Part 36

Soon after his "release from the fruitless task of the Swiss revolution" in 1768, he had gradually advanced from the wish to the hope, from the hope to the design, from the design to the execution of his great historical work. His preparations were indeed vast. The classics, "as low as Tacitus, Pliny the Younger and Juvenal," had been long familiar. He now "plunged into the ocean of the Augustan history," and "with pen almost always in hand," pored over all the original records, Greek and Latin, between Trajan and the last of the Western Caesars. "The subsidiary rays of medals and inscriptions, of geography and chronology, were thrown on their proper objects; and I applied the collections of Tillemont, whose inimitable accuracy almost assumes the character of genius, to fix and arrange within my reach the loose and scattered atoms of historical information." The Christian apologists and their pagan assailants; the Theodosian Code, with Godefroy's commentary; the _Annals and Antiquities_ of Muratori, collated with "the parallel or transverse lines" of Sigonius and Maffei, Pagi and Baronius, were all critically studied. Still following the wise maxim which he had adopted as a student, "multum legere potius quam multa," he reviewed again and again the immortal works of the French and English, the Latin and Italian classics. He deepened and extended his acquaintance with Greek,

## particularly with his favourite authors Homer and Xenophon; and, to

crown all, he succeeded in achieving the third perusal of Blackstone's _Commentaries_.

The course of his study was for some time seriously interrupted by his father's illness and death in 1770, and by the many distractions connected with the transference of his residence from Buriton to London. It was not, indeed, until October 1772 that he found himself at last independent, and fairly settled in his house and library, with full leisure and opportunity to set about the composition of the first volume of his history. Even then it appears from his own confession that he long brooded over the chaos of materials he had amassed before light dawned upon it. At the commencement, he says, "all was dark and doubtful"; the limits, divisions, even the title of his work were undetermined; the first chapter was composed three times, and the second and third twice, before he was satisfied with his efforts. This prolonged meditation on his design and its execution was ultimately well repaid by the result: so methodical did his ideas become, and so readily did his materials shape themselves, that, with the above exceptions, the original MS. of the entire six quartos was sent uncopied to the printers. He also says that not a sheet had been seen by any other eyes than those of author and printer, a statement indeed which must be taken with a small deduction; or rather we must suppose that a few chapters had been submitted, if not to the "eyes," to the "ears" of others; for he elsewhere tells us that he was "soon disgusted with the modest practice of reading the manuscript to his friends." Such, however, were his preliminary difficulties that he confesses he was often "tempted to cast away the labour of seven years"; and it was not until February 1776 that the first volume was published. The success was instant, and, for a quarto, probably unprecedented. The entire impression was exhausted in a few days; a second and a third edition were scarcely adequate to the demand. The author might almost have said, as Lord Byron after the publication of _Childe Harold_, that "he awoke one morning and found himself famous." In addition to public applause, he was gratified by the more select praises of the highest living authorities in that branch of literature: "the candour of Dr Robertson embraced his disciple"; Hume's letter of congratulation "overpaid the labour of ten years." The latter, however, with his usual sagacity, anticipated the objections which he saw could be urged against the famous fifteenth and sixteenth chapters. "I think you have observed a very prudent temperament; but it was impossible to treat the subject so as not to give grounds of suspicion against you, and you may expect that a clamour will arise."

The "clamour" thus predicted was not slow to make itself heard. Within two years the famous chapters had elicited what might almost be called a library of controversy. The only attack, however, to which Gibbon deigned to make any reply was that of Davies, who had impugned his accuracy or good faith. His _Vindication_ appeared in February 1779; and, as Milman remarks, "this single discharge from the ponderous artillery of learning and sarcasm laid prostrate the whole disorderly squadron" of his rash and feeble assailants.[6]

Two years before the publication of this first volume Gibbon was elected member of parliament for Liskeard (1774). His political duties did not suspend his prosecution of his history, except on one occasion, and for a little while, in 1779, when he undertook, on behalf of the ministry, a task which, if well performed, was also, it must be added, well rewarded. The French government had issued a manifesto preparatory to a declaration of war, and Gibbon was solicited by Chancellor Thurlow and Lord Weymouth, secretary of state, to answer it. In compliance with this request he produced the able _Memoire justificatif_, composed in French, and delivered to the courts of Europe; and shortly afterwards he received a seat at the Board of Trade and Plantations--little more than a sinecure in itself, but with a very substantial salary of nearly L800 per annum. His acceptance displeased some of his former political associates, and he was accused of "deserting his party." In his _Memoir_, indeed, Gibbon denies that he had ever enlisted with the Whigs. A note of Fox, however, on the margin of a copy of _The Decline and Fall_ records a very distinct remembrance of the historian's previous vituperation of the ministry; within a fortnight of the date of his acceptance of office, he is there alleged to have said that "there was no salvation for this country until six heads of the principal persons in administration were laid upon the table." Lord Sheffield merely replies, somewhat weakly it must be said, that his friend never intended the words to be taken literally. More to the point is the often-quoted passage from Gibbon's letter to Deyverdun, where the frank revelation is made: "You have not forgotten that I went into parliament without patriotism and without ambition, and that all my views tended to the convenient and respectable place of a lord of trade."

