Part 10

But we have not the advantage of knowing what Mr. Shaw really did say, so we had better illustrate the different methods from something that we do know. Most of us, I suppose, know Mark Antony’s Funeral Speech in “Julius Cæsar.” Now Mark Antony would have no reason to complain if he were not reported at all; if the _Daily Pilum_ or the _Morning Fasces_, or whatever it was, confined itself to saying, “Mr. Mark Antony also spoke,” or “Mr. Mark Antony, having addressed the audience, the meeting broke up in some confusion.” The next honest method, worthy of a noble Roman reporter, would be that since he could not report the whole of the speech, he should report some of the speech. He might say—“Mr. Mark Antony, in the course of his speech, said—

‘When that the poor have cried Cæsar hath wept: Ambition should be made of sterner stuff.’”

In that case one good, solid argument of Mark Antony would be correctly reported. The third and far higher course for the Roman reporter would be to give a philosophical statement of the purport of the speech. As thus—“Mr. Mark Antony, in the course of a powerful speech, conceded the high motives of the Republican leaders, and disclaimed any intention of raising the people against them; he thought, however, that many instances could be quoted against the theory of Cæsar’s ambition, and he concluded by reading, at the request of the audience, the will of Cæsar, which proved that he had the most benevolent designs towards the Roman people.” That is (I admit) not quite so fine as Shakspere, but it is a statement of the man’s political position. But if a _Daily Mail_ reporter were sent to take down Antony’s oration, he would simply wait for any expressions that struck him as odd and put them down one after another without any logical connection at all. It would turn out something like this: “Mr. Mark Antony wished for his audience’s ears. He had thrice offered Cæsar a crown. Cæsar was like a deer. If he were Brutus he would put a wound in every tongue. The stones of Rome would mutiny. See what a rent the envious Casca paid. Brutus was Cæsar’s angel. The right honourable gentleman concluded by saying that he and the audience had all fallen down.” That is the report of a political speech in a modern, progressive, or American manner, and I wonder whether the Romans would have put up with it.

The reports of the debates in the Houses of Parliament are constantly growing smaller and smaller in our newspapers. Perhaps this is partly because the speeches are growing duller and duller. I think in some degree the two things act and re-act on each other. For fear of the newspapers politicians are dull, and at last they are too dull even for the newspapers. The speeches in our time are more careful and elaborate, because they are meant to be read, and not to be heard. And exactly because they are more careful and elaborate, they are not so likely to be worthy of a careful and elaborate report. They are not interesting enough. So the moral cowardice of modern politicians has, after all, some punishment attached to it by the silent anger of heaven. Precisely because our political speeches are meant to be reported, they are not worth reporting. Precisely because they are carefully designed to be read, nobody reads them.

Thus we may concede that politicians have done something towards degrading journalism. It was not entirely done by us, the journalists. But most of it was. It was mostly the fruit of our first and most natural sin—the habit of regarding ourselves as conjurers rather than priests, for the definition is that a conjurer is apart from his audience, while a priest is a part of his. The conjurer despises his congregation; if the priest despises any one, it must be himself. The curse of all journalism, but especially of that yellow journalism which is the shame of our profession, is that we think ourselves cleverer than the people for whom we write, whereas, in fact, we are generally even stupider. But this insolence has its Nemesis; and that Nemesis is well illustrated in this matter of reporting.

For the journalist, having grown accustomed to talking down to the public, commonly talks too low at last, and becomes merely barbaric and unintelligible. By his very efforts to be obvious he becomes obscure. This just punishment may specially be noticed in the case of those staggering and staring headlines which American journalism introduced and which some English journalism imitates. I once saw a headline in a London paper which ran simply thus: “Dobbin’s Little Mary.” This was intended to be familiar and popular, and therefore, presumably, lucid. But it was some time before I realised, after reading about half the printed matter underneath, that it had something to do with the proper feeding of horses. At first sight, I took it, as the historical leader of the future will certainly take it, as containing some allusion to the little daughter who so monopolised the affections of the Major at the end of “Vanity Fair.” The Americans carry to an even wilder extreme this darkness by excess of light. You may find a column in an American paper headed “Poet Brown Off Orange-flowers,” or “Senator Robinson Shoehorns Hats Now,” and it may be quite a long time before the full meaning breaks upon you: it has not broken upon me yet.

