simmons, the Murderer, ii. 81

Anstey, Christopher, 'Comforts of Bath,' i. 333-49

Arnold, General, i. 173

Atkinson, Christopher, i. 143-4

Auckland, Lord Eden, i. 173

Austria, Emperor of, ii. 281

Austria, Crown Prince of, ii. 281

Banco to the Knave (Gillray), i. 106

Banks, Sir Joseph, i. 192

Bannister, the Comedian, a Collector, i. 70; ii. 248

-- John, the Comedian, an Art Student, i. 53-4

Barrymore, Lord, i. 58, 161-2, 303

Bate, Dudley, of the _Morning Post_, i. 159

Bates, William, B.A., 'Sketch of Rowlandson's Works,' 'Essay on George Cruikshank,' ii. 379

Bedford, Duke of, i. 359

Bell, Dr., ii. 216

Beresford, James, ii. 178

Billington, Mrs., i. 158

'Black Dick' (Lord Howe), i. 199

'Blackmantle,' Bernard (pseudo), i. 43; ii. 375, 378-9

Blair, Doctor Hugh, i. 198

Blucher, Prince von, ii. 278-9, 280-1, 293-5

'Book for a Rainy Day,' J. T. Smith, i. 70

Borowloski, Count, 'The Polish Dwarf,' i. 186

Bossy, Doctor, ii. 5

Boswell, James, i. 193-8

Boswell's 'Tour to the Hebrides,' i. 84, 193-8

Buonaparte, the Emperor Napoleon, ii. 42-3, 45, 47, 52, 54, 61, 82-3, 93-102, 130, 159, 162-3, 187, 203-4, 255, 258-64, 271-2, 276-82, 289, 291-3

-- Joseph, King of Spain, ii. 95-6, 98-101

-- Louis, King of Holland, ii. 97, 258-9

Buonaparte's Generals, ii. 291

Brightelmstone in 1789, i. 277

Britannia, 117, 136, 141-2, 247; ii. 6

Buckingham, Marquis of, i. 243

Bullock, Proprietor of 'Bullock's London Museum,' ii. 309

Bunbury, Henry, the Caricaturist, i. 61, 78-80, 369

-- the Caricaturist (illustrated biographical sketch of his life by Joseph Grego), i. 3

-- Henry, Caricaturist (Gambado's 'Annals of Horsemanship and Academy for Grown Horsemen'), i. 352-3; ii. 101-15, 217, 221-3

Burdett, Sir Francis, i. 359; ii. 74, 181-2, 184, 365

Burke, Hon. Edmund, i. 112, 118-19, 220, 245, 248, 274, 289; ii. 13

Burton, Alfred, 'Adventures of Johnny Newcome in the Navy,' ii. 363-4

Bute, Lord, i. 141

Butler, S., ii. 174, 198

Camden, Lord, i. 244

Canning, George, verses on 'All the Talents,' ii. 69

Canning, George, ii. 166

Carmarthen, Marquis of, i. 244, 248

Cartright, Major John, i. 121

Castlereagh, Lord, ii. 166

Catalini, Madame, ii. 165

Catharine, Empress of Russia, i. 290

Chambers, Sir William (architect of Somerset House), ii. 217

Charles the Fourth, King of Spain, i. 290, 292; ii. 94

Charlotte, Queen, i. 110, 199-210, 220, 228, 230, 252, 290

Chatham, Lord, i. 244

-- General, ii. 164, 166

Chattelier, Miss (Rowlandson's aunt), i. 52, 63-4

Chiffney (jockey to the Prince of Wales), i. 207

Clarke, Mrs. Mary Anne, ii. 135-64, 166, 181

-- Scandal, The, i. 28; ii. 135-64, 181

Clavering, General, ii. 143

Coleraine, Lord, i. 180, 220, 229. (_See_ Hanger)

Collections of Rowlandson's drawings, i. 5. Appendix

Collings, the Caricaturist, i. 82-4, 191, 193

Combe, William, ii. 247, 268, 317-55, 359-62, 271-2

-- -- (author): 'The Three Tours of Doctor Syntax,' ii. 176, 247-52, 266-7, 269-70, 367, 373, 375 'The Dance of Death,' ii. 317-15 'The Dance of Life,' ii. 359-62 'The History of Johnny Quæ Genus,' ii. 371-2

Corbett, Thomas, High Bailiff for Westminster, ii. 140, 153-4

Cornwall, Views in, ii. 56

Cross Reading (Whiteford's), i. 84

Cruikshank, George, caricaturist, i. 16-19

Cumberland, Duke of, ii. 225

Curtis, Commodore, ii. 163-4

Davy, Sir Humphrey, ii. 366

Derby, Lord, i. 359

Devonshire, Duchess of, i. 124, 126-9, 131-2, 135, 141-2, 152, 158; ii. 59

Didelot, dancer, i. 283

Don Carlos, ii. 94

Duncannon, Lady, i. 135, 141, 158

Dundas (Lord Melville), i. 121, 134, 243-4, 246; ii. 49-51, 60, 136

Dundas, Sir David, ii. 137

Dunthorne, James, i. 226-7, 314

Elliot, Right Hon. Hugh, English Minister at Dresden, ii. 311

Engelbach, Lewis, 'Letters from Italy, or Naples and the Campagna Felice,' ii. 267, 301-8

English Caricaturists, i. 2

'English Spy, The,' by 'Bernard Blackmantle,' i. 43

Erskine, Lord, i. 112, 359

'Farquhar,' Ferdinand (pseudo), 'Relics of a Saint,' ii. 317

Ferdinand of Spain, ii. 93

Fielding's 'Tom Jones,' ii. 55-6

Fitzgerald, Mr., i. 161

Fitzherbert, Mrs., i. 170, 220, 226, 248, 276

Fox, Hon. Charles James, ii. 49, 58-61, 109, 112-13, 116-17, 119, 123-7, 129, 131-5, 138-43, 154, 221, 231-2, 245, 248, 270, 359

Fox, General, i. 117

Frederick the Great, i. 182-3

French Ambassador, The, i. 147

Gambado, Geoffrey (pseudo Henry Bunbury), 'Academy for Grown Horsemen,' i. 352-3

-- -- 'Annals of Horsemanship,' i. 352; ii. 102-15

George the Third, i. 115, 119, 140-1, 182-3, 199-210, 220, 228-9, 248, 251-2, 290, 360; ii. 6, 59, 82, 196

Gillray, the Caricaturist (his life, works, and times, by Joseph Grego), i. 3-4, 54, 106, 143, 229, 242, 328; ii. 197, 223

Gloucester, Duke of, i. 328

Goldsmith, Oliver, 'The Vicar of Wakefield,' ii. 356-9, 375

Gordon, Duchess of, i. 126, 152

Grafton, Duke of, i. 244, 246-8

Grattan, i. 250, 362

Grego, Joseph: 'An Illustrated Biographical Sketch of Bunbury, the Caricaturist,' i. 3 'The Works of James Gillray, with the Story of his Life and Times,' i. 3-4 'A Collection of Drawings by Rowlandson.' Appendix

Grenville, i. 244

-- Lord, ii. 59

Guise, General, his collection of pictures at Oxford, ii. 66

Hadfield. Attempted the life of the King, ii. 6

Hamilton, Sir William, Ambassador at Naples, ii. 311-13

-- Lady, ii. 311-13

Hanger, George, i. 180, 220, 229. (_See_ Coleraine.)

Harrison, W. H., 'The Humourist,' ii. 380-6

Hartley, Mrs. (actress), i. 160

Hastings, Warren, i. 226, 230

-- Marquis of, ii. 299

Haydon, B. R., ii. 378-9

Heath, James, i. 85

-- -- letter to, written by the Caricaturist, ii. 48

Hebrides, Boswell's Journal of a Tour in the, i. 193-8

Heywood ('Old Iron Wig'), i. 70

'Historical Sketch of the Art of Caricaturing,' by J. P. Malcolm, F.S.A., i. 73-6

'History of Caricature and the Grotesque in Literature and Art,' i. 3, 76

Hobart, Hon. Mrs. (Lady Buckinghamshire), i. 127, 129-30, 134

Holland, Lord, i. 289

Holman, the actor, i. 165, 190

Hood, Admiral Lord, i. 121, 124, 127, 133, 228

Hook, Theodore, 'Chacun à son Goût,' i. 67

Hooper, the boxer, i. 162

Horne-Tooke, John, i. 327, 359; ii. 74

House, Sam, i. 98-9, 108, 129, 131, 138-9

Howe, Lord, i. 67-8, 199

Howitt, the artist, Rowlandson's brother-in-law, i. 50

John Bull, ii. 42, 43, 47, 50-1, 58, 60-1, 75, 82-3, 93, 101, 130, 159

Johnson, Samuel, LL.D., i. 193-8

Junot, General, ii. 101, 204

Kemble, John Philip, ii. 46, 165

Kent, Duke of, ii. 141-4

King of Prussia, The, i. 182-3

Kingsbury, Caricaturist, i. 242, 290

Knight (Miss Cornelia), authoress, ii. 311-12

Lambert, Daniel, ii. 59-60

Leicestershire Giant, ii. 59-60

Leinster, Duke of, i. 249, 251

Life of Henry Bunbury, the Caricaturist, i. 4, 75-9

Lonsdale (Earl of), i. 136-7

Lord Howe's Action, i. 67-8

Lothian, Marquis of, i. 249, 251

Louis XVI. of France, i. 274, 290

-- XVIII. of France, ii. 292, 295

Lowther, Sir James, i. 136

Loyal Volunteers of London and Environs, i. 375

Lunardi, Vincent, i. 163-4

Malcolm, J. P., F.S.A., 'Historical Sketch of the Art of Caricaturing,' i. 75-6; ii. 184

Manners, Lord Charles, ii. 215-16

Melville, Lord (_see_ Henry Dundas), ii. 49-51, 60-1, 75

Memoirs of John Bannister, Comedian, i. 47

Mitchell, the Banker, i. 68, 71, 85

Moira, Lord, embarkation for _La Vendée_, i. 68

Morland, George, the Artist, i. 86-7, 239

-- -- Portrait of, by Rowlandson, i. 86; ii. 229, 330

Moser, Michael, Keeper at Somerset House, i. 53

Mulgrave, Lord, ii. 166

Munro, Doctor, i. 124

National Collections of Caricatures, i. 5; ii. Appendix.

