book did
us any mischief, it was this,--that we took a hearty dislike to all philosophy, and especially metaphysics, and remained in that dislike; while, on the other hand, we threw ourselves into living knowledge, experience, action, and poetising, with all the more liveliness and passion.
Thus, on the very borders of France, we had at once got rid and clear of everything French about us. The French way of life we found too defined and genteel, their poetry cold, their criticism annihilating, their philosophy abstruse, and yet insufficient, so that we were on the point of resigning ourselves to rude nature, at least by way of experiment, if another influence had not for a long time prepared us for higher and freer views of the world, and intellectual enjoyments as true as they were poetical, and swayed us, first moderately and secretly, but afterwards with more and more openness and force.
I need scarcely say that Shakspeare is intended; and having once said this, no more need be added. Shakspeare has been acknowledged by the Germans, more by them than by other nations, perhaps even more than by his own. We have richly bestowed on him all that justice, fairness, and forbearance which we refuse to ourselves. Eminent men have occupied themselves in showing his talents in the most favourable light; and I have always readily subscribed to what has been said to his honour, in his favour, or even by way of excuse for him. The influence of this extraordinary mind upon me has been already shown; an attempt has been made with respect to his works, which has received approbation; and therefore this general statement may suffice for the present, until I am in a position to communicate to such, friends as like to hear me, a gleaning of reflections on his great deserts, such as I was tempted to insert in this very place.
At present I will only show more clearly the manner in which I became acquainted with him. It happened pretty soon at Leipzig, through Dodd's _Beauties of Shakspeare._ Whatever may be said against such collections, which give authors in a fragmentary form, they nevertheless produce many good effects. We are not always so collected and so ready that we can take in a whole work according to its merits. Do we not, in a book, mark passages which have an immediate reference to ourselves? Young people especially, who are wanting in a thorough cultivation, are laudably excited by brilliant passages; and thus I myself remember, as one of the most beautiful epochs of my life, that which is characterised by the above-mentioned work. Those noble peculiarities, those great sayings, those happy descriptions, those humorous traits--all struck me singly and powerfully.
Wieland's translation now made its appearance. It was devoured, communicated and recommended to friends and acquaintances. We Germans had the advantage that many important works of foreign nations were first brought over to us in an easy and cheerful fashion. Shakspeare, translated in prose, first by Wieland, afterwards by Eschenburg, was able, as a kind of reading universally intelligible, and suitable to any reader, to diffuse itself speedily, and to produce a great effect. I revere the rhythm as well as the rhyme, by which poetry first becomes poetry; but that which is really, deeply, and fundamentally effective--that which is really permanent and furthering, is that which remains of the poet when it is translated into prose. Then remains the pure, perfect substance, of which, when absent, a dazzling exterior often contrives to make a false show, and which, when present, such an exterior contrives to conceal. I therefore consider prose translations more advantageous than poetical, for the beginning of youthful culture; for it may be remarked that boys, to whom everything must serve as a jest, delight themselves with the sound of words and the fall of syllables, and by a sort of parodistical wantonness, destroy the deep contents of the noblest work. Hence I would have it considered whether a prose translation of Homer should not be next undertaken, though this, indeed, must be worthy of the degree at which German literature stands at present. I leave this, and what has been already said, to the consideration of our worthy pedagogues, to whom an extensive experience on this matter is most at command. I will only, in favour of my proposition, mention Luther's translation of the Bible; for the circumstance that this excellent man handed down a work, composed in the most different styles, and gave us its poetical, historical, commanding didactic tone in our mother-tongue, as if all were cast in one mould, has done more to advance religion than if he had attempted to imitate, in detail, the peculiarities of the original. In vain has been the subsequent endeavour to make Job, the Psalms, and the other lyrical books, capable of affording enjoyment in their poetical form. For the multitude, upon whom the effect is to be produced, a plain translation always remains the best. Those critical translations which vie with the original, really only seem to amuse the learned among themselves.
[Side-note: Influence of Shakspeare.]
And thus in our Strasburg society did Shakspeare, translated and in the original, by fragments and as a whole, by passages and by extracts, influence us in such a manner, that as there are Bible-firm (_Bibelfest_) men, so did we gradually make ourselves firm in Shakspeare, imitated in our conversations those virtues and defects of his time with which he had made us so well acquainted, took the greatest delight in his "quibbles,"[6] and by translating them, nay, with original recklessness, sought to emulate him. To this, the fact that I had seized upon him above all, with great enthusiasm, did not a little contribute. A happy confession that something higher waved over me was infectious for my friends, who all resigned themselves to this mode of thought. We did not deny the possibility of knowing such merits more closely, of comprehending them, of judging them with penetration, but this we reserved for later epochs. At present we only wished to sympathize gladly, and to imitate with spirit, and while we had so much enjoyment, we did not wish to inquire and haggle about the man who afforded it, but unconditionally to revere him.
[Side-note: Lenz.]
If any one would learn immediately what was thought, talked about, and discussed in this lively society, let him read Herder's essay on Shakspeare, in the part of his works upon the German manner and art (_Ueber Deutsche Art und Kunst_), and also Lenz's remarks on the theatre (_Anmerkungen übers Theater_), to which a translation of _Love's Labour Lost_ was added.[7] Herder penetrates into the deepest interior of Shakspeare's nature, and exhibits it nobly; Lenz conducts himself more like an Iconoclast against the traditions of the theatre, and will have everything everywhere treated in Shakspeare's manner. Since I have had occasion to mention this clever and eccentric man here, it is the place to say something about him by way of experiment. I did not become acquainted with him till towards the end of my residence at Strasburg. We saw each other seldom, his company was not mine, but we sought an opportunity of meeting, and willingly communicated with each other, because, as contemporary youths, we harboured similar views. He had a small but neat figure, a charming little head, to the elegant form of which his delicate but somewhat flat features perfectly corresponded; blue eyes, blond hair, in short, a person such as I have from time to time met among northern youths; a soft and as it were cautious step, a pleasant but not quite flowing speech, and a conduct which, fluctuating between reserve and shyness, well became a young man. Small poems, especially his own, he read very well aloud. For his turn of mind I only know the English word "whimsical," which, as the dictionary shows, comprises very many singularities under one notion. No one, perhaps, was more capable than he to feel and imitate the extravagances and excrescences of Shakspeare's genius. To this the translation above mentioned bears witness. He treated his author with great freedom, was not in the least close and faithful, but he knew how to put on the armour, or rather the motley jacket, of his predecessor so very well, to adapt himself with such humour to his gestures, that he was certain to obtain applause from those who were interested in such matters.
The absurdities of the clowns especially constituted our whole happiness, and we praised Lenz as a favoured man, when he succeeded in rendering as follows the epitaph on the deer shot by the princess:--
"Die schöne Princessin schoss und traf Eines jungen Hirschleins Leben; Es fiel dahin in schweren Schlaf Und wird ein Brätlein geben. Der Jagdhund boll! Ein L zu Hirsch So wird es denn ein Hirschel; Doch setzt ein römisch L zu Hirsch So macht es fünfzig Hirschel. Ich mache hundert Hirsche draus Schreib Hirschell mit zwei LLen."[8]
The tendency towards the absurd, which displays itself free and unfettered in youth, but afterwards recedes more into the background, without being on that account utterly lost, was in full bloom among us, and we sought even by original jests to celebrate our great master. We were very proud when we could lay before the company something of the kind, which was in any degree approved, as, for instance, the following on a riding-master, who had been hurt on a wild horse.
"A rider in this house you'll find, A master too is he, The two into a nosegay bind, 'Twill riding-master be. If master of the ride, I wis, Full well he bears the name, But if the ride the master is, On him and his be shame."[9]
About such things serious discussions were held as to whether they were worthy of the clown or not, whether they flowed from the genuine pure fool's spring, and whether sense and understanding had at all mingled in an unfitting and inadmissible manner. Altogether our singular views were diffused with the greater ardour, and more persons were in a position to sympathize with them, as Lessing, in whom great confidence was placed, had, properly speaking, given the first signal in his _Dramaturgie._
In a society so attuned and excited I managed to take many a pleasant excursion into Upper Alsace, whence, however, on this very account, I brought back no particular instruction. The number of little verses which flowed from us on that occasion, and which might serve to adorn a lively description of a journey, are lost. In the cross-way of Molsheim Abbey we admired the painted windows; in the fertile spot between Colmar and Schlettstadt resounded some comic hymns to Ceres, the consumption of so many fruits being circumstantially set forth and extolled, and the important question as to the free or restricted trade in them being very merrily taken up. At Ensisheim we saw the monstrous aerolite hanging up in the church, and in accordance with the scepticism of the time, ridiculed the credulity of man, never suspecting that such air-born beings, if they were not to fall into our corn-fields, were at any rate to be preserved in our cabinets.
[Side-note: The Ottilienberg.]
Of a pilgrimage to the Ottilienberg, accomplished with an hundred, nay, a thousand of the faithful, I still love to think. Here, where the foundation-wall of a Roman castle still remained, a count's beautiful daughter, of a pious disposition, was said to have dwelt among ruins and stony crevices. Near the chapel where the wanderers edify themselves, her well is shown, and much that is beautiful is narrated. The image which I formed of her, and her name, made a deep impression upon me. I carried both about with me for a long time, until at last I endowed with them one of my later, but not less beloved daughters,[10] who was so favourably received by pure and pious hearts.
On this eminence also is repeated to the eye the majestic Alsace, always the same, and always new. Just as in an amphitheatre, let one take one's place where one will, one surveys the whole people, but sees one's neighbours the plainest, so it is here with bushes, rocks, hills, woods, fields, meadows, and districts near and in the distance. They wished to show us even Basle in the horizon; that we saw it, I will not swear, but the remote blue of the Swiss mountains even here exercised its rights over us, by summoning us to itself, and since we could not follow the impulse, by leaving a painful feeling.
To such distractions and cheerful recreations I abandoned myself the more readily, and even with a degree of intoxication, because my passionate connexion with Frederica now began to trouble me. Such a youthful affection cherished at random, may be compared to a bomb-shell thrown at night, which rises with a soft brilliant track, mingles with the stars, nay, for a moment, seems to pause among them, then, in descending, describes the same path in the reverse direction, and at last brings destruction to the place where it has terminated its course. Frederica always remained equal to herself; she seemed not to think, nor to wish to think, that the connexion would so soon terminate. Olivia, on the contrary, who indeed also missed me with regret, but nevertheless did not lose so much as the other, had more foresight, or was more open. She often spoke to me about my probable departure, and sought to console herself both on her own and her sister's account. A girl who renounces a man to whom she has not denied her affections, is far from being in that painful situation in which a youth finds himself who has gone so far in his declarations to a lady. He always plays a pitiful part, since a certain survey of his situation is expected of him as a growing man, and a decided levity does not suit him. The reasons of a girl who draws back always seem sufficient, those of a man--never.
But how should a flattering passion allow us to foresee whither it may lead us? For even when we have quite sensibly renounced it, we cannot get rid of it; we take pleasure in the charming habit, even if this is to be in an altered manner. Thus it was with me. Although the presence of Frederica pained me, I knew of nothing more pleasant than to think of her while absent, and to converse with her. I went to see her less frequently, but our correspondence became so much the more animated. She knew how to bring before me her situation with cheerfulness, her feelings with grace, and I called her merits to mind with fervour and with passion. Absence made me free, and my whole affection first truly bloomed by this communication in the distance. At such moments I could quite blind myself as to the future; and was sufficiently distracted by the progress of time and of pressing business. I had hitherto made it possible to do the most various things by always taking a lively interest in what was present and belonged to the immediate moment; but towards the end all became too much crowded together, as is always the case when one is to free oneself from a place.
One more event, which happened in an interval, took, from me the last days. I found myself in a respectable society at a country-house, whence there was a noble view of the front of the minster, and the tower which rises over it. "It is a pity," said some one, "that the whole was not finished, and that we have only one tower." "It is just as unpleasant to me," answered I, "to see this one tower not quite completed, for the four volutes leave off much too bluntly; there should have been upon them four light spires, with a higher one in the middle where the clumsy cross is standing."
When I had expressed this strong opinion with my accustomed animation, a little lively man addressed me, and asked, "Who told you so?" "The tower itself," I replied; "I have observed it so long and so attentively, and have shown it so much affection, that it at last resolved to make me this open confession." "It has not misinformed you," answered he; "I am the best judge of that; for I am the person officially placed over the public edifices. We still have among our archives the original sketches, which say the same thing, and which I can show to you." On account of my speedy departure I pressed him to show me this kindness as speedily as possible. He let me see the precious rolls; I soon, with the help of oiled paper, drew the spires, which were wanting in the building as executed, and regretted that I had not been sooner informed of this treasure. But this was always to be the case with me, that by looking at things and considering them, I should first attain a conception, which perhaps would not have been so striking and so fruitful, if it had been given ready made.
[Side-note: Strasburg Minster.]
Amid all this pressure and confusion I could not fail to see Frederica once more. Those were painful days, the memory of which has not remained with me. When I reached her my hand from my horse, the tears stood in her eyes, and I felt very uneasy. I now rode along the footpath towards Drusenheim, and here one of the most singular forebodings took possession of me. I saw, not with the eyes of the body, but with those of the mind, my own figure coming towards me, on horseback, and on the same road, attired in a dress which I had never worn;--it was pike-grey (_hecht-grau_) with somewhat of gold. As soon as I shook myself out of this dream, the figure had entirely disappeared. It is strange, however, that eight years afterwards, I found myself on the very road, to pay one more visit to Frederica, in the dress of which I had dreamed, and which I wore, not from choice, but by accident. However it may be with matters of this kind generally, this strange illusion in some measure calmed me at the moment of
## parting. The pain of quitting for ever the noble Alsace, with all
that I had gained in it, was softened, and having at last escaped the excitement of a farewell, I found myself on a peaceful and quiet journey, pretty well recovered.
Arrived at Mannheim, I hastened with great eagerness to see the hall of antiquities, of which a great boast was made. Even at Leipzig, on the occasion of Winckelmann's and Lessing's writings, I had heard much said of those important works of art, but so much the less had I seen them, for except Laocoön, the father, and the Faun with the crotola, there were no casts in the academy, and whatever Oeser chose to say to us on the subject of those works, was enigmatical enough. How can a conception of the end of art be given to beginners?
Director Verschaffel's reception was kind. I was conducted to the saloon by one of his associates, who, after he had opened it for me, left me to my own inclinations and reflections. Here I now stood, open to the most wonderful impressions, in a spacious, four-cornered, and, with its extraordinary height, almost cubical saloon, in a space well lighted from above by the windows under the cornice; with the noblest statues of antiquity, not only ranged along the walls, but also set up one with another over the whole area;--a forest of statues, through which one was forced to wind; a great ideal popular assembly, through which one was forced to press. All these noble figures could, by opening and closing the curtains, be placed in the most advantageous light, and besides this, they were moveable on their pedestals, and could be turned about at pleasure.
After I had for a time sustained the first impression of this irresistible mass, I turned to those figures which attracted me the most, and who can deny that the Apollo Belvidere, with his well-proportioned colossal stature, his slender build, his free movement, his conquering glance, carried off the victory over our feelings in preference to all the others? I then turned to Laocoön, whom I here saw for the first time in connexion with his sons. I brought to mind as well as possible the discussions and contests which had been held concerning him, and tried to get a point of view of my own; but I was now drawn this way, now that. The dying gladiator long held me fast, but the group of Castor and Pollux, that precious though problematical relic, I had especially to thank for my happiest moments. I did not know how impossible it was at once to account to oneself for a sight affording enjoyment. I forced myself to reflect, and little as I succeeded in attaining any sort of clearness, I felt that every individual figure from this great assembled mass was comprehensible, that every object was natural and significant in itself.
[Side-note: Antiquities at Mannheim.]
Nevertheless my chief attention was directed to Laocoön, and I decided for myself the famous question, why he did not shriek, by declaring to myself that he could not shriek. All the actions and movements of the three figures proceeded, according to my view, from the first conception of the group. The whole position--as forcible as artistical---of the chief body was composed with reference to two impulses--the struggle against the snakes, and the flight from the momentary bite. To soften this pain, the abdomen must be drawn in, and shrieking rendered impossible. Thus I also decided that the younger son was not bitten, and in other respects sought to elicit the artistical merits of this group. I wrote a letter on the subject to Oeser, who, however, did not show any special esteem for my interpretation, but only replied to my good will with general terms of encouragement. I was, however, fortunate enough to retain that thought, and to allow it to repose in me for several years, until it was at last annexed to the whole body of my experiences and convictions, in which sense I afterwards gave it in editing my _Propylæa._
After a zealous contemplation of so many sublime plastic works, I was not to want a foretaste of antique architecture. I found the cast of a capital of the Rotunda, and do not deny that at the sight of those acanthus-leaves, as huge as they were elegant, my faith in the northern architecture began somewhat to waver.
This early sight, although so great and so effective throughout my whole life, was nevertheless attended with but small results in the time immediately following. How willingly would I have begun a book, instead of ending one, with describing it; for no sooner was the door of the noble saloon closed behind me, than I wished to recover myself again, nay, I rather sought to remove those forms as cumbersome from my memory; and it was only by a long circuitous route that I was brought back into this sphere. However, the quiet fruitfulness is quite inestimable of those impressions, which are received with enjoyment, and without dissecting judgment. Youth is capable of this highest happiness, if it will not be critical, but allows the excellent and the good to act upon it without investigation and division.
[1] A polemic dissertation written on taking an university degree.--_Trans._
[2] Medicine.--_Trans._
[3] "Michel" is exactly to the Germans what "John Bull" is to the English.--_Trans._
[4] "Um den so genannten Pfaffen zu schaden." As we have not the word for a priest, which exactly expresses the contempt involved in "Pfaffe," the word "priestcraft" has been introduced.--_Trans._
[5] "Practically clever" is put as a kind of equivalent for the difficult word "geistreich."--_Trans._
[6] This English word is used in the original.--_Trans._
[7] A complete edition of Lenz's works was published by Tieck in 1828. In that will be found the essay and play in question, to the last of which he gives the name _Amor vincit omnia._--_Trans._
[8] The lines in Shakspeare, which the above are intended to imitate, are the following:--
"The praiseful princess pierc'd and prick'd a pretty pleasing pricket; Some say a sore; but not a sore till now made sore with shooting. The dogs did yell; put L to sore, then sorel jumps from thicket Or pricket, sore, or else sorel; the people fall a-hooting. If sore be sore, then L to sore makes fifty sores, O sore L! Of one sore I an hundred make, by adding but one more L."
Lenz's words, which cannot be rendered intelligibly into English, furnish an instance of Goethe's meaning, when he commends Lenz as happily catching the spirit of the original, without the slightest pretence to accuracy.--_Trans._
[9] The above doggrel is pretty faithful, but it is as well to give the original.
"Ein Ritter wohnt in diesem Haus; Ein Meister auch daneben; Macht man davon einen Blumenstrauss So wird's einen Rittmeister geben. Ist er nun Meister von dem Ritt Führt er mit Recht den Namen; Doch nimmt der Ritt den Meister mit, Weh ihm und seinem Samen." --_Trans._
[10] By this _daughter_ he means "Ottilie" in the _Elective Affinities._.--Trans.
TWELFTH BOOK
The wanderer had now at last reached home,--more healthy and cheerful than on the first occasion,--but still in his whole being there appeared something over-strained, which did not fully indicate mental health. At the very first I put my mother into the position, that, between my father's sincere spirit of order and my own various eccentricities, she was forced to occupy herself with bringing passing events into a certain medium. At Mayence, a harp-playing boy had so well pleased me, that, as the fair was close at hand, I invited him to Frankfort, and promised to give him lodging and to encourage him. In this occurrence appeared once more that peculiarity which has cost me so much in my lifetime,--namely, that I liked to see younger people gather round me and attach themselves to me, by which, indeed, I am at last encumbered with their fate. One unpleasant experience after another could not reclaim me from this innate impulse, which even at present, and in spite of the clearest conviction, threatens from time to time to lead me astray. My mother, clearer than myself, plainly foresaw how strange it would appear to my father, if a musical fair-vagabond went from such a respectable house to taverns and drinking-houses to earn his bread. Hence she provided him with board and lodging in the neighbourhood. I recommended him to my friends; and thus the lad did not fare badly. After several years I saw him again, when he had grown taller and more clumsy, without having advanced much in his art. The good lady, well contented with this first attempt at squaring and hushing up, did not think that this art would immediately become completely necessary to her. My father, leading a contented life amid his old tastes and occupations, was comfortable, like one who, in spite of all hindrances and delays, carries out his plans. I had now gained my degree, and the first step to the further graduating course of citizen-life was taken. My _Disputation_ had obtained his applause; a further examination of it, and many a preparation for a future edition gave him occupation. During my residence in Alsace, I had written many little poems, essays, notes on travel, and several loose sheets. He found amusement in bringing these under heads, in arranging them, and in devising their completion; and was delighted with the expectation that my hitherto insuperable dislike to see any of these things printed would soon cease. My sister had collected around her a circle of intelligent and amiable women. Without being domineering, she domineered over all, as her good understanding could overlook much, and her good-will could often accommodate matters; moreover, she was in the position of playing the confidant, rather than the rival. Of my older friends and companions, I found in Horn the unalterably true friend and cheerful associate. I also became intimate with Riese, who did not fail to practise and try my acuteness by opposing, with a persevering contradiction, doubt and negation to a dogmatic enthusiasm into which I too readily fell. Others, by degrees, entered into this circle, whom I shall afterwards mention; but among the persons who rendered my new residence in my native city pleasant and profitable, the brothers Schlosser certainly stood at the head. The elder, Heronymus, a profound and elegant jurist, enjoyed universal confidence as counsellor. His favourite abode was amongst his books and papers, in rooms where the greatest order prevailed; there I have never found him otherwise than cheerful and sympathising. In a larger society also he showed himself agreeable and entertaining, for his mind, by extensive reading, was adorned with all the beauty of antiquity. He did not, on occasion, disdain to increase the social pleasures by agreeable Latin poems; and I still possess several sportive distiches which he wrote under some portraits drawn by me of strange and generally known Frankfort caricatures. Often I consulted with him as to the course of life and business I was now commencing; and if an hundredfold inclinations and passions had not torn me from this path, he would have been my surest guide.
Nearer to me, in point of age, was his brother George, who had again returned from Treptow, from the service of the Duke Eugene of Würtemberg. While he had advanced in knowledge of the world and in practical talent, he had not remained behindhand in a survey of German and foreign literature. He liked, as before, to write in all languages; but did not further excite me in this respect, as I devoted myself exclusively to German, and only cultivated other languages so far as to enable me, in some measure, to read the best authors in the original. His honesty showed itself the same as ever; nay, his acquaintance with the world may have occasioned him to adhere with more severity and even obstinacy to his well-meaning views.
[Side-note: Merk.]
Through these two friends, I very soon became acquainted with Merck, to whom I had not been unfavourably announced by Herder, from Strasburg. This strange man, who had the greatest influence on my life, was a native of Darmstadt. Of his early education I can say but little. After finishing his studies, he conducted a young man to Switzerland, where he remained for some time, and came back married. When I made his acquaintance, he was military paymaster at Darmstadt. Born with mind and understanding, he had acquired much elegant knowledge, especially in modern literature, and had paid attention to all times and places in the history of the world and of man. He had the talent of judging with certainty and acuteness. He was prized as a thorough, decisive man of business, and a ready accountant. With ease he gained an entrance everywhere, as a very pleasant companion for those to whom he had not rendered himself formidable by sarcasms. His figure was long and lean; a sharp prominent nose was remarkable; light blue, perhaps grey eyes, gave something tiger-like to his glance, which wandered attentively here and there. Lavater's _Physiognomy_ has preserved his profile for us. In his character there was a wonderful contradiction. By nature a good, noble, upright man, he had embittered himself against the world, and allowed this morbid whim to sway him to such a degree, that he felt an irresistible inclination to be wilfully a rogue, or even a villain. Sensible, quiet, kind at one moment, it might strike him in the next---just as a snail puts out his horns--to do something which might hurt, wound, or even injure another. Yet as one readily associates with something dangerous when one believes oneself safe from it, I felt so much the greater inclination to live with him, and to enjoy his good qualities, since a confident feeling allowed me to suspect that he would not turn his bad side towards me. While now, by this morally restless mind,--by this necessity of treating men in a malignant and spiteful way, he on one side destroyed social life, another disquiet, which also he very carefully fostered within himself, opposed his internal comfort; namely he felt a certain _dilettantish_ impulse to production, in which he indulged the more readily, as he expressed himself easily and happily in prose and verse, and might well venture to play a part among the _beaux esprits_ of the time. I myself still possess poetical epistles, full of uncommon boldness, force, and Swift-like gall, which are highly remarkable from their original views of persons and things, but are at the same time written with such wounding power, that I could not publish them, even at present, but must either destroy them or preserve them for posterity as striking documents of the secret discord in our literature. However, the fact that in all his labours he went to work negatively and destructively, was unpleasant to himself, and he often declared that he envied me that innocent love of setting forth a subject which arose from the pleasure I took both in the original and the imitation.
