Part 20

At this story the parents redoubled their lamentations. They ran with pikes and mattocks to the mountain, and searched till evening to find the opening by which their children had disappeared, without being able to find it. At last, the night falling, they returned desolate to Hamel.

But the most unhappy of all was the Town Counsellor, for he lost three little boys and two pretty little girls, and to crown all, the people of Hamel overwhelmed him with reproaches, forgetting that the evening before they had all agreed with him.

What had become of all these unfortunate children?

The parents always hoped they were not dead, and that the rat-catcher, who certainly must have come out of the mountain, would have taken them with him to his country. That is why for several years they sent in search of them to different countries, but no one ever came on the trace of the poor little ones.

It was not till much later that anything was to be heard of them.

About one hundred and fifty years after the event, when there was no longer one left of the fathers, mothers, brothers or sisters of that day, there arrived one evening in Hamel some merchants of Bremen returning from the East, who asked to speak with the citizens. They told that they, in crossing Hungary, had sojourned in a mountainous country called Transylvania, where the inhabitants only spoke German, while all around them nothing was spoken but Hungarian. These people also declared that they came from Germany, but they did not know how they chanced to be in this strange country. ‘Now,’ said the merchants of Bremen, ‘these Germans cannot be other than the descendants of the lost children of Hamel.’

The people of Hamel did not doubt it; and since that day they regard it as certain that the Transylvanians of Hungary are their country folk, whose ancestors, as children, were brought there by the ratcatcher. There are more difficult things to believe than that.[16]

[16] Ch. Marelles.

THE TRUE HISTORY OF LITTLE GOLDEN HOOD

You know the tale of poor Little Red Riding-hood, that the Wolf deceived and devoured, with her cake, her little butter can, and her Grandmother; well, the true story happened quite differently, as we know now. And first of all the little girl was called and is still called Little Golden-hood; secondly, it was not she, nor the good grand-dame, but the wicked Wolf who was, in the end, caught and devoured.

Only listen.

The story begins something like the tale.

There was once a little peasant girl, pretty and nice as a star in its season. Her real name was Blanchette, but she was more often called Little Golden-hood, on account of a wonderful little cloak with a hood, gold- and fire-coloured, which she always had on. This little hood was given her by her Grandmother, who was so old that she did not know her age; it ought to bring her good luck, for it was made of a ray of sunshine, she said. And as the good old woman was considered something of a witch, everyone thought the little hood rather bewitched too.

And so it was, as you will see.

One day the mother said to the child: ‘Let us see, my little Golden-hood, if you know now how to find your way by yourself. You shall take this good piece of cake to your Grandmother for a Sunday treat to-morrow. You will ask her how she is, and come back at once, without stopping to chatter on the way with people you don’t know. Do you quite understand?’

‘I quite understand,’ replied Blanchette gaily. And off she went with the cake, quite proud of her errand.

But the Grandmother lived in another village, and there was a big wood to cross before getting there. At a turn of the road under the trees, suddenly ‘Who goes there?’

‘Friend Wolf.’

He had seen the child start alone, and the villain was waiting to devour her; when at the same moment he perceived some wood-cutters who might observe him, and he changed his mind. Instead of falling upon Blanchette he came frisking up to her like a good dog.

‘’Tis you! my nice Little Golden-hood,’ said he. So the little girl stops to talk with the Wolf, who, for all that, she did not know in the least.

‘You know me, then!’ said she; ‘what is your name?’

‘My name is friend Wolf. And where are you going thus, my pretty one, with your little basket on your arm?’

‘I am going to my Grandmother, to take her a good piece of cake for her Sunday treat to-morrow.’

‘And where does she live, your Grandmother?’

‘She lives at the other side of the wood, in the first house in the village, near the windmill, you know.’

‘Ah! yes! I know now,’ said the Wolf. ‘Well, that’s just where I’m going; I shall get there before you, no doubt, with your little bits of legs, and I’ll tell her you’re coming to see her; then she’ll wait for you.’

Thereupon the Wolf cuts across the wood, and in five minutes arrives at the Grandmother’s house.

He knocks at the door: toc, toc.

No answer.

He knocks louder.

Nobody.

Then he stands up on end, puts his two fore-paws on the latch and the door opens.

Not a soul in the house.

The old woman had risen early to sell herbs in the town, and she had gone off in such haste that she had left her bed unmade, with her great night-cap on the pillow.

‘Good!’ said the Wolf to himself, ‘I know what I’ll do.’