Nelson, Admiral Lord, i. 350; ii. 52, 54, 311-13

'Newcome, Johnny' (pseudo), Military Adventures of, ii. 298

Ney, Marshal, ii. 291, 293

Nicols, John, Editor of the _Gentleman's Magazine_, i. 282

Night Auctions, i. 70

Nixon, Henry, the Facetious, i. 82-3; ii. 26, 66

Nollekens, J., Artist, ii. 16, 19

Norfolk, Duke of, i. 359

North, Lord, i. 105-6, 108, 112-13, 116, 119, 124-5, 142, 220

O'Connor, i. 364

O'Kelly, Colonel, i. 259-60

O'Meara, Dr., 146, 155

Orleans, Duke of, i. 252-3, 248, 274

Pacchierolti, i. 98

Paoli, General, i. 193

Papworth, J. B., ii. 268

Parsons, the Comedian, i. 70

Paul, Emperor of Russia, ii. 28-9

Perdita, i. 159

Perry, James, of the _Morning Chronicle_, i. 159

Petersham, Lord, ii. 225

Petty, Lord Henry, ii. 58-60

Picturesque Beauties of Boswell, i. 193-8

'Pindar, Peter,' Trick played off on, i. 71-2

-- -- i. 97, 143, 187-8, 192, 200, 210, 361; ii. 13, 217

Pitt, Hon. William, i. 115, 117, 119, 121, 123, 221, 226, 230, 231-2, 243-8, 360; ii. 22, 28, 49, 50

Pomfret, Lord, ii. 225

Pope Pius the Sixth, i. 290

-- -- the (Pius VII.), ii. 44, 51, 163, 204

Portland, Duchess of, i. 124

-- Duke of, i. 289

Potemkin, i. 292

Priestly, Dr., i. 272

Prince of Wales, i. 110, 132, 140, 152, 159, 170, 220, 226, 229-31, 243, 246-7, 248, 251, 274, 290, 298, 303

-- Regent, ii. 294

Prussia, King of, i. 292

Pugin's 'Microcosm, or London in Miniature,' ii. 125-8

Pyne, W. H. (_Ephraim Hardcastle_), 'Wine and Walnuts,' i. 55-6

-- -- -- _Somerset House Gazette_, i. 55, 57-8, 69

Queen Charlotte, i. 110, 199-200, 220, 228

Queen of Spain, ii. 93

Quirk (Boxer), ii. 226

'Quiz' (pseudo), 'The Grand Master, or Qui Hi in Hindostan,' ii. 299-301

Ramberg, Caricaturist, i. 223, 225

'Remarks on a Tour to North and South Wales in the Year 1797,' ii. 19-21

Richmond, Duke of, i. 183, 231, 243-4, 246-8

Robinson, Jack, i. 117-18

-- Mrs., i. 159

Romney (the Painter), ii. 311

Ron, Baron (Quack Dentist), i. 211

Roscius, the Infant, ii. 46

Rosedale, John (Mariner), exhibitor of the pictures at Greenwich Hospital, ii. 71

Rowlandson, Thomas (the Caricaturist), i. 239, 360

-- a student at the Royal Academy, i. 53

-- Academy drawings, i. 22-3

-- and Napoleon, i. 27-8

-- as a landscape artist, i. 14

-- as a marine artist, i. 18

-- as a portrait painter, i. 13

-- at Portsmouth, i. 67

-- biographical references to, i. 54-5

-- book illustrations, i. 35-45

-- chronological summary of his caricatures, ii. 389. (_See_ 4)

-- Continental tours, i. 59, 68-9; ii. 330-1

-- contributions to the Royal Academy, i. 50-65

-- collections of drawings by, ii. Appendix

-- Department of Prints and Drawings, British Museum, ii. Appendix

-- South Kensington Museum, ii. Appendix

Rowlandson, Dyce Collection, South Kensington Museum, ii. Appendix

-- -- at Windsor Castle, ii. Appendix

-- early caricatures, i. 22

-- engraved works, i. 23-30

-- family, the, i. 49-51

-- fortune bequeathed the Caricaturist, A, i. 64

-- gambling proclivities, i. 64

-- _Gentleman's Magazine_, the, obituary notice, i. 55, 94-5

-- George Cruikshank on Rowlandson, i. 16-19

-- his first visit to Paris, i. 52

-- his friends, i. 60-2

-- his publishers, i. 6

-- his schoolfellows, i. 51

-- Illustrations to 'The Tour of Dr. Syntax in Search of the Picturesque,' ii. 176, 247-52, 266-7, 269-70, 367, 373, 375

-- -- 'The World in Miniature,' ii. 312-17, 362

-- -- 'The English Dance of Death,' ii. 317-55

-- imitations of the drawings of contemporary artists, i. 151

-- in France, Flanders, and Holland, i. 58, 68-9; ii. 330-1

-- in Paris, i. 58-9

-- journeys in England, i. 75, 276-9, 360; ii. 6, 19-21, 56, 169, 181, 239-246, 373

-- letter from, 1804, ii. 48

-- lists of public and private collections. Appendix

-- mode of working at Ackermann's 'Repository of Arts,' i. 31

-- on the Westminster Election, i. 22, 121-43, 153-4

-- portraits of the artist, i. 45-8, 360; ii. 228-30

-- portraits exhibited by, i. 59

-- robbed, i. 65-6

-- successive exhibits at the Royal Academy. Figure subjects, i. 59, 64-5

-- views of the Colleges, Oxford and Cambridge, ii. 186

Rowlandson's 'Sketches from Nature,' ii. 373

-- illustrations to 'The Vicar of Wakefield,' ii. 356-9

-- -- 'The Dance of Life,' ii. 359, 362

-- -- 'An Excursion made to Brighthelmstone in the Year 1782,' i. 276-9

-- illustrations to Smollett's works, i. 320; ii. 56, 181

-- -- 'A Narrative of the War, 1793-5,' i. 328-9

-- -- 'Academy for Grown Horsemen,' i. 353; ii. 102-15, 181

-- -- Fielding's 'Tom Jones,' i. 304; ii. 55-6

-- illustrations to 'The Annals of Horsemanship,' i. 352-3; ii. 102-15, 181

-- -- 'Les Délices de la Grande-Bretagne,' i. 305

-- -- 'The Comforts of Bath,' i. 333-49

-- Views of London, i. 349

-- 'Sheets of Picturesque Etchings,' i. 280, 289

-- -- 'Cupid's Magic Lantern,' i. 332

-- -- 'Love in Caricature,' i. 353

-- -- 'Cries of London,' i. 354-6

-- -- _Anti-Jacobin Review_, i. 357-60

Rowlandson, 'Loyal Volunteers of London,' i. 375-7

-- 'Hungarian and Highland Broadside Exercise,' i. 374

-- 'Nautical Characters,' i. 362

-- 'Hogarthian Novelist,' ii. 6

-- illustrations to Sterne's 'Sentimental Journey,' ii. 10, 169-74

-- -- 'The Beauties of Sterne,' ii. 10, 169-75

-- -- 'Remarks on a Tour to North and South Wales,' ii. 19-21

-- -- 'Bardic Museum of Primitive British Literature,' ii. 41

-- -- 'A Compendious Treatise on Modern Education,' ii. 41

-- -- 'Views in Cornwall, &c.,' ii. 56, 169, 181, 239-46

-- -- 'The Sorrows of Werter,' i. 190; ii. 57

-- -- Boswell's 'Journal of a Tour to the Hebrides,' i. 193-8

-- -- 'The Poems of "Peter Pindar,"' i. 192, 201-9

-- -- 'The Pleasures of Human Life,' ii. 83, 180, 362

-- -- 'The Microcosm of London, or London in Miniature,' ii. 125-8

-- -- 'The Miseries of Human Life,' ii. 119-24

-- -- 'Chesterfield Travestie,' ii. 115-17, 224

-- -- 'The Art of Ingeniously Tormenting,' ii. 115, 129, 178

-- -- _The Caricature Magazine_, ii. 115-16

-- -- G. A. Stevens' 'Lecture on Heads,' ii. 117-18

-- -- 'Beauties of Tom Brown,' ii. 115, 181

-- -- 'The Clarke Scandal,' ii. 135-62

-- -- _The Poetical Magazine_, ii. 175-78

-- -- 'The Surprising Adventures of Baron Munchausen,' ii. 176

-- -- J. Beresford's 'Antidote to the Miseries of Human Life,' ii. 178

-- -- Butler's 'Hudibras,' ii. 174, 198

-- 'Sketches from Nature,' ii. 169

-- illustrations to 'Annals of Sporting,' by Caleb Quizzem, ii. 178-9

-- -- 'Petticoat Loose: a Fragmentary Poem,' ii. 238

-- -- 'Poetical Beauties of Scarborough,' ii. 268-9

-- -- Engelbach's 'Letters from Italy and the Campagna Felice,' ii. 267, 301-8

-- -- 'The Military Adventures of Johnny Newcome,' ii. 298-9, 312

-- -- 'Qui Hi, the Grand Master in Hindostan,' ii. 299-301

-- -- Ferdinand Farquhar's 'Relics of a Saint,' ii. 312, 317

-- -- 'New Sentimental Journal, or Travels in the Southern Provinces of France,' ii. 362, 368-70

-- -- 'The Adventures of Johnny Newcome in the Navy' (Burton), ii. 363

-- -- 'Characteristic Sketches of the Lower Orders,' ii. 366-7

-- -- 'The History of Johnny Quæ Genus,' ii. 371-3

-- -- 'Crimes of the Clergy,' ii. 373

-- -- Chap Books, ii. 363

Rowlandson, 'The Spirit of the Public Journals for the Years 1823-4-5,' ii. 375

-- -- 'The English Spy,' by Bernard Blackmantle, ii. 378-9

-- -- 'The Humourist' (posthumous), ii. 380-6

-- -- 'Grotesque Drawing Book,' ii. 362

Rutland, Duchess of, i. 152

Salisbury (Lord Chamberlain), i. 327

Sandon, Captain, ii. 143

Sheridan, R. B., i. 229, 245, 248, 274, 289, 330; ii. 46, 58-60, 220.

Sherwin, J. K., engraver, i. 45

Showell, Mrs., ii. 66

Siddons, Mrs., ii. 46

Sièyes, Abbé, ii. 47

Simmons, Thomas (_murderer_), ii. 81

Skeffington, Sir Lumley, i. 180

Smith, John Raffaelle, engraver, i. 47

Smith, John Thomas, portrait of Rowlandson, i. 48; ii. 17 'Nollekens and his Times,' ii. 55; ii. 16-19 'Book for a Rainy Day,' i. 70

Smollett's 'Peregrine Pickle,' ii. 56 Miscellaneous Works, ii. 181

_Somerset House Gazette_, i. 54, 88

Sorrows of Werter, ii. 57

Southcott, Joanna (the 'Prophetess'), ii. 287

Spain, Queen of, ii. 93

Spain, Infants of, ii. 94

Stanislaus the Second, King of Poland, i. 290

Sterne, Laurence, ii. 10, 169-75.

