CHAPTER VII
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THE KING OF THE DEAD.
At first she was not much affected by promises like these. A lonely hermitage without God, amidst the great monotonous breezes of the West, amidst memories all the more ruthless for that mighty solitude, of such heavy losses, such sharp affronts; a widowhood so hard and sudden, away from the husband who had left her to her shame--all this was enough to bow her down. Plaything of fate, she seemed like the wretched weed upon the moor, having no root, but tossed to and fro, lashed and cruelly cut by the north-east winds; or rather, perhaps, like the grey, many-cornered coral, which only sticks fast to get more easily broken. The children trampled on her; the people said, with a laugh, "She is the bride of the winds."
Wildly she laughed at herself when she thought on the comparison. But, from the depth of her dark cave, she heard,--
"Ignorant and witless, you know not what you say. The plant thus tossing to and fro may well look down upon the rank and vulgar herbs. If it tosses, it is, at least, all self-contained--itself both flower and seed. Do thou be like it; be thine own root, and even in the whirlwind thou wilt still bear thy blossom: our own flowers for ourselves, as they come forth from the dust of tombs and the ashes of volcanoes.
"To thee, first flower of Satan, do I this day grant the knowledge of my former name, my olden power. I was, I am, the _King of the Dead_. Ay, have I not been sadly slandered? 'Tis I who alone can make them reappear; a boon untold, for which I surely deserved an altar."
* * * * *
To pierce the future and to call up the past, to forestal and to live again the swift-flying moments, to enlarge the present with that which has been and that which will be--these are the two things forbidden to the Middle Ages; but forbidden in vain. Nature is invincible; nothing can be gained in such a quarter. He who thus errs is _a man_. It is not for him to be rooted to his furrow, with eyes cast down, looking nowhere beyond the steps he takes behind his oxen. No: we will go forward with head upraised, looking further and looking deeper! This earth that we measure out with so much care, we kick our feet upon withal, and keep ever saying to it, "What dost thou hold in thy bowels? What secrets lie therein? Thou givest us back the grain we entrust to thee; but not that human seed, those beloved dead, we have lent into thy charge. Our friends, our loves, that lie there, will they never bud again? Oh, that we might see them, if only for one hour, if only for one moment!
"Some day we ourselves shall reach the unknown land, whither they have already gone. But shall we see them again there? Shall we dwell with them? Where are they, and what are they doing? They must be kept very close prisoners, these dear dead of mine, to give me not one token! And how can I make them hear me? My father, too, whose only hope I was, who loved me with so mighty a love, why comes he never to me? Ah, me! on either side is bondage, imprisonment, mutual ignorance; a dismal night, where we look in vain for one glimmer!"[36]
[36] The glimmer shines forth in Dumesnil's _Immortalité_, and _La Foi Nouvelle_, in the _Ciel et Terre_ of Reynaud, Henry Martin, &c.
These everlasting thoughts of Nature, from having in olden times been simply mournful, became in the Middle Ages painful, bitter, weakening, and the heart thereby grew smaller. It seems as if they had reckoned on flattening the soul, on pressing and squeezing it down to the compass of a bier. The burial of the serf between four deal boards was well suited to such an end: it haunted one with the notion of being smothered. A person thus enclosed, if ever he returned in one's dreams, would no longer appear as a thin luminous shadow encircled by a halo of Elysium, but only as the wretched sport of some hellish griffin-cat. What a hateful and impious idea, that my good, kind father, my mother so revered by all, should become the plaything of such a beast! You may laugh now, but for a thousand years it was no laughing matter: they wept bitterly. And even now the heart swells with wrath, the very pen grates angrily upon the paper, as one writes down these blasphemous doings.
* * * * *
Moreover, it was surely a cruel device to transfer the Festival of the Dead from the Spring, where antiquity had placed it, to November. In May, where it fell at first, they were buried among the flowers. In March, wherein it was afterwards placed, it became the signal for labour and the lark. The dead and the seed of corn entered the earth together with the same hope. But in November, when all the work is done, the weather close and gloomy for many days to come; when the folk return to their homes; when a man, re-seating himself by the hearth, looks across on that place for evermore empty--ah, me! at such a time how great the sorrow grows! Clearly, in choosing a moment already in itself so funereal, for the obsequies of Nature, they feared that a man would not find cause enough of sorrow in himself!
The coolest, the busiest of men, however taken up they be with life's distracting cares, have, at least, their sadder moments. In the dark wintry morning, in the night that comes on so swift to swallow us up in its shadow, ten years, nay, twenty years hence, strange feeble voices will rise up in your heart: "Good morning, dear friend, 'tis we! You are alive, are working as hard as ever. So much the better! You do not feel our loss so heavily, and you have learned to do without us; but we cannot, we never can, do without you. The ranks are closed, the gap is all but filled. The house that was ours is full, and we have blessed it. All is well, is better than when your father carried you about; better than when your little girl said, in her turn, to you, 'Papa, carry me.' But, lo! you are in tears. Enough, till we meet again!"
Alas, and are they gone? That wail was sweet and piercing: but was it just? No. Let me forget myself a thousand times rather than I should forget them! And yet, cost what it will to say so, say it we must, that certain traces are fading off, are already less clear to see; that certain features are not indeed effaced, but grown paler and more dim. A hard, a bitter, a humbling thought it is, to find oneself so weak and fleeting, wavering as unremembered water; to feel that in time one loses that treasure of grief which one had hoped to preserve for ever. Give it me back, I pray: I am too much bounden to so rich a fountain of tears. Trace me again, I implore you, those features I love so well. Could you not help me at least to dream of them by night?