For the rest, his literary _dilettantism_ would have been rather useful than injurious to him, if he had not felt an irresistible impulse to enter also into the technical and mercantile department. For when he once began to curse his faculties, and was beside himself that he could not, with sufficient genius, satisfy his claims to a practical talent, he gave up now plastic art, now poetry, and thought of mercantile and manufacturing undertakings, which were to bring in money while they afforded him amusement.
In Darmstadt there was besides a society of very cultivated men. Privy Councillor von Hess, Minister of the Landgrave, Professor Petersen, Rector Wenk, and others, were the naturalized persons whose worth attracted by turns many neighbours from other parts, and many travellers through the city. The wife of the privy councillor and her sister, Demoiselle Flachsland, were ladies of uncommon merit and talents; the latter, who was betrothed to Herder, being doubly interesting from her own qualities and her attachment to so excellent a man.
How much I was animated and advanced by this circle is not to be expressed. They readily heard me read aloud my completed or begun works; they encouraged me, when I openly and circumstantially told what I was then planning, and blamed me when on every new occasion I laid aside what I had already commenced. _Faust_ had already advanced; _Götz von Berlichingen_ was gradually building itself up in my mind: the study of the fifteenth and sixteenth centuries occupied me; and the minster had left in me a very serious impression, which could well stand as a background to such poetical inventions.
[Side-note: Paper on German Architecture.]
What I had thought and imagined with respect to that style of architecture, I wrote in a connected form. The first point on which I insisted was, that it should be called German, and not Gothic; that it should be considered not foreign, but native. The second point was, that it could not be compared with the architecture of the Greeks and Romans, because it sprang from quite another principle. If these, living under a more favourable sky, allowed their roof to rest upon columns, a wall, broken through, arose of its own accord. We, however, who must always protect ourselves against the weather, and everywhere surround ourselves with walls, have to revere the genius who discovered the means of endowing massive walls with variety, of apparently breaking them through, and of thus occupying the eye in a worthy and pleasing manner on the broad surface. The same principle applied to the steeples, which are not, like cupolas, to form a heaven within, but to strive towards heaven without, and to announce to the countries far around the existence of the sanctuary which lies at their base. The interior of these venerable piles I only ventured to touch by poetical contemplation and a pious tone.
If I had been pleased to write down these views, the value of which I will not deny, clearly and distinctly, in an intelligible style, the paper "On German Architecture, I: M: Ervini a Steinback," would then, when I published it, have produced more effect, and would sooner have drawn the attention of the native friends of art. But, misled by the example of Herder and Hamann, I obscured these very simple thoughts and observations by a dusty cloud of words and phrases, and both for myself and others, darkened the light which had arisen within me. However, the paper was well received, and reprinted in Herder's work on German manner and art.
If now, partly from inclination, partly with poetical and other views, I very readily occupied myself with the antiquities of my country, and sought to render them present to my mind, I was from time to time distracted from this subject by biblical studies and religious sympathies, since Luther's life and deeds, which shine forth so magnificently in the sixteenth century, always necessarily brought me back to the Holy Scriptures, and to the observation of religious feelings and opinions. To look upon the Bible as a work of compilation, which had gradually arisen, and had been elaborated at different times, was flattering to my little self-conceit, since this view was then by no means predominant,--much less was it received in the circle in which I lived. With respect to the chief sense, I adhered to Luther's expression; in matters of detail, I went to Schmidt's literal translation, and sought to use my little Hebrew as well as possible. That there are contradictions in the Bible, no one will now deny. These they sought to reconcile by laying down the plainest passage as a foundation, and endeavouring to assimilate to that those that were contradictory and less clear. I, on the contrary, wished to find out, by examination, what passage best expressed the sense of the matter. To this I adhered, and rejected the rest as interpolated.
For a fundamental opinion had already confirmed itself in me, without my being able to say whether it had been imparted to me, or had been excited in me, or had arisen from my own reflection. It was this,--that in anything which is handed down to us, especially in writing, the real point is the ground, the interior, the sense, the tendency of the work; that here lies the original, the divine, the effective, the intact, the indestructible; and that no time, no external operation or condition, can in any degree affect this internal primeval nature, at least no more than the sickness of the body affects a well-cultivated soul. Thus, according to my view, the language, the dialect, the peculiarity, the style, and finally the writing, were to be regarded as the body of every work of mind; this body, although nearly enough akin to the internal, was yet exposed to deterioration and corruption; as, indeed, altogether no tradition can be given quite pure, according to its nature; nor, indeed, if one were given pure, could it be perfectly intelligible at every following period,--the former on account of the insufficiency of the organs through which the tradition is made,--the latter on account of the difference of time and place,--but specially the diversify of human capacities and modes of thought; for which reason the interpreters themselves never agree.
Hence it is everybody's duty to seek out for what is internal and peculiar in a book which particularly interests us, and at the same time, above all things, to weigh in what relation it stands to our own inner nature, and how far, by that vitality, our own is excited and rendered fruitful. On the other hand, everything external that is ineffective with respect to ourselves, or is subject to a doubt, is to be consigned over to criticism, which, even if it should be able to dislocate and dismember the whole, would never succeed in depriving us of the only ground to which we hold fast, nor even in perplexing us for a moment with respect to our once formed confidence.
[Side-note: Study of the Bible.]
This conviction, sprung from faith and sight, which in all cases that we recognise as the most important, is applicable and strengthening, lies at the foundation of the moral as well as the literary edifice of my life, and is to be regarded as a well-invested and richly productive capital, although in particular cases we may be seduced into making an erroneous application. By this notion, the Bible first became really accessible to me. I had, as is the case in the religious instruction of Protestants, run through it several times, nay, had made myself acquainted with it, by way of leaps from beginning to end and back again. The blunt naturalness of the Old Testament, and the tender _naïveté_ of the New, had attracted me in particular instances; as a whole, indeed, it never properly appealed to me; but now the diverse characters of the different books no more perplexed me; I knew how to represent to myself their significance faithfully and in proper order, and had too much feeling for the book to be ever able to do without it. By this very side of feeling I was protected against all scoffing, because I saw its dishonesty at once. I not only detested it, but could even fall in a rage about it; and I still perfectly remember that in my childishly fanatical zeal I should have completely throttled Voltaire, on account of his _Saul_, if I could only have got at him. On the other hand, every kind of honest investigation pleased me greatly; the revelations as to the locality and costume of the East, which diffused more and more light, I received with joy, and continued to exercise all my acuteness on such valuable traditions.
It is known that at an earlier period I sought to initiate myself into the situation of the world, as described to us by the first book of Moses. As I now thought to proceed stepwise, and in proper order, I seized, after a long interruption, on the second book. But what a difference! Just as the fulness of childhood had vanished from my life, so did I find the second book separated from the first by a monstrous chasm. The utter forgetfulness of a bygone time is already expressed in the few important words, "Now there arose a new king over Egypt, which knew not Joseph." But the people also, innumerable as the stars of heaven, had almost forgotten the ancestor to whom, under the starry heaven, Jehovah had made the very promise which was now fulfilled. I worked through the five books with unspeakable trouble and insufficient means and powers, and in doing this fell upon the strangest notions. I thought I had discovered that it was not our ten commandments which stood upon the tables that the Israelites did not wander through the desert for forty years, but only for a short time; and thus I fancied that I could give entirely new revelations as to the character of Moses.
Even the New Testament was not safe from my inquiries; with my passion for dissection, I did not spare it, but with love and affection I chimed in with that wholesome word, "The evangelists may contradict each other, provided only the gospel does not contradict itself." In this region also I thought I should make all sorts of discoveries. That gift of tongues imparted at Pentecost with lustre and clearness, I interpreted for myself in a somewhat abstruse manner, not adapted to procure many adherents.
Into one of the chief Lutheran doctrines, which has been still more sharpened by the Hernhuters,--namely, that of regarding the sinful principle as predominant in man,--I endeavoured to accommodate myself, but without remarkable success. Nevertheless I had made the terminology of this doctrine tolerably my own, and made use of it in a letter, which, in the character of country pastor, I was pleased to send to a new brother in office. However, the chief theme in the paper was that watchword of the time, called "Toleration," which prevailed among the better order of brains and minds.
Such things, which were produced by degrees, I had printed at my own cost in the following year, to try myself with the public,--made presents of them, or sent them to Eichenberg's shop, in order to get rid of them as fast as possible, without deriving any profit myself. Here and there a review mentions them, now favourably, now unfavourably,--but they soon passed away. My father kept them carefully in his archives, otherwise I should not have possessed a copy of them. I shall add these, as well as some things of the kind which I have found, to the new edition of my works.
[Side-note: Hamann.]
Since I had really been seduced into the sybilline style of such papers, as well as into the publication of them, by Hamann, this seems to me a proper place to make mention of this worthy and influential man, who was then as great a mystery to us as he has always remained to his native country. His _Socratio Memorabilia_ was more especially liked by those persons who could not adapt themselves to the dazzling spirit of the time. It was suspected that he was a profound, well-grounded man, who, accurately acquainted with the public world and with literature, allowed of something mysterious and unfathomable, and expressed himself on this subject in a manner quite his own. By those who then ruled the literature of the day, he was indeed considered an abstruse mystic, but an aspiring youth suffered themselves to be attracted by him. Even the "Quiet-in-the-lands," as they were called--half in jest, half in earnest--those pious souls, who, without professing themselves members of any society, formed an invisible church, turned their attention to him; while to my friend Fräulein von Klettenberg, and no less to her friend Moser, the "Magus from the North" was a welcome apparition. People put themselves the more in connexion with him, when they had learned that he was tormented by narrow domestic circumstances, but nevertheless understood how to maintain this beautiful and lofty mode of thought. With the great influence of President von Moser, it would have been easy to provide a tolerable and convenient existence for such a frugal man. The matter was set on foot, nay, so good an understanding and mutual approval was attained, that Hamann undertook the long journey from Königsberg to Darmstadt. But as the president happened to be absent, that odd man, no one knows on what account, returned at once, though a friendly correspondence was kept up. I still possess two letters from the Königsberger to his patron, which bear testimony to the wondrous greatness and sincerity of their author.
But so good an understanding was not to last long. These pious men had thought the other one pious in their own fashion; they had treated him with reverence as the "Magus of the North," and thought that he would continue to exhibit himself with a reverend demeanour. But already in the _Clouds_, an after-piece of _Socratic Memorabilia_, he had given some offence; and when he now published the _Crusades of a Philologist_, on the title-page of which was to be seen not only the goat-profile of a horned Pan, but also on one of the first pages, a large cock, cut in wood, and setting time to some young cockerels, who stood before him with notes in their claws, made an exceedingly ridiculous appearance, by which certain church-music, of which the author did not approve, was to be made a laughing-stock,--there arose among well-minded and sensitive people a dissatisfaction, which was exhibited to the author, who, not being edified by it, shunned a closer connexion. Our attention to this man was, however, always kept alive by Herder, who, remaining in correspondence with us and his betrothed, communicated to us at once all that proceeded from that extraordinary man. To these belonged his critiques and notices, inserted in the _Königsberg Zeitung_, all of which bore a very singular character. I possess an almost complete collection of his works, and a very important essay on Herder's prize paper concerning the origin of language, in which, in the most peculiar manner, he throws flashes of light upon this specimen of Herder.
I do not give up the hope of superintending myself, or at least furthering, an edition of Hamann's works; and then, when these documents are again before the public, it will be time to speak more closely of the author, his nature and character. In the meanwhile, however, I will here adduce something concerning him, especially as eminent men are still living who felt a great regard for him, and whose assent or correction will be very welcome to me. The principle to which all Hamann's expressions may be referred is this: "All that man undertakes to perform, whether by deed, by word, or otherwise, must proceed from all his powers united; everything isolated is worthless." A noble maxim, but hard to follow. To life and art it may indeed be applied, but in every communication by words, that is not exactly poetic, there is, on the contrary, a grand difficulty; for a word must sever itself, isolate itself, to say or signify anything. Man, while he speaks, must, for the moment, become one-sided; there is no communication, no instruction, without severing. Now since Hamann, once for all, opposed this separation, and because he felt, imagined, and thought in unity, chose to speak in unity likewise, and to require the same of others, he came into opposition with his own style, and with all that others produced. To produce the impossible, he therefore grasps at every element; the deepest and most mystical contemplations in which nature and mind meet each other-illuminating flashes of the understanding, which beam forth from such a contact--significant images, which float in these regions--forcible aphorisms from sacred and profane writers--with whatever else of a humorous kind could be added--all this forms the wondrous aggregate of his style and his communications. If, now, one cannot associate oneself with him in his depths--cannot wander with him on his heights--cannot master the forms which float before him--cannot, from an infinitely extended literature, exactly find out the sense of a passage which is only hinted at--we find that the more we study him, the more dim and dark it becomes; and this darkness always increases with years, because his allusions were directed to certain definite peculiarities which prevailed, for the moment, in life and in literature. In my collection there are some of his printed sheets, where he has cited with his own hand, in the margin, the passages to which his hints refer. If one opens them, there is again a sort of equivocal double light, which appears to us highly agreeable; only one must completely renounce what is ordinarily called understanding. Such leaves merit to be called sybilline, for this reason, that one cannot consider them in and for themselves, but must wait for an opportunity to seek refuge with their oracles. Every time that one opens them one fancies one has found something new, because the sense which abides in every passage touches and excites us in a curious manner.
Personally I never saw him; nor did I hold any immediate communication with him by means of letters. It seems to me that he was extremely clear in the relations of life and friendship, and that he had a correct feeling for the positions of persons among each other, and with reference to himself. All the letters which I saw by him were excellent, and much plainer than his works, because here the reference to time, circumstances, and personal affairs, was more clearly prominent. I thought, however, that I could discern this much generally, that he, feeling the superiority of his mental gifts, in the most _naïve_ manner, always considered himself somewhat wiser and more shrewd than his correspondents, whom he treated rather ironically than heartily. If this held good only of single cases, it applied to the majority, as far as my own observation went, and was the cause that I never felt a desire to approach him.
On the other hand, a kindly literary communication between Herder and us was maintained with great vivacity, though it was a pity that he could not keep himself quiet. But Herder never left off his teazing and scolding; and much was not required to irritate Merck, who also contrived to excite me to impatience. Because now Herder, among all authors and men, seems to respect Swift the most, he was among us called the "Dean," and this gave further occasion to all sorts of perplexities and annoyances.
Nevertheless we were highly pleased when we learned that he was to have an appointment at Bückeburg, which would bring him double honour, for his new patron had the highest fame as a clear-headed and brave, though eccentric man. Thomas Abt had been known and celebrated in this service; his country still mourned his death, and was pleased with the monument which his patron had erected for him. Now Herder, in the place of the untimely deceased, was to fulfil all those hopes which his predecessor had so worthily excited.
The epoch in which this happened gave a double brilliancy and value to such an appointment; for several German princes already followed the example of the Count of Lippe, inasmuch as they took into their service not merely learned men, and men of business, properly so called, but also persons of mind and promise. Thus, it was said, Klopstock had been invited by the Margrave Charles of Baden, not for real business, but that by his presence he might impart a grace and be useful to the higher society. As now the regard felt for this excellent prince, who paid attention to all that was useful and beautiful, increased in consequence, so also was the veneration for Klopstock not a little heightened. Everything that emanated from him was held dear and valuable; and we carefully wrote down his odes and elegies as we could get them. We were therefore highly delighted when the great Land-gravine Caroline of Hesse-Darmstadt made a collection of them, and we obtained possession of one of the few copies, which enabled us to complete our own manuscript collection. Hence those first readings have long been most in favour with us; nay, we have often refreshed and delighted ourselves with poems which the author afterwards rejected. So true it is, that the life which presses forth out of a "fine soul" works with the greater freedom the less it appears to be drawn by criticism into the department of art.
Klopstock, by his character and conduct, had managed to attain regard and dignity, both for himself and for other men of talent; now they were also, if possible, to be indebted to him for the security and improvement of their domestic condition. For the book-trade, in the previous period, had more to do with important scientific books, belonging to the different faculties--with stock-works, for which a moderate remuneration was paid. But the production of poetical works was looked upon as something sacred; and in this case the acceptance or increase of any remuneration would have been regarded almost as simony. Authors and publishers stood in the strangest reciprocal position. Both appeared, accordingly as it was taken, as patrons and clients. The authors, who, irrespectively of their talent, were generally respected and levered by the public as highly moral men, had a mental rank, and felt themselves rewarded by the success of their labours; the publishers were well satisfied with the second place, and enjoyed a considerable profit. But now opulence again set the rich bookseller above the poor poet, and thus everything stood in the most beautiful equilibrium. Magnanimity and gratitude were not unfrequent on either side. Breitkopf and Gottsched lived, all their lives, as inmates of the same house. Stinginess and meanness, especially that of piracy, were not yet in vogue.
[Side-note: Commotion in the Book-Trade.]
Nevertheless a general commotion had arisen among the German authors. They compared their own very moderate, if not poor condition, with the wealth of the eminent booksellers; they considered how great was the fame of a Gellert, of a Rabener, and in what narrow domestic circumstances an universally esteemed German poet must struggle on, if he did not render life easy by some other calling. Even the mediocre and lesser minds felt a strong desire to see their situation improved,--to make themselves free of the publishers.
Now Klopstock came forward and offered his "Republic of Letters" (_Gelehrte-Republik_) for subscription. Although the latter cantos of the _Messiah_, partly on account of their subject, partly on account of the treatment, could not produce the same effect as the earlier ones, which, themselves pure and innocent, came into a pure and innocent time, the same respect was always maintained for the poet, who, by the publication of his odes, had drawn to himself the hearts, minds, and feelings of many persons. Many well-thinking men, among whom were several of great influence, offered to secure payment beforehand. This was fixed at a _Louis d'or_, the object being, it was said, not so much to pay for the book, as on this occasion to reward the author for his services to his country. Now every one pressed forward; even youths and young girls, who had not much to expend, opened their saving-boxes; men and women, the higher and the middle classes, contributed to this holy offering; and perhaps a thousand subscribers, all paying in advance, were collected. Expectation was raised to the highest pitch, and confidence was as great as possible.
After this, the work, on its appearance, was compelled to experience the strangest result in the world; it was, indeed, of important value, but by no means universally interesting. Klopstock's thoughts on poetry and literature were set forth in the form of an old German Druidical republic; his maxims on the true and false were expressed in pithy laconic aphorisms, in which, however, much that was instructive was sacrificed to the singularity of form. For authors and _littérateurs_, the book was and is invaluable; but it was only in this circle that it could be useful and effective. He who had thought himself followed the thinker; he who knew how to seek and prize what was genuine, found himself instructed by the profound, honest man; but the amateur, the general reader, was not enlightened,--to him the book remained sealed; and yet it had been placed in all hands; and while every one expected a perfectly serviceable work, most of them obtained one from which they could not get the smallest taste. The astonishment was general, but the esteem for the man was so great, that no grumbling, scarcely a murmur, arose. The young and beautiful part of the world got over their loss, and now freely gave away the copies they had so dearly purchased. I received several from kind female friends, but none of them have remained with me.
This undertaking, which was successful to the author, but a failure to the public, had the ill consequence, that there was now no further thought about subscriptions and prepayments; nevertheless the wish had been too generally diffused for the attempt not to be renewed. The Dessau publishing-house now offered to do this on a large scale. Learned men and publishers were here, by a close compact, to enjoy, both in a certain proportion, the hoped-for advantage. The necessity, so long painfully felt, again awakened a great confidence; but this could not last long; and after a brief endeavour the parties separated, with a loss on both sides.
[Side-note: Combination of young poets.]
However, a speedy communication among the friends of literature was already introduced. The _Musenalmanache_[1] united all the young poets with each other; the journals united the poet with other authors. My own pleasure in production was boundless; to what I had produced I remained indifferent; only when, in social circles, I made it present to myself and others, my affection for it was renewed. Moreover, many persons took an interest in both my larger and smaller works, because I urgently pressed every one who felt in any degree inclined and adapted to production, to produce something independently, after his own fashion, and was, in turn, challenged by all to new poetising and writing. These mutual impulses, which were carried even to an extreme, gave every one a happy influence in his own fashion; and from this whirling and working, this living and letting-live, this taking and giving, which was carried on by so many youths, from their own free hearts, without any theoretical guiding-star, according to the innate character of each, and without any special design, arose that famed, extolled, and decried epoch in literature, when a mass of young genial men, with all that audacity and assumption which is peculiar to their own period of youth, produced, by the application of their powers, much that was good, and by the abuse of these, much ill-feeling and mischief; and it is, indeed, the action and reaction which proceeded from this source, that form the chief theme of this volume.
In what can young people take the highest interest, how are they to excite interest among those of their own age, if they are not animated by love, and if affairs of the heart, of whatever kind they may be, are not living within them? I had in secret to complain of a love I had lost; this made me mild and tolerant, and more agreeable to society than in those brilliant times when nothing reminded me of a want or a fault, and I went storming along completely without restraint.
Frederica's answer to a written adieu rent my heart. It was the same hand, the same tone of thought, the same feeling, which had formed itself for me and by me. I now, for the first time, felt the loss which she suffered, and saw no means to supply it, or even to alleviate it. She was completely present to me; I always felt that she was wanting to me and, what was worst of all, I could not forgive myself for my own misfortune. Gretchen had been taken away from me; Annette had left me; now, for the first time, I was guilty I had wounded the most beautiful heart to its very depths; and the period of a gloomy repentance, with the absence of a refreshing love, to which I had grown accustomed, was most agonising, nay, insupportable. But man will live; and hence I took an honest interest in others; I sought to disentangle their embarrassments, and to unite what was about to part, that they might not have the same lot as myself. They were hence accustomed to call me the "confidant," and on account of wandering about the district, the "wanderer." In producing that calm for my mind, which I felt under the open sky, in the valleys, on the heights, in the fields and in the woods, the situation of Frankfort was serviceable, as it lay in the middle between Darmstadt and Hamburg, two pleasant places, which are on good terms with each other, through the relationship of both courts. I accustomed myself to live on the road, and, like a messenger, to wander about between the mountains and the flat country. Often I went alone, or in company, through my native city, as if it did not at all concern me, dined at one of the great inns in the High-street, and after dinner went further on my way. More than ever was I directed to the open world and to free nature. On my way I sang to myself strange hymns and dithyrambics, of which one entitled "The Wanderer's Storm-song" (_Wanderer's Sturmlied_) still remains. This half-nonsense I sang aloud, in an impassioned manner, when I found myself in a terrific storm, which I was obliged to meet.
My heart was untouched and unoccupied; I conscientiously avoided all closer connexion with ladies, and thus it remained concealed from me, that, inattentive and unconscious as I was, an amiable spirit was secretly hovering round me. It was not until many years afterwards, nay, until after her death, that I learned of her secret heavenly love, in a manner that necessarily overwhelmed me. But I was innocent, and could purely and honestly pity an innocent being; nay, I could do this the more, as the discovery occurred at an epoch when, completely without passion, I had the happiness of living for myself and my own intellectual inclinations.
At the time when I was pained by my grief at Frederica's situation, I again, after my old fashion, sought aid from poetry. I again continued the poetical confession which I had commenced, that by this self-tormenting penance I might be worthy of an internal absolution. The two Marias in _Götz von Berlichingen_ and _Clavigo_, and the two bad characters who play the part of their lovers, may have been the results of such penitent reflections.
[Side-note: Skating.]
But as in youth one soon overcomes mental wounds and diseases, because a healthy system of organic life can rise up for a sick one, and allow it time to grow healthy again, corporeal exercises, on many a favourable opportunity, came forward with very advantageous effect; and I was excited in many ways to man myself afresh, and to seek new pleasures of life and enjoyments. Riding gradually took the place of those sauntering, melancholy, toilsome, and at the same time tedious and aimless rambles on foot; one reached one's end more quickly, merrily, and commodiously. The young people again introduced fencing, but in particular, on the setting-in of winter, a new world was revealed to us, since I at once determined to skate,--an exercise which I had never attempted,--and, in a short time, by practice, reflection, and perseverance, brought it as far as was necessary to enjoy with others a gay, animated course on the ice, without wishing to distinguish myself.
For this new joyous activity we were also indebted to Klopstock,--to his enthusiasm for this happy species of motion, which private accounts confirmed, while his odes gave an undeniable evidence of it. I still exactly remember that on a cheerful frosty morning I sprang out of bed, and uttered aloud these passages:--
"Already, glad with feeling of health, Far down along the shore, I have whiten'd The covering crystal.
'How does the winter's advancing day Softly illumine the lake! The night has cast The glittering frost, like stars, upon it.'