Stevens, G. A., 'A Lecture on Heads,' ii. 117

Sydney, Lord, i. 246

Talleyrand, Prince, ii. 45, 187, 280

Tegg's Caricatures, i. 34

Temple, Lord, i. 119, 140, 141

Thelwall (political lecturer), i. 327, 359

Thicknesse, Philip, i. 275-6

Thurlow, Lord, i. 121-2, 140-1, 220, 243-4, 248, 290

Tierney, Mr., i. 359

Topham, Major (_World_ newspaper), at Vauxhall, i. 63

Topham, Captain, i. 158, 165-7, 183, 190

Townshend, Lord John, i. 228

Towzer, Rev. Roger, ii. 287

Trotter, 51, 61

Vauxhall Gardens, Characters at, i. 156-62 Rowlandson at, i. 62-3

-- Singers at, 63

-- Mrs. Weichsel, i. 63

Wales, Prince of (afterwards George IV.), i. 110, 132, 140, 152, 159, 170, 220, 226, 229-31, 243, 246-8, 251, 274, 290, 298, 303

Walpole, Horace, i. 128

Ward (Boxer), ii. 226

Wardle, Colonel, ii. 135-64, 166, 181

Watson, Brook, i. 244

Weichsel, Mrs., i. 158

_Well-bred Man_, The (H. Nixon), i. 83

Wellington, Duke of, ii. 281, 293-5

Wells, Mrs., 166-7

Weltjé, Cook to the Prince of Wales, i. 71, 248, 251 His house at Hammersmith, i. 73-4

'Werter, Sorrows of,' i. 191; ii. 57

Westmacott, Charles Molloy, i. 43 'The Spirit of the Public Journals for the Years 1823-5,' ii. 375, 378 'The English Spy,' ii. 378-9

Whitbread, ii. 49, 60-1, 136

Whiteford, Caleb, i. 84-5

Wigstead, Henry, Bow Street Magistrate, i. 60, 81-2, 276-9, 360

Wigstead, Henry, 'An Excursion to Brighthelmstone made in the year 1872,' i. 276-9 'Remarks on a Tour to North and South Wales,' i. 360; ii. 19-21

Wilberforce, ii. 50, 136

Wilkes, Alderman, i. 244

Wilson, Richard, Librarian at the Royal Academy, i. 53, 361

'Wine and Walnuts,' i. 54, 83

Woodward, George Moutard, the Caricaturist, i. 80; ii. 115, 128

'Works of James Gillray, the Caricaturist, with the Story of his Life and Times,' i. 3-4

Wray, Sir Cecil, 111, 122, 124, 127, 133-4, 136-9, 154

Wright, Thomas, 'History of the Grotesque in Literature and Art,' i. 3

-- 'Caricature History of the Three Georges,' i. 3, 76-7

Würtemburg, King of, i. 327

York, Duke of, and Mrs. Clarke, i. 28; ii. 135-64, 178, 181

INDEX OF TITLES, SUBJECTS, PUBLISHED CARICATURES, ILLUSTRATIONS, &c.

Abroad and at Home, ii. 66

Academy, The, for Grown Horsemen, i. 353

Accidents will Happen, ii. 297

Accommodation, or Lodgings to let, at Portsmouth, ii. 89

Accommodation Ladder, ii. 210

Accurate, An, and Impartial Narrative of the War (1793, 1794, 1795, &c.), i. 328, 329

Ackermann's Transparency on the Victory of Waterloo, ii. 293

Acquittal, The, or Upsetting the Porter Pot (Lord Melville), ii. 60, 61

Actress's Prayer, The, ii. 31

Acute Pain, ii. 2

Admiral Nelson Recruiting with his Brave Tars after the Glorious Battle of the Nile, i. 350-1

Admiration with Astonishment, ii. 1

Admiring Jew, The, i. 153

Advantage, The, of Shifting the Leg, i. 349, 351

Adventures of Johnny Newcome in the Navy, The, ii. 363-4

Adventures of Joseph Andrews and his Friend Mr. A. Adams, i. 312

Adventures of Peregrine Pickle, ii. 56

Advice to Sportsmen; selected from the notes of Marmaduke Markwell, ii. 179-80

Aerostation out at Elbows. Vincent Lunardi, i. 163-4

Affectionate Farewell, The, or Kick for Kick, ii. 280

After Dinner, i. 279

After Sweet Meat comes Sour Sauce, or Corporal Casey got into the Wrong Box, ii. 194

Ague and Fever, i. 226

'Ah! let me, Sire, refuse it, I implore.' ('Peter Pindar'), i. 207

Alehouse Door, ii. 314

All-a-growing, i. 356

Allegoria, ii. 11

All for Love: a Scene at Weymouth, ii. 147

All the Talents, ii. 67-9

Ambassador of Morocco on a Special Mission, The, ii. 146-7

Amorous Turk, An, i. 352

Amputation, i. 107, 320

Amsterdam, i. 331

Amusement for the Recess; or the Devil to Pay amongst the Furniture, ii. 161-2

Anatomist, The, ii. 202

Anatomy of Melancholy, The, ii. 86

'And now his lifted eyes the ceiling sought.' 'Peter Pindar,' i. 205.

Angelo's Fencing Room, i. 297-300

Anger, i. 18; ii. 2

Anglers (1611), ii. 220, 222

Anglers (1811), ii. 222

Annals of Horsemanship, i. 352

Annals of Sporting by Caleb Quizem, ii. 178-9

Anonymous Letter, ii. 14

Anticipation (Chr. Atkinson, Contractor, in the Pillory), i. 143

Antidote to the Miseries of Human Life, ii. 178

_Anti-Jacobin Review_, i. 357-60, 362

Antiquarian, i. 252

Antiquarians à la Grecque, ii. 51

Anything will do for an Officer, ii. 62

Apollo and Daphne, i. 150

Apollo, Lyra, and Daphne, i. 364

Apostate, The, Jack Robinson, Political Ratcatcher, i. 117-9

Apothecaries' Prayer, The, ii. 31

Artist, An, Travelling in Wales, i. 360-2

Art of Ingeniously Tormenting, The, ii. 115, 129, 178

Art of Scaling, i. 219, 221

Astronomer, An, i. 366

At Dinner, i. 278-9

At Home and Abroad! Abroad and at Home! ii. 66

Attack, The, i. 289

Attempt to Wash the Blackamoor White, The, in the White Hall, City of Laputa, ii. 309-10

Attention, i. 2; ii. 1

Attorney, ii. 14

Attributes, ii. 10-13

Awkward Squads Studying the Graces, ii. 220

Bachelor's Fare: Bread and Cheese and Kisses, ii. 253-4

Bacon-faced Fellows of Brazen-Nose Broke Loose, ii. 201

Bad News on the Stock Exchange, i. 325

Bad Speculation, A, i. 366

Bait for the Kiddies on the North Road, A, or 'That's your sort, prime bang up to the mark,' ii. 184, 186

Ballooning Scene, A, i. 323

Banditti, ii. 297

Bank, The, i. 306

Bankrupt Cart, or the Road to Ruin in the East, i. 370

Barber, A, ii. 13

Barberorum, ii. 12

Barber's Shop, A, ii. 223

Bath, Comforts of (in 12 plates), i. 333-49

Bardic Museum of Primitive British Literature, ii. 41

Bardolph Badgered, or the Portland Hunt, i. 289-90

Bartholomew Fair, ii. 92

Bassoon, The, with a French Horn accompaniment, ii. 206, 208

Bath Races, ii. 194

Battleorum, ii. 12

Bay of Biscay, i. 262, 368

Beast, The, as described in Revelation, chap. xiii. Resembling Napoleon Buonaparte, ii. 95

Beauties, i. 317-18

'Beauties of Sterne,' ii. 10, 169-75

'Beauties of Tom Brown,' ii. 115-181

Bed-warmer, A, i. 167

Beef à la Mode, ii. 3

Behaviour at Table (four subjects), ii. 117-18

Bel and the Dragon, ii. 216

Belle Limonadière au Café des Mille Colonnes, Palais Royal, Paris, ii. 272, 274

Benevolence, i. 316-17

'Benevolent Epistle to Sylvanus Urban' (_vide_), i. 282

Billiards, ii. 43

Billingsgata, ii. 11

Billingsgate, i. 150

Billingsgate at Bayonne, or the Imperial Dinner, ii. 93-4

Bills of Exchange, ii. 6

Bill of Fare for Bond Street Epicures, A, ii. 90, 166-7

Bill of Wright's, The, or the Patriot Alarmed, ii. 162

Billy Lackbeard and Charley Blackbeard Playing at Football, i. 118

Bishop and his Clarke, The, or a Peep into Paradise, ii. 148

Bitter Fare, or Sweeps Regaling, ii. 233

Black, Brown, and Fair, ii. 71

Blackleg Detected Secreting Cards, &c., ii. 84

Blacksmith's Shop, i. 212

Black and White, i. 66

Bloody Boney, the Carcase Butcher, left off Trade, retiring to Scarecrow Island, ii. 279

Blucher the Brave Extracting the Groan of Abdication from the Corsican Bloodhound, ii. 278

Blue and Buff Loyalty, i. 233

Boarding and Finishing School, A, ii. 54-5

Bob Derry of Newmarket, i. 105-6

Boney's Broken Bridge, ii. 159

Boney the Second, or the Little Baboon Created to Devour French Monkeys, ii. 203-4

Boney's Trial, Sentence, and Dying Speech, or Europe's Injuries Avenged, ii. 294

Boney Turned Moralist: 'What I was, what I am, what I ought to be,' ii. 282

_Bonne Bouche, Une_, i. 371

Bonnet Shop, A, ii. 187

Bookbinder's Wife, The, i. 371

Bookseller and Author, i. 148

Boot-Polishing, ii. 33

Borders for Halls, i. 364

Borders for Rooms and Screens, slips, i. 364

Boroughmongers Strangled in the Tower, The, ii. 182-4

Bostonian Electors of Lancashire, ii. 310

Boswell, J., the Elder. Twenty caricatures by T. R. in illustration of B.'s 'Journal of a Tour in the Hebrides,' i. 193-8

