Chapter 14 of 23 · 3974 words · ~20 min read

Part 14

"I'm not much better yet," said Camilla tremulously, in response to Mrs. Falconer's inquiries. "Oh, I'm so slow getting well! And I know--I feel that I'm a burden to everybody."

"But you mustn't think that, dear," said Mrs. Falconer, feeling more uncomfortable than ever. "We are all glad to do all we can for you."

Mrs. Falconer paused suddenly. She was a very truthful woman and she instantly realized that that last sentence was not true. She was not doing all she could for Camilla--she would not be glad, she feared, to do all she could.

"If I were only well enough to go to work," sighed Camilla. "Mr. Marks says I can have a place in the shoe factory whenever I'm able to. But it will be so long yet. Oh, I'm so tired and discouraged!"

She put her hands over her face and sobbed. Mrs. Falconer caught her breath. What if Missy were somewhere alone in the world--ill, friendless, with never a soul to offer her a refuge or a shelter? It was so very, very probable. Before she could check herself Mrs. Falconer spoke. "My dear, don't cry! I want you to come and stay with me until you get perfectly well. You won't be a speck of trouble, and I'll be glad to have you for company."

Mrs. Falconer's Rubicon was crossed. She could not draw back now if she wanted to. But she was not at all sure that she did want to. By the time she reached home she was sure she didn't want to. And yet--to give Missy's room to Camilla! It seemed a great sacrifice to Mrs. Falconer.

She went up to it the next morning with firmly set lips to air and dust it. It was just the same as when Missy had left it long ago. Nothing had ever been moved or changed, but everything had always been kept beautifully neat and clean. Snow-white muslin curtains hung before the small square window. In one corner was a little white bed. Missy's pictures hung on the walls; Missy's books and work-basket were lying on the square stand; there was a bit of half-finished fancy work, yellow from age, lying in the basket. On a small bureau before the gilt-framed mirror were several little girlish knick-knacks and boxes whose contents had never been disturbed since Missy went away. One of Missy's gay pink ribbons--Missy had been so fond of pink ribbons--hung over the top of the mirror. On a chair lay Missy's hat, bright with ribbons and roses, just as Missy had laid it there on the night before she left her home.

Mrs. Falconer's lips quivered as she looked about the room, and tears came to her eyes. Oh, how could she put these things away and bring a stranger here--here, where no one save herself had entered for fifteen years, here in this room, sacred to Missy's memory, waiting for her return when she should be weary of wandering? It almost seemed to the mother's vague fancy, distorted by long, silent brooding, that her daughter's innocent girlhood had been kept here for her and would be lost forever if the room were given to another.

"I suppose it's dreadful foolishness," said Mrs. Falconer, wiping her eyes. "I know it is, but I can't help it. It just goes to my heart to think of putting these things away. But I must do it. Camilla is coming here today, and this room must be got ready for her. Oh, Missy, my poor lost child, it's for your sake I'm doing this--because you may be suffering somewhere as Camilla is now, and I'd wish the same kindness to be shown to you."

She opened the window and put fresh linen on the bed. One by one Missy's little belongings were removed and packed carefully away. On the gay, foolish little hat with its faded wreath of roses the mother's tears fell as she put it in a box. She remembered so plainly the first time Missy had worn it. She could see the pretty, delicately tinted face, the big shining brown eyes, and the riotous golden curls under the drooping, lace-edged brim. Oh, where was Missy now? What roof sheltered her? Did she ever think of her mother and the little white cottage under the maples, and the low-ceilinged, dim room where she had knelt to say her childhood's prayer?

Camilla Clark came that afternoon.

"Oh, it is lovely here," she said gratefully, looking out into the rustling shade of the maples. "I'm sure I shall soon get well here. Mrs. Barry was so kind to me--I shall never forget her kindness--but the house is so close to the factory, and there was such a whirring of wheels all the time, it seemed to get into my head and make me wild with nervousness. I'm so weak that sounds like that worry me. But it is so still and green and peaceful here. It just rests me."

When bedtime came, Mrs. Falconer took Camilla up to Missy's room. It was not as hard as she had expected it to be after all. The wrench was over with the putting away of Missy's things, and it did not hurt the mother to see the frail, girlish Camilla in her daughter's place.

"What a dear little room!" said Camilla, glancing around. "It is so white and sweet. Oh, I know I am going to sleep well here, and dream sweet dreams."

"It was my daughter's room," said Mrs. Falconer, sitting down on the chintz-covered seat by the open window.

Camilla looked surprised.

"I did not know you had a daughter," she said.

"Yes--I had just the one child," said Mrs. Falconer dreamily.

