Part 15

Mr. John Blackwood accepted the story, but made some comments which discouraged the author from trying another. Mr. Lewes wrote him the effects of his words, which he hastened to withdraw, as there was so much to be said in praise that he really desired more stories from the same pen, and sent her a check for two hundred and fifty dollars.

This was evidently soothing, as _Mr. Gilfil's Love Story_ and _Janet's Repentance_ were at once written. Much interest began to be expressed about the author. Some said Bulwer wrote the sketches. Thackeray praised them, and Arthur Helps said, "He is a great writer." Copies of the stories bound together, with the title _Scenes of Clerical Life_, were sent to Froude, Dickens, Thackeray, Tennyson, Ruskin, and Faraday. Dickens praised the humor and the pathos, and thought the author was a woman.

Jane Welch Carlyle thought it "a _human_ book, written out of the heart of a live man, not merely out of the brain of an author, full of tenderness and pathos, without a scrap of sentimentality, of sense without dogmatism, of earnestness without twaddle--a book that makes one feel friends at once and for always with the man or woman who wrote it." She guessed the author was "a man of middle age, with a wife, from whom he has got those beautiful _feminine_ touches in his book, a good many children, and a dog that he has as much fondness for as I have for my little Nero."

Mr. Lewes was delighted, and said, "Her fame is beginning." George Eliot was growing happier, for her nature had been somewhat despondent. She used to say, "Expecting disappointments is the only form of hope with which I am familiar." She said, "I feel a deep satisfaction in having done a bit of faithful work that will perhaps remain, like a primrose-root in the hedgerow, and gladden and chasten human hearts in years to come." "'Conscience goes to the hammering in of nails' is my gospel," she would say. "Writing is part of my religion, and I can write no word that is not prompted from within. At the same time I believe that almost all the best books in the world have been written with the hope of getting money for them."

"My life has deepened unspeakably during the last year: I feel a greater capacity for moral and intellectual enjoyment, a more acute sense of my deficiencies in the past, a more solemn desire to be faithful to coming duties."

For _Scenes of Clerical Life_ she received six hundred dollars for the first edition, and much more after her other books appeared.

And now another work, a longer one, was growing in her mind, _Adam Bede_, the germ of which, she says, was an anecdote told her by her aunt, Elizabeth Evans, the Dinah Morris of the book. A very ignorant girl had murdered her child, and refused to confess it. Mrs. Evans, who was a Methodist preacher, stayed with her all night, praying with her, and at last she burst into tears and confessed her crime. Mrs. Evans went with her in the cart to the place of execution, and ministered to the unhappy girl till death came.

When the first pages of _Adam Bede_ were shown to Mr. Blackwood, he said, "That will do." George Eliot and Mr. Lewes went to Munich, Dresden, and Vienna for rest and change, and she prepared much of the

## book in this time. When it was finished, she wrote on the manuscript,

_Jubilate_. "To my dear husband, George Henry Lewes, I give the Ms. of a work which would never have been written but for the happiness which his love has conferred on my life."

For this novel she received four thousand dollars for the copyright for four years. Fame had actually come. All the literary world were talking about it. John Murray said there had never been such a book. Charles Reade said, putting his finger on Lisbeth's account of her coming home with her husband from their marriage, "the finest thing since Shakespeare." A workingman wrote: "Forgive me, dear sir, my boldness in asking you to give us a cheap edition. You would confer on us a great boon. I can get plenty of trash for a few pence, but I am sick of it." Mr. Charles Buxton said, in the House of Commons: "As the farmer's wife says in _Adam Bede_, 'It wants to be hatched over again and hatched different.'" This of course greatly helped to popularize the book.

To George Eliot all this was cause for the deepest gratitude. They were able now to rent a home at Wandworth, and move to it at once. The poverty and the drudgery of life seemed over. She said: "I sing my magnificat in a quiet way, and have a great deal of deep, silent joy; but few authors, I suppose, who have had a real success, have known less of the flush and the sensations of triumph that are talked of as the accompaniments of success. I often think of my dreams when I was four or five and twenty. I thought then how happy fame would make me.... I am assured now that _Adam Bede_ was worth writing,--worth living through those long years to write. But now it seems impossible that I shall ever write anything so good and true again." Up to this time the world did not know who George Eliot was; but as a man by the name of Liggins laid claim to the authorship, and tried to borrow money for his needs because Blackwood would not pay him, the real name of the author had to be divulged.

Five thousand copies of _Adam Bede_ were sold the first two weeks, and sixteen thousand the first year. So excellent was the sale that Mr. Blackwood sent her four thousand dollars in addition to the first four. The work was soon translated into French, German, and Hungarian. Mr. Lewes' _Physiology of Common Life_ was now published, but it brought little pecuniary return.