Botheration. Dedicated to the Gentlemen of the Bar, i. 173, 317

Boxes! The, ii. 167

Box-Lobby Hero, The; the Branded Bully, or the Ass Stripped of the Lion's Skin, i. 190-1

Box-Lobby Loungers, i. 180-1

Boxing Match for 800 guineas between Dutch Sam and Medley, fought May 31, 1810, on Moulsey Hurst, near Hampton, ii. 189-90

Bozzy and Piozzi, i. 97

Brace of Blackguards, ii. 229-30

Brace of Public Guardians, A, i. 328

Brain-Sucker, The, or the Miseries of Authorship, i. 212

Breaking Cover, ii. 90

Breaking up of the Blue Stocking Club, ii. 289

Brewers' Drays, i. 183

Brewer's Dray; Country Inn, i. 213

Brilliants, The, ii. 22-6

Briskly Starting to pick up a Lady's Fan, &c., ii. 84-5

Britannia's Protection, or Loyalty Triumphant, ii. 6

Britannia Roused, or the Coalition Monsters Destroyed, i. 117

Britannia's Support, or the Conspirators Defeated, i. 247

British Sailor, Frenchman, Spaniard, Dutchman, ii. 119

Broad Grins, or a Black Joke, ii. 230

Brothers of the Whip, i. 103

Brown, Tom, Beauties of, ii. 115, 181

Bull and Mouth, The, ii. 168

Bullock's Museum, ii. 309

Burning Shame, The, ii. 152

Burning the Books. Memoirs of Mrs. Clarke, ii. 158

Business and Pleasure, ii. 265

Butcher, A, 269-70

Butler, S. 'Hudibras,' ii. 198

Butterfly Catcher and the Bed of Tulips, ii. 62

Butterfly Hunting, ii. 61

Buy a Trap--a Rat-trap, i. 354-5

Buy my Fat Goose, i. 354

Buy my Moss Roses, or Dainty Sweet Briar, ii. 34

Cabriolet, A, i. 150

Cake in Danger, A, ii. 58

Calf's Pluck, A, ii. 80

Cambridge, Emmanuel College Garden, ii. 184

-- Inside View of the Public Library, ii. 184

Captain's Account Current of Charge and Discharge, The, ii. 64

Captain Bowling Introduced to Narcissa. 'Hogarthian Novelist,' ii. 6

Captain Epilogue (Capt. Topham) to the Wells (Mrs. Wells), i. 165, 183

Careless Attention, i. 256

Caricature Magazine, The, or Hudibrastic Mirror, ii. 115-16

Caricature Medallions for Screens, ii. 6

Carter and the Gipsies, The, ii. 293

Cart Race, A, i. 260

Case is Altered, The, i. 132-3

Cash, ii. 6

Cat in Pattens, A, ii. 237-8

Catamaran, A, or an Old Maid's Nursery, ii. 42

Catching an Elephant, ii. 226

Cattle not Insurable, ii. 167

Chairmen's Terror, The, i. 308

Chamber of Genius, The, ii. 227

Champion of Oakhampton Attacking the Hydra of Gloucester Place, The, ii. 153-4

Champion of the People, The, i. 120

Chance-Seller of the Exchequer putting an Extinguisher on Lotteries, The, ii. 374-5

Chaos is come again, i. 283, 287-8

Characteristic Sketches of the Lower Orders (54 coloured plates), ii. 366-7

Charity Covereth a Multitude of Sins, i. 104-5

Charm, A, for a Democracy, _Anti-Jacobin_, i. 357-60

Chelsea Parade, or a Croaking Member Surveying the Inside and Outside of Mrs. Clarke's Premises, ii. 149

Chelsea Reach, i. 262

Chemical Lectures (Sir H. Davy), ii. 366

Chesterfield Burlesqued, ii. 224

Chesterfield Travestie, or School for Modern Manners, ii. 115, 117

Christening, A, i. 282

Christmas Gambols, ii. 235

Chronological Summary of Rowlandson's Caricatures, ii. 389. (_See_ pages 387-408.)

Cits Airing themselves on Sunday, i. 372

City Courtship, i. 171

City Fowlers--mark, i. 371

City Hunt, The, i. 371

Civilian, A, i. 366

Civility, i. 222

Clarke's, Mrs., Farewell to her Audience, ii. 156

Clarke's, Mrs., Last Effort, ii. 155

-- Levée, ii. 146

Clarke Scandal, The, ii. 135-62

Clearing a Wreck on the North Coast of Cornwall, ii. 56

Coalition Wedding, i. 112

Coast Scene, A: Rising Gale, i. 221

Coat of Arms, A. Dedicated to the newly-created Earl of Lonsdale, i. 136

Cobbler's Cure for a Scolding Wife, The, ii. 267-8

Cracking a Joke, ii. 267

Cockney Hunt, ii. 208, 295

Cold Broth and Calamity, i. 293, 313-14

Cole, Mother, i. 125

Collar'd Pork, ii. 6

Collections of Drawings by Rowlandson, ii. Appendix

College Pranks, or Crabbed Fellows Taught to Caper on the Slack Rope, ii. 199

College Scene, A, or a Fruitless Attempt on the Purse of Old Square Toes, i. 216-19

Colonel Topham endeavouring with his Squirt to Extinguish the Genius of Holman, i. 165

Comedy in the Country: Tragedy in London, ii. 74

Comedy Spectators, i. 219

Comforts, The, of Bath (12 plates), i. 333-49

Comforts of the City, i. 366

Comfort in the Gout, i. 156-7; ii. 37

Comforts of High Living, i. 324

Comforts of Matrimony: a Good Toast, ii. 134

Comfortable Nap in a Post Chaise, A, i. 239

Compassion, 14; ii. 2

Compendious Treatise of Modern Education, ii. 41-2

Coming in at the Death of the Corsican Fox: Scene the Last, ii. 278-9

Connoisseurs, i. 364, 366

Consequence, The, of not Shifting the Leg, i. 349-50

Consultation, The, or Last Hope, ii. 84

Contrast, The, 1792. Which is Best (British Liberty, French do.)? i. 317-18

Conversazione, ii. 214

Convocation, i. 312

Cook's Prayer, The, ii. 33

'Cooks, scullions, hear me, every mother's son!' 'Peter Pindar,' i. 204.

Copperplate Printers at Work, i. 167

Cornwall, Series of Views in, ii. 239-46

Corporal in Good Quarters, The, ii. 39-40

Corsican and his Bloodhounds at the Window of the Tuileries looking over Paris, The, ii. 292-3

Corsican Munchausen Humming the Lads of Paris, The, ii. 261

Corsican Nurse Soothing the Infants of Spain, The, ii. 94

Corsican Spider in his Web, The, ii. 94

Corsican Tiger at Bay, The, ii. 93

Corsican Toad under a Harrow, The, ii. 259

Council of War Interrupted, A ('Narrative of the War'), i. 320

Counsellor, A, ii. 22-3

Counsellor and Client, i. 145

Country Cart Horses, i. 150

Country Characters: a series, ii. 13

Country Club, ii. 58, 214

Country Inn, i. 213

Country Simplicity, i. 199

Couple of Antiquities, A, ii. 83

Court Canvass of Madame Blubber, i. 130

Courtship in High Life, i. 170

Courtship in Low Life, i. 170

Covent Garden Nightmare, The, i. 129

Covent Garden Theatre, i. 192

Cribbage Players, i. 222

Cries of London, i. 354; ii. 198

Crimes of the Clergy, ii. 373

Crimping a Quaker, ii. 276-7

Crow, The, and the Pigeon, i. 368

Cully pillaged, A, i. 167

Cumberland, Duke of, ii. 225

Cupid's Magic Lantern, i. 332

Curtain Lecture, A, ii. 16

Cure for Lying and a bad Memory, A, ii. 75, 77

Damp Sheets, i. 293-5

Dance of Death, ii. 317, 355

Dance of Life, The (with 28 coloured engravings by T. Rowlandson), ii. 359-61

Daniel Lambert, the Wonderful Great Pumpkin of Little Britain, ii. 59-60

Dasher, A, or the Road to Ruin in the West, i. 371

Days of Prosperity in Gloucester Place, or a Kept Mistress in High Feather, ii. 147

Deadly-Lively, ii. 298

Death and Buonaparte, ii. 272

Death of Madame République, The, ii. 47

Deer Hunting: a landscape scene, i. 222

Defeat of the High and Mighty Balissimo and his Cecilian Forces on the Plains of St. Martin's, i. 153

Defrauding the Customs, or Shipping Goods not fairly entered, ii. 289-90

Delicate Finish to a French (Corsican) Usurper, A, ii. 281

Délices de la Grande Bretagne, Les, i. 305

Delicate Investigation, The, ii. 135-62

Delineations of Nautical Characters, i. 362

Departure, The, i. 140

Departure from the Coast, or the End of the Farce of Invasion, ii. 52

Departure of La Fleur, The, ii. 217

Description of a Boxing Match, June 9, 1806, ii. 84

Description of a Boxing Match for 100 guineas a side between Ward and Quirk, ii. 226

Design for a Monument to be Erected in Commemoration of the Great, Glorious, and Never-to-be-Forgotten Grand Expedition, so ably Planned and Executed in the year 1809. (Gen. Chatham's Expedition.) ii. 164

Desire (No. 1), ii. 1

Desire (No. 2), ii. 1-2

Despair, i. 20; ii. 2-3

Despatch, or Jack Preparing for Sea, ii. 298

Detection, The, i. 328

Devil's Darling, The, ii. 278

Devonshire, The, or Most Approved Method of Securing Votes, i. 126

Devotee, A, i. 366

Diana in the Straw, or a Treat for Quornites, ii. 44

Die Reise des Doktor Syntax, um das Malerische aufzusuchen. Ein Gedicht frei aus dem Englischen ins Deutsche übertragen, ii. 373

Dinner, The, i. 223

Dinners Dressed in the Neatest Manner, ii. 215

Dinner Hunt, The, i. 333

Dinner Spoiled, The, ii. 14

Directions to Footmen, ii. 82

Disappointed Epicures, ii. 131

Discovery, The, i. 352; ii. 84, 130

Dissolution of Partnership, or the Industrious Mrs. Clarke Winding up her Accounts, ii. 145-6

Distillers Looking into their own Business, ii. 214

Distress, i. 372-4

Diver, A, ii. 43

Diving Machine on a New Construction, A, ii. 60

Doctor, ii. 14

Doctor Botherum, the Mountebank, ii. 3-5

Doctor Convex and Lady Concave, ii. 41

Doctors Differ, i. 170

Doctor Drainbarrel Conveyed Home in a Wheelbarrow in order to take his Trial for Neglect of Family Duty, ii. 194-5