In April 1781 the second and third quartos of his _History_ were published. They excited no controversy, and were comparatively little talked about--so little, indeed, as to have extorted from him a half murmur about "coldness and prejudice." The volumes, however, were bought and read with silent avidity. Meanwhile public events were developing in a manner that had a considerable influence upon the manner in which the remaining years of the historian's life were spent. At the general election in 1780 he had lost his seat for Liskeard, but had subsequently been elected for Lymington. The ministry of Lord North, however, was tottering, and soon after fell; the Board of Trade was abolished by the passing of Burke's bill in 1782, and Gibbon's salary vanished with it--no trifle, for his expenditure had been for three years on a scale somewhat disproportionate to his private fortune. He did not like to depend on statesmen's promises, which are proverbially uncertain of fulfilment; he as little liked to retrench; and he was wearied of parliament, where he had never given any but silent votes. Urged by such considerations, he once more turned his eyes to the scene of his early exile, where he might live on his decent patrimony in a style which was impossible in England, and pursue unembarrassed his literary studies. He therefore resolved to fix himself at Lausanne.

A word only is necessary on his parliamentary career. Neither nature nor acquired habits qualified him to be an orator; his late entrance on public life, his natural timidity, his feeble voice, his limited command of idiomatic English, and even, as he candidly confesses, his literary fame, were all obstacles to success. "After a fleeting, illusive hope, prudence condemned me to acquiesce in the humble station of a mute.[7] ... I was not armed by nature and education with the intrepid energy of mind and voice--'Vincentem strepitus et natum rebus agendis.' Timidity was fortified by pride, and even the success of my pen discouraged the trial of my voice." His repugnance to public life had been strongly expressed to his father in a letter of a very early date, in which he begged that the money which a seat in the House of Commons would cost might be expended in a mode more agreeable to him. Gibbon was eight-and-thirty when he entered parliament; and the obstacles which even at an earlier period he had not had courage to encounter were hardly likely to be vanquished then. Nor had he much political sagacity. He was better skilled in investigating the past than in divining the future. While Burke and Fox and so many great statesmen proclaimed the consequences of the collision with America, Gibbon saw nothing but colonies in rebellion, and a paternal government justly incensed. His silent votes were all given on that hypothesis. In a similar manner, while he abhorred the French Revolution when it came, he seems to have had no apprehension, like Chesterfield, Burke, or even Horace Walpole, of its approach; nor does he appear to have at all suspected that it had had anything to do with the speculations of the philosophic coteries in which he had taken such delight. But while it may be doubted whether his presence in parliament was of any direct utility to the legislative business of the country, there can be no question of the present advantage which he derived from it in the prosecution of the great work of his life--an advantage of which he was fully conscious when he wrote: "The eight sessions that I sat in parliament were a school of civil prudence, the first and most essential virtue of an historian."

Having sold all his property except his library--to him equally a necessary and a luxury--Gibbon repaired to Lausanne in September 1783, and took up his abode with his early friend Deyverdun, now a resident there. Perfectly free from every engagement but those which his own tastes imposed, easy in his circumstances, commanding just as much society, and that as select, as he pleased, with the noblest scenery spread out at his feet, no situation can be imagined more favourable for the prosecution of his literary enterprise; a hermit in his study as long as he chose, he found the most delightful recreation always ready for him at the threshold. "In London," says he, "I was lost in the crowd; I ranked with the first families in Lausanne, and my style of prudent expense enabled me to maintain a fair balance of reciprocal civilities.... Instead of a small house between a street and a stable-yard, I began to occupy a spacious and convenient mansion, connected on the north side with the city, and open on the south to a beautiful and boundless horizon. A garden of four acres had been laid out by the taste of M. Deyverdun: from the garden a rich scenery of meadows and vineyards descends to the Leman Lake, and the prospect far beyond the lake is crowned by the stupendous mountains of Savoy." In this enviable retreat, it is no wonder that a year should have been suffered to roll round before he vigorously resumed his great work--and with many men it would never have been resumed in such a paradise. We may remark in passing that the retreat was often enlivened, or invaded, by friendly tourists from England, whose "frequent incursions" into Switzerland our recluse seems half to lament as an evil. Among his more valued visitors were M. and Mme Necker; Mr Fox also gave him two welcome "days of free and private society" in 1788. Differing as they did in politics, Gibbon's testimony to the genius and character of the great statesman is highly honourable to both: "Perhaps no human being," he says, "was ever more perfectly exempt from the taint of malevolence, vanity, or falsehood."

