D.

Dalziel, Bros. wood engravers, 559-562*, 566*. Dalziel, Thomas, artist, 562*. Dammetz, Lucas, called also Lucas Van Leyden, 308. Dampth, its effect on box-wood, 564. Dance of Death, in old churches, 325; at Basle, 326; in old French and other books, 328; the Lyons Dance of Death, 1538, with cuts, designed by Hans Holbein, 329-364; his Alphabet containing his Dance of Death, 352. Dante, edition of, with copper-plates, 1482; the cat edition of, Venice, 1578, 431. Darley, Felix, draughtsman, 599*. Dates of block books and cuts, mistake about, 58. Day, John, an English printer, supposed to have also engraved on wood, 425. Denecker, Jobst, publisher of a Dance of Death at Augsburg, 1544, 336. Dentatus, the large cut of the death of, engraved by W. Harvey, 528; specimens of it, 601, 609. Derschau, the Baron Von, his collection of old wood blocks, 93, 226; his character, 236 _n_. Desroches, M. ascribes the invention of printing to “Vedelare Lodewyc,” 119. Deutsch, N. E. 314. Dickes, W. draughtsman, 599*. Dinkel, Joseph, draughtsman, 593*. Doctrinale gette en mole, 122. Dodd, Daniel and John, wood engravers, 544. Dodgson, G. painter, 598*. Dolce, Ludovico, his Transformationi, a paraphrase of Ovid’s Metamorphoses, 394. Dominicals, stamped on paper, 120. Dominotiers, 45. Donatus, a grammatical treatise so called, printed from wood blocks, 117; one supposed to have been _stamped_, 1340, 121; idea of typography perhaps suggested by such a work, 123. Douce, Francis, his opinion about the name Machabre, 325; his list of books containing figures of a Dance of Death, 328; his edition of the Dance of Death, 1833, 338; denies that the cuts in the Lyons edition were designed by Holbein, 346; but believes, on the authority of an unknown writer, named Piccard, that Holbein painted a Dance of Death in the old palace at Whitehall, 360. Dovaston’s account of Bewick, 478 _n_. Doyle, R. artist. 578*, 579*. Drawings, of a Dance of Death, supposed to be originals, by Holbein, 357; by Robert Johnson, purchased of Beilby and Bewick, by the Earl of Bute, 517; on wood, mode of preparing the block for, 570; for wood engraving, difficulty of obtaining good, 592. Drytzehn, Andrew, a partner of Gutemberg’s, 126. Duncan, Edward, artist, 583*. Dünne, Hans, work done by him for Gutemberg, on account of printing, previous to 1438, 129. Durer, Albert, placed as pupil under Michael Wolgemuth, 238; earliest known copper-plate of his engraving, 1494, 239; his illustrations of the Apocalypse, _ib._; his visit to Venice, 241; his illustrations of the History of the Virgin, 243-246; of Christ’s Passion, 246-250; triumphal car, 255; triumphal arch, _ib._; his earliest etchings, 257; specimen of his carving in the British Museum, 258; his poetry, 260 _n_; his visit to Flanders, 260-270; his portrait, 272; lock of his hair preserved, 321 _n_; his death, said to have been hastened through his wife’s bad temper, 239, 273. Dyas, E. a self-taught wood engraver, 463 _n_. Dyers of Ovingham, 501.

E.

Edmonston, S. draughtsman, 599*. Egyptian brick stamp, 5, 6. Electro-printing block process, specimen of, 639. Electrotyping, 638. Elizabeth, Queen, portrait of, in Archbishop Parker’s Bible, 1568, 419; in her Prayer-Book, 427, 428. Emblems of Mortality, with cuts, engraved by John Bewick, 1789, 329, 513. Emblems, Religious, with wood-cuts, 1808, 520. English book, the earliest, that contains wood-cuts, 191-194. Engraving, the word explained, 1; copper-plate, 20, 200, 419. Enschedius, J., specimen of typography discovered by him, 161. Entkrist, Der, an old block-book, 1. Erasmus, portrait of, painted by Durer, 263; invoked by Durer to exert himself in behalf of the Reformation, 267; his worldly wisdom displayed in his letter introducing Holbein to Aegidius, 375; his Ship of Fools, with cuts by Seb. Brandt, 468. Etching, the process of, explained, 258 _n_; in metallic relief, 632. Evans, Edmund, wood engraver, 556, 567*. Eve, creation of, conventional mode of representing, 215, 216. Evelyn’s Sculptura, 5, 408. Eyck, Hubert and J. van, paintings by them, 265.

F.