He shuts the door, pulls on the Grandmother’s night-cap down to his eyes, then he lies down all his length in the bed and draws the curtains.

In the meantime the good Blanchette went quietly on her way, as little girls do, amusing herself here and there by picking Easter daisies, watching the little birds making their nests, and running after the butterflies which fluttered in the sunshine.

At last she arrives at the door.

Knock, knock.

‘Who is there?’ says the Wolf, softening his rough voice as best he can.

‘It’s me, Granny, your little Golden-hood. I’m bringing you a big piece of cake for your Sunday treat to-morrow.’

‘Press your finger on the latch, then push and the door opens.’

‘Why, you’ve got a cold, Granny,’ said she, coming in.

‘Ahem! a little, a little...’ replies the Wolf, pretending to cough. ‘Shut the door well, my little lamb. Put your basket on the table, and then take off your frock and come and lie down by me: you shall rest a little.’

The good child undresses, but observe this! She kept her little hood upon her head. When she saw what a figure her Granny cut in bed, the poor little thing was much surprised.

‘Oh!’ cries she, ‘how like you are to friend Wolf, Grandmother!’

‘That’s on account of my night-cap, child,’ replies the Wolf.

‘Oh! what hairy arms you’ve got, Grandmother!’

‘All the better to hug you, my child.’

‘Oh! what a big tongue you’ve got, Grandmother!’

‘All the better for answering, child.’

‘Oh! what a mouthful of great white teeth you have, Grandmother!’

‘That’s for crunching little children with!’ And the Wolf opened his jaws wide to swallow Blanchette.

But she put down her head crying:

‘Mamma! Mamma!’ and the Wolf only caught her little hood.

Thereupon, oh dear! oh dear! he draws back, crying and shaking his jaw as if he had swallowed red-hot coals.

It was the little fire-coloured hood that had burnt his tongue right down his throat.

The little hood, you see, was one of those magic caps that they used to have in former times, in the stories, for making oneself invisible or invulnerable.

So there was the Wolf with his throat burnt, jumping off the bed and trying to find the door, howling and howling as if all the dogs in the country were at his heels.

Just at this moment the Grandmother arrives, returning from the town with her long sack empty on her shoulder.

‘Ah, brigand!’ she cries, ‘wait a bit!’ Quickly she opens her sack wide across the door, and the maddened Wolf springs in head downwards.

It is he now that is caught, swallowed like a letter in the post.

For the brave old dame shuts her sack, so; and she runs and empties it in the well, where the vagabond, still howling, tumbles in and is drowned.

‘Ah, scoundrel! you thought you would crunch my little grandchild! Well, to-morrow we will make her a muff of your skin, and you yourself shall be crunched, for we will give your carcass to the dogs.’

Thereupon the Grandmother hastened to dress poor Blanchette, who was still trembling with fear in the bed.

‘Well,’ she said to her, ‘without my little hood where would you be now, darling?’ And, to restore heart and legs to the child, she made her eat a good piece of her cake, and drink a good draught of wine, after which she took her by the hand and led her back to the house.

And then, who was it who scolded her when she knew all that had happened?

It was the mother.

But Blanchette promised over and over again that she would never more stop to listen to a Wolf, so that at last the mother forgave her.

And Blanchette, the Little Golden-hood, kept her word. And in fine weather she may still be seen in the fields with her pretty little hood, the colour of the sun.

But to see her you must rise early.[17]

[17] Ch. Marelles.

THE GOLDEN BRANCH

Once upon a time there was a King who was so morose and disagreeable that he was feared by all his subjects, and with good reason, as for the most trifling offences he would have their heads cut off. This King Grumpy, as he was called, had one son, who was as different from his father as he could possibly be. No prince equalled him in cleverness and kindness of heart, but unfortunately he was most terribly ugly. He had crooked legs and squinting eyes, a large mouth all on one side, and a hunchback. Never was there a beautiful soul in such a frightful little body, but in spite of his appearance everybody loved him. The Queen, his mother, called him Curlicue, because it was a name she rather liked, and it seemed to suit him.

King Grumpy, who cared a great deal more for his own grandeur than for his son’s happiness, wished to betroth the Prince to the daughter of a neighbouring King, whose great estates joined his own, for he thought that this alliance would make him more powerful than ever, and as for the Princess she would do very well for Prince Curlicue, for she was as ugly as himself. Indeed, though she was the most amiable creature in the world, there was no concealing the fact that she was frightful, and so lame that she always went about with a crutch, and people called her Princess Cabbage-Stalk.