When once fairly reseated at his task, he proceeded in this delightful retreat leisurely, yet rapidly, to its completion. The fourth volume,

## partly written in 1782, was completed in June 1784; the preparation of

the fifth volume occupied less than two years; while the sixth and last, begun 18th May 1786, was finished in thirteen months. The feelings with which he brought his labours to a close must be described in his own inimitable words: "It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page in a summer house in my garden. After laying down my pen, I took several turns in a _berceau_ or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and, perhaps, the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future date of my _History_, the life of the historian must be short and precarious."

Taking the manuscript with him, Gibbon, after an absence of four years, once more visited London in 1787; and the 51st anniversary of the author's birthday (27th April 1788) witnessed the publication of the last three volumes of _The Decline and Fall_. They met with a quick and easy sale, were very extensively read, and very liberally and deservedly praised for the unflagging industry and vigour they displayed, though just exception, if only on the score of good taste, was taken to the scoffing tone he continued to maintain in all passages where the Christian religion was specially concerned, and much fault was found with the indecency of some of his notes.[8]

He returned to Switzerland in July 1788, cherishing vague schemes of fresh literary activity; but genuine sorrow caused by the death of his friend Deyverdun interfered with steady work, nor was it easy for him to fix on a new subject which should be at once congenial and proportioned to his powers; while the premonitory mutterings of the great thunderstorm of the French Revolution, which reverberated in hollow echoes even through the quiet valleys of Switzerland, further troubled his repose. For some months he found amusement in the preparation of the delightful _Memoirs_ (1789) from which most of our knowledge of his personal history is derived; but his letters to friends in England, written between 1788 and 1793 occasionally betray a slight but unmistakable tone of ennui. In April 1793 he unexpectedly received tidings of the death of Lady Sheffield; and the motive of friendship thus supplied combined with the pressure of public events to urge him homewards. He arrived in England in the following June, and spent the summer at Sheffield Place, where his presence was even more highly prized than it had ever before been. Returning to London early in November, he found it necessary to consult his physicians for a symptom which, neglected since 1761, had gradually become complicated with hydrocele, and was now imperatively demanding surgical aid; but the painful operations which had to be performed did not interfere with his customary cheerfulness, nor did they prevent him from paying a Christmas visit to Sheffield Place. Here, however, fever made its appearance; and a removal to London (January 6, 1794) was considered imperative. Another operation brought him some relief; but a relapse occurred during the night of the 15th, and on the following day he peacefully breathed his last. His remains were laid in the burial place of the Sheffield family, Fletching, Sussex, where an epitaph by Dr Parr describes his character and work in the language at once of elegance, of moderation and of truth.