The reading was carried on as usual by the two students. The _Life of George Stephenson_; the _Electra_ of Sophocles; the _Agamemnon_ of Aeschylus, Harriet Martineau's _British Empire in India_; and _History of the Thirty Years' Peace_; Béranger, _Modern Painters_, containing some of the finest writing of the age; Overbech on Greek art; Anna Mary Howitt's book on Munich; Carlyle's _Life of Frederick the Great_; Darwin's _Origin of Species_; Emerson's _Man the Reformer_, "which comes to me with fresh beauty and meaning"; Buckle's _History of Civilization_; Plato and Aristotle.

An American publisher now offered her six thousand dollars for a book, but she was obliged to decline, for she was writing the _Mill on the Floss_, in 1860, for which Blackwood gave her ten thousand dollars for the first edition of four thousand copies, and Harper & Brothers fifteen hundred dollars for using it also. Tauchnitz paid her five hundred for the German reprint.

She said: "I am grateful and yet rather sad to have finished; sad that I shall live with my people on the banks of the Floss no longer. But it is time that I should go, and absorb some new life and gather fresh ideas." They went at once to Italy, where they spent several months in Florence, Venice, and Rome.

In the former city she made her studies for her great novel, _Romola_. She read Sismondi's _History of the Italian Republics_, Tenneman's _History of Philosophy_, T.A. Trollope's _Beata_, Hallam on the _Study of Roman Law in the Middle Ages_, Gibbon on the _Revival of Greek Learning_, Burlamachi's _Life of Savonarola_; also Villari's life of the great preacher, Mrs. Jameson's _Sacred and Legendary Art_, Machiavelli's works, Petrarch's Letters, _Casa Guidi Windows_, Buhle's _History of Modern Philosophy_, Story's _Roba di Roma_, Liddell's _Rome_, Gibbon, Mosheim, and one might almost say the whole range of Italian literature in the original. Of Mommsen's _History of Rome_ she said, "It is so fine that I count all minds graceless who read it without the deepest stirrings."

The study necessary to make one familiar with fifteenth century times was almost limitless. No wonder she told Mr. Cross, years afterward, "I began _Romola_ a young woman, I finished it an old woman"; but that, with _Adam Bede_ and _Middlemarch_, will be her monument. "What courage and patience," she says, "are wanted for every life that aims to produce anything!" "In authorship I hold carelessness to be a mortal sin." "I took unspeakable pains in preparing to write _Romola_."

For this one book, on which she spent a year and a half, _Cornhill Magazine_ paid her the small fortune of thirty-five thousand dollars. She purchased a pleasant home, "The Priory," Regent's Park, where she made her friends welcome, though she never made calls upon any, for lack of time. She had found, like Victor Hugo, that time is a very precious thing for those who wish to succeed in life. Browning, Huxley, and Herbert Spencer often came to dine.

Says Mr. Cross, in his admirable life: "The entertainment was frequently varied by music when any good performer happened to be present. I think, however, that the majority of visitors delighted chiefly to come for the chance of a few words with George Eliot alone. When the drawing-room door of the Priory opened, a first glance revealed her always in the same low arm-chair on the left-hand side of the fire. On entering, a visitor's eye was at once arrested by the massive head. The abundant hair, streaked with gray now, was draped with lace, arranged mantilla fashion, coming to a point at the top of the forehead. If she were engaged in conversation, her body was usually bent forward with eager, anxious desire to get as close as possible to the person with whom she talked. She had a great dislike to raising her voice, and often became so wholly absorbed in conversation that the announcement of an in-coming visitor failed to attract her attention; but the moment the eyes were lifted up, and recognized a friend, they smiled a rare welcome--sincere, cordial, grave--a welcome that was felt to come straight from the heart, not graduated according to any social distinction."

After much reading of Fawcett, Mill, and other writers on political economy, _Felix Holt_ was written, in 1866, and for this she received from Blackwood twenty-five thousand dollars.

Very much worn with her work, though Mr. Lewes relieved her in every way possible, by writing letters and looking over all criticisms of her books, which she never read, she was obliged to go to Germany for rest.

In 1868 she published her long poem, _The Spanish Gypsy_, reading Spanish literature carefully, and finally passing some time in Spain, that she might be the better able to make a lasting work. Had she given her life to poetry, doubtless she would have been a great poet.

_Silas Marner_, written before _Romola_, in 1861, had been well received, and _Middlemarch_, in 1872, made a great sensation. It was translated into several languages. George Bancroft wrote her from Berlin that everybody was reading it. For this she received a much larger sum than the thirty-five thousand which she was paid for _Romola_.