The King, having asked for and received a portrait of this Princess, had it placed in his great hall under a canopy, and sent for Prince Curlicue, to whom he said that as this was the portrait of his future bride, he hoped the Prince found it charming.

The Prince after one glance at it turned away with a disdainful air, which greatly offended his father.

‘Am I to understand that you are not pleased?’ he said very sharply.

‘No, sire,’ replied the Prince. ‘How could I be pleased to marry an ugly, lame Princess?’

‘Certainly it is becoming in _you_ to object to that,’ said King Grumpy, ‘since you are ugly enough to frighten anyone yourself.’

‘That is the very reason,’ said the Prince, ‘that I wish to marry someone who is not ugly. I am quite tired enough of seeing myself.’

‘I tell you that you shall marry her,’ cried King Grumpy angrily.

And the Prince, seeing that it was of no use to remonstrate, bowed and retired.

As King Grumpy was not used to being contradicted in anything, he was very much displeased with his son, and ordered that he should be imprisoned in the tower that was kept on purpose for rebellious Princes, but had not been used for about two hundred years, because there had not been any. The Prince thought all the rooms looked strangely old-fashioned, with their antique furniture, but as there was a good library he was pleased, for he was very fond of reading, and he soon got permission to have as many books as he liked. But when he looked at them he found that they were written in a forgotten language, and he could not understand a single word, though he amused himself with trying.

King Grumpy was so convinced that Prince Curlicue would soon get tired of being in prison, and so consent to marry the Princess Cabbage-Stalk, that he sent ambassadors to her father proposing that she should come and be married to his son, who would make her perfectly happy.

The King was delighted to receive so good an offer for his unlucky daughter, though, to tell the truth, he found it impossible to admire the Prince’s portrait which had been sent to him. However, he had it placed in as favourable a light as possible, and sent for the Princess, but the moment she caught sight of it she looked the other way and began to cry. The King, who was very much annoyed to see how greatly she disliked it, took a mirror, and holding it up before the unhappy Princess, said:

‘I see you do not think the Prince handsome, but look at yourself, and see if you have any right to complain about that.’

‘Sire,’ she answered, ‘I do not wish to complain, only I beg of you do not make me marry at all. I had rather be the unhappy Princess Cabbage-Stalk all my life than inflict the sight of my ugliness on anyone else.’

But the King would not listen to her, and sent her away with the ambassadors.

In the meantime the Prince was kept safely locked up in his tower, and, that he might be as dull as possible, King Grumpy ordered that no one should speak to him, and that they should give him next to nothing to eat. But all the Prince’s guards were so fond of him that they did everything they dared, in spite of the King, to make the time pass pleasantly.

One day, as the Prince was walking up and down the great gallery, thinking how miserable it was to be so ugly, and to be forced to marry an equally frightful Princess, he looked up suddenly and noticed that the painted windows were particularly bright and beautiful, and for the sake of doing something that would change his sad thoughts he began to examine them attentively. He found that the pictures seemed to be scenes from the life of a man who appeared in every window, and the Prince, fancying that he saw in this man some resemblance to himself, began to be deeply interested. In the first window there was a picture of him in one of the turrets of the tower, farther on he was seeking something in a chink in the wall, in the next picture he was opening an old cabinet with a golden key, and so it went on through numbers of scenes, and presently the Prince noticed that another figure occupied the most important place in each scene, and this time it was a tall handsome young man: poor Prince Curlicue found it a pleasure to look at him, he was so straight and strong. By this time it had grown dark, and the Prince had to go back to his own room, and to amuse himself he took up a quaint old book and began to look at the pictures. But his surprise was great to find that they represented the same scenes as the windows of the gallery, and what was more, that they seemed to be alive. In looking at pictures of musicians he saw their hands move and heard sweet sounds; there was a picture of a ball, and the Prince could watch the little dancing people come and go. He turned a page, and there was an excellent smell of a savoury dinner, and one of the figures who sat at the feast looked at him and said:

‘We drink your health, Curlicue. Try to give us our Queen again, for if you do you will be rewarded; if not, it will be the worse for you.’

At these words the Prince, who had been growing more and more astonished, was fairly terrified, and dropping the book with a crash he sank back insensible. The noise he made brought his guards to his aid, and as soon as he revived they asked him what was the matter. He answered that he was so faint and giddy with hunger that he had imagined he saw and heard all sorts of strange things. Thereupon, in spite of the King’s orders, the guards gave him an excellent supper, and when he had eaten it he again opened his book, but could see none of the wonderful pictures, which convinced him that he must have been dreaming before.