Doctor Gallipot placing his Fortune at the Feet of his Mistress, ii. 91, 193

Doctor O'Meara's Return to his Family after Preaching before Royalty, ii. 155

Doctor Syntax in Search of the Picturesque (with 31 illustrations by T. Rowlandson), ii. 176, 247-52

Doctor Syntax in the middle of a smoking hot political squabble wishes to wet his whistle, ii. 266-7

Dog Days, The, ii. 228

Dog Fight, A, ii. 206-7

Dog and the Devil, The, ii. 33

Doleful Disaster, A; or Miss Tubby Tatarmin's Wig Caught Fire, ii. 255

Domestic Shaving, i. 258

Doncaster Fair, or the Industrious Yorkshire Bites, ii. 368

Don Luigi's Ball, ii. 305

Don Quichotte Romantique, Le, ou Voyage du Docteur Syntaxe à la Recherche du Pittoresque et du Romantique, ii. 368

Don't he Deserve it? i. 261

Double Disaster, or New Cure for Love, The, ii. 77

Double Humbug, The, or the Devil's Imp Praying for Peace, ii. 271

Do you want any Brick-dust? i. 354

Dramatic Demireps at their Morning Rehearsal, ii. 191

Draught Horse, The, ii. 214

Dray Horses, Draymen, and Maltsters, i. 150

Dressing for a Birthday (Ladies), i. 272

Dressing for a Masquerade (Cyprians), i. 272

Dressing Room at Brighton, A, i. 280

Dropsy Courting Consumption, ii. 193

Drum-Major of Sedition, The, i. 121

Ducking a Scold, ii. 43

Ducking Stool, The, ii. 229

Duenna and Little Isaac, The, i. 282

Dull Husband, A, i. 267

Dutch Academy, A, i. 306-7

Dutch Merchants, sketched at Amsterdam, i. 331

Dutch Nightmare, or the Fraternal Hug Returned with a Dutch Squeeze, ii. 260-1

Dying Patient, The, or Doctor's Last Fee, i. 183

Early, An, Lesson in Marching, i. 325

Easter Hunt--Clearing a Fence, ii. 78

Easterly Winds, or Scudding under Bare Poles, ii. 186

Easter Monday, or the Cockney Hunt, ii. 208, 295

Eating House, An, ii. 296

Edward the Black Prince Receiving Homage, i. 249

Effects of Harmony, i. 326

Effects of the Ninth Day's Express from Covent Garden just Arrived at Cheltenham, i. 229

Election, the Westminster, i. 128-43

Elegance, ii. 33

Embarking from Brighthelmstone to Dieppe, i. 221

Emmanuel College, Cambridge. A Nobleman presenting a collection of Busts, ii. 184

Emmanuel College Garden, Cambridge, ii. 184

Engelbach, 'Naples and the Campagna Felice,' ii. 257, 301-8

English Address, The, i. 231

English Barracks, i. 294

English Curiosity, or the Foreigner Stared out of Countenance, i. 145, 322-3

English Dance of Death, ii. 317-55

English Exhibitions in Paris, or French People Astonished at our Improvement in the Breed of Fat Cattle, ii. 237

Englishman in Paris, ii. 78-9

English Manner and French Prudence, or French Dragoons brought to a Check by a Belvoir Leap. A Scene after Nature near Ciudad Rodrigo, ii. 215-16

English Review, i. 10

English Spy, ii. 378-9

English Travelling, or the First Stage from Dover, i. 179, 312

Enraged Son of Mars and the Timid Tonson, The, ii. 205

Enraged Vicar, ii. 66-7

E O, or the Fashionable Vowels, i. 101-2

Epicure, An, i. 238-9; ii. 22

Epicure's Prayer, The, ii. 30

Epicurium, ii. 11.

Epilogue, Captain (Topham), i. 158, 165-7, 183, 190

Essay on the Sublime and Beautiful, An, i. 165

Etching, An, after Raphael Urbina, i. 364

Evening, i. 280-1

Evening. A Drive on the Sands, ii. 6

Evening, or the Man of Feeling, ii. 214

Evergreen, An, ii. 58

Every Man has his Hobby-Horse, i. 135

Exciseman, ii. 14

Excursion, An, to Brighthelmstone made in the year 1782 by Henry Wigstead and Thomas Rowlandson, i. 276-9

Execution of two Celebrated Enemies of Old England and their Dying Speeches, ii. 260

Exhibition at Bullock's Museum of Buonaparte's Carriage, taken at Waterloo, ii. 309

Exhibition 'Stare Case,' Somerset House, ii. 217-8

Expedition of Humphrey Clinker, i. 320

Experiments at Dover, or Master Charley's Magic Lantern, ii. 61

Extraordinary Scene on the Road from London to Portsmouth, An, i. 349

Fall of Achilles, The, i. 152

Fall of Dagon, The, or Rare News for Leadenhall Street, i. 112

Falstaff and his Followers Vindicating the Property Tax, ii. 58

Family Picture ('Vicar of Wakefield'), ii. 358

Family Piece, A, ii. 222

Famous Coalheaver, The, Black Charley Looking into the Mouth of the Wonderful Coal Pit, ii. 49

Fancy, ii. 33

Fancyana, ii. 10

Fashion, ii. 33

Fashions of the Day, or 1784, i. 147

Fashionable Suit, A, ii. 15

Fast Day, ii. 226

Female Gambler's Prayer, The, ii. 31

Female Intrepidity, or the Heroic Maiden, ii. 365

Female Politicians, ii. 289

Fencing Match, A, i. 239

Feyge Dam, with part of the Fish Market, at Amsterdam, i. 330-1

Fielding's 'Tom Jones,' i. 304

Fifth Clause, The, or Effect of Example, ii. 50

Figure Subjects for Landscapes, Groups, and Views, ii. 312

Filial Affection, or a Trip to Gretna Green, i. 171

Filial Piety (P. W. and George III.), i. 229

_Fille mal Gardé_, or Jack in the Box, ii. 36, 37

Finishing School, A, ii. 54, 55

First Stage from Calais, i. 179, 312

First Stage from Dover, i. 179, 312

Fisherman's Family, The, i. 215, 217

Flags of Truth and Lies, ii. 43

Flight of Buonaparte from Hell Bay, The, ii. 291

Flora, ii. 12

Flower of the City, The, ii. 157

Flowers for your Garden, i. 356

Flying Waggon, ii. 315

Foote's 'Minor,' i. 125

Footman, ii. 14

Foreigner, The, Stared out of Countenance, i. 145, 322-3

Forget and Forgive, or Honest Jack Shaking Hands with an old Acquaintance, i. 368

For the Benefit of the Champion, i. 142

Fort, The, ii. 298

Four in Hand, A, i. 300

Four o'clock in the Country, i. 281-2

Four o'clock in Town, i. 280-1

Four Seasons of Love, The: Spring, Summer, Autumn, Winter, ii. 286

Fox and the Grapes, The, ii. 97

Fox-Hunters Relaxing, i. 280

Fox-Hunting, i. 222

Free and Easy, i. 59

French Barracks, i. 294

French Dentist Showing a Specimen of his Artificial Teeth and False Palates, A, ii. 201

French Family, A; (_see_ An Italian Family), i. 58, 170, 272-3

French Inn, ii. 214

French Ordinary, A, ii. 1, 44, 45

French Review, i. 11

French Travelling, or the First Stage from Calais, i. 179, 312

Fresh Breeze, A, i. 258-9.

Freshwater Salute, A, i. 371

Friendly Accommodation, ii. 35

Friends and Foes, up he Goes: Sending the Corsican Munchausen to St. Cloud, ii. 262-3

Frog-Hunting, i. 269-70

From the Desk to the Throne. A New Quick Step, by Joseph Buonaparte. The Bass by Messrs. Nappy and Talley, ii. 95

Frontispiece to Tegg's 'Complete Collection of Caricatures relative to Mrs. Clarke, and the Circumstances arising from the Investigation of the Conduct of H.R.H. the Duke of York before the House of Commons,' 1809, ii. 145

Front View of Christ Church, Oxford, ii. 184-5

Funking the Corsican, ii. 262

Funeralorum, ii. 11

Fuseli's 'Nightmare' (parody on), i. 129

Gambado. An Academy for Grown Horsemen, ii. 102-15, 181

Gambling Tables, i. 101-3

Game, A, at Put in a Country Alehouse, i. 368

Gamester going to Bed, The, ii. 208, 210

Gardiner, Sir Alan, 327

General Chatham's marvellous Return from his Expedition of Fireworks, ii. 164-5

General Discharge, A, or the Darling Angel's Finishing Stroke, ii. 153

German Waltz, The (_see_ 'The Sorrows of Werter'), ii. 57

Get Money, &c., ii. 90

Gig-hauling, or Gentlemanly Amusement for the Nineteenth Century, ii. 34

Gig-Shop, The, or Kicking up a Breeze at Nell Hamilton's Hop, ii. 199-200

Gilpin's Return to London, i. 174

Giving up the Ghost, or one too many, ii. 267

'Ghost of my Departed Husband, whither art thou gone?' ii. 267

Ghost, A, in the Wine-Cellar, ii. 6

Glee, A: 'How shall we Mortals pass our Hours? In Love, in War, in Drinking?' ii. 168

Glorious Victory, The, obtained over the French Fleet off the Nile, August 1, 1798, by the gallant Admiral Lord Nelson of the Nile, i. 350

Glow-Worms, ii. 55, 231

Glutton, The, ii. 265

'Going! Going!' i. 164; ii. 267

Going to Ride St. George. A Pantomime lately performed at Kensington before their Majesties, i. 226

Going in State to the House of Peers, or a Piece of English Magnificence, i. 247

Golden Apple, The, or the Modern Paris, i. 152

Gone, i. 164

Good Night, i. 370

Good Speculation, A, i. 366

Grand Battle, The, between the famous English Cock and Russian Hen, i. 290-1

Grand Master, The, or Adventures of Qui Hi in Hindostan, by Quiz, ii. 299-301

Grand Monarque Discovered, or the Royal Fugitives Turning Tail, ii. 393

Grandpapa, The, i. 313, 320

Grand Procession to St. Paul's, The, on St. George's Day, 1789, i. 252

Gratification of the Senses _à la mode Française_ (Seeing, Tasting, Hearing, Smelling, Feeling), ii. 10