My hesitating and wavering resolution was fixed at once, and I flew straight to the place where so old a beginner might with some degree of propriety make his first trial. And, indeed, this manifestation of our strength well deserved to be commended by Klopstock, for it is an exercise which brings us into contact with the freshest childhood, summons the youth to the full enjoyment of his suppleness, and is fitted to keep off a stagnant old age. We were immoderately addicted to this pleasure. To pass thus a splendid Sunday on the ice did not satisfy us, we continued our movement late into the night. For as other exertions fatigue the body, so does this give it a constantly new power. The full moon rising from the clouds, over the wide nocturnal meadows, which were frozen into fields of ice; the night-breeze, which rustled towards us on our course; the solemn thunder of the ice, which sank as the water decreased; the strange echo of our own movements, rendered the scenes of Ossian just present to our minds. Now this friend, now that, uttered an ode of Klopstock's, in a declamatory recitative; and if we found ourselves together at dawn, the unfeigned praise of the author of our joys broke forth:--
"And should he not be immortal, Who found for us health and joys Which the horse, though bold in his course, never gave, And which even the ball is without?"
Such gratitude is earned by a man who knows how to honour and worthily to extend an earthly act by spiritual incitement.
And thus, as children of talent, whose mental gifts have, at an early period, been cultivated to an extraordinary degree, return, if they can, to the simplest sports of youth, did we, too, often forget our calling to more serious things. Nevertheless this very motion, so often carried on in solitude--this agreeable soaring in undetermined space--again excited many of my internal wants, which had, for a time, lain dormant; and I have been indebted to such hours for a more speedy elaboration of older plans.
The darker ages of German history had always occupied my desire for knowledge and my imagination. The thought of dramatizing _Götz von Berlichingen_, with all the circumstances of his time, was one which I much liked and valued. I industriously read the chief authors; to Datt's work, _De Pace Publica_, I devoted all my attention; I had sedulously studied it through, and rendered those singular details as visible to me as possible. These endeavours, which were directed to moral and poetical ends, I could also use in another direction, and I was now to visit Wetzlar. I had sufficient historical preparation; for the Imperial Chamber had arisen in consequence of the public tranquillity, and its history could serve as an important clue through the confused events of Germany. Indeed, the constitution of the courts and armies gives the most accurate insight into the constitution of every empire. Even the finances, the influence of which are considered so important, come much less under consideration; for if the whole is deficient, it is only necessary to take from the individual what he has laboriously scraped together, and thus the state is always sufficiently rich.
What occurred to me at Wetzlar is of no great importance, but it may inspire a greater interest, if the reader will not disdain a cursory history of the Imperial Chamber, in order to render present to his mind the unfavourable moment at which I arrived there.
[Side-note: History of the Imperial Chamber.]
The lords of the earth are such, principally because they can assemble around them, in war, the bravest and most resolute, and in peace, the wisest and most just. Even to the state of a German emperor belonged a court of this kind, which always accompanied him in his expeditions through the empire. But neither this precaution, nor the Suabian law, which prevailed in the south of Germany, nor the Saxon law, which prevailed in the north,--neither the judges appointed to maintain them, nor the decisions of the peers of the contending parties,--neither the umpires recognised by agreement, nor friendly compacts instituted by the clergy,--nothing, in short, could quiet that excited chivalric spirit of feuds which had been roused, fostered, and made a custom among the Germans, by internal discord, by foreign campaigns, by the crusades especially, and even by judicial usages. To the emperor, as well as to the powerful estates, these squabbles were extremely annoying, while, through them, the less powerful became troublesome to each other, and if they combined, to the great also. All outward strength was paralysed, while internal order was destroyed; and besides this, a great part of the country was still encumbered with the _Vehmgericht_, of the horrors of which a notion may be formed, if we think that it degenerated into a secret police, which, at last, even fell into the hands of private persons.
Many attempts to steer against these evils had been made in vain, until, at last, the estates urgently proposed a court formed from among themselves. This proposal, well-meant as it might have been, nevertheless indicated an extension of the privileges of the estates, and a limitation of the imperial power. Under Frederic III. the matter is delayed; his son Maximilian, being pressed from without, complies. He appoints the chief judge, the estates send the assistants. There were to be four-and-twenty of them; but, at first, twelve are thought sufficient.
An universal fault, of which men are guilty in their under-takings, was the first and perpetual fundamental defect of the Imperial Chamber: insufficient means were applied to a great end. The number of the assessors was too small. How was the difficult and extensive problem to be solved by them? But who could urge an efficient arrangement? The emperor could not favour an institution which seemed to work more against him than for him; far more reason had he to complete the formation of his own court--his own council. If, on the other hand, we regard the interest of the estates, all that they could properly have to do with was the stoppage of bloodshed. Whether the wound was healed, did not so much concern them: and now there was to be, besides, a new expense. It may not have been quite plainly seen that by this institution every prince increased his retinue, for a decided end indeed,--but who readily gives money for what is necessary? Every one would be satisfied, if he could have what is useful "for God's sake."
At first the assistants were to live on fees; then followed a moderate grant from the estates; both were scanty. But to meet the great and striking exigency, willing, clever, and industrious men were found, and the court was established. Whether it was perceived that the question here was concerning only the alleviation and not the cure of the evil, or whether, as in similar cases, the flattering hope was entertained that much was to be done with little, is not to be decided. It is enough that the court served rather as a pretext to punish the originators of mischief, than completely to prevent wrong. But it has scarcely met, than a power grows out of itself; it feels the eminence on which it is placed; it recognises its own great political importance. It now endeavours, by a striking activity, to acquire for itself a more decided respect; they briskly got through what can and must be rapidly dispatched, what can be decided at the moment, or what can otherwise be easily judged; and thus, throughout the empire, they appear effective and dignified. On the other hand, matters of weightier import, the law-suits, properly so called, remained behindhand, and this was no misfortune. The only concern of the state is, that possession shall be certain and secure; whether it is also legal, is of less consequence. Hence, from the monstrous and ever-swelling number of delayed suits, no mischief arose to the empire. Against people who employed force, provision was already made, and with such matters could be settled; but those, on the other hand, who legally disputed about possession, lived, enjoyed, or starved, as they could; they died, were ruined, or made it up; but all this was the good or evil of individual families,--the empire was gradually tranquillised. For the Imperial Chamber was endowed with a legal club-law against the disobedient; had it been able to hurl the bolt of excommunication, this would have been more effective.
But now, what with the sometimes increased, sometimes diminished number of assessors, what with the many interruptions, what with the removal of the court from one place to another, these arrears, these records necessarily increased to an infinite extent. Now, in the distress of war, a part of the archives was sent for safety from Spire to Aschaffenburg, a part to Worms, the third fell into the hands of the French, who thought they had gained the state-archives, but would afterwards have been glad to get rid of such a chaos of paper, if any one would but have furnished the carriages.
During the negotiations for the peace of Westphalia, the chosen men, who were assembled, plainly saw what sort of a lever was required to move from its place a load like that of Sisyphus. Fifty assessors were now to be appointed, but the number was never made up: the half of it was again made to suffice, because the expense appeared too great; but if the parties interested had all seen their advantage in the matter, the whole might well have been afforded. To pay five-and-twenty assessors about one hundred thousand florins (_gulden_) were required, and how easily could double that amount have been raised in Germany? The proposition to endow the Imperial Chamber with confiscated church property could not pass, for how could the two religious parties agree to such a sacrifice? The Catholics were not willing to lose any more, and the Protestants wished to employ what they had gained, each for his own private ends. The division of the empire into two religious parties had here, in several respects, the worst influence. The interest which the estates took in this their court diminished more and more; the more powerful wished to free themselves from the confederation; licenses exempting their possessor from being prosecuted before any higher tribunal were sought with more and more eagerness; the greater kept back with their payments, while the lesser, who, moreover, believed themselves wronged in the estimates, delayed as long as they could.
How difficult was it, therefore, to raise the supplies necessary for payment. Hence arose a new occupation, a new loss of time for the chamber; previously the so-called annual "visitations" had taken care of this matter. Princes in person, or their councillors, went only for months or weeks to the place of the court, examined the state of the treasury, investigated the arrears, and undertook to get them in. At the same time, if anything was about to create an impediment in the course of law or the court, or any abuse to creep in, they were authorised to provide a remedy. The faults of the institution they were to discover and remove, but it was not till afterwards that the investigation and punishment of the personal crimes of its members became a part of their duty. But because parties engaged in litigation always like to extend their hopes a moment longer, and on this account always seek and appeal to higher authorities, so did these "visitators" become a court of revision, from which, at first in determined manifest cases, persons hoped to find restitution, but at last in all cases, delay and perpetuation of the controversy, to which the appeal to the Imperial diet, and the endeavour of the two religious parties, if not to outweigh each other, at any rate to preserve an equilibrium, contributed their part.
But if one considers what this court might have been without such obstacles, without such disturbing and destructive conditions, one cannot imagine it remarkable and important enough. Had it been supplied at the beginning with a sufficient number of persons, had a sufficient support been secured to them, the monstrous influence which this body might have attained, considering the aptness of the Germans, would have been immeasurable. The honourable title of "Amphictyons," which was only bestowed on them oratorically, they would actually have deserved, nay, they might have elevated themselves into an intermediate power, while revered by the head and the members.
But far removed from such great effects, the court, excepting for a short time under Charles V., and before the Thirty Years' war, dragged itself miserably along. One often cannot understand how men could be found for such a thankless and melancholy employment. But what a man does every day he puts up with, if he has any talent for it, even if he does not exactly see that anything will come of it. The German especially is of this persevering turn of mind, and thus for three hundred years the worthiest men have employed themselves on these labours and objects. A characteristic gallery of such figures would even now excite interest and inspire courage.
For it is just in such anarchical times that the able man takes the strongest position, and he who desires what is good finds himself right in his place. Thus, for instance, the _Directorium_ of Fürstenberg was still held in blessed memory, and with the death of this excellent man begins the epoch of many pernicious abuses.
But all these defects, whether later or earlier, arose from one only original source, the small number of persons. It was decreed that the assistants were to act in a fixed order, and according to a determined arrangement. Every one could know when the turn would come to him, and which of the cases belonging to him it would affect; he could work up to this point,--he could prepare himself. But now the innumerable arrears had heaped themselves up, and they were forced to resolve to select the more important cases, and to deal with them out of order. But with a pressure of important affairs, the decision as to which matter has the more weight, is difficult, and selection leaves room for favour. Now, another critical case occurred. The _Referent_ tormented both himself and the court with a difficult involved affair, and at last no one was found willing to take up the judgment. The parties had come to an agreement, had separated, had died, had changed their minds. Hence they resolved to take in hand only the cases of which they were reminded. They wished to be convinced of the continued obstinacy of the
## parties, and hence was given an introduction to the greatest defects,
for he who commends his affairs, must commend them to somebody, and to whom can one commend them better, than to him who has them already in his hands? To keep this one regularly secret was impossible; for how could he remain concealed with so many subordinates, all acquainted with the matter? If acceleration is requested, favour may well be requested likewise, for the very fact that people urge their cause, shows that they consider it just. This will perhaps not be done in a direct manner, certainly it will be first done through subordinates; these must be gained over, and thus an introduction is given to all sorts of intrigues and briberies.
The Emperor Joseph, following his own impulse, and in imitation of Frederic, first directed his attention to arms and the administration of justice. He cast his eyes upon the Imperial Chamber; traditional wrongs, introduced abuses had not remained unknown to him. Even here something was to be stirred up, shaken, and done. Without inquiring whether it was his imperial right, without foreseeing the possibility of a happy result, he proposed a revival of the "visitation," and hastened its opening. For one hundred and sixty years no regular "visitation" had taken place; a monstrous chaos of papers lay swelled up and increased every year, since the seventeen assessors were not even able to despatch the current business. Twenty thousand processes were heaped up; sixty could be settled every year, and double that number was brought forward. Besides, it was not a small number of revisions that awaited the "visitators,"--they were estimated at fifty thousand. Many other abuses, in addition to this, hindered the course of justice; but the most critical matter of all was the personal delinquency of some assessors, which appeared in the background.
[Side-note: The "visitation" at Wetzlar.]
When I was about to go to Wetzlar, the "visitation" had been already for some years in operation, the parties accused had been suspended from office, the investigation had been carried a long way; and because the masters and commissioners of German political law could not let pass this opportunity of exhibiting their sagacity and devoting it to the common weal, several profound, well-designed works appeared, from which every one, who possessed only some preparatory knowledge, could derive solid instruction. When on this occasion they went back into the constitution of the empire and the books written upon it, it was striking to me how the monstrous condition of this thoroughly diseased body, which was kept alive by a miracle alone, was the very thing that most suited the learned. For the venerable German industry, which was more directed to the collection and development of details than to results, found here an inexhaustible impulse to new employment, and whether the empire was opposed to the Emperor, the lesser to the greater estates, or the Catholics to the Protestants, there was necessarily always, according to the diversity of interest, a diversity of opinion, and always an occasion for new contests and controversies.
Since I had rendered all these older and newer circumstances as present to my mind as possible, it was impossible for me to promise myself much pleasure from my abode at Wetzlar. The prospect of finding in a city, which was indeed well situated, but small and ill-built, a double world; first the domestic, old traditional world, then a foreign new one, authorized to scrutinize the other with severity,--a judging and a judged tribunal; many an inhabitant in fear and anxiety, lest he might also be drawn into the impending investigation; persons of consideration, long held in respect, convicted of the most scandalous misdeeds, and marked out for disgraceful punishment;--all this together made the most dismal picture, and could not lure me to go deeper into a business, which, involved in itself, seemed so much perplexed by wrong.
That, excepting the German civil and public law, I should find nothing remarkable in the scientific way, that I should be without all poetical communication, I thought I could foresee, when, after some delay, the desire of altering my situation more than impulse to knowledge led me to this spot. But how surprised I was, when, instead of a crabbed society, a third academical life sprang towards me. At a large _table d'hôte_ I found a number of young lively people, nearly all subordinates to the commission; they gave me a friendly reception, and the very first day it remained no secret to me that they had cheered their noon-meetings by a romantic fiction. With much wit and cheerfulness they represented a table of knights. At the top sat the grand-master, by his side the chancellor, then the most important officers of the state; now followed the knights, according to their seniority. Strangers, on the other hand, who visited, were forced to be content with the lowest places, and to these the conversation was almost unintelligible, because the language of the society, in addition to the chivalric expressions, was enriched with many allusions. To every one a name with an epithet was assigned. Me they called "Götz von Berlichingen the honest." The former I earned by the attention to the gallant German patriarch, the latter by my upright affection and devotion for the eminent men with whom I became acquainted. To the Count von Kielmannsegg I was much indebted during this residence. He was the most serious of all, highly clever, and to be relied on. There was Von Goué, a man hard to be deciphered and described, a blunt, kind, quietly reserved Hanoverian figure. He was not wanting in talent of various kinds. It was conjectured concerning him that he was a natural son; he loved, besides, a certain mysterious deportment, and concealed his most peculiar wishes and plans under various eccentricities, as indeed he was, properly speaking, the very soul of the odd confederation of knights, without having striven to attain the post of grand-master. On the contrary, when, just at this time, the head of the knighthood departed, he caused another to be elected, and through him exercised his influence. Thus he managed so to direct several little trifles, that they appeared of importance, and could be carried out in mythical forms. But with all this no serious purpose could be remarked in him,--he was only concerned to get rid of the tedium which he and his colleagues, during their protracted occupation, necessarily felt, and to fill up the empty space, if only with cobwebs. For the rest, this mythical caricature was carried on with great external seriousness, and no one found it ridiculous if a certain mill was treated as a castle, and the miller as lord of the fortress, if the "Four Sons of Haimon" was declared a canonical book, and on the occasion of ceremonies, extracts from it were read with veneration. The dubbing of knights took place with traditional symbols, borrowed from several orders of knighthood. A chief motive for jest was the fact, that what was manifest was treated as a secret; the affair was carried on publicly, and yet nothing was to be said about it. The list of the whole body of knights was printed with as much importance as a calendar of the Imperial diet, and if families ventured to scoff at this, and to declare the whole matter absurd and ridiculous, they were punished by an intrigue being carried on until a solemn husband or near relation was induced to join the company and to be dubbed a knight; for then there was a splendid burst of malicious joy at the annoyance of the connexions.
[Side-note: Whimsical Societies at Wetzlar.]
Into this chivalric state of existence another strange order had insinuated itself, which was to be philosophical and mystical, and had no name of its own. The first degree was called the "Transition," the second the "Transition's transition," the third the "Transition's transition to the transition," and the fourth the "Transition's transition to the transition's transition." To interpret the high sense of this series of degrees was now the duty of the initiated, and this was done according to the standard of a little printed book, in which these strange words were explained, or rather amplified, in a manner still more strange. Occupation with these things was the most desirable pastime. The folly of Behrisch and the perversity of Lenz seemed here to have united themselves; I only repeat that not a trace of purpose was to be found behind these veils.
Although I very readily took part in such fooleries, had first brought into order the extracts from "The Four Sons of Haimon," made proposals how they should be read on feasts and solemn occasions, and even understood how to deliver them myself with great emphasis, I had, nevertheless, grown weary of such things before, and therefore as I missed my Frankfort and Darmstadt circles, I was highly pleased to have found Gotter, who attached himself to me with honest affection, and to whom I showed in return a hearty good-will. His turn of mind was delicate, clear, and cheerful, his talents were practised and well regulated, he aimed at French elegance, and was pleased with that part of English literature which is occupied with moral and agreeable subjects. We passed together many pleasant hours, in which we communicated to each other our knowledge, plans, and inclinations. He excited me to many little works, especially as, being in connexion with the people of Göttingen, he desired some of my poems for Boie's _Almanach._
I thus came into contact with those, who, young and hill of talent, held themselves together, and afterwards effected so much and in such various ways. The two Counts Stolberg, Bürger, Voss, Hölty, and others were assembled in faith and spirit around Klopstock, whose influence extended in every direction. In such a poetical circle, which more and more extended itself, was developed at the same time with such manifold poetical merits, another turn of mind, to which I can give no exactly proper name. It might be called the need of independence, which always arises in time of peace, and exactly when, properly speaking, one is not dependent. In war we bear the rude force as well as we can, we feel ourselves physically and economically, but not morally, wounded; the constraint shames no one, and it is no disgraceful service to serve the time; we accustom ourselves to suffer from foes and friends; we have wishes, but no particular views. In peace, on the contrary, man's love of freedom becomes more and more prominent, and the more free one is, the more free one wishes to be. We will not tolerate anything over us; we will not be restrained, no one shall be restrained; and this tender, nay, morbid feeling, appears in noble souls under the form of justice. This spirit and feeling then showed itself everywhere, and just because few were oppressed, it was wished to free even these from temporary oppression, and thus arose a certain moral feud, a mixture of individuals with the government, which, with laudable beginnings, led to inevitably unfortunate results.
[Side-note: Difficulty of German patriotism.]
Voltaire, by the protection which he had bestowed on the family of Calas, had excited great attention and made himself respected. In Germany the attempt of Lavater against the _Landvogt_ (sheriff of the province) had been almost more striking and important. The æsthetical feeling, united with youthful courage, strove forward, and as, shortly before, persons had studied to obtain offices, they now began to act as overlookers of those in office; and the time was near when the dramatist and novelist loved best to seek their villains among ministers and official persons. Hence arose a world, half real, half imaginary, of action and reaction, in which we afterwards lived to see the most violent imputations and instigations, which the writers of periodical publications and journals with a sort of passion allowed themselves under the garb of justice, and went to work the more irresistibly, as they made the public believe that it was itself the true tribunal--a foolish notion, as no public has an executive power, and in dismembered Germany public opinion neither benefited nor injured any one.
Among us young people there was indeed nothing to be traced, which could have been culpable, but a certain similar notion, composed of poetry, morality, and a noble striving, and which was harmless but yet fruitless, had taken possession of us.
By his _Hermann's-Schlacht_,[2] and the dedication of it to Joseph the Second, Klopstock had produced a wonderful excitement. The Germans who freed themselves from Roman oppression were nobly and powerfully represented, and this picture was well suited to awaken the self-feeling of a nation. But because in peace patriotism really consists only in this, that every one sweeps his own door, minds his own business, and learns his own lesson, that it may go well with his house,--so did the feeling for fatherland, excited by Klopstock, find no object on which it could exercise itself. Frederic had saved the honour of one part of the Germans against an united world, and every member of the nation, by applause and reverence of this great prince, was allowed to share in his victory; but what was to come of this excited, warlike spirit of defiance? what direction should it take, and what effect produce? At first it was merely a poetical form, and the songs ridiculous, were accumulated through this impulse,--this incitement. There were no external enemies to fight; so people made tyrants for themselves, and for this purpose princes and their servants were obliged to bestow their figures, first only in general outline, but gradually with particulars. Here it was that poetry attached itself with vehemence to that interference with the administration of justice, which is blamed above; and it is remarkable to see poems of that time written in a spirit by which everything of a higher order, whether monarchical or aristocratic, is abolished.
For my own part, I continued to make poetry the expression of my own whims and feelings. Little poems like the "Wanderer" belong to this time; they were inserted in the _Göttingen Musenalmanach._ But from whatever of the above-mentioned mania had worked itself into me, I shortly endeavoured to free myself in _Götz von Berlichingen_, since I described how in disordered times this brave, well-thinking man resolves to take the place of the law and the executive power, but is in despair when, to the supreme authority, which he recognises and reveres, he appears in an equivocal light, and even rebellious.
By Klopstock's odes, it was not so much the Northern mythology as the nomenclature of the divinities, that had been introduced into German poetry; and although I gladly made use of everything else that was offered me, I could not bring myself to use this, for the following causes: I had long become acquainted with the fables of the Edda, from the preface to Mallet's _Danish History_, and had at once made myself master of them. They belonged to those tales which, when asked by a company, I most willingly related. Herder put Resenius into my hands, and made me better acquainted with the heroic _sagas._ But all these things, worthy as I held them, I could not bring within the circle of my own poetic faculty. Nobly as they excited my imagination, they nevertheless entirely withdrew themselves from the sensuous perception, while the mythology of the Greeks, changed by the greatest artists in the world into visible, easily imagined forms, still existed before our own eyes in abundance. Gods in general I did not allow' often to appear, because, at all events, they had their abode out of the Nature, which I understood how to imitate. What now could have induced to substitute Woden for Jupiter, and Thor for Mars, and instead of the Southern, accurately described figures, to introduce forms of mist, nay, mere verbal sounds, into my poems? On the one side, they were related to the equally formless heroes of Ossian, only they were ruder and more gigantic; on the other, I brought them into contact with the cheerful tale; for the humoristic vein which runs through the whole Northern mythus, was to me highly pleasing and remarkable. It appeared to me the only one which jests with itself throughout,--wondrous giants, magicians, and monsters opposed to an odd dynasty of gods, and only occupied in leading astray and deriding the highest persons during their government, while they threaten them, besides, with disgraceful and inevitable destruction.
I felt a similar if not an equal interest for the Indian fables, which I at first learned to know from Dapper's _Travels_, and likewise added with great pleasure to my store of tales. In subsequent repetitions I succeeded especially with the Altar of Ram; and notwithstanding the great number of persons in this tale, the ape Hannemann remained the favorite of my public. But even these unformed and over-formed monsters could not satisfy me in a true poetic sense; they lay too far from the truth, towards which my mind unceasingly strove.
[Side-note: Taste for Homer.]
But against all these goblins, so repulsive to art, my sense for the beautiful was to be protected by the noblest power. Always fortunate is that epoch in a literature when the great works of the past again rise up as if thawed, and come into notice, because they then produce a perfectly fresh effect. Even the Homeric light rose again quite new to us, and indeed quite in the spirit of the time, which highly favoured such an appearance; for the constant reference to nature had at last the effect, that we learned to regard even the works of the ancients from this side. What several travellers had done for explanation of the Holy Scriptures, others had done for Homer. By Guys the matter was introduced; Wood gave it an impulse. A Göttingen review of the original work, which was at first very rare, made us acquainted with the design, and taught us how far it had been carried out. We now no longer saw in those poems a strained and inflated heroism, but the reflected truth of a primeval present, and sought to bring this as closely to us as possible. At the same time we could not give our assent, when it was maintained that in order rightly to understand the Homeric natures, one must make oneself acquainted with the wild races and their manners, as described by the travellers in new worlds; for it cannot be denied that both Europeans and Asiatics are represented in the Homeric poems as at a higher grade of culture,--perhaps higher than the time of the Trojan war could have enjoyed. But that maxim was nevertheless in harmony with the prevailing confession of nature, and so far we let it pass.
With all these occupations, which were related to the knowledge of mankind in the higher sense, as well as most nearly and dearly to poetry, I was nevertheless forced every day to experience that I was residing in Wetzlar. The conversation on the situation of the business of the "Visitation," and its ever-increasing obstacles, the discovery of new offences, was heard every hour. Here was the holy Roman Empire once more assembled, not for mere outward forms, but for an occupation which penetrated to the very depths. But even here that half-empty banqueting-hall on the coronation-day occurred to me, where the bidden guests remained without, because they were too proud. Here, indeed, they had come, but even worse symptoms were to be seen. The want of coherence in the whole, the mutual opposition of the parts, were continually apparent; and it remained no secret that princes had confidentially communicated to each other this notion, that they must see whether, on this occasion, something could not be gained from the supreme authority.