And something of this intellectual vengeance pursues also those who adopt the modern method of reporting speeches. They also become mystical, simply by trying to be vulgar. They also are condemned to be always trying to write like George R. Sims, and succeeding, in spite of themselves, in writing like Maeterlinck. That combination of words which I have quoted from an alleged speech of Mr. Bernard Shaw’s was written down by the reporter with the idea that he was being

## particularly plain and democratic. But, as a matter of fact, if there

is any connection between the two sentences, it must be something as dark as the deepest roots of Browning, or something as invisible as the most airy filaments of Meredith. To be simple and to be democratic are two very honourable and austere achievements; and it is not given to all the snobs and self-seekers to achieve them. High above even Maeterlinck or Meredith stand those, like Homer and Milton, whom no one can misunderstand. And Homer and Milton are not only better poets than Browning (great as he was), but they would also have been very much better journalists than the young men on the _Daily Mail_.

As it is, however, this misrepresentation of speeches is only a part of a vast journalistic misrepresentation of all life as it is. Journalism is popular, but it is popular mainly as fiction. Life is one world, and life seen in the newspapers another; the public enjoys both, but it is more or less conscious of the difference. People do not believe, for instance, that the debates in the House of Commons are as dramatic as they appear in the daily papers. If they did they would go, not to the daily paper, but to the House of Commons. The galleries would be crowded every night as they were in the French Revolution; for instead of seeing a printed story for a penny they would be seeing an acted drama for nothing. But the people know in their hearts that journalism is a conventional art like any other, that it selects, heightens, and falsifies. Only its Nemesis is the same as that of other arts: if it loses all care for truth it loses all form likewise. The modern who paints too cleverly produces a picture of a cow which might be the earthquake at San Francisco. And the journalist who reports a speech too cleverly makes it mean nothing at all.

THE WORSHIP OF THE WEALTHY

There has crept, I notice, into our literature and journalism a new way of flattering the wealthy and the great. In more straightforward times flattery itself was more straightforward; falsehood itself was more true. A poor man wishing to please a rich man simply said that he was the wisest, bravest, tallest, strongest, most benevolent and most beautiful of mankind; and as even the rich man probably knew that he wasn’t that, the thing did the less harm. When courtiers sang the praises of a King they attributed to him things that were entirely improbable, as that he resembled the sun at noonday, that they had to shade their eyes when he entered the room, that his people could not breathe without him, or that he had with his single sword conquered Europe, Asia, Africa, and America. The safety of this method was its artificiality; between the King and his public image there was really no relation. But the moderns have invented a much subtler and more poisonous kind of eulogy. The modern method is to take the prince or rich man, to give a credible picture of his type of personality, as that he is business-like, or a sportsman, or fond of art, or convivial, or reserved; and then enormously exaggerate the value and importance of these natural qualities. Those who praise Mr. Carnegie do not say that he is as wise as Solomon and as brave as Mars; I wish they did. It would be the next most honest thing to giving their real reason for praising him, which is simply that he has money. The journalists who write about Mr. Pierpont Morgan do not say that he is as beautiful as Apollo; I wish they did. What they do is to take the rich man’s superficial life and manner, clothes, hobbies, love of cats, dislike of doctors, or what not; and then with the assistance of this realism make the man out to be a prophet and a saviour of his kind, whereas he is merely a private and stupid man who happens to like cats or to dislike doctors. The old flatterer took for granted that the King was an ordinary man, and set to work to make him out extraordinary. The newer and cleverer flatterer takes for granted that he is extraordinary, and that therefore even ordinary things about him will be of interest.

I have noticed one very amusing way in which this is done. I notice the method applied to about six of the wealthiest men in England in a book of interviews published by an able and well-known journalist. The flatterer contrives to combine strict truth of fact with a vast atmosphere of awe and mystery by the simple operation of dealing almost entirely in negatives. Suppose you are writing a sympathetic study of Mr. Pierpont Morgan. Perhaps there is not much to say about what he does think, or like, or admire; but you can suggest whole vistas of his taste and philosophy by talking a great deal about what he does not think, or like, or admire. You say of him—“But little attracted to the most recent schools of German philosophy, he stands almost as resolutely aloof from the tendencies of transcendental Pantheism as from the narrower ecstasies of Neo-Catholicism.” Or suppose I am called upon to praise the charwoman who has just come into my house, and who certainly deserves it much more. I say—“It would be a mistake to class Mrs. Higgs among the followers of Loisy; her position is in many ways different; nor is she wholly to be identified with the concrete Hebraism of Harnack.” It is a splendid method, as it gives the flatterer an opportunity of talking about something else besides the subject of the flattery, and it gives the subject of the flattery a rich, if somewhat bewildered, mental glow, as of one who has somehow gone through agonies of philosophical choice of which he was previously unaware. It is a splendid method; but I wish it were applied sometimes to charwomen rather than only to millionaires.