For fifteen years she had never spoken of Missy to a living soul except her husband. But now she felt a sudden impulse to tell Camilla about her, and about the room.

"Her name was Isabella, after her father's mother, but we never called her anything but Missy. That was the little name she gave herself when she began to talk. Oh, I've missed her so!"

"When did she die?" asked Camilla softly, sympathy shining, starlike, in her dark eyes.

"She--she didn't die," said Mrs. Falconer. "She went away. She was a pretty girl and gay and fond of fun--but such a good girl. Oh, Missy was always a good girl! Her father and I were so proud of her--too proud, I suppose. She had her little faults--she was too fond of dress and gaiety, but then she was so young, and we indulged her. Then Bert Williams came to Lindsay to work in the factory. He was a handsome fellow, with taking ways about him, but he was drunken and profane, and nobody knew anything about his past life. He fascinated Missy. He kept coming to see her until her father forbade him the house. Then our poor, foolish child used to meet him elsewhere. We found this out afterwards. And at last she ran away with him, and they were married over at Peterboro and went there to live, for Bert had got work there. We--we were too hard on Missy. But her father was so dreadful hurt about it. He'd been so fond and proud of her, and he felt that she had disgraced him. He disowned her, and sent her word never to show her face here again, for he'd never forgive her. And I was angry too. I didn't send her any word at all. Oh, how I've wept over that! If I had just sent her one little word of forgiveness, everything might have been different. But Father forbade me to.

"Then in a little while there was a dreadful trouble. A woman came to Peterboro and claimed to be Bert Williams's wife--and she was--she proved it. Bert cleared out and was never seen again in these parts. As soon as we heard about it Father relented, and I went right down to Peterboro to see Missy and bring her home. But she wasn't there--she had gone, nobody knew where. I got a letter from her the next week. She said her heart was broken, and she knew we would never forgive her, and she couldn't face the disgrace, so she was going away where nobody would ever find her. We did everything we could to trace her, but we never could. We've never heard from her since, and it is fifteen years ago. Sometimes I am afraid she is dead, but then again I feel sure she isn't. Oh, Camilla, if I could only find my poor child and bring her home!

"This was her room. And when she went away I made up my mind I would keep it for her just as she left it, and I have up to now. Nobody has ever been inside the door but myself. I've always hoped that Missy would come home, and I would lead her up here and say, 'Missy, here is your room just as you left it, and here is your place in your mother's heart just as you left it,' But she never came. I'm afraid she never will."

Mrs. Falconer dropped her face in her hands and sobbed softly. Camilla came over to her and put her arms about her.

"I think she will," she said. "I think--I am sure your love and prayers will bring Missy home yet. And I understand how good you have been in giving me her room--oh, I know what it must have cost you! I will pray tonight that God will bring Missy back to you."

When Mrs. Falconer returned to the kitchen to close the house for the night, her husband being already sound asleep; she heard a low, timid knock at the door. Wondering who it could be so late, she opened it. The light fell on a shrinking, shabby figure on the step, and on a pale, pinched face in which only a mother could have recognized the features of her child. Mrs. Falconer gave a cry.

"Missy! Missy! Missy!"

She caught the poor wanderer to her heart and drew her in.

"Oh, Missy, Missy, have you come back at last? Thank God! Oh, thank God!"

"I _had_ to come back. I was starving for a glimpse of your face and of the old home, Mother," sobbed Missy. "But I didn't mean you should know--I never meant to show myself to you. I've been sick, and just as soon as I got better I came here. I meant to creep home after dark and look at the dear old house, and perhaps get a glimpse of you and Father through the window if you were still here. I didn't know if you were. And then I meant to go right away on the night train. I was under the window and I heard you telling my story to someone. Oh, Mother, when I knew that you had forgiven me, that you loved me still and had always kept my room for me, I made up my mind that I'd show myself to you."

The mother had got her child into a rocking-chair and removed the shabby hat and cloak. How ill and worn and faded Missy looked! Yet her face was pure and fine, and there was in it something sweeter than had ever been there in her beautiful girlhood.

"I'm terribly changed, am I not, Mother?" said Missy, with a faint smile. "I've had a hard life--but an honest one, Mother. When I went away I was almost mad with the disgrace my wilfulness had brought on you and Father and myself. I went as far as I could get away from you, and I got work in a factory. I've worked there ever since, just making enough to keep body and soul together. Oh, I've starved for a word from you--the sight of your face! But I thought Father would spurn me from his door if I should ever dare to come back."