What a bad impression the petty detail of all the anecdotes of neglects and delays, of injustices and corruptions, must make upon a young man who desired what was good, and with this view cultivated his mind, every honest person will feel. Under such circumstances, where was a reverence for the law and the judge to arise? Even if the greatest confidence had been placed in the effects of the "Visitation,"--if it could have been believed that it would fully accomplish its high purpose,--there was still no remedy to be found here for a joyous, inwardly-striving youth. The formalities of the proceeding all tended towards delay; if any one desired to do anything, and to be of any importance, he was obliged to serve the party in the wrong--always the accused--and to be skilled in the fencing-art of twisting and evading.
[Side-note: Æsthetic Speculations.]
Since, amid this distraction, I could not succeed in any æsthetic labours, I again and again lost myself in æsthetic speculations, as indeed all theorising indicates a defect or stagnation of productive power. Before with Merk, now with Gotter, I endeavoured to find out the maxims according to which one might go to work in production. But neither with me nor with them would it succeed. Merk was a sceptic and eclectic; Gotter adhered to such examples as pleased him the most. The Sulzer theory was published more for the amateur than the artist. In this sphere moral effects are required above all things; and here at once arises a dissension between the class that produces and that which uses; for a good work of art can, and will indeed, have moral consequences; but to require moral ends of the artist, is to destroy his profession.
What the ancients had said on these important subjects I had read industriously for some years, by skips, at least, if not in regular order. Aristotle, Cicero, Quintilian, Longinus--none were unconsidered; but this did not help me in the least, for all these men presupposed an experience which I lacked. They led me into a world infinitely rich in works of art; they unfolded the merits of excellent poets and orators, of most of whom the names alone are left us, and convinced me but too well that a great abundance of objects must lie before us ere we can think upon them; that one must first accomplish something oneself, nay, fail in something, to learn to know one's own capacities, and those of others. My acquaintance with so much that was good in those old times, was only according to school and book, and by no means vital, since, even with the most celebrated, orators, it was striking that they had altogether formed themselves in life, and that one could never speak of the peculiarities of their character as artists, without at the same time mentioning the personal peculiarities of their disposition. With the poets this seemed less to be the case; and thus the result of all my thoughts and endeavours was the old resolution to investigate inner and outer nature, and to allow her to rule herself in loving imitation.
For these operations, which rested in me neither day nor night, lay before me two great, nay, monstrous materials, the wealth of which I had only to prize, in order to produce something of importance. There was the older epoch, into which falls the life of Götz von Berlichingen, and the modern one, the unhappy bloom of which is depicted in _Werther._ Of the historical preparation to that first work I have already spoken; the ethical occasions of the second shall now be introduced.
The resolution to preserve my internal nature according to its peculiarities, and to let external nature influence me according to its qualities, impelled me to the strange element in which _Werther_ is designed and written. I sought to free myself internally from all that was foreign to me, to regard the external with love, and to allow all beings, from man downwards, as low as they were comprehensible, to act upon me, each after its own kind. Thus arose a wonderful affinity with the single objects of nature, and a hearty concord, a harmony with the whole, so that every change, whether of place and region, or of the times of the day and year, or whatever else could happen, affected me in the deepest manner. The glance of the painter associated itself to that of the poet, the beautiful rural landscape, animated by the pleasant river, increased my love of solitude, and favoured my silent observations as they extended on all sides.
But since I had left the family circle in Sesenheim, and again my family circle at Frankfort and Darmstadt, a vacuum had remained in my bosom which I was not able to fill up; I therefore found myself in a situation where the inclinations, if they appear in any degree veiled, gradually steal upon us, and can render abortive all our good resolutions.
And now, when the author has attained this step of his undertaking, he for the first time feels light-hearted in his labour, since from henceforward this book first becomes what it properly ought to be. It has not been announced as an independent work; it is much more designed to fill up the gaps of an author's life, to complete much that is fragmentary, and to preserve the memory of lost and forgotten ventures. But what is already done neither should nor can be repeated, and the poet would now vainly call upon those darkened powers of the soul, vainly ask of them to render present again those charming circumstances, which rendered the period in Lahnthal so agreeable to him. Fortunately the genius had already provided for that, and had impelled him, in the vigorous period of youth, to hold fast, describe, and with sufficient boldness and at the favourable hour publicly to exhibit that which had immediately gone by. That the little book _Werther_ is here meant, requires no further indication, but something is to be gradually revealed, both of the persons introduced in it and the views which it exhibits.
[Side-note: Origin of "Werther".]
Among the young men, who, attached to the embassy, had to prepare themselves for their future career of office, was one whom we were accustomed to call only the "Bridegroom." He distinguished himself by a calm, agreeable deportment, clearness of views, definiteness both in speaking and in acting. His cheerful activity, his persevering industry so much recommended him to his superiors, that an appointment at an early period was promised him. Being justified by this, he ventured to betroth himself to a lady, who fully corresponded to his tone of mind and his wishes. After the death of her mother, she had shown herself extremely active as the head of a numerous young family, and had alone sustained her father in his widowhood, so that a future husband might hope the same for himself and his posterity, and expect a decided domestic felicity. Every one confessed, without having these selfish ends immediately in view, that she was a desirable lady. She belonged to those who, if they do not inspire ardent passion, are nevertheless formed to create a general feeling of pleasure. A figure lightly built and neatly formed, a pure healthy temperament, with a glad activity of life resulting from it, an unembarrassed management of the necessities of the day--all these were given her together. I always felt happy in the contemplation of such qualities, and I readily associated myself to those who possessed them; and if I did not always find opportunity to render them real service, I rather shared with them than with others the enjoyment of those innocent pleasures which youth can always find at hand, and seize without any great cost or effort. Moreover, since it is now settled that ladies decorate themselves only for each other, and are unwearied among each other to heighten the effect of their adornments, those were always the most agreeable to me, who, with simple purity, give their friend, their bridegroom, the silent assurance that all is really done for him alone, and that a whole life could be so carried on without much circumstance and outlay.
Such persons are not too much occupied with themselves; they have time to consider the external world, and patience enough to direct themselves according to it, and to adapt themselves to it; they become shrewd and sensible without exertion, and require but few books for their cultivation. Such was the bride.[3] The bridegroom, with his thoroughly upright and confiding turn of mind, soon made many whom he esteemed acquainted with her; and as he had to pass the greatest part of his day in a zealous attention to business, was pleased when his betrothed, after the domestic toils were ended, amused herself otherwise, and took social recreation in walks and rural parties with friends of both sexes. Lottie--for so we shall call her--was unpretending in two senses; first, by her nature, which was rather directed to a general kindly feeling than to particular inclinations; and then she had set her mind upon a man who, being worthy of her, declared himself ready to attach his fate to hers for life. The most cheerful atmosphere seemed to surround her; nay, if it be a pleasing sight to see parents bestow an uninterrupted care upon their children, there is something still more beautiful when brothers and sisters do the same for each other. In the former case we think we can perceive more of natural impulse and social tradition; in the latter, more of choice and of a free exercise of feeling.
The new comer, perfectly free from all ties, and careless in the presence of a girl who, already engaged to another, could not interpret the most obliging services as acts of courtship, and could take the more pleasure in them accordingly, quietly went his way, but was soon so drawn in and rivetted, that he no longer knew himself. Indolent and dreamy, because nothing present satisfied him, he found what he had lacked in a female friend, who, while she lived for the whole year, seemed only to live for the moment. She liked him much as her companion; he soon could not bear her absence, as she formed for him the connecting link with the every-day world; and during extensive household occupations, they were inseparable companions in the fields and in the meadows, in the vegetable-ground and in the garden. If business permitted, the bridegroom was also of the party; they had all three accustomed themselves to each other without intention, and did not know how they had become so mutually indispensable. During the splendid summer they lived through a real German idyl, to which the fertile land gave the form and a pure affection the poetry. Wandering through ripe corn-fields, they took delight in the dewy morning; the song of the lark, the cry of the quail, were pleasant tones; sultry hours followed, monstrous storms came on,--they grew more and more attached to each other, and by this continuous love many a little domestic annoyance was easily extinguished. And thus one ordinary day followed another, and all seemed to be holidays,--the whole calendar should have been printed red. He will understand me who recollects what was predicted by the happily unhappy friend of the "New Heloise:" "And sitting at the feet of his beloved, he will break hemp, and he will wish to break hemp to-day, to-morrow, and the day after, nay, for his whole life."
[Side-note: Young Jerusalem.]
I can say but little, though just as much as may be necessary, respecting a young man, whose name was afterwards but too often mentioned. This was Jerusalem, the son of the freely and tenderly thinking theologian. He also had an appointment with an embassy; his form was pleasing, of a middle height, and well built; his face was rather round than long; his features were soft and calm, and he had the other appurtenances of a handsome blond youth, with blue eyes, rather attractive than speaking. His dress was that introduced in Lower Germany in imitation of the English,--a blue frock, waistcoat and breeches of yellow leather, and boots with brown tops. The author never visited him, nor saw him at his own residence, but often met him among his friends. The expressions of this young man were moderate but kindly. He took interest in productions of the most different kinds, and especially loved those designs and sketches in which the the tranquil character of solitary spots is caught. On such occasions he showed Gesner's etchings, and encouraged the amateurs to study them. In all that mummery and knighthood he took no part, but lived for himself and his own sentiments. It was said he had a decided passion for the wife of one of as friends. In public they were never seen together. In general very little could be said of him, except that he occupied himself with English literature. As the son of an opulent man, he had no occasion either painfully to devote himself to business, or to make pressing applications for an early appointment.
Those etchings by Gesner increased the pleasure and interest in rural objects, and a little poem, which we passionately received into our circle, allowed us from henceforward to think of nothing else. Goldsmith's _Deserted Village_ necessarily delighted every one at that grade of cultivation, in that sphere of thought. Not as living and
## active, but as a departed, vanished existence was described, all that
one so readily looked upon, that one loved, prized, sought passionately in the present, to take part in it with the cheerfulness of youth. Highdays and holidays in the country, church consecrations and fairs, the solemn assemblage of the elders under the village linden-tree, supplanted in its turn by the lively delight of youth in dancing, while the more educated classes show their sympathy. How seemly did these pleasures appear, moderated as they were by an excellent country pastor, who understood how to smooth down and remove all that went too far,--that gave occasion to quarrel and dispute. Here again we found an honest Wakefield, in his well-known circle, yet no longer in his living bodily form, but as a shadow recalled by the soft mournful tones of the elegiac poet. The very thought of this picture is one of the happiest possible, when once the design is formed to evoke once more an innocent past with a graceful melancholy. And in this kindly endeavour, how well has the Englishman succeeded in every sense of the word! I shared the enthusiasm for this charming poem with Gotter, who was more felicitous than myself with the translation undertaken by us both; for I had too painfully tried to imitate in our language the delicate significance of the original, and thus had well agreed with single passages, but not with the whole.
If now, as they say, the greatest happiness rests on a sense of longing (_sehnsucht_), and if the genuine longing can only be directed to something unattainable, everything had fallen together to render the youth whom we now accompany on his wanderings the happiest of mortals. An affection for one betrothed to another, the effort to acquire the masterpieces of foreign literature for our own, the endeavour to imitate natural objects, not only with words, but also with style and pencil, without any proper technical knowledge,--each of these
## particulars would singly have sufficed to me melt the heart and oppress
the bosom. But, that the sweetly suffering youth might be torn out of this state, and that new circumstances might be prepared for new disquiet, the following events occurred:--
[Side-note: Höpfner.]
Höpfner, professor of law, was at Giessen. He was acknowledged and highly esteemed by Merck and Schlosser as clever in his office, and as a thinking and excellent man. I had long ago desired his acquaintance, and now, when these two friends thought to pay him a visit, to negotiate about some literary matters, it was agreed that I should likewise go to Giessen on this opportunity. Because, however--as generally happens with the wilfulness of glad and peaceful times--we could not easily do anything in the direct way, but, like genuine children, sought to get a jest even out of what was necessary, I was now, as an unknown person, to appear in a strange form, and once more satisfy my desire to appear disguised. One cheerful morning, before sunrise, I went from Wetzlar along the Lahne, up the charming valley; such ramblings again constituted my greatest felicity. I invented, connected, elaborated, and was quietly happy and cheerful with myself; I set right what the ever-contradictory world had clumsily and confusedly forced upon me. Arrived at the end of my journey, I looked out for Höpfner's residence, and knocked at his study. When he had cried out, "Come in!" I modestly appeared before him as a student who was going home from the universities, and wished on his way to become acquainted with the most worthy men. For his questions as to my more intimate circumstances, I was prepared; I made up a plausible, prosaic tale, with which he seemed satisfied, and as I gave myself out for a jurist, I did not come off badly; for I well knew his merits in this department, and also that he was occupied with natural law. Conversation, however, sometimes came to a stand, and it seemed as if he were looking for a _Stammbuch_[4] or for me to take my leave. Nevertheless, I managed to delay my departure, as I expected with certainty the arrival of Schlosser, whose punctuality was well known to me. He came in reality, and after a side glance, took little notice of me. Höpfner, however, drew me into conversation, and showed himself throughout as a humane and kindly man. I at last took my leave, and hastened to the inn, where I exchanged a few hurried words with Merck, and awaited further proceedings.
The friends had resolved to ask Höpfner to dinner, and also that Christian Heinrich Schmidt who had played a part, though a very subordinate one, in German literature. For him the affair was really designed, and he was to be punished in a mirthful manner. When the guests had assembled in the dining-room, I asked, through the waiter, whether the gentlemen would allow me to dine with them. Schlosser, whom a certain earnestness well became, opposed this proposition, because they did not wish their conversation interrupted by a third party. But, on the pressing demand of the waiter and the advocacy of Höpfner, who assured the other that I was a very tolerable person, I was admitted, and at the commencement of the meal behaved as if modest and abashed. Schlosser and Merck put no restraint upon themselves, and went on about many subjects as freely as if no stranger were present. I now showed myself somewhat bolder, and did not allow myself to be disturbed when Schlosser threw out at me much that was in earnest, and Merck something sarcastic; but I directed against Schmidt all my darts, which fell sharply and surely on the uncovered places which I well knew.
I had been moderate over my pint of table-wine, but the gentlemen ordered better wine to be brought, and did not fail to give me some. After many affairs of the day had been talked over, conversation went into general matters, and the question was discussed, which will be repeated as long as there are authors in the world,--the question, namely, whether literature was rising or declining, progressing or retrograding? This question, about which old and young, those commencing and those retiring, seldom agree, was discussed with cheerfulness, though without any exact design of coming decidedly to terms about it. At last I took up the discourse, and said, "The different literatures, as it seems to me, have seasons, which alternating with each other, as in nature, bring forth certain phenomena, and assert themselves in due order. Hence I do not believe that any epoch of a literature can be praised or blamed on the whole; especially it displeases me when certain talents, which are brought out by their time, are raised and vaunted so highly, while others are censured and depreciated. The throat of the nightingale is excited by the spring, but at the same time also that of the cuckoo. The butterflies, which are so agreeable to the eye, and the gnats, which are so painful to the feelings, are called into being by the same heat of the sun. If this were duly considered, we should not hear the same complaints renewed every ten years, and the vain trouble which is taken to root out this or that offensive thing, would not so often be wasted." The party looked at me, wondering whence I had got so much wisdom and tolerance. I, however, continued quite calmly to compare literary phenomena with natural productions, and (I know not how) came to the _molluscæ_, of which I contrived to set forth all sorts of strange things. I said that there were creatures to whom a sort of body, nay, a certain figure, could not be denied; but that, since they had no bones, one never knew how to set about rightly with them, and they were nothing better than living slime; nevertheless, the sea must have such inhabitants. Since I carried the simile beyond its due limits to designate Schmidt, who was present, and that class of characterless _littérateurs_, I was reminded that a simile carried too far at last becomes nothing. "Well, then, I will return to the earth," I replied, "and speak of the ivy. As these creatures have no bones, so this has no trunk; but wherever it attaches itself, it likes to play the chief part. It belongs to old walls, in which there is nothing more to destroy; but from new buildings it is properly removed. It sucks up the goodness of the trees; and is most insupportable to me when it clambers up a post, and assures me that this is a living trunk, because it has covered it with leaves."
[Side-note: Joke upon P. H. Schmidt.]
Notwithstanding I was again reproached with the obscurity and inapplicability of my similes, I became more and more warm against all parasitical creatures, and as far as my knowledge of nature then extended, managed the affair pretty well. I at last sang a _vivat_ to all independent men, a _pereat_ to those who forced themselves upon them, seized Höpfner's hand after dinner, shook it violently, declared him to be the best man in the world, and finally embraced both him and the others right heartily. My excellent new friend thought he was really dreaming, until Schlosser and Merk at last solved the riddle; and the discovered joke diffused a general hilarity, which was shared by Schmidt himself, who was appeased by an acknowledgment of his real merits, and the interest we took in his tastes.
This ingenious introduction could not do otherwise than animate and favour the literary congress, which was indeed, chiefly kept in view. Merck, active now in æsthetics, now in literature, now in commerce, had stimulated the well-thinking, well-informed Schlosser, whose knowledge extended to so many branches, to edit the Frankfort _Gelehrte Anzeige_ (_Learned Advertiser_) for that year. They had associated to themselves Höpfner, and other university-men in Giessen, a meritorious schoolman, Rector Wenk in Darmstadt, and many other good men. Every one of them possessed enough historical and theoretical knowledge in his department, and the feeling of the times allowed these men to work in one spirit. The human and cosmopolitan is encouraged; really good men justly celebrated are protected against obtrusion of every kind; their defence is undertaken against enemies, and especially against scholars, who use what has been taught them to the detriment of their instructors. Nearly the most interesting articles are the critiques on other periodical publications, the _Berlin Library_ (_Bibliothek_), the _German Mercury_, where the cleverness in so many departments, the judgment as well the fairness of the papers, is rightly admired.
As for myself, they saw well enough that I was deficient in everything that belongs to a critic, properly so called. My historical knowledge was unconnected, the histories of the world, science, and literature had only attracted me by epochs, the objects themselves only partially and in masses. My capacity of giving life to things, and rendering them present to me out of their real connexion, put me in the position that I could be perfectly at home in a certain century or in a department of science, without being in any degree instructed as to what preceded or what followed. Thus a certain theoretico-practical sense had been awakened in me, by which I could give account of things, rather as they should be than as they were, without any proper philosophical connection, but by way of leaps. To this was added a very easy power of apprehension, and a friendly reception of the opinions of others, if they did not stand in direct opposition to my own convictions.
[Side-note: Frankfort "Gelehrte Anzeige."]
That literary union was also favoured by an animated correspondence, and by frequent personal communication, which was possible from the vicinity of the places. He who had first read a book was to give an account of it; often another reviewer of the same book was found; the affair was talked over, connected with kindred subjects, and if at last a certain result had been obtained, one of them took the office of editing. Thus many reviews are as clever as they are spirited, as pleasant as they are satisfactory. I often had the task of introducing the matter; my friends also permitted me to jest in their works, and to appear independently with objects to which I felt myself equal, and in which I especially took interest. In vain should I endeavour, either by description or reflection, to recall the proper spirit and sense of those days, if the two years of the above-mentioned periodical did not furnish me with the most decisive documents. Extracts from passages, in which I again recognise myself, may appear in future in their proper place, together with similar essays.
During this lively interchange of knowledge, opinions, and convictions, I very soon became better acquainted with Höpfner, and became very fond of him. As soon as we were alone I spoke with him about subjects connected with his department, which was to be my department also; and found a very naturally connected explanation and instruction. I was not then as yet plainly conscious that I could learn something from books and conversation, but not from continuous professional lectures. A book allowed me to pause at a passage, and even to look back, which is impossible with oral delivery and a teacher. Often at the beginning of the lecture, some thought in which I indulged laid hold of me, and thus I lost what followed, and altogether got out of the connexion. Thus it had happened to me with respect to the lectures on jurisprudence; and on this account I could take many opportunities of talking with Höpfner, who entered very readily into my doubts and scruples, and filled up many gaps, so that the wish arose in me to remain with him at Giessen, and derive instruction from him, without removing myself too far from Wetzlar inclinations. Against this wish of mine my two friends had laboured, first unconsciously, but afterwards consciously; for both were in a hurry, not only to leave the place themselves, but had also an interest to remove me from the spot.
Schlosser disclosed to me that he had formed, first a friendly then a closer connexion with my sister, and that he was looking about for an early appointment that he might be united to her. This explanation surprised me to some degree, although I ought to have found it out long ago in my sister's letters; but we easily pass over that which may hurt the good opinion which we entertain of ourselves, and I now remarked for the first time that I was really jealous about my sister; a feeling which I concealed from myself the less, as, since my return from Strasburg, our connexion had been much more intimate. How much time had we not expended in communicating each little affair of the heart, love-matters, and other matters, which had occurred in the interval. In the field of imagination too, had there not been revealed to me a new world, into which I sought to conduct her also? My own little productions, and a far-extended world-poetry, was gradually to be made known to her. Thus I made for her _impromptu_ translations of those passages of Homer, in which she could take the greatest interest. Clarke's literal translation I read into German, as well as I could; my version generally found its way into metrical turns and terminations, and the liveliness with which I had apprehended the images, the force with which I expressed them, removed all the obstacles of a cramped order of words; what I gave with mind, she followed with mind also. We passed many hours of the day in this fashion; while, if her company met, the Wolf Fenris and the Ape Hannemann were unanimously called for, and how often have I not been obliged to repeat circumstantially how Thor and his comrades were deluded by the magical giants! Hence from these fictions such a pleasant impression has remained with me, that they belong to the most valuable things which my imagination can recall. Into the connexion with the Darmstadt people I had drawn my sister also, and now my wanderings and occasional absence necessarily bound us closer together, as I discoursed with her by letter respecting every thing that occurred to me, communicated to her every little poem, if even only a note of admiration, and let her first see all the letters which I received, and all the answers which I wrote. All these lively impulses had been stopped since my departure from Frankfort, my residence at Wetzlar was not fertile enough for** such a correspondence, and, moreover, my attachment to Charlotte may have infringed upon my attentions to my sister; enough, she felt herself alone, perhaps neglected, and therefore the more readily gave a hearing to the honest wooing of an honourable man, who, serious and reserved, estimable and worthy of confidence, had passionately bestowed on her his affections, with which he was otherwise very niggardly. I was now forced to resign myself and grant my friend his happiness, though I did not fail in secret to say confidently to myself, that if the brother had not been absent, it would not have gone so well with the friend.
My friend and probable brother-in-law was now very anxious that I should return home, because, by my mediation, a freer intercourse was possible, of which the feelings of this man, so unexpectedly attacked by a tender passion, seemed to stand extremely in need. Therefore, on his speedy departure, he elicited from me the promise that I would immediately follow him.
[Side-note: Merck's Hatred of Students.]
Of Merck, whose time was free, I hoped that he would delay his sojourn in Giessen, that I might be able to pass some hours of the day with my good Höpfner, while my friend employed his time on the Frankfort _Gelehrte Anzeige_; but he was not to be moved, and as my brother-in-law was driven from the university by love, he was driven by hate. For as there are innate antipathies--just as certain men cannot endure cats, while this or that is repugnant to the soul of others,--so was Merk a deadly enemy to all the academical citizens (the students), who indeed at that time, at Giessen, took delight in the greatest rudeness. For me they were well enough; I could have used them as masks for one of my carnival plays, but with him the sight of them by day, and their noise by night, destroyed every sort of good humour. He had spent the best days of his youth in French Switzerland, and had afterwards enjoyed the pleasant intercourse of people of the court, world, and business, and of cultivated _littérateurs_; several military persons, in whom a desire for mental culture had been awakened, sought his society, and thus he had passed his life in a very cultivated circle. That the rudeness of the students vexed him, was therefore not to be wondered at, but his aversion from them was really more passionate than became a sound man, although he often made me laugh by his witty descriptions of their monstrous appearance and behaviour. Höpfner's imitations and my persuasions were of no avail; I was obliged to depart with him as soon as possible for Wetzlar.
I could scarcely wait any time, till I had introduced him to Charlotte, but his presence in this circle did me no good; for as Mephistopheles, let him go when he will, hardly brings a blessing with him, so did he, by his indifference towards that beloved person, cause me no joy, even if he did not make me waver. This I might have foreseen, if I had recollected that it was exactly those slender, delicate persons, who diffuse a lively cheerfulness around them, without making further pretensions, who did not remarkably please him. He very quickly preferred the Juno-form of one of her friends, and since he lacked time to form a close connexion, he bitterly blamed me for not exerting myself to gain this magnificent figure, especially as she was free and without any tie. He thought that I did not understand my own advantage, and that he here--very unwillingly--perceived my especial taste for wasting my time.