Great Cry and Little Wool, i. 109

Green Dragon, The, ii. 84

Grinning Match, i. 372

Grog on Board, i. 168, 253-4, 323

Grotesque Border for Rooms and Halls, ii. 10

Grotesque Drawing Book (40 illustrations), ii. 362

Gull, The, and the Rook, i. 368

Hackney Assembly. 'The Graces, the Graces, remember the Graces!' ii. 235-6

Halt at a Cottage Door, i. 349

Hanoverian Horse and the British Lion, The, i. 123

Hard Passage, A, or Boney Playing Bass on the Continent, ii. 98

Harmonic Society, The, ii. 195, 217

Harmony: Effects of Harmony, i. 174-5, 326

Hatred or Jealousy, ii. 1

Hawks and a Pigeon, i. 47

Haymakers, i. 214

Hazardorum, ii. 112

Head of the Family in Good Humour, The, ii. 130

Head Runner of Runaways from Leipzic Fair, ii. 276-7

Hearts for the Year 1800, ii. 6

Hell Broke Loose; or the Devil to Pay among the Darling Angels, ii. 160

Hell Hounds Rallying round the Idol of France, ii. 291

'Here's your Potatoes, four full pound for Two-pence,' ii. 34

He won't be a Soldier, i. 349

Higglers' Carts, i. 150

High Bailiff for Westminster, The, i. 140, 153-4

High Fun for John Bull, or the Republicans, i. 352

High-Mettled Racer, The, i. 261

Highness the Protector, His, i. 114

Hindoo Incantations--A View in Elephanta, ii. 300

Hiring a Servant, ii. 220

Historian Animating the Mind of a Young Painter, The, i. 150

History of Johnny Quæ Genus, The. The Little Foundling of the late Doctor Syntax, ii. 371-3

'History of Tom Jones, a Foundling,' ii. 55-6

Hit at Backgammon, A, ii. 193

Hocus Pocus, or Searching for the Philosopher's Stone, ii. 5

Hodge's Explanation of a Hundred Magistrates, ii. 290

Holy Friar, The, ii. 72-3

Hopes of the Family, or Miss Marrowfat at Home for the Holidays, ii. 167, 267

Horror, i. 16; ii. 2

Horse Accomplishments, i. 366

Hospital for Lunatics, i. 247

Hot Cross Buns--Two a Penny--Buns, i. 356

Hot Goose, Cabbage, and Cucumbers, ii. 374

Housebreakers, i. 233-4, 293

How to Escape Losing, i. 297

How to Escape Winning, i. 297

How to Pluck a Goose, ii. 36

How to Vault into the Saddle, or a new-invented Patent Crane for the Accommodation of Rheumatic Rectors, ii. 265

'Hudibras.' 5 Illus. by Wm. Hogarth, ii. 174

Human Life, Miseries of, ii. 71, 119-24, 166

Humbugging, or Raising the Devil, ii. 5

_Humourist, The_, with 50 engravings, &c., after designs by the late Thomas Rowlandson, ii. 380-6

Humours of Houndsditch, or Mrs. Shevi in a Longing Condition, ii. 254-5

Humours of St. Giles's, The, i. 223, 225

Hungarian and Highland Broadsword Exercise, i. 374

Hunting Series, i. 223

Huntsman Rising, The, ii. 208-9

Hunt the Slipper: Picnic Revels, ii. 41

Hypochondriac, The, i. 314, 316

Illustrations to Poems of Peter Pindar (Dr. Wolcot), i. 192

Imitations of Modern Drawings, i. 151

Imperial Coronation, The, ii. 44-6

Imperial Stride, An, i. 290

In at the Death, i. 223

Incurable, The: 'My Lodging is on the Cold Ground,' i. 124

Infant Hercules, The, i. 115

Inn Yard on Fire, i. 300-2

Inside View of the Public Library, Cambridge, ii. 184

Interior of a Clockmaker's Shop, i. 109

Interior of Simon Ward, _alias_ St. Brewer's Church, Cornwall, ii. 63.

Interruption, or Inconveniences of a Lodging House, i. 256

Introduction, i. 162

Intrusion on Study, or the Painter Disturbed, i. 169, ii. 38.

Irish Ambassadors Extraordinary, i. 249

Do. do. do. Return, or Bulls without Horns, i. 251

Irish Ambassadors Extraordinary, The, a Galantee Show, i. 248-9

Irish Baronet, The, and his Nurse, i. 368

Irish Giant, The, i. 154-5

Irish Howl, An, _Anti-Jacobin Review_, i. 362-3

Irish Jaunting Car, ii. 282

'I Smell a Rat,' or a Rogue in Grain, ii. 73

'Is this your Louse?' ('Peter Pindar'), i. 201

Italian Affectation. Real Characters, i. 98

Italian Family, An. (_See_ A French Family), i. 58, 170, 314-5

Italian Picture-Dealers Humbugging Milord Anglaise, ii. 228-30

Jack Tar Admiring the Fair Sex, ii. 297

Jew Broker, A, ii. 22, 24

Jews at Luncheon, i. 324-5

Jockey Club, The, or Newmarket Meeting, ii. 214

Jockey's Prayer, The, ii. 32

Jockeyship, i. 170; ii. 39

Johanna Southcott, the Prophetess, Excommunicating the Bishops, ii. 217

John Bull and the Genius of Corruption, ii. 159

John Bull at the Italian Opera, ii. 52-3, 212

John Bull Listening to the Quarrels of State Affairs, ii. 43

John Bull making Observations on the Comet, ii. 83

John Bull Arming the Spaniards, ii. 101

John Bull's Turnpike Gate, ii. 50-1

Joint Stock Street, ii. 168

Journal of Sentimental Travels in the Southern Provinces of France, ii. 368-70

Journeyman Tailor, A, ii. 296

Jovial Crew, The, i. 192

Joy with Tranquillity, i. 81-2

Junot Disgorging his Booty, ii. 101

Justice, A, ii. 13

Kick-up at a Hazard Table, A, i. 273-4

Kicking up a Breeze, or Barrow Women Basting a Beadle, ii. 274

Killing with Kindness, ii. 15

King Joe and Co. making the most of their time previous to quitting Madrid, ii. 99

King Joe's Retreat from Madrid, ii. 96

King Joe on his Spanish Donkey, ii. 96

King's Place, or a View of Mr. Fox's Best Friends, i. 132

Kissing for Love, or Captain Careless Shot Flying, ii. 186

Kitchen-Stuff, ii. 193

Kitty Careless in Quod, or Waiting for Jew Bail, ii. 202-3

La Fleur and the Dead Ass, ii. 173

Lady Hamilton at Home, or a Neapolitan Ambassador, ii. 310-12

Lady in Limbo, A, or Jew Bail Rejected, ii. 37

Lamentable Case of a Juryman, A, ii. 290

Landing Place, A, ii. 315

Land Stores, ii. 226

Last Drop, The, ii. 203

Last Dying Speech and Confession, i. 354

Last Gasp, The, or Toadstools Mistaken for Mushrooms, ii. 254

Last Jig, The, or Adieu to Old England, ii. 363

Last Shift, The, ii. 90

Late Hours, ii. 14

Laughter, ii. 2

Launching a Frigate, ii. 130-1

Lawyerorum, ii. 12, 13

Learned Scotchman, The, or Magistrate's Mistake, ii. 236

Lecture on Heads, by Geo. Alex. Stevens, ii. 117-18

Legerdemain, i. 369

'Letters from Naples and the Campagna Felice,' ii. 267, 301-8

Letter-Writer, The, ii. 303

Libel Hunters on the Look-out, or Daily Examiners of the Liberty of the Press, ii. 182

Liberty and Fame Introducing Female Patriotism (Duchess of Devonshire) to Britannia, i. 141

Life and Death of the Race Horse, ii. 211-12

Light Horse Volunteers of London and Westminster, Reviewed by His Majesty on Wimbledon Common, July 5, 1798, i. 349

Light Infantry Volunteers on a March, ii. 44

Light Summer Hat and Fashionable Walking Stick, ii. 33

Light Volunteers on a March, ii. 44

'Light, your Honour. Coach unhired,' ii. 34

Little Bigger, A, i. 293

Little Tighter, A, i. 292-3

London in Miniature, ii. 125, 128

London Outrider, or Brother Saddlebag, ii. 14

Long Pull, a Strong Pull, and a Pull All together, A, ii. 258-9

London Refinement, i. 199

Long Sermons and Long Stories are apt to lull the Senses, i. 107

Looking at the Comet till you get a Crick in the Neck, ii. 210-11

Loose Principles, i. 245

Loose Thoughts, i. 371

Lords of the Bedchamber, i. 128

Loss of Eden and Eden Lost, The. Gen. Arnold and Eden Lord Auckland, i. 173

Lottery Office Keeper's Prayer, The, ii. 33

Lousiad, The, i. 200

Love, i. 328

Love in Caricature, i. 353

Love and Dust, i. 234-7; ii. 189

Love in the East, i. 218, 220

Loves of the Fox and the Badger, or the Coalition Wedding, i. 112

Love and Learning, or the Oxford Scholar, i. 182

Love Laughs at Locksmiths, ii. 209

Loyal, The, Volunteers of London, i. 375-7

Lump of Impertinence, A, ii. 166

Lump of Innocence, A, ii. 166

Lunardi, Vincent, i. 163-4

Lust and Avarice, i. 236-7

Luxury and Desire, i. 237

Luxury and Misery, i. 106, 185, 325

Lying-in Visit, A, i. 307; ii. 313

Macassar Oil, or an Oily Puff for Soft Heads, ii. 284

Madame Blubber, i. 127, 129-30, 134

Madame Blubber on her Canvass, i. 129

Madame Blubber's Last Shift, or the Aerostatic Dilly, i. 134

Mad Dog in a Coffee House, A, ii. 131-2

Mad Dog in a Dining Room, A, ii. 131, 133

Mahomedan Paradise, A, i. 352

Maid of all Work's Prayer, The, ii. 30

Maiden Aunt Smelling Fire, A, ii. 58

Maiden Speech, The, i. 165

Maiden's Prayer, The, ii. 30

Major Topham (of the _World_) and the rising genius of Holman, i. 320

Man of Fashion's Journal, A, ii. 35

Man of Feeling, The, ii. 83, 216

Manager (Garrick) and Spouter, ii. 390

Manager's Last Kick, The, or a New Way to Pay Old Debts, ii. 219

Mansion House Monitor (_Poetical Magazine_), ii. 176

March to the Camp, i. 370

Margate, ii. 6

Masquerading, ii. 209-11

Master Billy's Procession to Grocers' Hall, i. 119

Master of the Ceremonies, A, Introducing a Partner, i. 326

Matrimonial Comforts (a series), ii. 14

Measuring Substitutes for the Army of Reserve, ii. 295-6

Medical Despatch, or Doctor Double-Dose Killing two Birds with one Stone, ii. 194