A home was now purchased in Surrey, with eight or nine acres of pleasure grounds, for George Eliot had always longed for trees and flowers about her house. "Sunlight and sweet air," she said, "make a new creature of me." _Daniel Deronda_ followed in 1876, for which, it is said, she read nearly a thousand volumes. Whether this be true or not, the list of books given in her life, of her reading in these later years, is as astonishing as it is helpful for any who desire real knowledge.

At Witley, in Surrey, they lived a quiet life, seeing only a few friends like the Tennysons, the Du Mauriers, and Sir Henry and Lady Holland. Both were growing older, and Mr. Lewes was in very poor health. Finally, after a ten days' illness, he died, Nov. 28, 1878.

To George Eliot this loss was immeasurable. She needed his help and his affection. She said, "I like not only to be loved, but also to be told that I am loved," and he had idolized her. He said: "I owe Spencer a debt of gratitude. It was through him that I learned to know Marian,--to know her was to love her, and since then, my life has been a new birth. To her I owe all my prosperity and all my happiness. God bless her!"

Mr. John Walter Cross, for some time a wealthy banker in New York, had long been a friend of the family, and though many years younger than George Eliot, became her helper in these days of need. A George Henry Lewes studentship, of the value of one thousand dollars yearly, was to be given to Cambridge for some worthy student of either sex, in memory of the man she had loved. "I want to live a little time that I may do certain things for his sake," she said. She grew despondent, and the Cross family used every means to win her away from her sorrow.

Mr. Cross' mother, to whom he was devotedly attached, had also died, and the loneliness of both made their companionship more comforting. They read Dante together in the original, and gradually the younger man found that his heart was deeply interested. It was the higher kind of love, the honor of mind for mind and soul for soul.

"I shall be," she said, "a better, more loving creature than I could have been in solitude. To be constantly, lovingly grateful for this gift of a perfect love is the best illumination of one's mind to all the possible good there may be in store for man on this troublous little planet."

Mr. Cross and George Eliot were married, May 6, 1880, a year and a half after Mr. Lewes' death, his son Charles giving her away, and went at once to Italy. She wrote: "Marriage has seemed to restore me to my old self.... To feel daily the loveliness of a nature close to me, and to feel grateful for it, is the fountain of tenderness and strength to endure." Having passed through a severe illness, she wrote to a friend: "I have been cared for by something much better than angelic tenderness.... If it is any good for me that my life has been prolonged till now, I believe it is owing to this miraculous affection that has chosen to watch over me."

She did not forget Mr. Lewes. In looking upon the Grande Chartreuse, she said, "I would still give up my own life willingly, if he could have the happiness instead of me."

On their return to London, they made their winter home at 4 Cheyne Walk, Chelsea, a plain brick house. The days were gliding by happily. George Eliot was interested as ever in all great subjects, giving five hundred dollars for woman's higher education at Girton College, and helping many a struggling author, or providing for some poor friend of early times who was proud to be remembered.

She and Mr. Cross began their reading for the day with the Bible, she especially enjoying Isaiah, Jeremiah, and St. Paul's Epistles. Then they read Max Muller's works, Shakespeare, Milton, Scott, and whatever was best in English, French, and German literature. Milton she called her demigod. Her husband says she had "a limitless persistency in application." Her health was better, and she gave promise of doing more great work. When urged to write her autobiography, she said, half sighing and half smiling: "The only thing I should care much to dwell on would be the absolute despair I suffered from, of ever being able to achieve anything. No one could ever have felt greater despair, and a knowledge of this might be a help to some other struggler."

Friday afternoon, Dec. 17, she went to see _Agamemnon_ performed in Greek by Oxford students, and the next afternoon to a concert at St. James Hall. She took cold, and on Monday was treated for sore throat. On Wednesday evening the doctors came, and she whispered to her husband, "Tell them I have great pain in the left side." This was the last word. She died with every faculty bright, and her heart responsive to all noble things.

She loved knowledge to the end. She said, "My constant groan is that I must leave so much of the greatest writing which the centuries have sifted for me, unread for want of time."

She had the broadest charity for those whose views differed from hers. She said, "The best lesson of tolerance we have to learn, is to tolerate intolerance." She hoped for and "looked forward to the time when the impulse to help our fellows shall be as immediate and as irresistible as that which I feel to grasp something firm if I am falling."

One Sunday afternoon I went to her grave in Highgate Cemetery, London. A gray granite shaft, about twenty-five feet high, stands above it, with these beautiful words from her great poem:--

"O may I join the choir invisible, Of those immortal dead who live again In minds made better by their presence."

HERE LIES THE BODY OF GEORGE ELIOT, MARY ANN CROSS.

BORN, 22d NOVEMBER, 1819; DIED, 22d DECEMBER, 1880.