Fables, book of, printed at Bamberg, 1461, 171; Æsop’s, 1722, 448; Select, with cuts, by Bewick, 1818, 502-506. Fairholt, F. W. artist, 592*. Falconer’s Shipwreck, 1808, with cuts by Clennell, 522. Fanti, Sigismond, his Triompho di Fortuna, Venice, 1527, 315. Fantuzzi, Antonio, called also Antonio da Trente, engraver of chiaro-scuros, 389. Fasciculus Temporum, with wood-cuts, 1474, 190. Faust, John, becomes a partner of Gutemberg, 131; sues him for money advanced, 133; gains the cause, 134. Faust and Scheffer’s Psalter of 1457, 164. Fellowship, or Guild of St. Luke, at Antwerp, 121. Figures du Nouveau Testament, 402. Flaxman’s Lectures, print of the creation of Eve in, 217; cut from his relief, “Deliver us from evil,” 577*; his opinion of expressionand sentiment in art, 585; cut from a design by, 590. Folkard, W. A. wood engraver, 544, 564*. Forma, a shape or mould, 42. Formschneider, 19, 43, 44, 410. Foster, Birket, artist, 551, 556-558, 570*, 571*. Fournier, P. S. his discoveries with respect to the Speculum Salvationis, 101; his opinion of wooden types, 136; his works, 467-469. Fox’s, John, Acts and Monuments, 428. Fracture, 283 _n_. Franklin, John, draughtsman, 599*. Frellon, John and Francis, publishers of the second edition of the Lyons Dance of Death, 366. French wood-cuts, 610. Frey, Agnes, the wife of Durer, her avarice and ill-temper said to have hastened her husband’s death, 273. Frith, W. P. painter, 59.

G.

Gænsfleisch, a surname of the family of Gutemberg, 124. Galenus de Temperamentis, with a title-page, engraved on copper, printed at Cambridge, 1521, 421. Galius, Nicholas, tells the story of Coster’s invention to H. Junius, 150. Gamperlin, Von, cuts ascribed to, 314. Garfagninus, Joseph Porta, 390. Gebhard, L. A. his notice of the History of the Council of Constance, with cuts of arms, 189. Gemini, Thomas, his Compendium of Anatomy, with copper-plate engravings, London, 1545, 422. Gent, Thomas, wood-cuts in his History of Ripon, 181. George IV. his signature stamped, 14; his snuff-box, with designs by Flaxman, 590. Gesner, Conrad, expressly mentions the cuts in the Lyons Dance of Death, as having been designed by Holbein, 364. Ghesquiere, M. his answer to M. Desroches, 120. Gilbert, John, artist, 561*, 563*, 564*. Gilpin, Rev. William, his definition of tint, 213. Giolito, Gabriel, printer, of Venice, 394. Giraffe, wood-cut of a, in Breydenbach’s Travels, 1486, 269. Glasses, observations on the use of, 573. Globe, glass, the engraver’s, to concentrate the light of the lamp, 575. Glockendon, George, an early German wood engraver, 227. Glockenton, A. cuts ascribed to, 317. Goethe, allusion to Sir Theurdank, in his Götz Von Berlichingen, 281 _n_. Golden Legend, printed by W. de Worde, 1493, large cut in, 195. Goldsmith and Parnell’s Poems, printed by Bulmer, 513. Goltzius, Henry, chiaro-scuros by, 432. Goltzius, Hubert, his portraits of the Roman Emperors in chiaro-scuro, from plates of metal, 1557, 405. Goodall, E. painter, 598*. Goodall, W. draughtsman, 599*. Goose, Bernacle or Barnacle, said to be produced from a tree, 414. Gorway, Charles, wood engraver, 544, 600*. Gospels of Ulphilas, 44. Gothic monograms, 15. Graff, Rose, 313, 314. Grand-duc de l’armée céleste, 173. Grant, W. J. painter, 598*. Gratture, the French term for the process of thickening the lines in a wood-cut by scraping them down, 464. Gravers, 574, 575. Gray, Charles, wood-engraver, 544. Green, W. T. wood-engraver, 544, 547, 548. Greenaway, J. wood-engraver, 553-555. Greff, Jerome, publisher of a pirated edition of Durer’s Illustrations of the Apocalypse, 241. Greffier and Scrivener, 2 _n_. Gregson, Mr. C., letter to, from Bewick, 474, 479. Gringonneur, Jacquemin, cards painted by, 41. Gritner, a French wood-engraver, 547. Grotesque, 9 _n_. Grün, H. B. 320. Gubitz, a modern German wood-engraver, 546. Guicciardini, L. mentions the report of printing having been invented at Harlem, 146. Gutemberg, John, his birth, 124; residing at Strasburg in 1434, 125; his partnership with Andrew Drytzehn, _ib._; evidences of his having a _press_ in 1438, for the purpose of printing, 127; his return to Mentz and partnership with Faust, 131; partnership dissolved, 133; proofs of his having afterwards had a press of his own, 140; his death and epitaph, 144.

