C.

Calcar, John, a Flemish painter, 434. Calderinus, D. editor of an edition of Ptolemy, 208. Camus, his account of a book printed at Bamberg, 1462, 171. Canticles, illustrations of, 71, 72. Capitals, ornamented, in Faust and Scheffer’s Psalter, 426; in English and other books, 616, 617. Car, triumphal, of Maximilian, designed by Durer, 255. Cards, known in 1340, 40. Caron, Nicholas, wood engraver, his portrait of Papillon, 466 _n_. Carpi, Ugo da, engraver of chiaro-scuros, on wood, 230, 307. Cartouch, 28 _n_. Casts, stereotype, early, 418; modern, 636; clichage, 637. Cat edition of Dante, Venice, 1578, 431. Catherine, St. patroness of learned men, 207. Catholicon Johannis Januensis, 135 _n_. Cauteria, 12. Caxton, W. books printed by,--Game of Chess, 191; Mirror of the World, 194; Golden Legend, Fables of Esop, Canterbury Tales, 195. Caylus, Count, chiaro-scuros executed by, and N. Le Sueur, 456 _n_. Cessolis, J. de, his work on Chess, 197. Champollion, 6 _n_. Chantrey, Sir F. monument by, in Lichfield Cathedral, 589, 590. Characters in an old Dutch Dance of Death, 318, 329 _n_. Charlemagne, his monogram, 14. Chelidonius, 243, 251. Chelsea Pensioners, engraving of, after Sir D. Wilkie, 213. Chaucer’s Canterbury Tales, 48. Chess, the Game of, printed by Caxton, 191. Chiaro-scuro, engraving on wood, known in Germany, in 1509, 230. Chiaro-scuros, 307, 402, 432, 440, 451, 455, 467, 628. Children in the Wood, cut from, 533. Chillingham bull, cut of, by Bewick, 481. Chinese engraving and printing, 23. Chirotipografia, or hand-printing, 44 _n_. Chisels, 578. Christopher, St. wood-cut of, in the possession of Earl Spencer, 45, 46. Chrysographus, 121. Circular wood engravings in the British Museum, 54 _n_. Clayton, J. R. draughtsman, 599*. Cleaning wood cuts after printing, mode of, 649. Clennell, Luke, a pupil of Bewick, biographical notice of, 521-527. Clerc, Sebastian le, cuts in Croxall’s Æsop’s Fables, copied from his engravings, 450. Clichage, a mode of taking a cast from a wood engraving, 637. Coeck, Peter, of Alost, his Costumes and Manners of the Turks, 402. Coining, its antiquity, 19. Cole, Humphrey, an English engraver, 1572, 419. Coleman, Wm. artist, 599*. Collation of editions of the Speculum Salvationis, 102. Cologne Chronicle, unfairly quoted by the advocates of Coster, 122. Colonna, Francis, author of the Hypnerotomachia, 218. Colour, the meaning of the word when applied to engravings, 213. Committee of the House of Commons on Arts and their Connexion with Manufactures, 305. Congreve’s, Sir Wm. mode of colour printing, 630. Concanen, M. wood cut in Miscellaneous Poems, published by, 1724, 453. Cooper, James, wood-engraver, 550, 552. Coornhert, Theodore, claims the invention of printing for Harlem, 146. Cope, C. W. painter, 598*. Copperplate engraving, its invention ascribed to Varro, 21. Copperplates, earliest books containing, 200; the earliest engraved in England, 419. Corbould, E. H. painter, 598*. Coriolano, Bartolomeo, chiaro-scuros engraved by, 440. Cornelius, a bookbinder, his account of Coster’s invention, 150-152. Coster, Lawrence, first mentioned by Hadrian Junius as the inventor of printing, 147; account of his invention, 149. Cotman’s Sepulchral Brasses, 22 _n_. Coverdale, Miles, cuts in his translation of the Bible, 1535, 385-389. Cowper, Edward, his invention for piercing wood blocks for map engraving, 205. Cracherode, Rev. C. M. prints and books presented by him to the British Museum, 72, 231, 355, 385. Cranach, Lucas, painter and designer on wood, 275; chiaro-scuros cut after, 276; figure of Christ printed in colours, supposed to be by him, 404. Cranmer, Archbishop, his Catechism, 1548, with wood cuts, 380-382. Creswick, T. artist. 588*, 589*. Cropsey, Jasper, painter, 598*. Crown-piece of George IV., impressions of casts from, 618. Crowquill, Alfred, artist, 597*. Cross-hatching, 224, 234, 562. Croxall’s Æsop’s Fables, wood cuts in, 1722, 448-451. Cruikshank, George, artist, 595*, 596*. Cuningham’s, Dr. William, Cosmographical Glass, 1559, 421, 425; his portrait, 424; cuts from his book, 425, 426, 427. Cunio, Alberic and Isabella, pretended wood engravers, 26. Curved lines, the effect of, 585. Cutting tools, 576.