There is another way of flattering important people which has become very common, I notice, among writers in the newspapers and elsewhere. It consists in applying to them the phrases “simple,” or “quiet,” or “modest,” without any sort of meaning or relation to the person to whom they are applied. To be simple is the best thing in the world; to be modest is the next best thing. I am not so sure about being quiet. I am rather inclined to think that really modest people make a great deal of noise. It is quite self-evident that really simple people make a great deal of noise. But simplicity and modesty, at least, are very rare and royal human virtues, not to be lightly talked about. Few human beings, and at rare intervals, have really risen into being modest; not one man in ten or in twenty has by long wars become simple, as an actual old soldier does by [**Note: Apparent typesetting error here in original.] long wars become simple. These virtues are not things to fling about as mere flattery; many prophets and righteous men have desired to see these things and have not seen them. But in the description of the births, lives, and deaths of very luxurious men they are used incessantly and quite without thought. If a journalist has to describe a great politician or financier (the things are substantially the same) entering a room or walking down a thoroughfare, he always says, “Mr. Midas was quietly dressed in a black frock coat, a white waistcoat, and light grey trousers, with a plain green tie and simple flower in his button-hole.” As if any one would expect him to have a crimson frock coat or spangled trousers. As if any one would expect him to have a burning Catherine wheel in his button-hole.

But this process, which is absurd enough when applied to the ordinary and external lives of worldly people, becomes perfectly intolerable when it is applied, as it always is applied, to the one episode which is serious even in the lives of politicians. I mean their death. When we have been sufficiently bored with the account of the simple costume of the millionaire, which is generally about as complicated as any that he could assume without being simply thought mad; when we have been told about the modest home of the millionaire, a home which is generally much too immodest to be called a home at all; when we have followed him through all these unmeaning eulogies, we are always asked last of all to admire his quiet funeral. I do not know what else people think a funeral should be except quiet. Yet again and again, over the grave of every one of those sad rich men, for whom one should surely feel, first and last, a speechless pity—over the grave of Beit, over the grave of Whiteley—this sickening nonsense about modesty and simplicity has been poured out. I well remember that when Beit was buried, the papers said that the mourning-coaches contained everybody of importance, that the floral tributes were sumptuous, splendid, intoxicating; but, for all that, it was a simple and quiet funeral. What, in the name of Acheron, did they expect it to be? Did they think there would be human sacrifice—the immolation of Oriental slaves upon the tomb? Did they think that long rows of Oriental dancing-girls would sway hither and thither in an ecstasy of lament? Did they look for the funeral games of Patroclus? I fear they had no such splendid and pagan meaning. I fear they were only using the words “quiet” and “modest” as words to fill up a page—a mere piece of the automatic hypocrisy which does become too common among those who have to write rapidly and often. The word “modest” will soon become like the word “honourable,” which is said to be employed by the Japanese before any word that occurs in a polite sentence, as “Put honourable umbrella in honourable umbrella-stand;” or “condescend to clean honourable boots.” We shall read in the future that the modest King went out in his modest crown, clad from head to foot in modest gold and attended with his ten thousand modest earls, their swords modestly drawn. No! if we have to pay for splendour let us praise it as splendour, not as simplicity. When next I meet a rich man I intend to walk up to him in the street and address him with Oriental hyperbole. He will probably run away.

SCIENCE AND RELIGION

In these days we are accused of attacking science because we want it to be scientific. Surely there is not any undue disrespect to our doctor in saying that he is our doctor, not our priest, or our wife, or ourself. It is not the business of the doctor to say that we must go to a watering-place; it is his affair to say that certain results of health will follow if we do go to a watering-place. After that, obviously, it is for us to judge. Physical science is like simple addition: it is either infallible or it is false. To mix science up with philosophy is only to produce a philosophy that has lost all its ideal value and a science that has lost all its practical value. I want my private physician to tell me whether this or that food will kill me. It is for my private philosopher to tell me whether I ought to be killed. I apologise for stating all these truisms. But the truth is, that I have just been reading a thick pamphlet written by a mass of highly intelligent men who seem never to have heard of any of these truisms in their lives.