H.

Hahn, Ulric, Meditationes J. de Turrecremata, printed by, in 1467, 184. Hammond, --, wood-engraver, 600*. Hancock, Charles, his patent for engraving in metallic relief, 635. Handgun, figure of one seen in cut in Valturius, de Re Militari, 1472, 187. Hans, Young, Briefmaler, 116, 225. Harral, Horace, wood-engraver, 566*, 583*, 594*. Harrington, Sir John, his translation of Ariosto, with copper-plate engravings, 1591, 423. Hartlieb, Dr. Cyromantia, 116. Harvey, William, a pupil of Bewick, notice of his works as an engraver and designer, 527-534. Hawkins, John Sidney, editor of Emblems of Mortality, 1789, 329. Hawkins, Sir John, wood-cuts in his History of Music, 1776, 471. Haydock, R. his translation of Lomazzo, with copper-plate engraving, 1598, 423. Head of Paris, the lover of Helen, serves for that of Thales, Dante, and others, 212. Hegner, Ulrich, author of Life of Holbein, his notice of the Dance of Death, at Basle, 326; of the German names in proof impressions of the cuts in the Lyons Dance of Death, 331; of Hans Lutzelburger, 351; his Life of Holbein, 372. Heilman, Anthony, his evidence in the suit of the Drytzehns against Gutemberg, 1438, 128. Heineken, Charles, Baron Von, his disbelief of Papillon’s story of the Cunio, 27; his opinion that cards were invented in Germany, 40; his notice of the old wood-cut of St. Christopher, 46; of the History of the Virgin, 68; of the Apocalypse, 80; of the Poor Preacher’s Bible, 82, 94; of the Speculum Salvationis, 100; his erroneous account of a Dutch wood-cut, by _Phillery_ [Willem] de figuersnider, 309. Helgen, or Helglein, figures of Saints, 45. Henderson, Dr. his History of Wines, with Illustrations, by W. Harvey, 530. Henry VIII. his signature stamped, 14. Heures a l’Usaige de Chartres, printed by S. Vostre, 1502, 232. Hicks, G. E. painter, 598*. Hieroglyphic sonnet, 396; Bible, 478. Highland Society, diploma of, 523. Historiarum Veteris Testamenti Icones, or Bible-cuts, designed by Holbein, 365-371. Histories, the Four, dated 1462, 172-175. History of the Virgin, an ancient block-book, 68-80. Hodgson, Solomon, printer of the first four editions of Bewick’s Quadrupeds, 488. Hodgson, T. the engraver of a cut in Sir John Hawkins’s History of Music, 1776, 471. Hogarth, cut from projected edition of, 544; sketch from, 594. Hogenberg, R. portrait of Archbishop Parker engraved by, 1572, 422. Holbein, Hans, the designer of the cuts in the Dance of Death printed at Lyons, 371; his birth, _ib._; his marriage, 372; how employed at Basle, 373; visits England, _ib._; revisits Basle, 376; his death, 378; his satirical drawings, 378 _n_; his Alphabet, 352. Hole, Henry, a pupil of Bewick, 492 _n_. Holl, Leonard, printer of Ulm, his edition of Ptolemy, 1483, 199. Hollar, W. his etchings of the Dance of Death, 337. Holzschneider, 2. Horace, his well-stored wine, 9. Horne, Rev. T. H. probably incorrect with respect to a date, 60. Horsley, J. C. artist, 591*, 598*. Hortus Sanitatis, 1491, 210. Householder, the Good, 438. Howel’s Medulla Historiæ Anglicanæ, with wood-cuts, 1712, 446. Hughes, Hugh, his Beauties of Cambria, 538-548. Hughes, William, wood-engraver, 538. Hudibras, 1819, cut from, 543. Hulme, F. W. draughtsman, 599*. Humanæ Vitæ Imago, 436 _n_. Humphreys, Noel, draughtsman, 599*. Hunt, W. Holman, painter, 598*. Hunting and Hawking, Book of, printed at St. Alban’s, 1486, and at Westminster in 1496, 195. Hutton’s Mensuration, with diagrams engraved by Bewick, 1768-1770, 475. Hypnerotomachia Poliphili, 218, 220, 224.