* * * * *
More than one such prayer is spoken in the month of November. And amidst the striking of the bells and the dropping of the leaves, they clear out of church, saying one to another in low tones: "I say, neighbour; up there lives a woman of whom folk speak well and ill. For myself, I dare say nothing; but she has power over the world below. She calls up the dead, and they come. Oh, if she might--without sin, you know, without angering God--make my friends come to me! I am alone, as you must know, and have lost everything in this world. But who knows what this woman is, whether of hell or heaven? I won't go (he is dying of curiosity all the while); I won't. I have no wish to endanger my soul: besides, the wood yonder is haunted. Many's the time that things unfit to see have been found on the moor. Haven't you heard about Jacqueline, who was there one evening looking for one of her sheep? Well, when she returned, she was crazy. I won't go."
Thus unknown to each other, many of the men at least went thither. For as yet the women hardly dared so great a risk. They remark the dangers of the road, ask many questions of those who return therefrom. The new Pythoness is not like her of Endor, who raised up Samuel at the prayer of Saul. Instead of showing you the ghosts, she gives you cabalistic words and powerful potions to bring them back in your dreams. Ah, how many a sorrow has recourse to these! The grandmother herself, tottering with her eighty years, would behold her grandson again. By an unwonted effort, yet not without a pang of shame at sinning on the edge of the grave, she drags herself to the spot. She is troubled by the savage look of a place all rough with yews and thorns, by the rude, dark beauty of that relentless Proserpine. Prostrate, trembling, grovelling on the ground, the poor old woman weeps and prays. Answer there is none. But when she dares to lift herself up a little, she sees that Hell itself has been a-weeping.
* * * * *
It is simply Nature recovering herself. Proserpine blushes self-indignantly thereat. "Degenerate soul!" she calls herself, "why this weakness? You came hither with the firm desire of doing nought but evil. Is this your master's lesson? How he will laugh at you for this!"
"Nay! Am I not the great shepherd of the shades, making them come and go, opening unto them the gate of dreams? Your Dante, when he drew my likeness, forgot my attributes. When he gave me that useless tail, he did not see that I held the shepherd's staff of Osiris; that from Mercury I had inherited his caduceus. In vain have they thought to build up an insurmountable wall between the two worlds; I have wings to my heels, I have flown over. By a kindly rebellion of that slandered Spirit, of that ruthless monster, succour has been given to those who mourned; mothers, lovers, have found comfort. He has taken pity on them in defiance of their new god."
The scribes of the Middle Ages, being all of the priestly class, never cared to acknowledge the deep but silent changes of the popular mind. It is clear that from thenceforth compassion goes over to Satan's side. The Virgin herself, ideal as she is of grace, makes no answer to such a want of the heart. Neither does the Church, who expressly forbids the calling up of the dead. While all books delight in keeping up either the swinish demon of earlier times, or the griffin butcher of the second period, Satan has changed his shape for those who cannot write. He retains somewhat of the ancient Pluto; but his pale nor wholly ruthless majesty, that permitted the dead to come back, the living once more to see the dead, passes ever more and more into the nature of his father, or his grandfather, Osiris, the shepherd of souls.
Through this one change come many others. Men with their mouths acknowledge the hell official and the boiling caldrons; but in their hearts do they truly believe therein? Would it be so easy to win these infernal favours for hearts beset with hateful traditions of a hell of torments? The one idea neutralizes without wholly effacing the other, and between them grows up a vague mixed image, resembling more and more nearly the hell of Virgil. A mighty solace was here offered to the human heart. Blessed above all was the relief thus given to the poor women, whom that dreadful dogma about the punishment of their loved dead had kept drowned in tears and inconsolable. The whole of their lifetime had been but one long sigh.
* * * * *
The Sibyl was musing over her master's words, when a very light step became audible. The day has scarcely dawned: it is after Christmas, about the first day of the new year. Over the crisp and rimy grass approaches a small, fair woman, all a-trembling, who has no sooner reached the spot, than she swoons and loses her breath. Her black gown tells plainly of her widowhood. To the piercing gaze of Medea, without moving or speaking, she reveals all: there is no mystery about her shrinking figure. The other says to her with a loud voice: "You need not tell me, little dumb creature, for you would never get to the end of it. I will speak for you. Well, you are dying of love!" Recovering a little, she clasps her hands together, and sinking almost on her knees, tells everything, making a full confession. She had suffered, wept, prayed, and would have silently suffered on. But these winter feasts, these family re-unions, the ill-concealed happiness of other women who, without pity for her, showed off their lawful loves, had driven the burning arrow again into her heart. Alas, what could she do? If he might but return and comfort her for one moment! "Be it even at the cost of my life; let me die, but only let me see him once more!"
"Go back to your house: shut the door carefully: put up the shutter even against any curious neighbour. Throw off your mourning, and put on your wedding-clothes; place a cover for him on the table; but yet he will not come. You will sing the song he made for you, and sang to you so often, but yet he will not come. Then you shall draw out of your box the last dress he wore, and, kissing it, say, 'So much the worse for thee if thou wilt not come!' And presently when you have drunk this wine, bitter, but very sleepful, you will lie down as a wedded bride. Then assuredly he will come to you."
The little creature would have been no woman, if next morning she had not shown her joy and tenderness by owning the miracle in whispers to her best friend. "Say nought of it, I beg. But he himself told me, that if I wore this gown and slept a deep sleep every Sunday, he would return."
A happiness not without some danger. Where would the rash woman be, if the Church learned that she was no longer a widow; that re-awakened by her love, the spirit came to console her?
But strange to tell, the secret is kept. There is an understanding among them all, to hide so sweet a mystery. For who has no concern therein? Who has not lost and mourned? Who would not gladly see this bridge created between two worlds? "O thou beneficent Witch! Blessed be thou, spirit of the nether world!"
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