"Oh, Missy!" sobbed the mother. "Your poor father is just like a child. He got a terrible hurt ten years ago, and never got over it. I don't suppose he'll even know you--he's clean forgot everything. But he forgave you before it happened. You poor child, you're done right out. You're too weak to be travelling. But never mind, you're home now, and I'll soon nurse you up. I'll put on the kettle and get you a good cup of tea first thing. And you're not to do any more talking till the morning. But, oh, Missy, I can't take you to your own room after all. Camilla Clark has it, and she'll be asleep by now; we mustn't disturb her, for she's been real sick. I'll fix up a bed for you on the sofa, though. Missy, Missy, let us kneel down here and thank God for His mercy!"

Late that night, when Missy had fallen asleep in her improvised bed, the wakeful mother crept in to gloat over her.

"Just to think," she whispered, "if I hadn't taken Camilla Clark in, Missy wouldn't have heard me telling about the room, and she'd have gone away again and never have known. Oh, I don't deserve such a blessing when I was so unwilling to take Camilla! But I know one thing: this is going to be Camilla's home. There'll be no leaving it even when she does get well. She shall be my daughter, and I'll love her next to Missy."

Ted's Afternoon Off

Ted was up at five that morning, as usual. He always had to rise early to kindle the fire and go for the cows, but on this particular morning there was no "had to" about it. He had awakened at four o'clock and had sprung eagerly to the little garret window facing the east, to see what sort of a day was being born. Thrilling with excitement, he saw that it was going to be a glorious day. The sky was all rosy and golden and clear beyond the sharp-pointed, dark firs on Lee's Hill. Out to the north the sea was shimmering and sparkling gaily, with little foam crests here and there ruffled up by the cool morning breeze. Oh, it would be a splendid day!

And he, Ted Melvin, was to have a half holiday for the first time since he had come to live in Brookdale four years ago--a whole afternoon off to go to the Sunday School picnic at the beach beyond the big hotel. It almost seemed too good to be true!

The Jacksons, with whom he had lived ever since his mother had died, did not think holidays were necessities for boys. Hard work and cast-off clothes, and three grudgingly allowed months of school in the winter, made up Ted's life year in and year out--his outer life at least. He had an inner life of dreams, but nobody knew or suspected anything about that. To everybody in Brookdale he was simply Ted Melvin, a shy, odd-looking little fellow with big dreamy black eyes and a head of thick tangled curls which could never be made to look tidy and always annoyed Mrs. Jackson exceedingly.

It was as yet too early to light the fire or go for the cows. Ted crept softly to a corner in the garret and took from the wall an old brown fiddle. It had been his father's. He loved to play on it, and his few rare spare moments were always spent in the garret corner or the hayloft, with his precious fiddle. It was his one link with the old life he had lived in a little cottage far away, with a mother who had loved him and a merry young father who had made wonderful music on the old brown violin.

Ted pushed open his garret window and, seating himself on the sill, began to play, with his eyes fixed on the glowing eastern sky. He played very softly, since Mrs. Jackson had a pronounced dislike to being wakened by "fiddling at all unearthly hours."

The music he made was beautiful and would have astonished anybody who knew enough to know how wonderful it really was. But there was nobody to hear this little neglected urchin of all work, and he fiddled away happily, the music floating out of the garret window, over the treetops and the dew-wet clover fields, until it mingled with the winds and was lost in the silver skies of the morning.

Ted worked doubly hard all that forenoon, since there was a double share of work to do if, as Mrs. Jackson said, he was to be gadding to picnics in the afternoon. But he did it all cheerily and whistled for joy as he worked.

After dinner Mrs. Ross came in. Mrs. Ross lived down on the shore road and made a living for herself and her two children by washing and doing days' work out. She was not a very cheerful person and generally spoke as if on the point of bursting into tears. She looked more doleful than ever today, and lost no time in explaining why.

"I've just got word that my sister over at White Sands is sick with pendikis"--this was the nearest Mrs. Ross could get to appendicitis--"and has to go to the hospital. I've got to go right over and see her, Mrs. Jackson, and I've run in to ask if Ted can go and stay with Jimmy till I get back. There's no one else I can get, and Amelia is away. I'll be back this evening. I don't like leaving Jimmy alone."

"Ted's been promised that he could go to the picnic this afternoon," said Mrs. Jackson shortly. "Mr. Jackson said he could go, so he'll have to please himself. If he's willing to stay with Jimmy instead, he can. _I_ don't care."

"Oh, I've _got_ to go to the picnic," cried Ted impulsively. "I'm awful sorry for Jimmy--but I _must_ go to the picnic."