If it is dangerous to make a friend acquainted with the perfections of one's beloved, because he also may find her charming and desirable; no less is the reverse danger, that he may perplex us by his dissent. This, indeed, was not the case here, for I had too deeply impressed upon myself the picture of her amiability for it to be so easily obliterated; but his presence and his persuasions nevertheless hastened my resolution to leave the place. He represented to me a journey on the Rhine, which he was going to take with his wife and son, in the most glowing colours, and excited in me the desire to see, at last, with my eyes those objects of which I had often heard with envy. Now, when he had departed, I separated myself from Charlotte with a purer conscience indeed than from Frederica, but still not without pain. This connexion also had by habit and indulgence grown more passionate than was right on my side, while, on the other hand, she and her bridegroom kept themselves with cheerfulness in a measure which could not be more beautiful and amiable, and the security which resulted just from this caused me to forget every danger. I could not, however, conceal from myself that this adventure must come to a speedy end; for the union of the young man with the amiable girl depended on a promotion which was immediately to be expected, and as man, if he is in any degree resolute, even dares to make a virtue of necessity, so did I embrace the determination voluntarily to depart before I was driven away by anything insupportable.
[1] Annual publications devoted to poetry only.--_Trans._
[2] The fight of Hermann, the "Arminius" of Tacitus, against the Romans.--_Trans._
[3] Persons betrothed are in German called "bride" and "bridegroom."--_Trans._
[4] A "stammbuch" is a sort of album for autographs and short contributions.--_Trans._
THIRTEENTH BOOK.
It was agreed with Merck, that in the fine season we should meet at Coblentz at Frau von Laroche's. I sent to Frankfort my baggage and whatever I might want on my way down the Lahn by an opportunity which offered, and now wandered down that beautiful river, so lovely in its windings, so various in its shores, free as to my resolution, but oppressed as to my feelings--in a condition, when the presence of silently-living nature is so beneficial to us. My eye, accustomed to discern those beauties of a landscape that suited the painter, and were above him, rioted in the contemplation of near and distant objects, of bushy rocks, of sunny heights, of damp valleys, of enthroned castles, and of the blue range of mountains inviting us from the distance.
I wandered on the right bank of the river, which at some depth and distance below me, and partly concealed by a rich bush of willows, glided along in the sunlight. Then again arose in me the old wish, worthily to imitate such objects. By chance I had a handsome pocket-knife in my left hand, and at the moment, from the depth of my soul, arose, as it were, an absolute command, according to which, without delay, I was to fling this knife into the river. If I saw it fall, my wish to become an artist would be fulfilled, but if the sinking of the knife was concealed by the overhanging bush of willows, I was to abandon the wish and the endeavour. This whim had no sooner arisen in me than it was executed. For, without regarding the usefulness of the knife, which comprised many instruments in itself, I cast it with the left hand, as I held it, violently towards the river. But here I had to experience that deceptive ambiguity of oracles, of which, in antiquity, such bitter complaints were made. The sinking of the knife into the water was concealed from me by the extreme twigs of the willows, but the water, which rose from the fall, sprang up like a strong fountain, and was perfectly visible. I did not interpret this phenomenon in my favour, and the doubt which it excited in me was afterwards the cause that I pursued these exercises more interruptedly and more negligently, and gave occasion for the import of the oracle to fulfil itself. For the moment at least the external world was spoiled for me, I abandoned myself to my imaginations and feelings, and left the well-situated castles and districts of Weilburg, Limburg, Diez, and Nassau one by one behind me, generally walking alone, but often for a short time associating myself with another.
[Side-note: The family Von Laroche.]
After thus pleasantly wandering for some days, I arrived at Ems, where I several times enjoyed the soft bath, and then went down the river in a boat. Then the old Rhine opened itself upon me, the beautiful situation of Oberlahnstein delighted me, but noble and majestic above all appeared to me the castle Ehrenbreitstein, which stood perfectly armed in its power and strength. In most lovely contrast lay at its feet the well-built little place called Thal, where I could easily find my way to the residence of Privy Councillor von Laroche. Announced by Merck, I was very kindly received by this noble family, and soon considered as a member of it. My literary and sentimental tendencies bound me to the mother, a cheerful feeling for the world bound me to the father, and my youth bound me to the daughters.
The house, quite at the end of the valley, and little elevated above the river, had a free prospect down the stream. The rooms were high and spacious, and the walls, like a gallery, were hung with pictures, placed close together. Every window on every side formed a frame to a natural picture, which came out very-vividly by the light of a mild sun. I thought I had never seen such cheerful mornings and such splendid evenings.
I was not long the only guest in the house. As a member of the congress which was held here, partly with an artistic view, partly as a matter of feeling, Leuchselring, who came up from Düsseldorf, was likewise appointed. This man, possessing a fine knowledge of modern literature, had, on different travels, but especially during a residence in Switzerland, made many acquaintances, and as he was pleasant and insinuating, had gained much favour. He carried with him several boxes, which contained the confidential correspondence with many friends; for there was altogether such a general openness among people, that one could not speak or write to a single individual, without considering it directed to many. One explored one's own heart and that of others, and with the indifference of the government towards such a communication, the great rapidity of the Taxisch[1] post, the security of the seal, and the reasonableness of the postage, this moral and literary intercourse soon spread itself around.
Such correspondences, especially with important persons, were carefully collected, and extracts from them were often read at friendly meetings. Thus, as political discourses had little interest, one became pretty well acquainted with the extent of the moral world.
Leuchselring's boxes contained many treasures in this sense. The letters of one Julie Bondeli were very much esteemed; she was famed as a lady of sense and merit, and a friend of Rousseau. Whoever had stood in any relation to this extraordinary man, took part in the glory which emanated from him, and in his name a silent community had been disseminated far and wide.
I liked to be present at these readings, as I was thus transported into an unknown world, and learned to know the real truth of many an event that had just passed. All indeed was not valuable, and Herr von Laroche, a cheerful man of the world and of business, who, although a Catholic, had already in his writings made free with the monks and priesthood, thought that he here saw a fraternity, where many a worthless individual supported himself by a connexion with persons of importance, by which, in the end, he, but not they, were admired. Generally this excellent man withdrew from the company when the boxes were opened. Even if he did listen to some letters now and then, a waggish remark was to be expected. Among other things, he once said that by this correspondence he was still more convinced of what he had always believed, namely, that ladies might spare their sealing-wax, as they need only fasten their letters with pins, and might be assured that they would reach their address unopened. In the same way he was accustomed to jest with everything that lay out of the sphere of life and activity, and in this followed the disposition of his lord and master, Count Stadion, minister to the Elector of Mayence, who certainly was not fitted to counterbalance the worldliness and coldness of the boy by a reverence for everything like mysterious foreboding.
[Side-note: Herr von Laroche and His Preceptor.]
An anecdote respecting the great practical sense of the count may here find a place. When he took a liking to the orphan Laroche, and chose him for a pupil, he at once required from the boy the services of a secretary. He gave him letters to answer, despatches to prepare, which he was then obliged to copy fair, oftener to write in cipher, to seal, and to direct. This lasted for many years. When the boy had grown up into a youth, and really did that which he had hitherto only supposed he was doing, the count took him to a large writing-table, in which all his letters and packets lay unbroken, having been preserved as exercises of the former time.
Another exercise which the count required of his pupil, will not find such universal applause. Laroche had been obliged to practise himself in imitating, as accurately as possible, the handwriting of his lord and master, that he might thus relieve him from the trouble of writing himself. Not only in business, but also in love affairs, the young man had to take the place of his preceptor. The count was passionately attached to a lady of rank and talent. If he stopped in her society till late at night, his secretary was, in the meanwhile, sitting at home, and hammering out the most ardent love-letters; the count chose one of these, and sent it that very night to his beloved, who was thus necessarily convinced of the inextinguishable fire of her passionate adorer. Such early experiences were scarcely fitted to give the youth the most exalted notion of written communications about love.
An irreconcilable hatred of the priesthood had established itself in this man, who served two spiritual electors, and had probably sprung from the contemplation of the rude, tasteless, mind-destroying foolery which the monks in Germany were accustomed to carry on in many parts, and thus hindered and destroyed every sort of cultivation. His letters on Monasticism caused great attention; they were received with great applause by all Protestants and many Catholics.
If Herr von Laroche opposed everything that can be called sensibility, and even decidedly avoided the very appearance of it, he nevertheless did not conceal a tender paternal affection for his eldest daughter, who, indeed, was nothing else but amiable. She was rather short than tall of stature, and delicately built, her figure was free and graceful, her eyes very black, while nothing could be conceived purer and more blooming than her complexion. She also loved her father, and inclined to his sentiments. Being an active man of business, most of his time was consumed in works belonging to his calling; and as the guests who stopped at his house were really attracted by his wife and not by him, society afforded him but little pleasure. At table he was cheerful and entertaining, and at least endeavoured to keep his board free from the spice of sensibility.
"Whoever knows the views and mode of thought of Frau von Laroche--and by a long life and many writings, she has become honourably known to every German,--may perhaps suspect that a domestic incongruity must have arisen here. Nothing of the kind. She was the most wonderful woman; and I know no other to compare to her. Slenderly and delicately built, rather tall than short, she had, even to her more advanced years, managed to preserve a certain elegance both of form and of conduct, which pleasantly fluctuated between the conduct of a noble lady and that of one of the citizen class. Her dress had been the same for several years. A neat little cap with wings very well became her small head and delicate face, and her brown or grey clothing gave repose and dignity to her presence. She spoke well, and always knew how to give importance to what she said by an expression of feeling. Her conduct was perfectly the same towards every body. But with all this the greatest peculiarity of her character is not yet expressed; it is difficult to designate it. She seemed to take interest in everything, but really nothing acted upon her. She was gentle towards every one, and could endure everything without suffering; the jests of her husband, the tenderness of her friends, the sweetness of her children--to all this she replied in the same manner, and thus she always remained herself, without being affected in the world by good and evil, or in literature by excellence and weakness. To this disposition she owes that independence which she maintains even to an advanced age, through many sad, nay, sorrowful events. But not to be unjust, I must state that her sons, then children of dazzling beauty, often elicited from her an expression different from that which served her for daily use.
[Side-note: Merk's influence.]
Thus I lived for a time in a wonderfully pleasant society, until Merck came with his family. Here arose at once new affinities; for while the two ladies approached each other, Merck had come into closer contact with Herr von Laroche as a connoisseur of the world and of business, as a well-informed and travelled man. The boy associated himself with the boys, and the daughters, of whom the eldest soon particularly attracted me, fell to my share. It is a very pleasant sensation when a new passion begins to stir in us, before the old one is quite extinct. Thus, when the sun is setting, one often likes to see the moon rise on the opposite side, and one takes delight in the double lustre of the two heavenly luminaries.
There was now no lack of rich entertainment either in or out of the house. We wandered about the spot, and ascended Ehrenbreitstein on this side of the river, and the _Carthaus_ on the other. The city, the Moselle-bridge, the ferry which took us over the Rhine, all gave us the most varied delight. The new castle was not yet built; we were taken to the place where it was to stand, and allowed to see the preparatory sketches.
Nevertheless, amid those cheerful circumstances was internally developed that element of unsociableness which, both in cultivated and uncultivated circles, ordinarily shows its malign effects. Merck, at once cold and restless, had not long listened to that correspondence before he uttered aloud many waggish notions concerning the things which were the subjects of discourse, as well as the persons and their circumstances, while he revealed to me in secret the oddest things, which really were concealed under them. Political secrets were never touched on, nor indeed anything that could have had a definite connexion; he only made me attentive to persons who, without remarkable talents, contrive, by a certain tact, to obtain personal influence, and, by an acquaintance with many, try to make something out of themselves; and from this time forwards I had opportunity to observe several men of the sort. Since such persons usually change their place, and, as travellers come, now here, now there, they have the advantage of novelty, which should neither be envied nor spoiled; for this is a mere customary matter, which every traveller has often experienced to his benefit, and every resident to his detriment.
Be that as it may, it is enough that from that time forward we cherished an uneasy, nay, envious attention to people of the sort, who went about on their own account, cast anchor in every city, and sought to gain an influence at least in some families. I have represented a tender and soft specimen of these guild-brethren in "Pater Brey," another of more aptness and bluntness in a carnival play to be hereafter published, which bears the title, _Satyros, or the deified Wood-devil._ This I have done, if not with fairness, at least with good humour.
However, the strange elements of our little society still worked quite tolerably one upon another; we were partly united by our own manner and style of breeding, and partly restrained by the peculiar conduct of our hostess, who, being but lightly touched by that which passed around her, always resigned herself to certain ideal notions, and while she understood how to utter them in a friendly and benevolent way, contrived to soften everything sharp that might arise in the company, and to smooth down all that was uneven.
Merck had sounded a retreat just at the right time, so that the party separated on the best of terms. I went with him and his in a yacht, which was returning up the Rhine towards Mayence; and although this vessel went very slowly of itself, we nevertheless besought the captain not to hurry himself. Thus we enjoyed at leisure the infinitely various objects, which, in the most splendid weather, seem to increase in beauty every hour, and both in greatness and agreeableness ever to change anew; and I only wish that, while I utter the names, Rheinfels and St. Goar, Bacharach, Bingen, Ellfeld, and Biberich, every one of my readers may be able to recall these spots to memory.
We had sketched industriously, and had thus at least gained a deeper impression of the thousandfold changes of those splendid shores. At the same time, by being so much longer together, by a familiar communication on so many sorts of things, our connexion became so much the more intimate, that Merck gained a great influence over me, and I, as a good companion, became indispensable to him for a comfortable existence. My eye, sharpened by nature, again turned to the contemplation of art, for which the beautiful Frankfort collections afforded me the best opportunity, both in paintings and engravings, and I have been much indebted to the kindness of MM. Ettling and Ehrenreich, but especially to the excellent Nothnagel. To see nature in art became with me a passion, which, in its highest moments, must have appeared to others, passionate amateurs as they might be, almost like madness: and how could such an inclination be better fostered than by a constant observation of the excellent works of the Netherlanders? That I might make myself practically acquainted with these things, Nothnagel gave me a little room, where I found every thing that was requisite for oil painting, and painted after nature some simple subjects of still life, one of which, a tortoise-shell knife-handle, inlaid with silver, so astonished my master, who had last visited me an hour before, that he maintained one of his subordinate artists must have been with me during the time.
[Side-note: Reviving Taste for Art.]
Had I patiently gone on practising myself on such objects catching their light and the peculiarities of their surface, I might have formed a sort of practical skill, and made a way for something higher. I was, however, prevented by the fault of all dilettantes--that of beginning with what is most difficult, and ever wishing to perform the impossible, and I soon involved myself in greater undertakings, in which I stuck fast, both because they were beyond my technical capabilities, and because I could not always maintain pure and operative that loving attention and patient industry, by which even the beginner accomplishes something.
At the same time, I was once more carried into a higher sphere, by finding an opportunity of purchasing some fine plaster casts of antique heads. The Italians, who visit the fairs, often brought with them good specimens of the kind, and sold them cheap, after they had taken moulds of them. In this manner I set up for myself a little museum, as I gradually brought together the heads of the Laocoön, his sons, and Niobe's daughters. I also bought miniature copies of the most important works of antiquity from the estate of a deceased friend of art, and thus sought once more to revive, as much as possible, the great impression which I had received at Mannheim.
While I now sought to cultivate, foster, and maintain all the talent, taste, or other inclination that might live in me, I applied a good part of the day, according to my father's wish, in the duties of an advocate, for the practice of which I chanced to find the best opportunity. After the death of my grandfather, my uncle Textor had come into the council, and consigned to me the little offices to which I was equal; while the brothers Schlosser did the same. I made myself acquainted with the documents; my father also read them with much pleasure, as by means of his son, he again saw himself in an activity of which he had been long deprived. We talked the matters over, and with great facility; I then made the necessary statements. We had at hand an excellent copyist, on whom one could rely for all legal formalities; and this occupation was the more agreeable to me as it brought me closer to my father, who, being perfectly satisfied with my conduct in this respect, readily looked with an eye of indulgence on all my other pursuits, in the ardent expectation that I should now soon gather in a harvest of fame as an author.
Because now, in every epoch, all things are connected together, since the ruling views and opinions are ramified in the most various manner, so in the science of law those maxims were gradually pursued, according to which religion and morals were treated. Among the attorneys, as the younger people, and then among the judges, as the elder, a spirit of humanity was diffused, and all vied with each other in being as humane as possible, even in legal affairs. Prisons were improved, crimes excused, punishments lightened, legitimations rendered easy, separations and unequal marriages encouraged, and one of our eminent lawyers gained for himself the highest fame, when he contrived, by hard fighting, to gain for the son of an executioner an entrance into the college of surgeons. In vain did guilds and corporations oppose; one dam after another was broken through. The toleration of the religious
## parties towards each other was not merely taught, but practised, and
the civil constitution was threatened with a still greater influence, when the effort was made to recommend to that good-humoured age, with understanding, acuteness, and power, toleration toward the Jews. Those new subjects for legal treatment, which lay without the law and tradition, and only laid claim to a fair examination, to a kindly sympathy, required at the same time a more natural and animated style. Here for us, the youngest, was opened a cheerful field, in which we bustled about with delight, and I still recollect that an imperial councillor's agent, in a case of the sort, sent me a very polite letter of commendation. The French _plaidoyés_ served us for patterns and for stimulants.
We were thus on the way to become better orators than jurists, a fact to which George Schlosser once called my attention, blaming me while doing so. I told him that I had read to my clients a controversial paper written with much energy in their favour, at which they had shown the greatest satisfaction. Upon this he replied to me, "In this case you have shown yourself more an author than an advocate. We must never ask how such a writing may please the client, but how it may please the judge."
[Side-note: State of the German stage.]
As the occupations to which one devotes one's day are never so serious and pressing that one cannot find time enough in the evening to go to the play, thus was it also with me, who, in the want of a really good stage, did not cease thinking of the German theatre, in order to discover how one might cooperate upon it with any degree of activity. Its condition in the second half of the last century is sufficiently known, and every one who wishes to be instructed about it finds assistance at hand everywhere. On this account I only intend to insert here a few general remarks.
The success of the stage rested more upon the personality of the actors than upon the value of the pieces. This was especially the case with pieces half or wholly extemporized, when everything depended on the humour and talent of the comic actors. The matter of such pieces must be taken out of the commonest life, in conformity with the people before whom they are acted. From this immediate application arises the greatest applause, which these plays have always gained. They were always at home in South Germany, where they are retained to the present day; and the change of persons alone renders it necessary to give, from time to time, some change to the character of the comic masks. However, the German theatre, in conformity with the serious character of the nation, soon took a turn towards the moral, which was still more accelerated by an external cause. For the question arose, among strict Christians, whether the theatre belonged to those sinful things which are to be shunned, at all events, or to those indifferent things which can be good to the good and bad to the bad. Some zealots denied the latter, and held fast the opinion that no clergyman should ever enter the theatre. Now the opposite opinion could not be maintained with energy, unless the theatre was declared to be not only harmless, but even useful. To be useful, it must be moral; and in this direction it developed itself in North Germany the more as, by a sort of half-taste, the comic character[2] was banished, and although intelligent persons took his part, was forced to retire, having already gone from the coarseness of the German _hanswurst_ (jack-pudding) into the neatness and delicacy of the Italian and French harlequins. Even Scapin and Crispin gradually vanished; the latter I saw played for the last time by Koch, in his old age.
Richardson's novels had already made the citizen-world attentive to a more delicate morality. The severe and inevitable consequences of a feminine _faux pas_ were analysed in a frightful manner in _Clarissa._ Lessing's _Miss Sara Sampson_ treated the same theme: whilst the _Merchant of London_ exhibited a misguided youth in the most terrible situation. The French dramas had the same end, but proceeded more moderately, and contrived to please by some accommodation at the end. Diderot's _Père de Famille_, the _Honourable Criminal_, the _Vinegar Dealer_, the _Philosopher without knowing it, Eugenie_, and other works of the sort, suited that honest feeling of citizen and family which began more and more to prevail. With us, the _Grateful Son_, the _Deserter from Parental Love_, and all of their kin, went the same way. The _Minister, Clementini_, and other pieces by Gehler, the _German Father of a Family_, by Gemming, all brought agreeably to view the worth of the middle and even of the lower class, and delighted the great public. Eckhof by his noble personality, which gave to the actor's profession a dignity in which it had hitherto been deficient, elevated to an uncommon degree the leading characters in such pieces, since, as an honest man, the expression of honesty succeeded with him to perfection.
While now the German theatre was completely inclining to effeminacy, Schröder arose as an author and actor, and prompted by the connexion between Hamburg and England, adapted some English comedies. The material of these he could only use in the most general way, since the originals are for the most part formless, and if they begin well and according to a certain plan, they wander from the mark at last. The sole concern of their authors seems to be the introduction of the oddest scenes; and whoever is accustomed to a sustained work of art, at last unwillingly finds himself driven into the boundless. Besides this, a wild, immoral, vulgarly dissolute tone so decidedly pervades the whole, to an intolerable degree, that it must have been difficult to deprive the plan and the characters of all their bad manners. They are a coarse and at the same time dangerous food, which can only be enjoyed and digested by a large and half-corrupted populace at a certain time. Schröder did more for these things than is usually known; he thoroughly altered them, assimilated them to the German mind, and softened them as much as possible. But still a bitter kernel always remains in them, because the joke often depends on the ill-usage of persons, whether they deserve it or not. In these performances, which were also widely spread upon our stage, lay a secret counterpoise to that too delicate morality; and the action of both kinds of drama against each other fortunately prevented the monotony into which people would otherwise have fallen.
[Side-note: Schroeder's Adaptation of English Comedies.]
The German, kind and magnanimous by nature, likes to see no one ill-treated. But as no man, however well he thinks, is secure that something may not be put upon him against his inclination, and as, moreover, comedy in general, if it is to please, always presupposes or awakens something of malice in the spectator, so, by a natural path, did people come to a conduct which hitherto had been deemed unnatural: this consisted in lowering the higher classes, and more or less attacking them. Satire, whether in prose or verse, had always avoided touching the court and nobility. Rabener refrained from all jokes in that direction, and remained in a lower circle. Zachariä occupies himself much with country noblemen, comically sets forth their tastes and peculiarities, but this is done without contempt. Thümmel's _Wilhelmine_, an ingenious little composition, as pleasant as it is bold, gained great applause, perhaps because the author, himself a nobleman and courtier, treated his own class unsparingly. But the boldest step was taken by Lessing, in his _Emilia Galotti_, where the passions and intrigues of the higher classes are delineated in a bitter and cutting manner. All these things perfectly corresponded to the excited spirit of the time; and men of less mind and talent thought they might do the same, or even more; as indeed Grossmann, in six unsavoury dishes, served up to the malicious public all the tidbits of his vulgar kitchen. An honest man, Hofrath Reinhardt, was the major-domo at this unpleasant board, to the comfort and edification of all the guests. From this time forward the theatrical villains were always chosen from the higher ranks; and a person must be a gentleman of the bedchamber, or at least a private secretary, to be worthy of such a distinction. But for the most godless examples, the highest offices and places in the court and civil list were chosen, in which high society, even the justiciaries, found their place as villains of the first water.
But as I must fear already that I have been carried beyond the time which is now the subject in hand, I return back to myself, to mention the impulse which I felt to occupy myself in my leisure hours with the theatrical plans which I had once devised.
By my lasting interest in Shakspeare's works, I had so expanded my mind, that the narrow compass of the stage and the short time allotted to a representation, seemed to me by no means sufficient to bring forward something important. The life of the gallant Götz von Berlichingen, written by himself, impelled me into the historic mode of treatment; and my imagination so much extended itself, that my dramatic form also went beyond all theatrical bounds, and sought more and more to approach the living events. I had, as I proceeded, talked circumstantially on this subject with my sister, who was interested, heart and soul, in such things, and renewed this conversation so often, without going to any work, that she at last, growing impatient, and at the same time wishing me well, urgently entreated me not to be always casting my words into the air, but, once for all, to set down upon paper that which must have been so present to my mind. Determined by this impulse, I began one morning to write, without having made any previous sketch or plan. I wrote the first scenes, and in the evening they were read aloud to Cornelia. She gave them much applause, but only conditionally, since she doubted that I should go on so; nay, she even expressed a decided unbelief in my perseverance. This only incited me the more; I wrote on the next day, and also the third. Hope increased with the daily communications, and from step to step everything gained more life, while the matter, moreover, had become thoroughly my own. Thus I kept, without interruption, to my work, which I pursued straight on, looking neither backwards nor forwards,--neither to the right nor to the left; and in about six weeks I had the pleasure to see the manuscript stitched. I communicated it to Merck, who spoke sensibly and kindly about it. I sent it to Herder, who, on the contrary, expressed himself unkindly and severely, and did not fail, in some lampoons written for the occasion, to give me nicknames on account of it. I did not allow myself to be perplexed by this, but took a clear view of my object. The die was now cast, and the only question was how to play the game best. I plainly saw that even here no one would advise me; and, as after some time I could regard my work as if it had proceeded from another hand, I indeed perceived that in my attempt to renounce unity of time and place, I had also infringed upon that higher unity which is so much the more required. Since, without plan or sketch, I had merely abandoned myself to my imagination and to an internal impulse, I had not deviated much at the beginning, and the first acts could fairly pass for what they were intended to be. In the following acts, however, and especially towards the end, I was unconsciously carried along by a wonderful passion. While trying to describe Adelheid as amiable, I had fallen in love with her myself,--my pen was involuntarily devoted to her alone,--the interest in her fate gained the preponderance; and as, apart from this consideration. Götz, towards the end, is without
## activity, and afterwards only returns to an unlucky participation in
the _Bauernkrieg_[3] nothing was more natural than that a charming woman should supplant him in the mind of the author, who, casting off the fetters of art, thought to try himself in a new field. This defect, or rather this culpable superfluity, I soon perceived, since the nature of my poetry always impelled me to unity. I now, instead of the biography of Götz and German antiquities, kept my own work in mind, and sought to give it more and more historical and national substance, and to cancel that which was fabulous or merely proceeded from passion. In this I indeed sacrificed much, as the inclination of the man had to yield to the conviction of the artist. Thus, for instance, I had pleased myself highly by malting Adelheid enter into a terrific nocturnal gipsy-scene, and perform wonders by her beautiful presence. A nearer examination banished her; and the love-affair between Franz and his noble, gracious lady, which was very circumstantially carried on in the fourth and fifth acts, was much condensed, and could only be suffered to appear in its chief points.