Meet, The: Hunting Morning, i. 223-4

Melopoyn Haranguing the Prisoners in the Fleet. 'Hogarthian Novelist,' ii. 6

-- (a distressed poet) and the Manager, i. 320

Melpomene in the Dumps, ii. 46-7

Mercury and his Advocates Defeated, or Vegetable Intrenchment, i. 267

Microcosm of London, or London in Miniature, ii. 125-8

Midwife going to a Labour, A, ii. 199

Military Adventures of Johnny Newcome, ii. 312

Militia Meeting, A, i. 372

Milksop, A, ii. 216

Miller's Waggon, i. 150

Minister's Ass, The, i. 143

Miseries of Bathing, ii. 83

Miseries of the Country, ii. 78

-- of Human Life (50 illustrations), ii. 71, 119-24, 166

-- of London: 'Going out to Dinner,' &c., ii. 64-5

-- -- or a Surly Hackney Coachman, ii. 284

-- -- 'Watermen,' ii. 231-2

-- Personal: 'After Dinner, when the Ladies Retire,' ii. 75-6

-- of Travelling--A Hailstorm, ii. 217

-- -- an Overloaded Coach, ii. 66

Miser's Prayer, The, ii. 30

Misery, i. 185, 325

Mistake, The, ii. 162

-- at Newmarket, or Sport and Piety, A, ii. 78

Mistress Bundle in a Rage, or too late for the Stage, ii. 130

Mock Auction, or Boney Selling Stolen Goods, ii. 264

Mock Phoenix, The, or a Vain Attempt to Rise again, ii. 262

Mock Turtle, i. 152; ii. 237

Modern Antiques, ii. 223

Modern Babel, or Giants Crushed by a Weight of Evidence, ii. 157-8

Modern Education, ii. 41, 47

Modern Egbert, The, or the King of Kings, i. 243

Modern Hercules Clearing the Augean Stables, The, ii. 49

Modish, i. 220

Monastic Fare, ii. 71-2

Money-Lenders, i. 148

-- Scrivener, A, ii. 22

Monkey Merchant, A, ii. 63

Monstrous Craws, or a New-Discovered Animal, ii. 35

More of the Clarke, or Fresh Accusations, ii. 161

-- Miseries, or the Bottom of Mr. Figg's Old Whiskey Broke through, ii. 83

-- Scotchmen, or Johnny Macree Opening his New Budget, ii. 75

_Morning_--Breakfast at Michiner's Grand Hotel, ii. 6

Morning Dram, The, i. 186

-- or the Man of Taste, ii. 214

Mother Cole and Loader, i. 125

Mother's Hope, The, ii. 86-7

Muck-Worms, ii. 55, 231

Munchausen's Surprising Adventures, ii. 175

Munchausen at Walcheren, ii. 224

Munro, Dr. i. 233

Murphy Delaney, ii. 75

Musical Doctor and his Scholars, A, ii. 297

-- Family, A, ii. 39

My Ass, ii. 295

My Aunt and my Uncle, ii. 83

Nap in the Country, i. 175

Nap in Town (companion), i. 175-6

Napoleon Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory over the Combined Fleets, ii. 53, 55

Nap Dreading his Doleful Doom, or his Grand Entry into the Isle of Elba, ii. 281

-- and his Friends in their Glory, ii. 100-1

Napoleon le Grand, ii. 263-4

-- the Little in a Rage with his great French Eagle, ii. 98

Nap and his Partner Joe, ii. 99

Narrative of the War, i. 328-9

Nautical Characters, i. 362

Naval Triumph, or Favours Conferred, i. 99

Neddy's Black Box, i. 245

Négligé, La. Desig. by 'Simplex Mundities,' i. 183

Neighbours, ii. 296

New French Phantasmagoria, A, ii. 47

-- Invented Elastic Breeches, i. 148; ii. 236

-- Sentimental Journal, ii. 362

-- Shoes, i. 320, 324

-- Speaker, A, i. 246-7

-- Tap Wanted, A, or Work for the Plumber, ii. 182-3

Newspaper, The, ii. 10

Nice Fish, i. 238-9; ii. 22

Night Auction, A, i. 233

_Night_--At the Bazaars, Raffling for Prizes, ii. 6

Nincompoop, or Henpecked Husband, A, ii. 69, 70

None but the Brave deserve the Fair, ii. 255

_Noon_--Dining, Margate, ii. 6

Norwich Bull Feast, or Glory and Gluttony, ii. 257

Not at Home, or a Disappointed Dinner-Hunter, ii. 374

Note of Hand, A, i. 369

Nunina, ii. 11

Nursery, The, i. 371

Nursing the Spawn of a Tyrant; or Frenchmen Sick of the Breed, ii. 204-5

Odd Fellows from Downing Street Complaining to John Bull, ii. 88

Oddities, i. 306

Odes for the New Year, i. 209

Off She Goes, ii. 237

Officer. The Military Adventures of Johnny Newcome, ii. 298-9

Old Angel at Islington, The, i. 319

-- Cantwell Canvassing for Lord Janus (Hood), i. 228

-- Ewe Dressed Lamb Fashion, An, ii. 193

-- Maid's Prayer, The, ii. 30

-- Maid in Search of a Flea, i. 320, 324

-- Man of the Sea, The, sticking to the Shoulders of Sindbad the Sailor. _Vide_ the 'Arabian Nights' Entertainments.' (Burdett and Horne Tooke), ii. 74

-- Member, An, on his Road to the House of Commons, ii. 33

-- Poacher Caught in a Snare, An, ii. 374

-- Woman's Complaint, The, or the Greek Alphabet, ii. 130

On her Last Legs, i. 310

Opening a Vein, i. 150

Opera Boxes (4 plates), i. 177-8

Oratorio, ii. 6

Ordnance Dreams, or Planning Fortifications, i. 183-4

Original Drawings by Rowlandson, ii. Appendix

Outré Compliments, i. 192

Oxford, Front View of Christ Church, ii. 184-5

'Oh! you're a Devil, get along, do!' ii. 134-5

Pantheon, i. 283-4, 256-7, 308

Paris Diligence, ii. 189

Parish Officer's Journal, A, ii. 36

Parliamentary Toast, A, 'Here's to the Lady,' &c., ii. 148

Parody on Milton, A, ii. 198

-- The, or Mother Cole and Loader, i. 125

Parson and the Clarke, The, ii. 154

Pastime in Portugal, or a Visit to the Nunneries, ii. 203

Patience in a Punt, ii. 222

Paviour, A, i. 366

Pea-cart, The, i. 241

Peace and Plenty, ii. 282-3

Peasant Playing the Flute (after J. Mortimer), i. 150

Peep into Bethlehem, A, ii. 13

-- into Friar Bacon's Study, A, i. 119

-- at the Gas Lights in Pall Mall, A, ii. 167-8

Penny Barber, A, i. 257

Penserosa, ii. 11

Persons and Property Protected by Authority, i. 168

Peter's Pension ('Peter Pindar'), i. 207

Peter Plumb's Diary, ii. 187-8

Petersham, Lord, ii. 225

Petitioning Candidate for Westminster, The, i. 143

Petticoat Loose, a Fragmentary Poem, ii. 238

Philip Quarrel (Thicknesse), the English Hermit, &c., i. 275

Philosophorum, ii. 10

Philosophy run Mad, or a Stupendous Monument to Human Wisdom, i. 312-13

Physicorum, ii. 11

Picture of Misery, A, ii. 204

Pictures of Prejudice, ii. 6

Pigeon-Hole, a Covent Garden Contrivance to Coop up the Gods, ii. 200-1

Piece-Offering, A. Memoirs, Life, Letters, &c., of Mrs. Clarke, ii. 159

Pilgrimage from Surrey to Gloucester Place, A, or the Bishop in an Ecstasy, ii. 148

Pilgrims and the Peas, The, ii. 71

Pit of Acheron, The, or the Birth of the Plagues of England, i. 111-12

Pitt Fall, The, i. 243

Place de Mer, Antwerp, i. 331

-- des Victoires, à Paris, La, i. 262-6

Plan for a General Reform, A, ii. 165

Plan for a Popular Monument to be Erected in Gloucester Place, ii. 156-7

Platonic Love. 'None but the Brave Deserve the Fair,' ii. 74

Pleasures of Human Life, The, ii. 83, 180, 362

-- of Margate, ii. 6

Plot Thickens, The, or Diamond Cut Diamond, ii. 161

Plucking a Spooney, ii. 225

'Plump to the Devil we boldly Kicked both Nap and his Partner Joe,' ii. 261

_Poetical Magazine_, ii. 175-8

-- Sketches of Scarborough, ii. 268-9

Polish Dwarf, The (Borowlowski), Performing before the Grand Seigneur, i. 186

Politesse Française, La, or the English Ladies' Petition to his Excellency the Mushroom Ambassador, i. 145

Political Affection, i. 133

-- Butcher, The, or Spain Cutting up Buonaparte for the Benefit of his Neighbours, ii. 96

-- Chemist and German Retorts, or Dissolving the Rhenish Confederacy, ii. 263

-- Hydra, The, i. 231; ii. 58

Poll, The, i. 127

-- of Portsmouth's Prayer, ii. 33

Pomfret, Lord, ii. 225

Pope's Excommunication of Buonaparte, The, or Napoleon brought to his last Stool, ii. 163

Portsmouth Point, ii. 284-6

Post Boys and Post Horses at the 'White Hart Inn,' i. 222

Post-chaise, A, i. 150, 217

Post Inn, i. 213

Power of Reflection, The, i. 100-1

Pray Remember the Blind, ii. 34

Preaching to some Purpose, ii. 236

Preceptor and Pupil, i. 140

Preparations for the Academy. Old Nollekens and his Venus, ii. 16-19

Preparations for the Jubilee; or Theatricals Extraordinary, ii. 166

Preparing for the Race, ii. 221

-- to Start, ii. 220-1

-- for Supper, i. 279-80

Print Sale, A (Hutchins, Auctioneer, and his Wife), i. 233

Private Amusement, i. 102, 180

Privates Drilling, i. 319

Procession of the Cod Company from St. Giles's to Billingsgate, ii. 190

Procession of a Country Corporation, i. 366-8

Procession to the Hustings, i. 134-5

Prodigal Son's Resignation, The, ii. 155

Progress of the Emperor Napoleon, The, ii. 101

Progress of Gallantry, or Stolen Kisses Sweetest, ii. 275-6

Propagation of a Truth, The, i. 244

Prophecy explained:--'And there are seven Kings, five are fallen, and one is, and the other is not yet come, and when he cometh he must continue but a short space,' ii. 98