"I s'pose you feel so," said Mrs. Ross, sighing heavily. "I dunno's I blame you. Picnics is more cheerful than staying with a poor little lame boy, I don't doubt. Well, I s'pose I can put Jimmy's supper on the table clost to him, and shut the cat in with him, and mebbe he'll worry through. He was counting on having you to fiddle for him, though. Jimmy's crazy about music, and he don't never hear much of it. Speaking of fiddling, there's a great fiddler stopping at the hotel now. His name is Blair Milford, and he makes his living fiddling at concerts. I knew him well when he was a child--I was nurse in his father's family. He was a taking little chap, and I was real fond of him. Well, I must be getting. Jimmy'll feel bad at staying alone, but I'll tell him he'll just have to put up with it."

Mrs. Ross sighed herself away, and Ted flew up to his garret corner with a choking in his throat. He couldn't go to stay with Jimmy--he couldn't give up the picnic! Why, he had never been at a picnic; and they were going to drive to the hotel beach in wagons, and have swings, and games, and ice cream, and a boat sail to Curtain Island! He had been looking forward to it, waking and dreaming, for a fortnight. He _must_ go. But poor little Jimmy! It was too bad for him to be left all alone.

"I wouldn't like it myself," said Ted miserably, trying to swallow a lump that persisted in coming up in his throat. "It must be dreadful to have to lie on the sofa all the time and never be able to run, climb trees or play, or do a single thing. And Jimmy doesn't like reading much. He'll be dreadful lonesome. I'll be thinking of him all the time at the picnic--I know I will. I suppose I _could_ go and stay with him, if I just made up my mind to it."

Making up his mind to it was a slow and difficult process. But when Ted was finally dressed in his shabby, "skimpy" Sunday best, he tucked his precious fiddle under his arm and slipped downstairs. "Please, I think I'll go and stay with Jimmy," he said to Mrs. Jackson timidly, as he always spoke to her.

"Well, if you're to waste the afternoon, I s'pose it's better to waste it that way than in going to a picnic and eating yourself sick," was Mrs. Jackson's ungracious response.

Ted reached Mrs. Ross's little house just as that good lady was locking the door on Jimmy and the cat. "Well, I'm real glad," she said, when Ted told her he had come to stay. "I'd have worried most awful if I'd had to leave Jimmy all alone. He's crying in there this minute. Come now, Jimmy, dry up. Here's Ted come to stop with you after all, and he's brought his fiddle, too."

Jimmy's tears were soon dried, and he welcomed Ted joyfully. "I've been thinking awful long to hear you fiddling," said Jimmy, with a sigh of content. "Seems like the ache ain't never half so bad when I'm listening to music--and when it's your music, I forget there's any ache at all."

Ted took his violin and began to play. After all, it was almost as good as a picnic to have a whole afternoon for his music. The stuffy little room, with its dingy plaster and shabby furniture, was filled with wonderful harmonies. Once he began, Ted could play for hours at a stretch and never be conscious of fatigue. Jimmy lay and listened in rapturous content while Ted's violin sang and laughed and dreamed and rippled.

There was another listener besides Jimmy. Outside, on the red sandstone doorstep, a man was sitting--a tall, well-dressed man with a pale, beautiful face and long, supple white hands. Motionless, he sat there and listened to the music until at last it stopped. Then he rose and knocked at the door. Ted, violin in hand, opened it.

An expression of amazement flashed into the stranger's face, but he only said, "Is Mrs. Ross at home?"

"No, sir," said Ted shyly. "She went over to White Sands and she won't be back till night. But Jimmy is here--Jimmy is her little boy. Will you come in?"

"I'm sorry Mrs. Ross is away," said the stranger, entering. "She was an old nurse of mine. I must confess I've been sitting on the step out there for some time, listening to your music. Who taught you to play, my boy?"

"Nobody," said Ted simply. "I've always been able to play."

"He makes it up himself out of his own head, sir," said Jimmy eagerly.

"No, I don't make it--it makes itself--it just _comes_," said Ted, a dreamy gaze coming into his big black eyes.

The caller looked at him closely. "I know a little about music myself," he said. "My name is Blair Milford and I am a professional violinist. Your playing is wonderful. What is your name?"

"Ted Melvin."

"Well, Ted, I think that you have a great talent, and it ought to be cultivated. You should have competent instruction. Come, you must tell me all about yourself."

Ted told what little he thought there was to tell. Blair Milford listened and nodded, guessing much that Ted didn't tell and, indeed, didn't know himself. Then he made Ted play for him again. "Amazing!" he said softly, under his breath.

Finally he took the violin and played himself. Ted and Jimmy listened breathlessly. "Oh, if I could only play like that!" said Ted wistfully.