The personal appearance of Gibbon as a lad of sixteen is brought before us somewhat dimly in M. Pavilliard's description of the "thin little figure, with a large head, disputing and arguing, with the greatest ability, all the best arguments that had ever been used in favour of popery." What he afterwards became has been made more vividly familiar by the clever silhouette prefixed to the _Miscellaneous Works_ (Gibbon himself, at least, we know, did not regard it as a caricature), and by Sir Joshua Reynolds's portrait so often engraved. It is hardly fair perhaps to add a reference to Suard's highly-coloured description of the short Silenus-like figure, not more than 56 in. in height, the slim legs, the large turned-in feet, the shrill piercing voice; but almost every one will remember, from Croker's _Boswell_, Colman's account of the great historian "tapping his snuff-box, smirking and smiling, and rounding his periods" from that mellifluous mouth. It has already been seen that Gibbon's early ailments all left him on the approach of manhood; thenceforward, "till admonished by the gout," he could truly boast of an immunity well-nigh perfect from every bodily complaint; an exceptionally vigorous brain, and a stomach "almost too good," united to bestow upon him a vast capacity alike for work and for enjoyment. This capacity he never abused so as to burden his conscience or depress his spirits. "The madness of superfluous health I have never known." To illustrate the intensity of the pleasure he found alike in the solitude of his study and in the relaxations of genial social intercourse, almost any page taken at random, either from the _Life_ or from the _Letters_, would suffice; and many incidental touches show that he was not a stranger to the delights of quiet contemplation of the beauties and grandeurs of nature. His manners, if formal, were refined; his conversation, when he felt himself at home, interesting and unaffected; and that he was capable alike of feeling and inspiring a very constant friendship there are many witnesses to show. That his temperament at the same time was frigid and comparatively passionless cannot be denied; but neither ought this to be imputed to him as a fault; hostile criticisms upon the grief for a father's death, that "was soothed by the conscious satisfaction that I had discharged all the duties of filial piety," seem somewhat out of place. His most ardent admirers, however, are constrained to admit that he was deficient in large-hearted benevolence; that he was destitute of any "enthusiasm of humanity"; and that so far as every sort of religious yearning or aspiration is concerned, his poverty was almost unique. Gibbon was such a man as Horace might have been, had the Roman Epicurean been fonder of hard intellectual work, and less prone than he was to the indulgence of emotion. (H. Ro.; J. S. Bl.)

Gibbon's literary art, the sustained excellence of his style, his piquant epigrams and his brilliant irony, would perhaps not secure for his work the immortality which it seems likely to enjoy, if it were not also marked by ecumenical grasp, extraordinary accuracy and striking acuteness of judgment. It is needless to say that in many points his statements and conclusions must now be corrected. He was never content with secondhand accounts when the primary sources were accessible; "I have always endeavoured," he says, "to draw from the fountainhead; my curiosity, as well as a sense of duty, has always urged me to study the originals; and if they have sometimes eluded my search, I have carefully marked the secondary evidence on whose faith a passage or a fact were reduced to depend." Since he wrote, new authorities have been discovered or rendered accessible; works in Greek, Latin, Slavonic, Armenian, Syriac, Arabic and other languages, which he was unable to consult, have been published. Again, many of the authorities which he used have been edited in superior texts. The relative weights of the sources have been more nicely determined by critical investigation. Archaeology has become a science. In the immense region which Gibbon surveyed there is hardly a section which has not been submitted to the microscopic examination of specialists.

But apart from the inevitable advances made in the course of a century during which historical research entered upon a new phase, the reader of Gibbon must be warned against one capital defect. In judging the _Decline and Fall_ it should carefully be observed that it falls into two parts which are heterogeneous in the method of treatment. The first part, a little more than five-eighths of the work, supplies a very _full_ history of 460 years (A.D. 180-641); the second and smaller part is a summary history of about 800 years (A.D. 641-1453) in which certain episodes are selected for fuller treatment and so made prominent. To the first part unstinted praise must be accorded; it may be said that, with the materials at the author's disposition, it hardly admitted of improvement, except in trifling details. But the second, notwithstanding the brilliancy of the narrative and the masterly art in the grouping of events, suffers from a radical defect which renders it a misleading guide. The author designates the story of the later empire at Constantinople (after Heraclius) as "a uniform tale of weakness and misery," a judgment which is entirely false; and in accordance with this doctrine, he makes the empire, which is his proper subject, merely a string for connecting great movements which affected it, such as the Saracen conquests, the Crusades, the Mongol invasions, the Turkish conquests. He failed to bring out the momentous fact that up to the 12th century the empire was the bulwark of Europe against the East, nor did he appreciate its importance in preserving the heritage of Greek civilization. He compressed into a single chapter the domestic history and policy of the emperors from the son of Heraclius to Isaac Angelus; and did no justice to the remarkable ability and the indefatigable industry shown in the service of the state by most of the sovereigns from Leo III. to Basil II. He did not penetrate into the deeper causes underlying the revolutions and palace intrigues. His eye rested only on superficial characteristics which have served to associate the name "Byzantine" with treachery, cruelty, bigotry and decadence. It was reserved for Finlay to depict, with greater knowledge and a juster perception, the lights and shades of Byzantine history. Thus the later part of the _Decline and Fall_, while the narrative of certain episodes will always be read with profit, does not convey a true idea of the history of the empire or of its significance in the history of Europe. It must be added that the pages on the Slavonic peoples and their relations to the empire are conspicuously insufficient; but it must be taken into account that it was not till many years after Gibbon's death that Slavonic history began to receive due attention, in consequence of the rise of competent scholars among the Slavs themselves.