Prospect before us, The (Half-a-crown Regency), i. 230

Prospect before us, The (Pantheon), i. 283-4, 286-87

Prospect before us, The (Companion), i. 285-87

Prudent, i. 221

Publican, A, ii. 13

Publican's Prayer, The, ii. 33

Publicorum, ii. 11

Pugin, ii. 125-8

Puff Paste, ii. 237

Puss in Boots, or General Junot taken by Surprise, ii. 204

Q. A. Q. Loaded with the Spoils of India, i. 226

Quaix de Paris, ii. 214

Quack Doctor's Prayer, The, ii. 31

Quaker and the Clarke, The, ii. 159

-- and the Commissioners of Excise, The, ii. 265

Quarter-day, or Clearing the Premises without Consulting your Landlord, ii. 274

Quarterly Duns, or Clamorous Tax-Gatherers, ii. 49

Quay, The, i. 20

Queer Fish, ii. 42

Rabbit Merchant, ii. 197

Racing, ii. 230-1

Racing Series. The Course, i. 260

" The Betting Post, i. 258-9

" The Mount, i. 261

" The Start, i. 258-9

Rag Fair, ii. 33

Rainbow Tavern, in Fleet Street, in 1800, ii. 19

Raising the Wind: 'When Noblemen,' &c., ii. 53, 233-5

Rapture, ii. 1

Reconciliation, or the Return from Scotland, i. 171-2

Recovery of a Dormant Title, or a Breeches Maker become a Lord, ii. 51

Recruits, ii. 42, 214

Recruiting, ii. 314

-- on a Broadbottom'd Principle, ii. 59

Refinement of Language. A Timber Merchant, &c., ii. 233

Reform Advised, Reform Begun, Reform Complete, i. 319

Reformation, or the Wonderful Effects of a Proclamation, i. 220

Relics of a Saint, by Ferdinand Farquhar, ii. 317

Repeal of the Test Act, i. 270-1

Resignation, The, or John Bull Overwhelmed with Grief, ii. 154

Rest from Labour. Sunny Days, i. 150

Return from Sport, i. 189

-- from a Walk, A, ii. 15

Reynard put to his Shifts, i. 132

Rhedarium, The, i. 101

Richardson's Show, ii. 312-13

Richmond Hill, ii. 42, 214

Ride to Rumford, A, i. 371

Rigging out a Smuggler, ii. 190-1

Rising Sun, The, or a View of the Continent, ii. 162-3

Rival Candidates, The, i. 124

Rivals, The, ii. 231, 284

Road to Preferment, The, through Clarke's Passage, ii. 149

-- to Ruin, ii. 43

Roadside Inn, A, i. 269

Rochester Address, or the Corporation going to Eat Roast Pork and Oysters with the Regent, i. 251

'Roderick Random.' Lieutenant Bowling Pleading the Cause of Young Roy to his Grandfather, i. 308-10

-- -- The Passengers from the Waggon arriving at the Inn, i. 310-11

Rogue's March, The, ii. 279

Rosedale, John, Mariner, exhibitor at the Hall of Greenwich Hospital, ii. 76

Rotation Office, A, i. 96

Rough Sketch of the Times as delineated by Sir Francis Burdett, A, ii. 365

Round Dance, A, ii. 314

Royal Academy, Somerset House, ii. 216

Ruins of the Pantheon after the Fire which happened Jan. 14, 1792, i. 308

Rum Characters in a Shrubbery, ii. 91

Run, The, i. 223

Rural Halt, A, i. 214

-- Sports: Balloon-Hunting, ii. 215

-- -- Buck-Hunting, ii. 287-8

-- -- A Cat in a Bowl, ii. 205-6

-- -- or a Cricket Match Extraordinary, ii. 214

-- -- or a Game at Quoits, ii. 212

Rural Sports; or how to show off a well-shaped Leg, ii. 212-3

-- -- A Milling Match: Cribb and Molineaux, ii. 212

-- -- or an Old Mole-Catcher, ii. 208

-- -- or a Pleasant Way of Making Hay, ii. 284

-- -- Smock-Racing, ii. 212-13

Rustic Courtship, i. 171

-- Recreations, ii. 316

Rusty Bacon, ii. 80, 82

Sad Discovery, The, or the Graceless Apprentice, i. 170

Sadness, ii. 2

Sagacious Buck, The, or Effects of Waterproof, ii. 214

Sailors Carousing, i. 188-9

-- Drinking the Tunbridge Waters, ii. 290

-- on Horseback, ii, 202

Sailor's Journal, The, ii. 35-6

Sailor Mistaken, A, ii. 34

Sailor's Prayer, The, ii. 33

Sailors Regaling, ii. 6

Sailor's Will, A, ii. 51

St. James's and St. Giles's, i. 306, 324

St. James's Courtship, i. 364

St. Giles's Courtship, i. 364-5

Sale of English Beauties in the East Indies, A (after James Gillray), ii. 197

Salisbury, Lord, K. of Würtemburg, and D. of Gloucester, i. 327-8

Saloon at the Pavilion, Brighton, i. 276

Salt Water, ii. 41

Sampson Asleep on the Lap of Delilah, ii. 154

Samuel House, Sir, i. 98-9

Scandal: Investigation of the Charges brought against H.R.H. the Duke of York, by G. L. Wardle, Esq., M.P. for Devon, with the Evidence and Remarks of the Members, ii. 181

Scarborough, Poetical Sketches of, ii. 269

Scenes at Brighton, or the Miseries of Human Life, ii. 71, 84

## Scene in a New Pantomime to be Performed at the Theatre Royal of

Paris, ii. 292

-- at Streatham: Bozzi and Piozzi, i. 97

-- from the Tragedy of 'Cato,' A, ii. 150

School of Eloquence, The, i. 98

'School for Scandal,' The, i. 228-9

Schoolmaster's Tour, The, ii. 176

Scorn, ii. 2

Scotch Ostrich Seeking Cover, The, ii. 51

-- Sarcophagus, A, ii. 50

Scottifying the Palate, i. 195

Sea Amusement, or Commander-in-Chief of Cup and Ball on a Cruize, i. 176-7

Searched by Douaniers on the French Frontier, ii. 370

Sea Stores, ii. 226

Seaman's Wife's Reckoning, A. ii. 231

Secret History of Crim. Con., The, plates I., II., ii. 231

Secret Influence Directing the New Parliament, i. 140-1

Second Tour of Doctor Syntax, in Search of Consolation, The, ii. 367

Select Vestry, A, ii. 58

Sentinel, The, Mistakes Tom Jones for an Apparition, ii. 56

Sentimental Journey, The, ii. 10, 169-74

Sergeant Recruiter (Duc d'Orleans), i. 252-3

Series, A, of Miniature Groups and Scenes, i. 282

-- of Small Landscapes, i. 324

Setting out for Margate, ii. 231, 233.

Seven Stages of Man's Schooling, ii. 397

She don't Deserve it, i. 261

-- Stoops to Conquer, ii. 201, 202

-- will be a Soldier, i. 349

Sheets of Borders for Halls, i. 364

-- of Picturesque Etchings.--Cattle at the River. The Horse Race. A View in Cornwall. The River, Towing Barges, &c. Rustic Refreshment. Water Pastime, Skating on a Frozen River, i. 280

-- of Picturesque Etchings.--A Four-in-Hand. The Village Dance. The Woodman Returning. River Scene, Mill, Shipping, &c., i. 289

-- -- Huntsmen Visiting the Kennels. Haymakers Returning. Deer in a Park, Cattle, &c. Shepherds. Horses in a Paddock. Cattle Watering at a Pond. A Piggery, i. 289.

Shipping Scene, i. 18

Shoeing--The Village Forge, i. 212

Showell, Mrs.; the Woman who Shows General Guise's Collection of Pictures at Oxford, ii. 66

Sick Lion, and the Asses, The (York series), ii. 158

Sign of the Four Alls, The, ii. 195-6

Signiora Squallina, ii. 42

Silly, A, ii. 6

Simmons, Thomas (the murderer), ii. 81

Simple Bodily Pain, ii. 2

Single Combat in Moorfields, or Magnanimous Paul O! Challenging All O! ii. 28-9

Sir Cecil's Budget for Paying the National Debt, i. 122

Sir Jeffrey Dunstan Presenting an Address from the Corporation of Garratt, i. 232

Six Classes of that Noble and Useful Animal, a Horse, ii. 214

-- Stages of Marring a Face. Dedicated to the Duke of Hamilton, i. 307-8

-- -- of Mending a Face. Dedicated to the Rt. Hon. Lady Archer, i. 308

Sketch from Nature, A, i. 145

Sketches from Nature, ii. 199, 373

Sketch of Politics in Europe. Birthday of the King of Prussia. Toasts on the occasion, i. 182-3

Skipping Academy, A, ii. 6

Slang Society, The, i. 162

Slap-Bang Shop, ii. 297

Sleepy Congregation, A, ii. 199

Slugs in a Sawpit, i. 296-7

Sly Boots, ii. 38

Smithfield Sharpers, or the Countryman Defrauded, i. 46

Smoky House and a Scolding Wife, A, ii. 368

Smollett, T., Miscellaneous Works (26 Illustrations by Rowlandson), ii. 181

Smuggling in, or a College Trick, ii. 190

-- Out, or Starting for Gretna Green, ii. 190

Snip in a Rage, ii. 39

Snug Cabin, or Port Admiral, ii. 43, 88

Social Day, ii. 316

Soldiers on a March, ii. 84

-- Recruiting, i. 349

Song by Commodore Curtis. Tune: 'Cease, rude Boreas,' ii. 163-4

Sorrow's Dry, or a Cure for the Heart Ache, ii. 39, 41, 210

'Sorrows of Werter,' ii. 57

Spanish Cloak, A, ii. 226

Spanish Passport to France, A, ii. 96

Special Pleaders in the Court of Requests, ii. 36

-- Pleading, i. 98

'Spirit of the Public Journals for the years 1823-25,' ii. 375, 377-8

Spiritual Lovers, i. 330

Spitfires, ii. 192-3

Sports of a Country Fair. Part I ., ii. 191

-- Part II ., ii. 191

--