[Side-note: Goetz von Berlichingen.]
Therefore, without altering anything in the first manuscript, which I still actually possess in its original shape, I determined to rewrite the whole, and did this with such activity, that in a few weeks an entirely new-made piece lay before me. I went to work upon this all the quicker, the less my intention was ever to have the second poem printed, as I looked upon this likewise as a mere preparatory exercise, which in future I should again lay at the foundation of a new treatment, to be accomplished with greater industry and deliberation.
When I began to lay before Merck many proposals as to the way in which I should set about this task, he laughed at me, and asked what was the meaning of this perpetual writing and rewriting? The thing, he said, by this means, becomes only different, and seldom better; one must see what effect one thing produces, and then again try something new. "Be in time at the hedge, if you would dry your linen."[4] he exclaimed, in the words of the proverb; hesitation and delay only make uncertain men. On the other hand, I replied to him that it would be unpleasant to me to offer to a bookseller a work on which I had bestowed so much affection, and perhaps to receive a refusal as an answer; for how would they judge of a young, nameless, and also audacious author? As my dread of the press gradually vanished, I had wished to see printed my comedy _Die Mitschuldigen_, upon which I set some value, but I found no publisher inclined in my favour.
Here the technically mercantile taste of my friend was at once excited. By means of the _Frankfort Zeitung_ (Gazette), he had already formed a connexion with learned men and booksellers, and therefore he thought that we ought to publish at our own expense this singular and certainly striking work, and that we should derive a larger profit from it. Like many others, he used often to reckon up for the booksellers their profit, which with many works was certainly great, especially if one left out of the account how much was lost by other writings and commercial affairs. Enough, it was settled that I should procure the paper, and that he should take care of the printing. Thus we went heartily to work, and I was not displeased gradually to see my wild dramatic sketch in clean proof-sheets; it looked really neater than I myself expected. We completed the work, and it was sent off in many parcels. Before long a great commotion arose everywhere; the attention which it created became universal. But because, with our limited means, the copies could not be sent quick enough to all parts, a pirated edition suddenly made its appearance. As, moreover, there could be no immediate return, especially in ready money, for the copies sent out, so was I, as a young man in a family whose treasury could not be in an abundant condition, at the very time when much attention, nay, much applause was bestowed upon me, extremely perplexed as to how I should pay for the paper by means of which I had made the world acquainted with my talent. On the other hand, Merck, who knew better how to help himself, entertained the best hopes that all would soon come right again; but I never perceived that to be the case.
[Side-note: Goetz von Berlichingen.]
Through the little pamphlets which I had published anonymously, I had, at my own expense, learned to know the critics and the public; and I was thus pretty well prepared for praise and blame, especially as for many years I had constantly folio wed up the subject, and had observed how those authors were treated, to whom I had devoted particular attention.
Here even in my uncertainty, I could plainly remark how much that was groundless, one-sided, and arbitrary, was recklessly uttered. Now the same thing befel me, and if I had not had some basis of my own, how much would the contradictions of cultivated men have perplexed me! Thus, for instance, there was in the _German Mercury_ a diffuse, well-meant criticism, composed by some man of limited mind. Where he found fault, I could not agree with him,--still less when he stated how the affair could have been done otherwise. It was therefore highly gratifying to me, when immediately afterwards I found a pleasant explanation by Wieland, who in general opposed the critic, and took my part against him. However, the former review was printed likewise; I saw an example of the dull state of mind among well-informed and cultivated men. How, then, would it look with the great public!
The pleasure of talking over such things with Merck, and thus gaining light upon them, was of short duration, for the intelligent Landgravine of Hesse-Darmstadt took him with her train on her journey to Petersburg. The detailed letters which he wrote to me gave me a farther insight into the world, which I could the more make my own as the descriptions were made by a well-known and friendly hand. But nevertheless I remained very solitary for a long time, and was deprived just at this important epoch of his enlightening sympathy, of which I then stood in so much need.
Just as one embraces the determination to become a soldier, and go to the wars, and courageously resolves to bear danger and difficulties, as well as to endure wounds and pains, and even death, but at the same time never calls to mind the particular cases in which those generally anticipated evils may surprise us in an extremely unpleasant manner,--so it is with every one who ventures into the world, especially an author; and so it was with me. As the great part of mankind is more excited by a subject than by the treatment of it, so it was to the subject that the sympathy of young men for my pieces was generally owing. They thought they could see in them a banner, under the guidance of which all that is wild and unpolished in youth might find a vent; and those of the very best brains, who had previously harboured a similar crotchet, were thus carried away. I still possess a letter--I know not to whom--from the excellent and, in many respects, unique Bürger, which may serve as an important voucher of the effect and excitement which was then produced by that phenomenon. On the other side, some men blamed me for painting the club-law in too favourable colours, and even attributed to me the intention of bringing those disorderly times back again. Others took me for a profoundly learned man, and wished me to publish a new edition, with notes, of the original narrative of the good Götz;--a task to which I felt by no means adapted, although I allowed my name to be put on the title to the new impression. Because I had understood how to gather the flowers of a great existence, they took me for a careful gardener. However, this learning and profound knowledge of mine were much doubted by others. A respectable man of business quite unexpectedly pays me a visit. I find myself highly honoured by this, especially as he opens his discourse with the praise of my _Götz von Berlichingen_, and my good insight into German history, but I am nevertheless astonished when I remark that he has really come for the sole purpose of informing me that Götz von Berlichingen was no brother-in-law to Franz von Sichingen, and that therefore by this poetical matrimonial alliance I have committed a great historical error. I sought to excuse myself by the fact, that Götz himself calls him so, but was met by the reply, that this is a form of expression which only denotes a nearer and more friendly connexion, just as in modern times we call postilions "brothers-in-law,"[5] without being bound to them by any family tie. I thanked him as well as I could for this information, and only regretted that the evil was now not to be remedied. This was regretted by him also, while he exhorted me in the kindest manner to a further study of the German history and constitution, and offered me his library, of which I afterwards made a good use.
[Side-note: Goetz von Berlichingen.]
A droll event of the sort which occurred to me was the visit of a bookseller, who, with cheerful openness, requested a dozen of such pieces, and promised to pay well for them. That we made ourselves very merry about this may be imagined; and yet, in fact, he was not so very far wrong, for I was already greatly occupied in moving backwards and forwards from this turning-point in German history, and in working up the chief events in a similar spirit--a laudable design, which, like many others, was frustrated by the rushing flight of time.
That play, however, had not solely occupied the author, but while it was devised, written, rewritten, printed, and circulated, other images and plans were moving in his mind. Those which could be treated dramatically had the advantage of being oftenest thought over and brought near to execution; but at the same time was developed a transition to another form, which is not usually classed with those of the drama, but yet has a great affinity with them. This transition was chiefly brought about by a peculiarity of the author, which fashioned soliloquy into dialogue.
Accustomed to pass his time most pleasantly in society, he changed even solitary thought into social converse, and this in the following manner:--He had the habit, when he was alone, of calling before his mind any person of his acquaintance. This person he entreated to sit down, walked up and down by him, remained standing before him, and discoursed with him on the subject he had in his mind. To this the person answered as occasion required, or by the ordinary gestures signified his assent or dissent;--in which every man has something peculiar to himself. The speaker then continued to carry out further that which seemed to please the guest, or to condition and define more closely that of which he disapproved; and, finally, was polite enough to give up his notion. The oddest part of the affair was, that he never selected persons of his intimate acquaintance, but those whom he saw but seldom, nay, several who lived at a distance in the world, and with whom he had had a transient connexion. They were, however, chiefly persons who, more of a receptive than communicative nature, are ready with a pure feeling to take interest in the things which fall within their sphere, though he often summoned contradicting spirits to these dialectic exercises. Persons of both sexes, of every age and rank accommodated themselves to these discussions, and showed themselves obliging and agreeable, since he only conversed on subjects which were clear to them, and which they liked. Nevertheless, it would have appeared extremely strange to many of them, could they have learned how often they were summoned to these ideal conversations, since many of them would scarcely have come to a real one.
How nearly such a mental dialogue is akin to a written correspondence, is clear enough; only in the latter one sees returned the confidence one has bestowed, while in the former, one creates for oneself a confidence which is new, ever-changing, and unreturned. When, therefore, he had to describe that disgust which men, without being driven by necessity, feel for life, the author necessarily hit at once upon the plan of giving his sentiments in letters; for all gloominess is a birth, a pupil of solitude--whoever resigns himself to it flies all opposition, and what is more opposed to him than a cheerful society? The enjoyment in life felt by others is to him a painful reproach; and thus, by that which should charm him out of himself, he is directed back to his inmost soul. If he at all expresses himself on this matter, it will be by letters; for no one feels immediately opposed to a written effusion, whether it be joyful or gloomy, while an answer containing opposite reasons gives the lonely one an opportunity to confirm himself in his whims,--an occasion to grow still more obdurate. The letters of Werther, which are written in this spirit, have so various a charm, precisely because their different contents were first talked over with several individuals in such ideal dialogues, while it was afterwards in the composition itself that they appeared to be directed to one friend and sympathizer. To say more on the treatment of a little book which has formed the subject of so much discussion, would be hardly advisable, but, with respect to the contents, something may yet be added.
[Side-note: Weariness of Life.]
That disgust at life has its physical and its moral causes; the former we will leave to the investigation of the physician, the latter to that of the moralist, and in a matter so often elaborated, only consider the chief point, where the phenomenon most plainly expresses itself. All comfort in life is based upon a regular recurrence of external things. The change of day and night--of the seasons, of flowers and fruits, and whatever else meets us from epoch to epoch, so that we can and should enjoy it--these are the proper springs of earthly life. The more open we are to these enjoyments, the happier do we feel ourselves; out if the changes in these phenomena roll up and down before us without our taking interest in them, if we are insensible to such beautiful offers, then comes on the greatest evil, the heaviest disease--we regard life as a disgusting burden. It is said of an Englishman, that he hanged himself that he might no longer dress and undress himself every day. I knew a worthy gardener, the superintendent of the laying out of a large park, who once cried out with vexation, "Shall I always see these clouds moving from east to west?" The story is told of one of our most excellent men, that he saw with vexation the returning green of spring, and wished that, by way of change, it might once appear red. These are properly the symptoms of a weariness of life, which does not unfrequently result in suicide, and which, in thinking men, absorbed in themselves, was more frequent than can be imagined.
Nothing occasions this weariness more than the return of love. The first love, it is rightly said, is the only one, for in the second, and by the second, the highest sense of love is already lost. The conception of the eternal and infinite, which elevates and supports it, is destroyed, and it appears transient like everything else that recurs. The separation of the sensual from the moral, which, in the complicated, cultivated world sunders the feelings of love and desire, produces here also an exaggeration which can lead to no good.
Moreover, a young man soon perceives in others, if not in himself, that moral epochs change as well as the seasons of the year. The graciousness of the great, the favour of the strong, the encouragement of the active, the attachment of the multitude, the love of individuals--all this changes up and down, and we can no more hold it fast than the sun, moon, and stars. And yet these things are not mere natural events; they escape us either by our own or by another's fault; but change they do, and we are never sure of them.
But that which most pains a sensitive youth is the unceasing return of our faults; for how late do we learn to see that while we cultivate our virtues, we rear our faults at the same time. The former depend upon the latter as upon their root, and the latter send forth secret ramifications as strong and as various as those which the former send forth in open light. Because now we generally practise our virtues with will and consciousness, but are unconsciously surprised by our faults, the former seldom procure us any pleasure, while the latter constantly bring trouble and pain. Here lies the most difficult point in self-knowledge, that which makes it almost impossible. If we conceive, in addition to all this, a young, boiling blood, an imagination easily to be paralyzed by single objects, and, moreover, the uncertain movements of the day, we shall not find unnatural an impatient striving to free oneself from such a strait.
However, such gloomy contemplations, which lead him who has resigned himself to them into the infinite, could not have developed themselves so decidedly in the minds of the German youths, had not an outward occasion excited and furthered them in this dismal business. This was caused by English literature, especially the poetical part, the great beauties of which are accompanied by an earnest melancholy, which it communicates to every one who occupies himself with it. The intellectual Briton, from his youth upwards, sees himself surrounded by a significant world, which stimulates all his powers; he perceives, sooner or later, that he must collect all his understanding to come to terms with it. How many of their poets have in their youth led a loose and riotous life, and soon found themselves justified in complaining of the vanity of earthly things? How many of them have tried their fortune in worldly occupations, have taken parts, principal or subordinate, in parliament, at court, in the ministry, in situations with the embassy, shown their active co-operation in the internal troubles and changes of state and government, and if not in themselves, at any rate in their friends and patrons, more frequently made sad than pleasant experiences! How many have been banished, imprisoned, or injured with respect to property!
[Side-note: Effect of English poetry.]
Even the circumstance of being the spectator of such great events calls man to seriousness; and whither can seriousness lead farther than to a contemplation of the transient nature and worthlessness of all earthly things? The German also is serious, and thus English poetry was extremely suitable to him, and, because it proceeded from a higher state of things, even imposing. One finds in it throughout a great, apt understanding, well practised in the world, a deep, tender heart, an excellent will, an impassioned action,--the very noblest qualities which can be praised in an intellectual and cultivated man; but all this put together still makes no poet. True poetry announces itself thus, that, as a worldly gospel, it can by internal cheerfulness and external comfort free us from the earthly burdens which press upon us. Like an air-balloon, it lifts us, together with the ballast which is attached to us, into higher regions, and lets the confused labyrinths of the earth lie developed before us as in a bird's-eye view. The most lively, as well as the most serious works, have the same aim of moderating both pleasure and pain by a felicitous intellectual form. Let us only in this spirit consider the majority of the English poems, chiefly morally didactic, and on the average they will only show us a gloomy weariness of life. Not only Young's _Night Thoughts_, where this theme is pre-eminently worked out, but even the other contemplative poems stray, before one is aware of it, into this dismal region, where the understanding is presented with a problem which it cannot solve, since even religion, much as it can always construct for itself, leaves it in the lurch. Whole volumes might be compiled, which could serve as a commentary to this frightful text--
"Then old age and experience, hand in hand, Lead him to death, and make him understand, After a search so painful and so long, That all his life he has been in the wrong."
What further makes the English poets accomplished misanthropes, and diffuses over their writings the unpleasant feeling of repugnance against everything, is the fact that the whole of them, on account of the various divisions of their commonwealth, must devote themselves for the best part, if not for the whole of their lives, to one party or another. Because now a writer of the sort cannot praise and extol those of the party to which he belongs, nor the cause to which he adheres, since, if he did, he would only excite envy and hostility, he exercises his talent in speaking as badly as possible of those on the opposite side, and in sharpening, nay, poisoning the satirical weapons as much as he can. When this is done by both parties, the world which lies between is destroyed and wholly annihilated, so that in a great mass of sensibly active people, one can discover, to use the mildest terms, nothing but folly and madness. Even their tender poems are occupied with mournful subjects. Here a deserted girl is dying, there a faithful lover is drowned, or is devoured by a shark before, by his hurried swimming, he reaches his beloved; and if a poet like Gray lies down in a churchyard, and again begins those well-known melodies, he too may gather round him a number of friends to melancholy. Milton's _Allegro_ must scare away gloom in vehement verses, before he can attain a very moderate pleasure; and even the cheerful Goldsmith loses himself in elegiac feelings, when his _Deserted Village_, as charmingly as sadly, exhibits to us a lost Paradise which his _Traveller_ seeks over the whole earth.
I do not doubt that lively works, cheerful poems, can be brought forward and opposed to what I have said, but the greatest number, and the best of them, certainly belong to the older epoch; and the newer works, which may be set down in the class, are likewise of a satirical tendency, are bitter, and treat women especially with contempt.
Enough: those serious poems, undermining human nature, which, in general terms, have been mentioned above, were the favourites which we sought out before all others, one seeking, according to his disposition, the lighter elegiac melancholy, another the heavy oppressive despair, which gives up everything. Strangely enough, our father and instructor, Shakspeare, who so well knew how to diffuse a pure cheerfulness, strengthened our feeling of dissatisfaction. Hamlet and his soliloquies were spectres which haunted all the young minds. The chief passages every one knew by heart and loved to recite, and every body fancied he had a right to be just as melancholy as the Prince of Denmark, though he had seen no ghost, and had no royal father to avenge.
But that to all this melancholy a perfectly suitable locality might not be wanting, Ossian had charmed us even to the _Ultima Thule_, where on a gray, boundless heath, wandering among prominent moss-covered grave-stones, we saw the grass around us moved by an awful wind, and a heavily clouded sky above us. It was not till moonlight that the Caledonian night became day; departed heroes, faded maidens, floated around us, until at last we really thought we saw the spirit of Loda in his fearful form.
In such an element, with such surrounding influences, with tastes and studies of this kind, tortured by unsatisfied passions, by no means excited from without to important actions, with the sole prospect that we must adhere to a dull, spiritless, citizen life, we became--in gloomy wantonness--attached to the thought, that we could at all events quit life at pleasure, if it no longer suited us, and thus miserably enough helped ourselves through the disgusts and weariness of the days. This feeling was so general, that _Werther_ produced its great effect precisely because it struck a chord everywhere, and openly and intelligibly exhibited the internal nature of a morbid youthful delusion. How accurately the English were acquainted with this sort of wretchedness is shown by the few significant lines, written before the appearance of _Werther_--
"To griefs congenial prone, More wounds than nature gave he knew, While misery's form his fancy drew In dark ideal hues and horrors not its own."
[Side-note: Suicide.]
Suicide is an event of human nature which, whatever may be said and done with respect to it, demands the sympathy of every man, and in every epoch must be discussed anew. Montesquieu grants his heroes and great men the right of killing themselves as they think fit, since he says that it must be free to every one to close the fifth act of his tragedy as he pleases. But here the discourse is not of those persons who have led an active and important life, who have sacrificed their days for a great empire, or for the cause of freedom, and whom one cannot blame if they think to follow in another world the idea which inspires them, as soon as it has vanished from the earth. We have here to do with those whose life is embittered by a want of action, in the midst of the most peaceful circumstances in the world, through exaggerated demands upon themselves. Since I myself was in this predicament, and best knew the pain I suffered in it, and the exertion it cost me to free myself, I will not conceal the reflections which I made, with much deliberation, on the various kinds of death which one might choose.
There is something so unnatural in a man tearing himself away from himself, not only injuring, but destroying himself, that he mostly seizes upon mechanical means to carry his design into execution. When Ajax falls upon his sword, it is the weight of his body which does him the last service. When the warrior binds his shield-bearer not to let him fall into the hands of the enemy, it is still an external force which he secures, only a moral instead of a physical one. Women seek in water a cooling for their despair, and the extremely mechanical means of fire-arms ensure a rapid act with the very least exertion. Hanging, one does not like to mention, because it is an ignoble death. In England one may first find it, because there, from youth upwards, one sees so many hanged, without the punishment being precisely dishonourable. By poison, by opening the veins, the only intention is to depart slowly from life; and that most refined, rapid, and painless death by an adder, was worthy of a queen, who had passed her life in pleasure and brilliancy. But all these are external aids, enemies with which man forms an alliance against himself.
When now I considered all these means, and looked about further in history, I found among all those who killed themselves no one who did this deed with such greatness and freedom of mind, as the Emperor Otho. He, having the worst of it as a general, but being by no means reduced to extremities, resolves to quit the world for the benefit of the empire, which, in some measure, already belongs to him, and for the sake of sparing so many thousands. He has a cheerful supper with his friends, and the next morning it is found that he has plunged a sharp dagger into his heart. This deed alone seemed to me worthy of imitation; and I was convinced that whoever could not act in this like Otho, had no right to go voluntarily out of the world. By these convictions, I freed myself not so much from the danger as from the whim of suicide, which in those splendid times of peace, and with an indolent youth, had managed to creep in. Among a considerable collection of weapons, I possessed a handsome, well polished dagger. This I laid every night by my bed, and before I extinguished the candle, I tried whether I could succeed in plunging the sharp point a couple of inches deep into my heart. Since I never could succeed in this, I at last laughed myself out of the notion, threw off all hypochondriacal fancies, and resolved to live. But to be able to do this with cheerfulness, I was obliged to solve a poetical problem, by which all that I had felt, thought, and fancied upon this important point, should be reduced to words. For this purpose I collected the elements which had been at work in me for a few years; I rendered present to my mind the cases which had most afflicted and tormented me; but nothing would come to a definite form; I lacked an event, a fable, in which they could be overlooked.
[Side-note: Jerusalem's Death.]
All at once I heard the news of Jerusalem's death, and immediately after the general report, the most accurate and circumstantial description of the occurrence, and at this moment the plan of _Werther_ was formed, and the whole shot together from all sides, and became a solid mass, just as water in a vessel, which stands upon the point of freezing, is concerted into hard ice by the most gentle shake. To hold fast this singular prize, to render present to myself, and to carry out in all its parts a work of such important and various contents was the more material to me, as I had again fallen into a painful situation, which left me even less hope than those which had preceded it, and foreboded only sadness, if not vexation.
It is always a misfortune to step into new relations to which one has not been inured; we are often against our will lured into a false sympathy, the incompleteness[6] of such positions troubles us, and yet we see no means either of completing them or of removing them.
Frau von Laroche had married her eldest daughter at Frankfort, and often came to visit her, but could not reconcile herself to the position which she herself had chosen. Instead of feeling comfortable, or endeavouring to make any alteration, she indulged in lamentations, so that one was really forced to think that her daughter was unhappy; although, as she wanted nothing, and her husband denied her nothing, one could not well see in what her unhappiness properly consisted. In the meanwhile I was well received in the house, and came into contact with the whole circle, which consisted of persons who had partly contributed to the marriage, partly wished for it a happy result. The Dean of St. Leonhard, Dumeitz, conceived a confidence, nay, a friendship for me. He was the first Catholic clergyman with whom I had come into close contact, and who, because he was a clear-sighted man, gave me beautiful and sufficient explanations of the faith, usages, and external and internal relations of the oldest church. The figure of a well-formed though not young lady, named Servières, I still accurately remember. I likewise came into contact with the Alossina-Schweizer, and other families, forming a connexion with the sons, which long continued in the most friendly manner, and all at once found myself domesticated in a strange circle, in the occupations, pleasures, and even religious exercises of winch I was induced, nay, compelled to take part. My former relation to the young wife, which was, properly speaking, only that of a brother to a sister, was continued after marriage; my age was suitable to her own; I was the only one in the whole circle in whom she heard an echo of those intellectual tones to which she had been accustomed from her youth. We lived on together in a childish confidence, and although there was nothing impassioned in our intercourse, it was tormenting enough, because she also could not reconcile herself to her new circumstances, and although blessed with the goods of fortune, had to act as the mother of several step-children, being moreover transplanted from the cheerful vale of Ehrenbreitstein and a joyous state of youth into a gloomily-situated mercantile house. Amid so many new family connexions was I hemmed in, without any real participation or co-operation. If they were satisfied with each other, all seemed to go on as a matter of course; but most of the parties concerned turned to me in cases of vexation, which by my lively sympathy I generally rendered worse rather than better. In a short time this situation became quite insupportable to me; all the disgust at life which usually springs from such half-connexions, seemed to burden me with double and three-fold weight, and a new strong resolution was necessary to free myself from it.
Jerusalem's death, which was occasioned by his unhappy attachment to the wife of his friend, shook me out of the dream, and, because I not only visibly contemplated that which had occurred to him and me, but something similar which befel me at the moment, also stirred me to passionate emotion, I could not do otherwise than breathe into that production, which I had just undertaken, all that warmth which leaves no distinction between the poetical and the actual. I had completely isolated myself, nay, prohibited the visits of my friends, and internally also I put everything aside that did not immediately belong to the subject. On the other hand, I embraced everything that had any relation to my design, and repeated to myself my nearest life, of the contents of which I had as yet made no practical use. Under such circumstances, after such long and so many preparations in secret, I wrote _Werther_ in four weeks without any scheme of the whole, or treatment of any part, being previously put on paper.
[Side-note: Werther.]
