book i

. l. 157--

To be weak is miserable, Doing or suffering. ED. ]

[Footnote GN: Compare Wordsworth's _Description of the Scenery of the Lakes_, section 2. "To begin with the COTTAGES. They are scattered over the vallies, and under the hill sides, and on the rocks; and, even to this day, in the more retired dales, without any intrusion of more assuming buildings;

Clustered like stars some few, but single most, And lurking dimly in their shy retreats, Or glancing on each other cheerful looks, Like separated stars with clouds between.

The dwelling-houses, and contiguous outhouses, are, in many instances, of the colour of the native rock, out of which they have been built.... These humble dwellings remind the contemplative spectator of a production of nature, and may (using a strong expression) rather be said to have grown than to have been erected;--to have risen, by an instinct of their own, out of the native rock--so little is there in them of formality, such is their wildness and beauty! Among the numerous recesses and projections in the walls and in the different stages of their roofs, are seen bold and harmonious effects of contrasted sunshine and shadow.... These dwellings, mostly built, as has been said, of rough unhewn stone, are roofed with slates ... rough and uneven in their surfaces, so that both the coverings and sides of the houses have furnished places of rest for the seeds of lichens, mosses, ferns, and flowers. Hence buildings, which, in their very form call to mind the processes of nature, do thus, clothed with this vegetable garb, appear to be received into the bosom of the living principle of things, as it acts and exists among the woods and fields."

Compare also Gray's description of the Vale of Grasmere in his Journal:--"Not a single red tile, nor flaring gentleman's house, or garden-wall, breaks in upon the repose of this little unsuspected paradise; but all is peace, rusticity, and happy poverty, in its neatest and most becoming attire."--ED.]

[Footnote GO: "To illustrate the relation which in my mind this Pastor bore to the Wanderer, and the resemblances between them, or rather the points of community in their nature, I likened one to an oak, and the other to a sycamore; and having here referred to this comparison, I need only add, I had no one individual in my mind, wishing rather to embody this idea than to break in upon the simplicity of it by traits of individual character, or of any peculiarity of opinion."--I. F.

The sycamore is the favourite tree at the Mountain Farms of Cumberland and Westmoreland, as it affords the best shelter from rain, and the most thorough protection from the heat of the sun, during sheep-shearing. A special feature of the valley as you go down Langdale from Blea Tarn, is the abundance of sycamore; some of the farm-houses are literally _embowered_ by it.--ED.]

[Footnote GP: The group of meditative talkers are supposed to be seated on the moss-grown wall to the east of the Churchyard, facing Silver How.--ED.]

[Footnote GQ: Possibly at Dale End, Grasmere.--ED.]

[Footnote GR: Probably the Wyke, Sarah Mackereth's Cottage.--ED.]

[Footnote GS: See Wordsworth's note, p. 388.--ED.]

[Footnote GT: Silver How is the only "dark mountain" visible to the west from the moss-grown seat in the Grasmere Churchyard; but here again the realism of the narrative gives way, and not Silver How but Lingmoor is described, with Hackett Cottage at its south-eastern foot. The Fenwick note is here explicit. "First for the one picture given by the Wanderer of the living. In this nothing is introduced but what was taken from nature and real life. The cottage was called Hackett, and stands, as described, on the southern extremity of the ridge which separates the two Langdales. The pair who inhabited it were called Jonathan and Betty Yewdale." Later on, in