Those who detest the harmless writer of this column are generally reduced (in their final ecstasy of anger) to calling him “brilliant;” which has long ago in our journalism become a mere expression of contempt. But I am afraid that even this disdainful phrase does me too much honour. I am more and more convinced that I suffer, not from a shiny or showy impertinence, but from a simplicity that verges upon imbecility. I think more and more that I must be very dull, and that everybody else in the modern world must be very clever. I have just been reading this important compilation, sent to me in the name of a number of men for whom I have a high respect, and called “New Theology and Applied Religion.” And it is literally true that I have read through whole columns of the things without knowing what the people were talking about. Either they must be talking about some black and bestial religion in which they were brought up, and of which I never even heard, or else they must be talking about some blazing and blinding vision of God which they have found, which I have never found, and which by its very splendour confuses their logic and confounds their speech. But the best instance I can quote of the thing is in connection with this matter of the business of physical science on the earth, of which I have just spoken. The following words are written over the signature of a man whose intelligence I respect, and I cannot make head or tail of them—

“When modern science declared that the cosmic process knew nothing of a historical event corresponding to a Fall, but told, on the contrary, the story of an incessant rise in the scale of being, it was quite plain that the Pauline scheme—I mean the argumentative processes of Paul’s scheme of salvation—had lost its very foundation; for was not that foundation the total depravity of the human race inherited from their first parents?.... But now there was no Fall; there was no total depravity, or imminent danger of endless doom; and, the basis gone, the superstructure followed.”

It is written with earnestness and in excellent English; it must mean something. But what can it mean? How could physical science prove that man is not depraved? You do not cut a man open to find his sins. You do not boil him until he gives forth the unmistakable green fumes of depravity. How could physical science find any traces of a moral fall? What traces did the writer expect to find? Did he expect to find a fossil Eve with a fossil apple inside her? Did he suppose that the ages would have spared for him a complete skeleton of Adam attached to a slightly faded fig-leaf? The whole paragraph which I have quoted is simply a series of inconsequent sentences, all quite untrue in themselves and all quite irrelevant to each other. Science never said that there could have been no Fall. There might have been ten Falls, one on top of the other, and the thing would have been quite consistent with everything that we know from physical science. Humanity might have grown morally worse for millions of centuries, and the thing would in no way have contradicted the principle of Evolution. Men of science (not being raving lunatics) never said that there had been “an incessant rise in the scale of being;” for an incessant rise would mean a rise without any relapse or failure; and physical evolution is full of relapse and failure. There were certainly some physical Falls; there may have been any number of moral Falls. So that, as I have said, I am honestly bewildered as to the meaning of such passages as this, in which the advanced person writes that because geologists know nothing about the Fall, therefore any doctrine of depravity is untrue. Because science has not found something which obviously it could not find, therefore something entirely different—the psychological sense of evil—is untrue. You might sum up this writer’s argument abruptly, but accurately, in some way like this—“We have not dug up the bones of the Archangel Gabriel, who presumably had none, therefore little boys, left to themselves, will not be selfish.” To me it is all wild and whirling; as if a man said—“The plumber can find nothing wrong with our piano; so I suppose that my wife does love me.”

I am not going to enter here into the real doctrine of original sin, or into that probably false version of it which the New Theology writer calls the doctrine of depravity. But whatever else the worst doctrine of depravity may have been, it was a product of spiritual conviction; it had nothing to do with remote physical origins. Men thought mankind wicked because they felt wicked themselves. If a man feels wicked, I cannot see why he should suddenly feel good because somebody tells him that his ancestors once had tails. Man’s primary purity and innocence may have dropped off with his tail, for all anybody knows. The only thing we all know about that primary purity and innocence is that we have not got it. Nothing can be, in the strictest sense of the word, more comic than to set so shadowy a thing as the conjectures made by the vaguer anthropologists about primitive man against so solid a thing as the human sense of sin. By its nature the evidence of Eden is something that one cannot find. By its nature the evidence of sin is something that one cannot help finding.