The manuscript, which was now finished, lay before me as a rough draught, with few corrections and alterations. It was stitched at once, for the binding is to a written work of about the same use as the frame is to a picture; one can much better see whether there is really anything in it. Since I had written thus much, almost unconsciously, like a somnambulist, I was myself astonished, now I went through it, that I might alter and improve it in some respects. But in the expectation that after some time, when I had seen it at a certain distance, much would occur to me that would turn to the advantage of the work, I gave it to my younger friends to read, upon whom it produced an effect so much the greater, as, contrary to my usual custom, I had told no one of it, nor discovered my design beforehand. Yet here again it was the subject-matter which really produced the effect, and in this respect they were in a frame of mind precisely the reverse of my own; for by this composition, more than by any other, I had freed myself from that stormy element, upon which, through my own fault and that of others, through a mode of life both accidental and chosen, through design and thoughtless precipitation, through obstinacy and pliability, I had been driven about in the most violent manner. I felt, as if after a general confession, once more happy and free, and justified in beginning a new life.
The old nostrum had been of excellent service to me on this occasion. But while I felt myself eased and enlightened by having turned reality into poetry, my friends were led astray by my work, for they thought that poetry ought to be turned into reality, that such a moral was to be imitated, and that at any rate one ought to shoot oneself. What had first happened here among a few, afterwards took place among the larger public, and this little book, which had been so beneficial to me, was decried as extremely injurious.
But all the evils and misfortunes which it may have produced were nearly prevented by an accident, since even after its production it ran the risk of being destroyed. The matter stood thus:--Merck had lately returned from Petersburg; I had spoken to him but little, because he was always occupied, and only told him, in the most general terms, of that _Werther_ which lay next my heart. He once called upon me, and as he did not seem very talkative, I asked him to listen to me. He seated himself on the sofa, and I began to read the tale, letter by letter. After I had gone on thus for a while, without gaining from him any sign of admiration, I adopted a more pathetic strain,--but what were my feelings, when at a pause which I made, he struck me down in the most frightful manner, with "Good! that's very pretty," and withdrew without adding anything more. I was quite beside myself, for, as I took great pleasure in my works, but at first passed no judgment on them, I here firmly believed that I had made a mistake in subject, tone, and style--all of which were doubtful--and had produced something quite inadmissible. Had a fire been at hand, I should at once have thrown in the work; but I again plucked up courage, and passed many painful days, until he at last assured me in confidence, that at that moment he had been in the most frightful situation in which a man can be placed. On this account, he said, he had neither seen nor heard anything, and did not even know what the manuscript was about. In the meanwhile the matter had been set right, as far as was possible, and Merck, in the times of his energy, was just the man to accommodate himself to anything monstrous; his humour returned, only it had grown still more bitter than before. He blamed my design of rewriting _Werther_, with the same expressions which he had used on a former occasion, and desired to see it printed just as it was. A fair copy was made, which did not remain long in my hands, for on the very day on which my sister was married to George Schlosser, a letter from Weygand, of Leipzig, chanced to arrive, in which he asked me for a manuscript; such a coincidence I looked upon as a favourable omen. I sent off _Werther_, and was very well satisfied, when the remuneration I received for it was not entirely swallowed up by the debts which I had been forced to contract on account of _Götz von Berlichingen._
[Side-note: Effect of Werther.]
The effect of this little book was great, nay immense, and chiefly because it exactly hit the temper of the times. For as it requires but a little match to blow up an immense mine, so the explosion which followed my publication was mighty, from the circumstance that the youthful world had already undermined itself; and the shock was great, because all extravagant demands, unsatisfied passions, and imaginary wrongs, were suddenly brought to an eruption. It cannot be expected of the public that it should receive an intellectual work intellectually. In fact, it was only the subject, the material part, that was considered, as I had already found to be the case among my own friends; while at the same time arose that old prejudice, associated with the dignity of a printed book,--that it ought to have a moral aim. But a true picture of life has none. It neither approves nor censures, but developes sentiments and actions in their consequences, and thereby enlightens and instructs.
Of the reviews I took little notice. I had completely washed my hands of the matter, and the good folks might now try what they could make of it. Yet my friends did not fail to collect these things, and as they were already initiated into my views, to make merry with them. The _Joys of Young Werther_, with which Nicolai came forth, gave us occasion for many a jest. This otherwise excellent, meritorious, and well-informed man, had already begun to depreciate and oppose everything that did not accord with his own way of thinking, which, as he was of a very narrow mind, he held to be the only correct way. Against me, too, he must needs try his strength, and his pamphlet was soon in our hands. The very delicate vignette, by Chodowiecki, gave me much delight; as at that time I admired this artist extravagantly. The jumbling medley itself was cut out of that rough household stuff, which the human understanding, in its homely limits, takes especial pains to make sufficiently coarse. Without perceiving that there was nothing here to qualify, that Werther's youthful bloom, from the very first, appears gnawed by the deadly worm, Nicolai allows my treatment to pass current up to the two hundred and fourteenth page, and then, when the desolate mortal is preparing for the fatal step, the acute psychological physician contrives to palm upon his patient a pistol, loaded with chickens' blood, from which a filthy spectacle, but happily no mischief, arises. Charlotte becomes the wife of Werther, and the whole affair ends to the satisfaction of everybody.
So much I can recall to memory, for the book never came before my eyes again. I had cut out the vignette, and placed it among my most favourite engravings. I then, by way of quiet, innocent revenge, composed a little burlesque poem, "Nicolai at the grave of Werther:" which, however, cannot be communicated. On this occasion, too, the pleasure of giving everything a dramatic shape, was again predominant. I wrote a prose dialogue between Charlotte and Werther, which was tolerably comical; Werther bitterly complains that his deliverance by chickens' blood has turned out so badly. His life is saved, it is true, but he has shot his eyes out. He is now in despair at being her husband, without being able to see her; for the complete view of her person would to him be much dearer than all those pretty details of which he could assure himself by the touch. Charlotte, as may be imagined, has no great catch in a blind husband, and thus occasion is given to abuse Nicolai pretty roundly, for interfering unasked in other people's affairs. The whole was written in a good-natured spirit, and painted, with prophetic forebodings, that unhappy, conceited humour of Nicolai's, which led him to meddle with things beyond his compass, which gave great annoyance both to himself and others, and by which, eventually, in spite of his undoubted merits, he entirely destroyed his literary reputation. The original of this _jeu d'esprit_ was never copied, and has been lost sight of for years. I had a special predilection for the little production. The pure ardent attachment of the two young persons, was rather heightened than diminished by the comico-tragic situation into which they were thus transposed. The greatest tenderness prevailed throughout; and even my adversary was not treated illnaturedly, but only humourously. I did not, however, let the
## book itself speak quite so politely; in imitation of an old rhyme it
expressed itself thus:--
"By that conceited man--by _him_ I'm dangerous declar'd, The heavy man, who cannot swim, Is by the water scar'd, That Berlin pack, priest-ridden lot-- Their ban I do not heed, And those who understand me not Should better learn to read."
[Side-note: Effect of Werther.]
Being prepared for all that might be alleged against _Werther_, I found those attacks, numerous as they were, by no means annoying; but I had no anticipation of the intolerable torment provided for me by sympathizers and well-wishers. These, instead of saying anything civil to me about my book just as it was, wished to know, one and all, what was really true in it; at which I grew very angry, and often expressed myself with great discourtesy. To answer this question, I should have been obliged to pull to pieces and destroy the form of a work on which I had so long pondered, with the view of giving a poetical unity to its many elements; and in this operation, if the essential parts were not destroyed, they would, at least, have been scattered and dispersed. However, upon a closer consideration of the matter, I could not take the public inquisitiveness in ill part. Jerusalem's fate had excited great attention. An educated, amiable, blameless young man, the son of one of the first theologians and authors, healthy and opulent, had at once, without any known cause, destroyed himself. Every one asked how this was possible, and when they heard of an unfortunate love affair, the whole youth were excited, and as soon as it transpired that some little annoyances had occurred to him in the higher circles, the middle classes also became excited; indeed every one was anxious to learn further particulars. Now _Werther_ appeared an exact delineation, as it was thought, of the life and character of that young man. The locality and person tallied, and the narrative was so very natural, that they considered themselves fully informed and satisfied. But, on the other hand, on closer examination, there was so much that did not fit, that there arose, for those who sought the truth, an unmanageable business, because a critical investigation must necessarily produce a hundred doubts. The real groundwork of the affair was, however, not to be fathomed, for all that I had interwoven of my own life and suffering could not be deciphered, because, as an unobserved young man, I had secretly, though not silently, pursued my course.
While engaged in my work, I was fully aware how highly that artist was favoured who had an opportunity of composing a Venus from the study of a variety of beauties. Accordingly I took leave to model my Charlotte according to the shape and qualities of several pretty girls, although the chief characteristics were taken from the one I loved best. The inquisitive public could therefore discover similarities in various ladies; and even to the ladies themselves it was not quite indifferent to be taken for the right one. But these several Charlottes caused me infinite trouble, because every one who only looked at me seemed determined to know where the proper one really resided. I endeavoured to save myself, like Nathan[7] with the three rings, by an expedient, which, though it might suit higher beings, would not satisfy either the believing or the reading public. I hoped after a time to be freed from such tormenting inquiries, but they pursued me through my whole life. I sought, on my travels, to escape them, by assuming an _incognito_, but even this remedy was, to my disappointment, unavailing, and thus the author of the little work, had he even done anything wrong and mischievous, was sufficiently, I may say disproportionately, punished by such unavoidable importunities.
Subjected to this kind of infliction, I was taught but too unequivocally, that authors and their public are separated by an immense gulf, of which, happily, neither of them have any conception. The uselessness, therefore, of all prefaces I had long ago seen; for the more pains a writer takes to render his views clear, the more occasion he gives for embarrassment. Besides, an author may preface as elaborately as he will, the public will always go on making precisely those demands which he has endeavoured to avoid. With a kindred peculiarity of readers, which (particularly with those who print their judgments) seems remarkably comical, I was likewise soon acquainted. They live, for instance, in the delusion that an author, in producing anything, becomes their debtor; and he always falls short of what they wished and expected of him, although before they had seen our work, they had not the least notion that anything of the kind existed, or was even possible. Independent of all this, it was now the greatest fortune, or misfortune, that every one wished to make the acquaintance of this strange young author, who had stepped forward so unexpectedly and so boldly. They desired to see him, to speak to him, and, even at a distance, to hear something from him; thus he had to undergo a very considerable crowd, sometimes pleasant, sometimes disagreeable, but always distracting. For enough works already begun lay before him, nay, and would have given him abundance of work for some years, if he could have kept to them with his old fervour; but he was drawn forth from the quiet, the twilight, the obscurity, which alone can favour pure creation, into the noise of daylight, where one is lost in others, where one is led astray, alike by sympathy and by coldness, by praise and by blame, because outward contact never accords with the epoch of our inner culture, and therefore, as it cannot further us, must necessarily injure us.
[Side-note: Dramatic Tendency.]
Yet more than by all the distractions of the day, the author was kept from the elaboration and completion of greater works by the taste then prevalent in this society for _dramatizing_ everything of importance which occurred in actual life. What that technical expression (for such it was in our inventive society) really meant, shall here be explained. Excited by intellectual meetings on days of hilarity, we were accustomed, in short extemporary performances, to communicate, in fragments, all the materials we had collected towards the formation of larger compositions. One single simple incident, a pleasantly _naïve_ or even silly word, a blunder, a paradox, a clever remark, personal singularities or habits, nay, a peculiar expression, and whatever else would occur in a gay and bustling life--took the form of a dialogue, a catechism, a passing scene, or a drama,--often in prose, but oftener in verse.
By this practice, carried on with genial passion, the really poetic mode of thought was established. We allowed objects, events, persons, to stand for themselves in all their bearings, our only endeavour being to comprehend them clearly, and exhibit them vividly. Every expression of approbation or disapprobation was to pass in living forms before the eyes of the spectator. These productions might be called animated epigrams, which, though without edges or points, were richly furnished with marked and striking features. The _Jahrmarktsfest_ (Fair-festival) is an epigram of this kind, or rather a collection of such epigrams. All the characters there introduced are meant for actual living members of that society, or for persons at least connected and in some degree known to it; but the meaning of the riddle remained concealed to the greater part; all laughed and few knew that their own marked peculiarities served as the jest. The prologue to _Bahrdt's Newest Revelations_ may be looked upon as a document of another kind; the smallest pieces are among the miscellaneous poems, a great many have been destroyed or lost, and some that still exist do not admit of being published. Those which appeared in print only increased the excitement of the public, and curiosity about the author; those which were handed about in manuscript entertained the immediate circle, which was continually increasing. Doctor Bahrdt, then at Giessen, paid me a visit, apparently courteous and confiding; he laughed over the prologue, and wished to be placed on a friendly footing. But we young people still continued to omit no opportunity at social festivals, of sporting, in a malicious vein, at the peculiarities which we had remarked in others, and successfully exhibited.
If now it was by no means displeasing to the young author to be stared at as a literary meteor, he nevertheless sought, with glad modesty, to testify his esteem for the most deserving men of his country, among whom, before all others, the admirable Justus Möser claims especial mention. The little essays on political subjects by this incomparable man, had been printed some years before in the _Osnabrück Intelligenzblätter_, and made known to me through Herder, who overlooked nothing of worth that appeared in his time, especially if in print. Moser's daughter, Frau von Voigt, was occupied in collecting these scattered papers. We had scarcely patience to wait for their publication, and I placed myself in communication with her, to assure her, with sincere interest, that the essays, which, both in matter and form, had been addressed only to a limited circle, would be useful and beneficial everywhere. She and her father received these assurances from a stranger, not altogether unknown, in the kindest manner, since an anxiety which they had felt, was thus preliminarily removed.
What is in the highest degree remarkable and commendable in these little essays, all of which being composed in one spirit, form together a perfect whole, is the very intimate knowledge they display of the whole civil state of man. We see a system resting upon the past, and still in vigorous existence. On the one hand there is a firm adherence to tradition, on the other, movement and change which cannot be prevented. Here alarm is felt at a useful novelty, there pleasure in what is new, although it be useless, or even injurious. With what freedom from prejudice the author explains the relative position of different ranks, and the connexion in which cities, towns, and villages mutually stand! We learn their prerogatives, together with the legal grounds of them; we are told where the main capital of the state is invested, and what interest it yields. We see property and its advantages on the one hand, on the other, taxes and disadvantages of various kinds; and then the numerous branches of industry; and in all this past and present times are contrasted.
Osnaburg, as a member of the Hanseatic League, we are told, had in the earlier periods an extensive and active commerce. According to the circumstances of those times, it had a remarkable and fine situation; it could receive the produce of the country, and was not too far removed from the sea to transport it in its own ships. But now, in later times, it lies deep in the interior, and is gradually removed and shut out from the sea trade. How this has occurred, is explained in all its bearings. The conflict between England and the coasts, and of the havens with the interior, is mentioned; here are set forth the great advantages of those who live on the sea-side, and deliberate plans are proposed for enabling the inhabitants of the interior to obtain similar advantages. We then learn a great deal about trades and handicrafts, and how these have been outstripped by manufactures, and undermined by shop-keeping; decline is pointed out as the result of various causes, and this result, in its turn, as the cause of a further decline, in an endless circle, which it is difficult to unravel; yet it is so clearly set forth by the vigilant citizen, that one fancies one can see the way to escape from it. The author throughout displays the clearest insight into the most minute circumstances. His proposals, his counsel--nothing is drawn from the air, and yet they are often impracticable; on which account he calls his collection "patriotic fancies," although everything in it is based on the actual and the possible.
[Side-note: Justus Moeser.]
But as everything in public life is influenced by domestic condition, this especially engages his attention. As objects both of his serious and sportive reflections, we find the changes in manners and customs, dress, diet, domestic life, and education. It would be necessary to indicate everything which exists in the civil and social world, to exhaust the list of subjects which he discusses. And his treatment of them is admirable. A thorough man of business discourses with the people in weekly papers, respecting whatever a wise and beneficent government undertakes or carries out, that he may bring it to their comprehension in its true light. This is by no means done in a learned manner, but in those varied forms which may be called poetic, and which, in the best sense of the word, must certainly be considered rhetorical. He is always elevated above his subject, and understands how to give a cheerful view of the most serious subjects; now half-concealed behind this or that mask, now speaking in his own person, always complete and exhausting his subject,--at the same time always in good humour; more or less ironical, thoroughly to the purpose, honest, well-meaning, sometimes rough and vehement;--and all this so well regulated, that the spirit, understanding, facility, skill, taste, and character of the author cannot but be admired. In the choice of subjects of general utility, deep insight, enlarged views, happy treatment, profound yet cheerful humour, I know no one to whom I can compare him but Franklin.
Such a man had an imposing effect upon us, and greatly influenced a youthful generation, which demanded something sound, and stood ready to appreciate it. We thought we could adapt ourselves to the form of his exposition; but who could hope to make himself master of so rich an entertainment, and to handle the most unmanageable subjects with so much ease?
But this is our purest and sweetest illusion--one which we cannot resign, however much pain it may cause us through life--that we would, where possible, appropriate to ourselves, nay, even reproduce and exhibit as our own, that which we prize and honour in others.
END OF THE THIRTEENTH BOOK
[1] The post, managed by the princes of Thurn and Taxis, in different parts of Germany. An ancestor of this house first directed the post system in Tyrol, in 1450, and Alexander Ferdinand von Thurn received, in 1744, the office of Imperial Postmaster-General, as a fief of the empire.--_Trans._
[2] "Die lustige person." That is to say, the permanent buffoon, like "Kasperle" in the German puppet-shows, or "Sganarelle" in Moliere's broad comedies.--_Trans._
[3] The peasant war, answering to the _Jaquerie_ in France.--_Trans._
[4] _Anglicé_: Make hay when the sun shines.--_Trans._
[5] It is a German peculiarity to apply the word "Schwager" (brother-in-law) to a position.--_Trans._
[6] "Halbheit," "Halfness"--if there were such a word--would be the proper expression.--_Trans._
[7] "Nathan the wise," in Lessing's play, founded on Boccacio's tale of the rings.--_Trans._
FOURTEENTH BOOK.
With the movement which was spreading among the public, now arose another of greater importance perhaps to the author, as it took place in his immediate circle.
His early friends who had read, in manuscript, those poetical compositions which were now creating so much sensation, and therefore regarded them almost as their own, gloried in a success which they had boldly enough predicted. This number was augmented by new adherents, especially by such as felt conscious of a creative power in themselves, or were desirous of calling one forth and cultivating it.
Among the former, Lenz was the most active and he deported himself strangely enough. I have already sketched the outward appearance of this remarkable mortal, and have touched affectionately on his talent for humor. I will now speak of his character, in its results rather than descriptively, because it would be impossible to follow him through the mazy course of his life, and to transfer to these pages a full exhibition of his peculiarities.
Generally known is that self-torture which in the lack of all outward grievances, had now become fashionable, and which disturbed the very best minds. That which gives but a transient pain to ordinary men who never themselves meditate on that which they seek to banish from their minds, was, by the better order, acutely observed, regarded, and recorded in books, letters, and diaries. But now men united the strictest moral requisitions on themselves and others with an excessive negligence in action; and vague notions arising from this half-self-knowledge misled them into the strangest habits and out-of-the-way practices. But this painful work of self-contemplation was justified by the rising empirical psychology which, while it was not exactly willing to pronounce everything that produces inward disquiet to be wicked and objectionable, still could not give it an unconditional approval, and thus was originated an eternal and inappeasable contest. In carrying on, and sustaining this conflict, Lenz surpassed all the other idlers and dabblers who were occupied in mining into their own souls, and thus he suffered from the universal tendency of the times, which was said to have been let loose by Werther; but a personal peculiarity distinguished him from all the rest. While they were undeniably frank and honest creatures, he had a decided inclination to intrigue, and, indeed, to intrigue for its own sake, without having in view any special object, any reasonable, attainable, personal object. On the contrary, it was always his custom to propose to himself something whimsical, which served, for that very reason, to keep him constantly occupied. In this way all his life long he was an imposter in his imagination; his love, as well as his hate, was imaginary; he dealt with his thoughts and feelings in a wilful manner, so as always to have something to do. He endeavoured to give reality to his sympathies and antipathies by the most perverse means, and always himself destroyed his own work. Thus he never benefited any one whom he loved, and never injured any one whom he hated. In general he seemed to sin only to punish himself, and to intrigue for no purpose but to graft a new fable upon an old one.
His talent, in which tenderness, facility, and subtlety rivalled each other, proceeded from a real depth, from an inexhaustible creative power, but was thoroughly morbid with all its beauty. Such qualities are precisely the most difficult to judge. It is impossible to overlook great features in his works--a lovely tenderness steals along through pieces of caricature so odd and so silly that they can hardly be pardoned, even in a humor so thorough and unassuming, and such a genuine comic talent. His days were made up of mere nothings, to which his nimble fancy could ever give a meaning, and he was the better able to squander hours away, since, with a happy memory, the time which he did employ in reading, was always fruitful, and enriched his original mode of thought with various materials.
[Side-note: Lenz.]
He had been sent to Strasburg with some Livonian gentlemen, and a more unfortunate choice of a Mentor could not have been made. The elder baron went back for a time to his native country, and left behind him a lady to whom he was tenderly attached. In order to keep at a distance the second brother, who was paying court to the same lady, as well as other lovers, and to preserve the precious heart for his absent friend, Lenz determined either to feign that he had fallen in love with the beauty, or if you please, actually to do so. He carried through this plan with the most obstinate adherence to the ideal he had formed of her, without being aware that he, as well as the others, only served her for jest and pastime. So much the better for him! For him, too, it was nothing but a game which could only be kept up by her meeting him in the same spirit, now attracting him, now repelling him, now encouraging him, and now slighting him. We may be sure that if he had become aware of the way the affair sometimes went on, he would, with great delight, have congratulated himself on the discovery.
As for the rest he, like his pupils, lived mostly with officers of the garrison, and thus the strange notions he afterwards brought out in his comedy _Die Soldaten_ (The Soldiers) probably originated. At any rate, this early acquaintance with military men had on him the peculiar effect, that he forthwith fancied himself a great judge of military matters. And yet from time to time he really studied the subject in detail with such effect, that some years afterward he prepared a long memorial to the French Minister of War, from which he promised himself the best results. The faults of the department were tolerably well pointed out, but on the other hand, the remedies were ridiculous and impracticable. However, he cherished a conviction that he should by this means gain great influence at court, and was anything but grateful to those of his friends who, partly by reasoning, and partly by active opposition, compelled him to suppress, and afterwards to bum, this fantastic work, after it had been fair-copied, put under cover with a letter, and formally addressed.
First of all by word of mouth, and afterwards by letter, he had confided to me all the mazes of his tortuous movements with regard to the lady above mentioned. The poetry which he could infuse into the commonest incidents often astonished me, so that I urged him to employ his talents in turning the essence of this long-winded adventure to account, and to make a little romance out of it. But that was not in his line; he could only succeed when he poured himself out for ever upon details, and span an endless thread without any purpose. Perhaps it will be possible at a future time, to deduce from these premises some account of his life up to tho time that he became a lunatic. At present I confine myself to what is immediately connected with the subject in hand.
Hardly had Götz von Berlichingen appeared when Lenz sent me a prolix essay written on small draught paper, such as he commonly used, without leaving the least margin, either at the top, the bottom, or the sides. It was entitled, _Ueber unsere Ehe_, (On our Marriage,) and were it still in existence, might enlighten us much more now than it then did me, when I was as yet in the dark as to him and his character. The leading purpose of this long manuscript was to compare my talent with his own: now he seemed to make himself inferior to me, now to represent himself as my equal; but it was all done with such humorous and neat turns of expression that I gladly received the view he intended to convey, and all the more so as I did, in fact, rate very high the gifts he possessed, and was always urging him to concentrate himself out of his aimless rambling, and to use his natural capacities with some artistical control. I replied in the most friendly way to this confidential communication, and as he had encouraged the greatest intimacy between us, (as the whimsical title indicates,) from that time forward I made known to him everything I had either finished or designed. In return he successively sent me his manuscripts: _Der Hofmeister_, (Private Tutor.) _Der neue Menoza_, (The New Menoza,) _Die Soldaten_, (The Soldiers,) the imitations of Plautus, and the translation from the English which I have before spoken of as forming the supplement to his remarks on the theatre.
While reading the latter, I was somewhat struck to find him in a laconic preface speaking in such a way as to convey the idea that this essay, which contained a vehement attack upon the regular theatre, had, many years before, been read to a society of the friends of literature at a time, in short, when Götz was not yet written. That there should have been among Lenz's acquaintances at Strasburg a literary circle of which I was ignorant seemed somewhat problematical; however I let it pass, and soon procured publishers for this and his other writings, without having the least suspicion that he had selected me as the chief object of his fanciful hatred, and as the mark of an odd and whimsical persecution.
In passing, I will, for the sake of the sequel, just mention a good fellow, who, though of no extraordinary gifts, was yet one of our number. He was called Wagner, and was first a member of our Strasburg society and then of that at Frankfort--a man not without spirit, talent, and education. He appeared to be a striving sort of person, and was therefore welcome. He, too, attached himself to me, and as I made no secret of my plans, I shewed to him as well as others my sketch of the Faust, especially the catastrophe of Gretchen. He caught up the idea and used it for a tragedy, _Die Kindesmörderin_, (The Infanticide.) It was the first time that any one had stolen from me any of my plans. It vexed me, though I bore him no ill will on that account. Since then I have often enough suffered such robberies and anticipations of my thoughts, and with my dilatoriness and habit of gossipping about the many things that I was ever planning and imagining, I had no right to complain.
[Side-note: Klinger.]
If on account of the great effect which contrasts produce, orators and poets gladly make use of them even at the expense of seeking them out and bringing them from a distance, it must be the more agreeable to the present writer that such a decided contrast presents itself, in his speaking of Klinger after Lenz. They were contemporaries, and in youth labored together. But Lenz, as a transient meteor, passed but for a moment over the horizon of German literature, and suddenly vanished without leaving any trace behind. Klinger, on the other hand, has maintained his position up to the present time as an author of influence, and an active man of business. Of him I will now speak, as far as it is necessary, without following any farther a comparison, which suggests itself; for it has not been in secret that he has accomplished so much and exercised so great an influence, but both his works and his influence are still remembered, far and near, and are highly esteemed and appreciated.
Klinger's exterior, for I always like best to begin with this, was very prepossessing. Nature had given him a tall, slender, well-built form, and regular features. He was careful of his appearance, always dressed neatly, and might justly have passed for the smartest member of our little society. His manners were neither forward nor repulsive, and when not agitated by an inward storm, mild and gentle.
In girls, we love what they are, but in young men what they promise to be, and thus I was Klinger's friend as soon as I made his acquaintance. He recommended himself by a pure good nature, and an unmistakeable decision of character won him confidence. From youth upward, everything had tended to incline him to seriousness. Together with a beautiful and excellent sister, he had to provide for a mother, who in her widowhood had need of such children for her support. He had made himself everything that he was, so that no one could find fault with a trait of proud independence which was apparent in his bearing. Strong natural talents, such as are common to all well-endowed men, a facile power of apprehension, an excellent memory, and great fluency of speech, he possessed in a high degree; but he appeared to regard all these as of less value than the firmness and perseverance which were likewise innate with him, and which circumstances had abundantly strengthened.
To a young man of such a character, the works of Rousseau were especially attractive. _Emile_ was his chief text-book, and its sentiments, as they had an universal influence over the cultivated world, were peculiarly fruitful with him, and influenced him more than others. For he too was a child of nature,--he too had worked his way upwards. What others had been compelled to cast away, he had never possessed; relations of society from which they would have to emancipate themselves, had never fettered him. Thus might he be regarded as one of the purest disciples of that gospel of nature, and in view of his own persevering efforts and his conduct as a man and son, he might well exclaim, "All is good as it comes from the hands of nature!" But the conclusion, "All is corrupted in the hands of man!" was also forced upon him by adverse experience. It was not with himself that he had to struggle, but beyond and out of himself with the conventional world, from whose fetters the Citizen of Geneva designed to set us free. And as from the circumstances of his youth the struggle he had to undergo had often been difficult and painful, he had been driven back upon himself too violently to attain a thoroughly serene and joyous development. On the contrary, as he had had to force his way against an opposing world, a trait of bitterness had crept into his character, which he afterwards in some degree fed and cherished, but for the most part strove against and conquered.
[Side-note: Klinger.]
His works, as far as I am able to recall them, bespeak a strong understanding, an upright mind, an active imagination, a ready perception of the varieties of human nature, and a characteristic imitation of generic differences. His girls and boys are open and amiable, his youths ardent, his men plain and intelligent, the personages whom he paints in an unfavorable light are not overdrawn; he is not wanting in cheerfulness and good humour, in wit and happy notions; allegories and symbols are at his command; he can entertain and please us, and the enjoyment would be still purer if he did not here and there mar both for himself and us, his gay, pointed jesting by a touch of bitterness. Yet this it is which makes him what he is. The modes of living and of writing become as varied as they are, from the fact that every one wavers theoretically between knowledge and error, and practically between creation and destruction.
Klinger should be classed with those who have formed themselves for the world, out of themselves, out of their own souls and understandings. Because this takes place in and among a greater mass, and because among themselves they use with power and effect, an intelligible language flowing out of universal nature and popular peculiarities, such men always cherish a warm hostility to all forms of the schools, especially if these forms, separated from their living origin, have degenerated into phrases, and have thus lost altogether their first, fresh significance. Such men almost invariably declare war against new opinions, views, and systems, as well as against new events and rising men of importance who announce or produce great changes. They are however not so much to blame on this account; their opposition is not unnatural when they see all that which they are indebted to for their own existence and culture menaced with ruin and in great danger.
In an energetic character this adherence to its own views becomes the more worthy of respect when it has been maintained throughout a life in the world and in business, and when a mode of dealing with current events, which to many might seem rough and arbitrary, being employed at the right time, has led surely to the desired end. This was the case with Klinger; without pliability (which was never the virtue of the born citizen of the empire,[1]) he had nevertheless risen, steadily, and honorably, to posts of great importance, had managed to maintain his position, and as he advanced in the approbation and favor of his highest patrons, never forgot his old friends, or the path he had left behind. Indeed, through all degrees of absence and separation, he laboured pertinaciously to preserve the most complete constancy of remembrance, and it certainly deserves to be remarked that in his coat of arms though adorned by the badges of several orders, he, like another Willigis, did not disdain to perpetuate the tokens of his early life.
[Side-note: Lavater.]
It was not long before I formed a connection with Lavater. Passages of my "Letter of a Pastor to his Colleagues" had greatly struck him, for much of it agreed perfectly with his own views. With his never-tiring activity our correspondence soon became lively. At the time it commenced he was making preparations for his larger work on Physiognomy,--the introduction to which had already been laid before the public. He called on all the world to send him drawings and outlines, and especially representations of Christ; and, although I could do as good as nothing in this way, he nevertheless insisted on my sending him a sketch of the Saviour such as I imagined him to look. Such demands for the impossible gave occasion for jests of many kinds, for I had no other way of defending myself against his peculiarities but by bringing forward my own.
The number of those who had no faith in Physiognomy, or, at least, regarded it as uncertain and deceptive was very great; and several who had a liking for Lavater felt a desire to try him, and, if possible, to play him a trick. He had ordered of a painter in Frankfort, who was not without talent, the profiles of several well known persons. Lavater's agent ventured upon the jest of sending Bahrdt's portrait as mine, which soon brought back a merry but thundering epistle, full of all kinds of expletives and asseverations that this was not my picture,--together with everything that on such an occasion Lavater would naturally have to say in confirmation of the doctrine of Physiognomy. My true likeness, which was sent afterwards, he allowed to pass more readily, but even here the opposition into which he fell both with painters and with individuals showed itself at once. The former could never work for him faithfully and sufficiently; the latter, whatever excellences they might have, came always too far short of the idea which he entertained of humanity and of men to prevent his being somewhat repelled by the special characteristics which constitute the personality of the individual.
The conception of Humanity which had been formed in himself and in his own humanity, was so completely akin to the living image of Christ which he cherished within him, that it was impossible for him to understand how a man could live and breathe without at the same time being a Christian. My own relation to the Christian religion lay merely in my sense and feeling, and I had not the slightest notion of that physical affinity to which Lavater inclined. I was, therefore, vexed by the importunity, with which a man so full of mind and heart, attacked me, as well as Mendelssohn and others, maintaining that every one must either become a Christian with him, a Christian of his sort, or else that one must bring him over to one's own way of thinking, and convince him of precisely that in which one had found peace. This demand, so directly opposed to that liberal spirit of the world, to which I was more and more tending, did not have the best effect upon me. All unsuccessful attempts at conversion leave him who has been selected for a proselyte stubborn and obdurate, and this was especially the case with me when Lavater at last came out with the hard dilemma--"Either Christian or Atheist!" Upon this I declared that if he would not leave me my own Christianity as I had hitherto cherished it, I could readily decide for Atheism, particularly as I saw that nobody knew precisely what either meant.
This correspondence, vehement as it was, did not disturb the good terms we were on. Lavater had an incredible patience, pertinacity, and endurance; he was confident in his theory, and, with his determined plan to propagate his convictions in the world, he was willing by waiting and mildness to effect what he could not accomplish by force. In short, he belonged to the few fortunate men whose outward vocation perfectly harmonizes with the inner one, and whose earliest culture coinciding in all points with their subsequent pursuits, gives a natural development to their faculties. Born with the most delicate moral susceptibilities, he had chosen for himself the clerical profession. He received the necessary instruction, and displayed various talents, but without inclining to that degree of culture which is called learned. He also, though born so long before, had, like ourselves, been caught by the spirit of Freedom and Nature which belonged to the time, and which whispered flatteringly in every ear, "You have materials and solid power enough within yourself, without much outward aid; all depends upon your developing them properly." The obligation of a clergyman to work upon men morally, in the ordinary sense, and religiously in the higher sense, fully coincided with his mental tendencies. His marked impulse, even as a youth, was to impart to others, and to excite in them, his own just and pious sentiments, and his favorite occupation was the observation of himself and of his fellow-men. The former was facilitated, if not forced upon him, by an internal sensitiveness; the latter by a keen glance, which could quickly read the outward expression. Still, he was not born for contemplation; properly speaking, the gift of conveying his ideas to others was not his. He felt himself rather, with all his powers, impelled to activity, to action; and I have never known any one who was more unceasingly active than Lavater. But because our inward moral nature is incorporated in outward conditions, whether we belong to a family, a class, a guild, a city, or a state, he was obliged, in his desire to influence others, to come into contact with all these external things, and to set them in motion. Hence arose many a collision, many an entanglement, especially as the commonwealth of which he was by birth a member enjoyed, under the most precise and accurately-defined limits, an admirable hereditary freedom. The republican from his boyhood is accustomed himself to think and to converse on public affairs. In the first bloom of his life the youth sees the period approaching when, as a member of a free corporation, he will have a vote to give or to withhold. If he wishes to form a just and independent judgment, he must, before all things, convince himself of the worth of his fellow citizens; he must learn to know them; he must inquire into their sentiments and their capacities; and thus, in aiming to read others, he becomes intimate with his own bosom.
[Side-note: Lavater.]
Under such circumstances Lavater was early trained, and this business of life seems to have occupied him more than the study of languages and the analytic criticism, which is not only allied to that study, but is its foundation as well as its aim. In later years, when his attainments and his views had reached a boundless comprehensiveness, he frequently said, both in jest and in seriousness, that he was not a learned man. It is precisely to this want of deep and solid learning, that we must ascribe the fact that he adhered to the letter of the Bible, and even to the translation, and found in it nourishment, and assistance enough for all that he sought and designed.
Very soon, however, this circle of action in a corporation or guild, with its slow movement, became too narrow for the quick nature of its occupant. For a youth to be upright is not difficult, and a pure conscience revolts at the wrong of which it is still innocent. The oppressions of a bailiff (_Landvogt_) lay plain before the eyes of the citizens, but it was by no means easy to bring them to justice. Lavater having associated a friend with himself, anonymously threatened the guilty bailiff. The matter became notorious, and an investigation was rendered necessary. The criminal was punished, but the prompters of this act of justice were blamed if not abused. In a well ordered state even the right must not be brought about in a wrong way.
On a tour which Lavater now made through Germany, he came into contact with educated and right-thinking men; but that served only to confirm his previous thoughts and convictions, and on his return home he worked from his own resources with greater freedom than ever. A noble and good man, he was conscious within himself of a lofty conception of humanity, and whatever in experience contradicts such a conception,--all the undeniable defects which remove every one from perfection, he reconciled by his idea of the Divinity which in the midst of ages came down into human nature in order completely to restore its earlier image.
So much by way of preface on the tendencies of this eminent man; and now before all things, for a bright picture of our meeting and personal intercourse. Our correspondence had not long been carried on, when he announced to me and to others, that in a voyage up the Rhine which he was about to undertake, he would soon visit Frankfort. Immediately there arose a great excitement in our world; all were curious to see so remarkable a person; many hoped to profit by him in the way of moral and religious culture; the sceptics prepared to distinguish themselves by grave objections; the conceited felt sure of entangling and confounding him by arguments in which they had strengthened themselves,--in short, there was everything, there was all the favor and disfavor, which awaits a distinguished man who intends to meddle with this motley world.
Our first meeting was hearty; we embraced each other in the most friendly way, and I found him just like what I had seen in many portraits of him. I saw living and active before me, an individual quite unique, and distinguished in a way that no one had seen before or will see again. Lavater, on the contrary, at the first moment, betrayed by some peculiar exclamations, that I was not what he had expected. Hereupon, I assured him, with the realism which had been born in me, and which I had cultivated, that as it had pleased God and nature to make me in that fashion we must rest content with it. The most important of the points on which in our letters we had been far from agreeing, became at once subjects of conversation, but we had not time to discuss them thoroughly, and something occurred to me that I had never before experienced.
The rest of us whenever we wish to speak of affairs of the soul and of the heart, were wont to withdraw from the crowd, and even from all society, because in the many modes of thinking, and the different degrees of culture among men, it is difficult to be on an understanding even with a few. But Lavater was of a wholly different turn; he liked to extend his influence as far as possible, and was not at ease except in a crowd, for the instruction and entertainment of which he possessed an especial talent, based on his great skill in physiognomy. He had a wonderful facility of discriminating persons and minds, by which he quickly understood the mental state of all around him. Whenever therefore this judgment of men was met by a sincere confession, a true-hearted inquiry, he was able, from the abundance of his internal and external experience, to satisfy every one with an appropriate answer. The deep tenderness of his look, the marked sweetness of his lips, and even the honest Swiss dialect which was heard through his High German, with many other things that distinguished him, immediately placed all whom he addressed quite at their ease. Even the slight stoop in his carriage, together with his rather hollow chest, contributed not a little to balance in the eyes of the remainder of the company the weight of his commanding presence. Towards presumption and arrogance he knew how to demean himself with calmness and address, for while seeming to yield he would suddenly bring forward, like a diamond-shield, some grand view, of which his narrow-minded opponent would never have thought, and at the same time he would so agreeably moderate the light which flowed from it, that such men felt themselves instructed and convinced,--so long at least as they were in his presence. Perhaps with many the impression continued to operate long afterwards, for even conceited men are also kindly; it is only necessary by gentle influences to soften the hard shell which encloses the fruitful kernel.
What caused him the greatest pain was the presence of persons whose outward ugliness must irrevocably stamp them decided enemies of his theory as to the significance of forms. They commonly employed a considerable amount of common sense and other gifts and talents, in vehement hostility and paltry doubts, to weaken a doctrine which appeared offensive to their self-love; for it was not easy to find any one so magnanimous as Socrates, who interpreted his faun-like exterior in favour of an acquired morality. To Lavater the hardness, the obduracy of such antagonists was horrible, and his opposition was not free from passion; just as the smelting fire must attack the resisting ore as something troublesome and hostile.
In such a case a confidential conversation, such as might appeal to our own cases and experience, was not to be thought of; however I was much instructed by observing the manner in which he treated men,--instructed, I say, not improved by it, for my position was wholly different from his. He that works morally loses none of his efforts, for there comes from them much more fruit than the parable of the Sower too modestly represents. But he whose labours are artistic, fails utterly in every work that is not recognised as a work of art. From this it may be judged how impatient my dear sympathizing readers were accustomed to make me, and for what reasons I had such a great dislike to come to an understanding with them. I now felt but too vividly the difference between the effectiveness of my labors and those of Lavater. His prevailed, while he was present, mine, when I was absent. Every one who at a distance was dissatisfied with him became his friend when they met, and every one who, judging by my work, considered me amiable, found himself greatly deceived when he came in contract with a man of coldness and reserve.
Merck, who had just come over from Darmstadt, played the part of Mephistopheles, especially ridiculing the importunities of the women. As some of these were closely examining the apartments which had been set apart for the prophet, and, above all, his bed-chamber, the wag said that "the pious souls wished to see where they had laid the Lord." Nevertheless he, as well as the others, was forced to let himself be exorcised. Lips, who accompanied Lavater, drew his profile as completely and successfully as he did those of other men, both important and unimportant, who were to be heaped together in the great work on Physiognomy.
For myself, Lavater's society was highly influential and instructive, for his pressing incitements to action set my calm, artistic, contemplative nature into motion, not indeed to any advantage at the moment, because the circumstances did but increase the distraction which had already laid hold of me. Still, so many things were talked about between us, as to give rise to the most earnest desire on my part to prolong the discussion. Accordingly I determined to accompany him if he went to Ems, so that, shut up in the carriage and separated from the world, we might freely go over those subjects which lay nearest to both our hearts.
Meanwhile the conversations between Lavater and Fraülein Yon Klettenberg were to me exceedingly interesting and profitable. Here two decided Christians stood in contrast to each other, and it was quite plain how the same belief may take a different shape according to the sentiments of different persons. In those tolerant times it was often enough repeated that every man had his own religion and his own mode of worship. Although I did not maintain this exactly, I could, in the present case, perceive that men and women need a different Saviour. Fraülein Von Klettenberg looked towards hers as to a lover to whom one yields oneself without reserve, concentrating all joy and hope on him alone, and without doubt or hesitation confiding to him the destiny of life. Lavater, on the other hand, treated his as a friend, to be imitated lovingly and without envy, whose merits he recognised and valued highly, and whom, for that very reason, he strove to copy and even to equal. What a difference between these two tendencies, which in general exhibit the spiritual necessities of the two sexes! Hence we may perhaps explain the fact that men of more delicate feeling have so often turned to the Mother of God as a paragon of female beauty and virtue, and like Sannazaro, have dedicated to her their lives and talents, occasionally condescending to play with the Divine Infant.
How my two friends stood to each other, and how they felt towards each other, I gathered not only from conversations at which I was present, but also from revelations which both made to me in private. I could not agree entirely with either; for my Christ had also taken a form of his own, in accordance with my views. Because they would not allow mine to pass at all, I teased them with all sorts of paradoxes and exaggerations, and, when they got impatient, left them with a jest.
[Side-note: Faith and Knowledge.]
The contest between knowledge and faith was not yet the order of the day, but the two words and the ideas connected with them occasionally came forward, and the true haters of the world maintained that one was as little to be relied on as the other. Accordingly I took pleasure in declaring in favour of both, though without being able to gain the assent of my friends. In Faith, I said, everything depends on the fact of believing; what is believed is perfectly indifferent. Faith is a profound sense of security for the present and future, and this assurance springs from confidence in an immense, all-powerful, and inscrutable Being. The firmness of this confidence is the one grand point; but what we think of this Being depends on our other faculties, or even on circumstances, and is wholly indifferent. Faith is a holy vessel into which every one stands ready to pour his feelings, his understanding, his imagination as perfectly as he can. With Knowledge it is directly the opposite. There the point is not whether we know, but what we know, how much we know, and how well we know it. Hence it comes that men may dispute about knowledge because it can be corrected, widened, and contracted. Knowledge begins with the particular, is endless and formless, can never be all comprehended, or at least but dreamily, and thus remains exactly the opposite of Faith.
Half truths of this kind, and the errors which arise from them may, when poetically exhibited, be exciting and entertaining, but in life they disturb and confuse conversation. For that reason I was glad to leave Lavater alone with all those who wished to be edified by him and through him, a deprivation for which I found myself fully compensated by the journey we made together to Ems. Beautiful summer weather attended us, and Lavater was gay and most amiable. For though of a religious and moral turn, he was by no means narrow-minded, and was not unmoved when by the events of life those around him were excited to cheerfulness and gaiety. He was sympathizing, spirited, witty, and liked the same qualities in others, provided that they were kept within the bounds which his delicate sense of propriety prescribed. If any one ventured further he used to clap him on the shoulder, and by a hearty "_Bisch guet!_" would call the rash man back to good manners. This journey afforded me instruction and inspiration of many kinds, which, however, contributed to a knowledge of his character rather than to the government and culture of my own. At Ems I saw him once again, surrounded by society of every sort, and I went back to Frankfort, because my little affairs were in such a state that I could scarcely absent myself from them at all.
[Side-note: Basedow.]
But I was not destined to be restored so speedily to repose. BASEDOW now came in to attract me, and touch me on another side. A more decided contrast could not be found than that between these two men. A single glance at Basedow showed the difference. Lavater's features displayed themselves with openness to the observer, but those of Basedow were crowded together and as it were drawn inward. Lavater's eye, beneath a very wide eyelid, was clear and expressive of piety; Basedow's was deep in his head, small, black, sharp, gleaming from under bristly brows, while on the contrary, Lavater's frontal bone was edged with two arches of the softest brown hair. Basedow's strong, rough voice, quick, sharp expressions, a kind of sarcastic laugh, a rapid change of subjects in conversation, with other peculiarities, were all the opposite of the qualities and manners by which Lavater had spoiled us. Basedow was also much sought after in Frankfort, and his great talents were admired, but he was not the man either to edify souls or to lead them. His sole office was to give a better cultivation to the wide field he had marked out for himself, so that Humanity might afterwards take up its dwelling in it with greater ease and accordance with nature; but to this end he hastened even too directly.
I could not altogether acquiesce in his plans, or even get a clear understanding of his views. I was of course pleased with his desire of making all instruction living and natural; his wish, too, that the ancient languages should be practised on present objects, appeared to me laudable, and I gladly acknowledged all that in his project, tended to the promotion of activity and a fresher view of the world. But I was displeased that the illustrations of his elementary work, were even more distracting than its subjects, whereas in the actual world, possible things alone stand together, and for that reason, in spite of all variety and apparent confusion, the world has still a regularity in all its parts. Basedow's elementary work, on the contrary, sunders it completely, inasmuch as things which in the world never are combined, are here put together on account of the association of ideas; and consequently, the book is without even those palpable methodical advantages which we must acknowledge in the similar work of Amos Comenius.
But the conduct of Basedow was much more strange and difficult to comprehend than his doctrine. The purpose of his journey was, by personal influence, to interest the public in his philanthropic enterprise, and, indeed, to open not only hearts but purses. He had the power of speaking grandly and convincingly of his scheme, and every one willingly conceded what he asserted. But in a most inexplicable way he pained the feelings of the very men whose assistance he wished to gain; nay, he outraged them unnecessarily, through his inability to keep back his opinions and fancies on religious subjects. In this respect, too, Basedow appeared the very opposite of Lavater. While the latter received the Bible literally, and with its whole contents, as being word for word in force, and applicable even at the present day, the former had the most unquiet itching to renovate everything, and to remodel both the doctrines and the ceremonies of the church in conformity with some odd notions of his own. Most imprudently he showed no mercy to those conceptions which come not immediately from the Bible, but from its interpretation;--all those expressions, technical philosophical terms, or sensible figures, with which Councils and Fathers of the church had sought to explain the inexpressible, or to confute heretics. In a harsh and unwarrantable way, and before all alike, he declared himself the sworn enemy of the Trinity, and would never desist from arguing against this universally admitted mystery. I, too, had to suffer a good deal from this kind of entertainment in private conversation, and was compelled again and again to listen to his tirades about the _Hypostasis_ and _Ousia_, as well as the _Prosopon._ To meet them all I had recourse to the weapons of paradox, and soaring even above the flight of his opinions, ventured to oppose his rash assertions with something rasher of my own. This gave a new excitement to my mind, and as Basedow was much more extensively read, and had more skill in the fencing tricks of disputation than a follower of nature like myself, I had always to exert myself the more, the more important were the points which were discussed between us.
Such a splendid opportunity to exercise, if not to enlighten my mind, I could not allow to pass away in a hurry. I prevailed on my father and friends to manage my most pressing affairs, and now set off again from Frankfort in the company of Basedow. But what a difference did I feel when I recalled the gentle spirit which breathed from Lavater! Pure himself, he created around him a pure circle. At his side one became like a maiden, for fear of presenting before him anything repulsive. Basedow, on the contrary, being altogether absorbed in himself, could not pay any attention to his external appearance. His ceaseless smoking of wretched tobacco was of itself extremely disagreeable, especially as his pipe was no sooner out, than he brought forth a dirtily prepared kind of tinder, which took fire quickly, but had a most horrid stench, and every time poisoned the air insufferably with the first whiff. I called this preparation "The Basedovian Smellfungus," (Stink-schwamm) and declared that it ought to be introduced into Natural History under this name. This greatly amused him, and to my disgust he minutely explained the hated preparation, taking a malicious pleasure in my aversion from it. It was one of the deeply rooted, disagreeable peculiarities of this admirably gifted man that he was fond of teasing, and would sting the most dispassionate persons. He could never see any one quiet, but he provoked him with mocking irony, in a hoarse voice, or put him to confusion by an unexpected question, and laughed bitterly when he had gained his end; yet he was pleased when the object of his jests was quick enough to collect himself, and gave him a retort.
[Side-note: Basedow.]
How much greater was now my longing for Lavater. He, too, seemed to be rejoiced when he saw me again, and confided to me much that he had learned, especially in reference to the various characters of his fellow-guests, among whom he had already succeeded in making many friends and disciples. For my