However, when he went into he gallery next day and looked at the painted windows again, he found that they moved, and the figures came and went as if they had been alive, and after watching the one who was like himself find the key in the crack of the turret wall and open the old cabinet, he determined to go and examine the place himself, and try to find out what the mystery was. So he went up into the turret and began to search about and tap upon the walls, and all at once he came upon a place that sounded hollow. Taking a hammer he broke away a bit of the stone, and found behind it a little golden key. The next thing to do was to find the cabinet, and the Prince soon came to it, hidden away in a dark corner, though indeed it was so old and battered-looking that he would never have noticed it of his own accord. At first he could not see any keyhole, but after a careful search he found one hidden in the carving, and the golden key just fitted it; so the Prince gave it a vigorous turn and the doors flew open.

Ugly and old as the cabinet was outside, nothing could have been more rich and beautiful than what met the Prince’s astonished eyes. Every drawer was made of crystal, of amber, or of some precious stone, and was quite full of every kind of treasure. Prince Curlicue was delighted; he opened one after another, until at last he came to one tiny drawer which contained only an emerald key.

‘I believe that this must open that little golden door in the middle,’ said the Prince to himself. And he fitted in the little key and turned it. The tiny door swung back, and a soft crimson light gleamed over the whole cabinet. The Prince found that it proceeded from an immense glowing carbuncle, made into a box, which lay before him. He lost no time in opening it, but what was his horror when he found that it contained a man’s hand, which was holding a portrait. His first thought was to put back the terrible box and fly from the turret; but a voice in his ear said, ‘This hand belonged to one whom you can help and restore. Look at this beautiful portrait, the original of which was the cause of all my misfortunes, and if you wish to help me, go without a moment’s delay to the great gallery, notice where the sun’s rays fall most brightly, and if you seek there you will find my treasure.’

The voice ceased, and though the Prince in his bewilderment asked various questions, he received no answer. So he put back the box and locked the cabinet up again, and, having replaced the key in the crack in the wall, hastened down to the gallery.

When he entered it all the windows shook and clattered in the strangest way, but the Prince did not heed them; he was looking so carefully for the place where the sun shone most brightly, and it seemed to him that it was upon the portrait of a most splendidly handsome young man.

He went up and examined it, and found that it rested against the ebony and gold panelling, just like any of the other pictures in the gallery. He was puzzled, not knowing what to do next, until it occurred to him to see if the windows would help him, and, looking at the nearest, he saw a picture of himself lifting the picture from the wall.

The Prince took the hint, and lifting aside the picture without difficulty, found himself in a marble hall adorned with statues; from this he passed on through numbers of splendid rooms, until at last he reached one all hung with blue gauze. The walls were of turquoises, and upon a low couch lay a lovely lady, who seemed to be asleep. Her hair, black as ebony, was spread across the pillows, making her face look ivory white, and the Prince noticed that she was unquiet; and when he softly advanced, fearing to wake her, he could hear her sigh, and murmur to herself:

‘Ah! how dared you think to win my love by separating me from my beloved Florimond, and in my presence cutting off that dear hand that even you should have feared and honoured?’

And then the tears rolled slowly down the lovely lady’s cheeks, and Prince Curlicue began to comprehend that she was under an enchantment, and that it was the hand of her lover that he had found.

At this moment a huge Eagle flew into the room, holding in its talons a Golden Branch, upon which were growing what looked like clusters of cherries, only every cherry was a single glowing ruby.

This he presented to the Prince, who guessed by this time that he was in some way to break the enchantment that surrounded the sleeping lady. Taking the branch he touched her lightly with it, saying:

‘Fair one, I know not by what enchantment thou art bound, but in the name of thy beloved Florimond I conjure thee to come back to the life which thou hast lost, but not forgotten.’

Instantly the lady opened her lustrous eyes, and saw the Eagle hovering near.

‘Ah! stay, dear love, stay,’ she cried. But the Eagle, uttering a dolorous cry, fluttered his broad wings and disappeared. Then the lady turned to Prince Curlicue, and said:

‘I know that it is to you I owe my deliverance from an enchantment which has held me for two hundred years. If there is anything that I can do for you in return, you have only to tell me, and all my fairy power shall be used to make you happy.’

‘Madam,’ said Prince Curlicue, ‘I wish to be allowed to restore your beloved Florimond to his natural form, since I cannot forget the tears you shed for him.’

‘That is very amiable of you, dear Prince,’ said the Fairy, ‘but it is reserved for another person to do that. I cannot explain more at present. But is there nothing you wish for yourself?’