A stone coping is around this grave, and bouquets of yellow crocuses and hyacinths lie upon it. Next to her grave is a horizontal slab, with the name of George Henry Lewes upon the stone.

ELIZABETH FRY.

[Illustration: My attached and obliged friend Elizabeth Fry]

When a woman of beauty, great wealth, and the highest social position, devotes her life to the lifting of the lowly and the criminal, and preaches the Gospel from the north of Scotland to the south of France, it is not strange that the world admires, and that books are written in praise of her. Unselfishness makes a rare and radiant life, and this was the crowning beauty of the life of Elizabeth Fry.

Born in Norwich, England, May 21, 1780, Elizabeth was the third daughter of Mr. John Gurney, a wealthy London merchant. Mrs. Gurney, the mother, a descendant of the Barclays of Ury, was a woman of much personal beauty, singularly intellectual for those times, making her home a place where literary and scientific people loved to gather.

Elizabeth wellnigh idolized her mother, and used often to cry after going to bed, lest death should take away the precious parent. In the daytime, when the mother, not very robust, would sometimes lie down to rest, the child would creep to the bedside and watch tenderly and anxiously, to see if she were breathing. Well might Mrs. Gurney say,

"My dove-like Betsy scarcely ever offends, and is, in every sense of the word, truly engaging."

Mrs. Fry wrote years afterward: "My mother was most dear to me, and the walks she took with me in the old-fashioned garden are as fresh with me as if only just passed, and her telling me about Adam and Eve being driven out of Paradise. I always considered it must be just like our garden.... I remember with pleasure my mother's beds of wild flowers, which, with delight, I used as a child to attend with her; it gave me that pleasure in observing their beauties and varieties that, though I never have had time to become a botanist, few can imagine, in my many journeys, how I have been pleased and refreshed by observing and enjoying the wild flowers on my way."

The home, Earlham Hall, was one of much beauty and elegance, a seat of the Bacon family. The large house stood in the centre of a well-wooded park, the river Wensum flowing through it. On the south front of the house was a large lawn, flanked by great trees, underneath which wild flowers grew in profusion. The views about the house were so artistic that artists often came there to sketch.

In this restful and happy home, after a brief illness, Mrs. Gurney died in early womanhood, leaving eleven children, all young, the smallest but two years old. Elizabeth was twelve, old enough to feel the irreparable loss. To the day of her death the memory of this time was extremely sad.

She was a nervous and sensitive child, afraid of the dark, begging that a light be left in her room, and equally afraid to bathe in the sea. Her feelings were regarded as the whims of a child, and her nervous system was injured in consequence. She always felt the lack of wisdom in "hardening" children, and said, "I am now of opinion that my fear would have been much more subdued, and great suffering spared, by its having been still more yielded to: by having a light left in my room, not being long left alone, and never forced to bathe."

After her marriage she guided her children rather than attempt "to break their wills," and lived to see happy results from the good sense and Christian principle involved in such guiding. In her prison work she used the least possible governing, winning control by kindness and gentleness.

Elizabeth grew to young womanhood, with pleasing manners, slight and graceful in body, with a profusion of soft flaxen hair, and a bright, intelligent face. Her mind was quick, penetrating, and original. She was a skilful rider on horseback, and made a fine impression in her scarlet riding-habit, for, while her family were Quakers, they did not adopt the gray dress.

She was attractive in society and much admired. She writes in her journal: "Company at dinner; I must beware of not being a flirt, it is an abominable character; I hope I shall never be one, and yet I fear I am one now a little.... I think I am by degrees losing many excellent qualities. I lay it to my great love of gayety, and the world.... I am now seventeen, and if some kind and great circumstance does not happen to me, I shall have my talents devoured by moth and rust. They will lose their brightness, and one day they will prove a curse instead of a blessing."

Before she was eighteen, William Savery, an American friend, came to England to spend two years in the British Isles, preaching. The seven beautiful Gurney sisters went to hear him, and sat on the front seat, Elizabeth, "with her smart boots, purple, laced with scarlet."

As the preacher proceeded, she was greatly moved, weeping during the service, and nearly all the way home. She had been thrown much among those who were Deists in thought, and this gospel-message seemed a revelation to her.

The next morning Mr. Savery came to Earlham Hall to breakfast. "From this day," say her daughters, in their interesting memoir of their mother, "her love of pleasure and the world seemed gone." She, herself, said, in her last illness, "Since my heart was touched, at the age of seventeen, I believe I never have awakened from sleep, in sickness or in health, by day or by night, without my first waking thought being, how best I might serve my Lord."

Soon after she visited London, that she might, as she said, "try all things" and choose for herself what appeared to her "to be good." She wrote: