chapter vii
.
Footnote 174:
Ganz, _Hdz. Schwz. Mstr._, notes to ii. 3, 51, iii. 9, 35; _Holbein_, pp. xvi.-xviii.
Footnote 175:
Woltmann, 83, who calls the figure St. Pantalus. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 35.
Footnote 176:
For further proofs, see Appendix (B).
Footnote 177:
Gauthiez, _Holbein_, p. 52, and the same writer’s “Holbein sur la route d’Italie,” in _Gazette des Beaux-Arts_, Dec. 1897, Feb. 1898.
Footnote 178:
One is to be seen in the “Fountain of Youth” decoration for the Hertenstein house.
Footnote 179:
Woltmann, 29. Reproduced by Ganz, _Hdz. Schwz. Mstr._, i. 53.
Footnote 180:
Woltmann, 107. Reproduced by Knackfuss, fig. 34.
Footnote 181:
For two others, see Appendix (B).
Footnote 182:
Woltmann, 99. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 10; and in _Hdz. von H. H. dem Jüng._, Pl. 5; Knackfuss, fig. 27.
Footnote 183:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 10.
Footnote 184:
Reproduced by His, _Jahrbuch der Kgl. Preussischen Kunstsammlungen_, 1894, p. 208.
Footnote 185:
Gauthiez, p. 56.
Footnote 186:
_Index Operum Holbenii_, appendix to _Moriæ Encomium_, 1676, Nos. 47-51. Walpole, _Anecdotes_, ed. Wornum, p. 77.
Footnote 187:
Ganz, _Holbein_, p. 187, and note upon it, p. 249, from which this information is taken.
Footnote 188:
Reproduced in _Hdz. Schwz. Mstr._, iii. 45, with note by Meyenburg.
Footnote 189:
See Ganz, _Holbein_, p. xviii.
Footnote 190:
Woltmann, i. 145.
Footnote 191:
Reproduced by Ganz, _Holbein_, p. xl.
Footnote 192:
Woltmann, i. 145.
Footnote 193:
Woltmann, i. 183.
Footnote 194:
From Pantaleon, _Heldenbuch_, vol. iii.
Footnote 195:
For an exhaustive account of the formation and history of the Amerbach Collection, which contains transcripts from the earliest inventory, prepared by Basilius Amerbach, down to the one drawn up when the collection was taken over by the city, see _Die Entstehung des Amerbach’schen Kunstkabinets und die Amerbach’schen Inventare_, by Dr. Ganz and Dr. Emil Major, in the 59th annual report (1907) of the Basel Gallery.
Footnote 196:
Woltmann, 10. Reproduced by Davies, p. 60; Knackfuss, fig. 20; Ganz, _Holbein_, p. 29.
Footnote 197:
Wornum, _Holbein_, p. 117.
Footnote 198:
See Ganz, _Holbein_, p. xvi.
Footnote 199:
See Ganz, _Holbein_, p. xix.
Footnote 200:
See p. 138.
Footnote 201:
See Appendix (E).
Footnote 202:
Ganz, _Holbein_, pp. 188-191.
Footnote 203:
Woltmann, 155, 156. Reproduced by Knackfuss, figs. 58, 59; Ganz, _Holbein_, pp. 56-59.
Footnote 204:
There is considerable likeness between this group of the Infant Christ and the boy angels surrounding him, and the one in the beautiful “Holy Family” by Gaudenzio Ferrari at Dorchester House, more particularly in the figure of the angel with small wings and close-fitting dress, who, in Holbein’s picture, kneels in front of the Child with his back to the spectator, and in the other is shown in profile, supporting him. According to Miss Halsey (_Gaudenzio Ferrari_, p. 86), the Dorchester House picture was “probably painted about 1521.”
Footnote 205:
Knackfuss, p. 83.
Footnote 206:
Woltmann, i. 178.
Footnote 207:
Woltmann, i. 176. Wornum, p. 112 (quoting from Hegner, _Hans Holbein d. J._ 1827, and Schreiber, _Geschichte des Münsters zu Freiburg_, &c.).
Footnote 208:
Woltmann, 20. Reproduced by Knackfuss, figs. 54, 55, and 56; Ganz, _Holbein_, pp. 46-54; Mrs. Fortescue, Pl. 9.
Footnote 209:
According to Peter Ochs, it was painted for the Council Chamber of the Basel Town Hall. Boisserée (1829) was of opinion that the damaged panel of “The Last Supper,” already described, originally formed the central panel of this altar-piece.
Footnote 210:
Sandrart, _Teutsche Akademie_, ii. p. 82.
Footnote 211:
Wornum, pp. 68-71.
Footnote 212:
That the restorer made changes, more particularly in the colour, can be seen from two old copies of the “Betrayal” and the “Crucifixion” subjects, now in the depot of the Basel Gallery, which indicate the picture’s original state.
Footnote 213:
Woltmann, Eng. trans., p. 128.
Footnote 214:
See Ethel Halsey, _Gaudenzio Ferrari_, pp. 58, 69, &c.; Ganz, _Holbein_, p. xxii., &c. The technique, also, closely resembles that of the Milanese school, differing considerably from Holbein’s earlier practice.
Footnote 215:
Ganz, _Holbein_, p. 235.
Footnote 216:
Reproduced by Ernest Law, _Holbein’s Pictures at Windsor Castle_, Pl. x.; Davies, p. 98; Knackfuss, fig. 57; Ganz, _Holbein_, p. 80.
Footnote 217:
Knackfuss, p. 81.
Footnote 218:
Davies, p. 98.
Footnote 219:
_Holbein’s Pictures at Windsor Castle_, p. 32.
Footnote 220:
Woltmann, 19. Reproduced by Davies, p. 76; Knackfuss, figs. 60, 61; Ganz, _Holbein_, p. 45.
Footnote 221:
See Ganz, _Holbein_, p. 235.
Footnote 222:
_Jahrbuch der preuss. Kunsts._, 1907, vol. 28.
Footnote 223:
Woltmann, 62. Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii. 51; Knackfuss, fig. 65.
Footnote 224:
_Ganz, Hdz. Schwz. Mstr._, note to ii. 51. A photograph of the sculptures on this doorway is reproduced by Dr. Ganz in his _Holbein_, p. xix.
Footnote 225:
Woltmann, 52. Reproduced by Davies, p. 224; Knackfuss, fig. 64.
Footnote 226:
Woltmann, 172. Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 6.
Footnote 227:
See also Appendix (C).
Footnote 228:
Woltmann, 14. Reproduced by Davies, p. vii.; Knackfuss, figs. 45 and 46; Ganz, _Holbein_, pp. 32, 33.
Footnote 229:
Woltmann, vol. i. p. 174.
Footnote 230:
Woltmann, 247. Reproduced by Davies, p. 80; Knackfuss, fig. 47; Ganz, _Holbein_, p. 36.
Footnote 231:
Or, according to some writers, St. Martin of Tours.
Footnote 232:
_Holbein_, p. 234.
Footnote 233:
See Ethel Halsey, _Gaudenzio Ferrari_, p. 42, and Ganz, _Holbein_, p. 234.
Footnote 234:
First deciphered by Herr F. A. Zetter-Collin. The carpet itself recalls more than one very similar carpet in Ferrari’s pictures, though the latter are much finer in design; in a “Madonna and Child” belonging to Sig. Vittadini at Arcorre, for instance, or the “Christ before Herod” in the Varallo frescoes.
Footnote 235:
See note to No. 91 in Basel Catalogue, 1908.
Footnote 236:
“Ein nackend kindlin sitzt vf einer schlangen kompt von Holbeins gemeld durch H. Bocken vf holtz mit olfarben mehrteil nachgemolt.”
Footnote 237:
Woltmann, No. 173. Eng. by J. C. Loedel for Weigel’s _Hdz. berühmter Meister._
Footnote 238:
Woltmann, vol. i. p. 183.
Footnote 239:
Woltmann, 161. Reproduced by Sir Claude Phillips, _The Picture Gallery of Charles I_, _Portfolio_ monograph, 1896, p. 63; Ganz, _Holbein_, p. 60.
Footnote 240:
See Ganz, _Holbein_, p. 237.
Footnote 241:
T. de Wyzewa, in a review of Dr. Ganz’ book, “À propos d’un Livre nouveau sur Holbein le Jeune,” in _Revue des Deux Mondes_, January 15, 1912.
Footnote 242:
Woltmann, 234. Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 14; Mantz, p. 45.
Footnote 243:
In a woodcut by Lucas Cranach, representing Sibylla of Cleves, the same motto is shown embroidered in pearls on her cap and collar. See Campbell Dodgson, _Catalogue of Early German and Flemish Woodcuts, &c. in the British Museum_, ii., p. 320.
Footnote 244:
Davies, p. 83.
Footnote 245:
Mrs. Fortescue, _Holbein_, p. 96.
Footnote 246:
Amiet, _Hans Holbeins Madonna von Solothurn_, &c., 1879.
Footnote 247:
See F. A. Zetter-Collin, “Die Zetter’sche Madonna von Solothurn,” in _Festschrift des Kunst-Vereins der Stadt Solothurn_, 1902; and _Zeitschrift für die Geschichte des Oberrheins_, New Series, vol. xi. p. 442.
Footnote 248:
Woltmann, _Holzschnittwerk H. H._, 217 and 218. Reproduced by Knackfuss, fig. 40.
Footnote 249:
See Woltmann, vol. i. p. 199.
Footnote 250:
Woltmann, 169. Reproduced by Knackfuss, fig. 48; Ganz, _Holbein_, p. 35; Woltmann (woodcut by Knaus), vol. i. p. 179.
Footnote 251:
Woltmann, 170. Reproduced by Knackfuss, fig. 49; Ganz, _Holbein_, p. 34.
Footnote 252:
See page 79.
Footnote 253:
Woltmann, p. 179.
Footnote 254:
Davies, p. 99.
Footnote 255:
Woltmann, 4. Reproduced by Ganz, _Holbein_, pp. 61-64.
Footnote 256:
Quoted by Woltmann, vol. i., p. 175.
Footnote 257:
Reproduced by Ganz, _Holbein_, p. xxvii.
Footnote 258:
See Ganz, _Holbein_, p. 237.
Footnote 259:
Woltmann, 98. Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii., 19, 20; Davies, p. 74; Knackfuss, figs. 62, 63; His, _Desseins_, &c., viii., ix.
Footnote 260:
See pp. 157-9.
Footnote 261:
See Ganz, _Holbein_, pp. 246-7.
Footnote 262:
_Theodori Zwingeri methodus apodemica_, 1577, p. 199—quoted by Woltmann, i. 149.
Footnote 263:
Woltmann, 118. Reproduced by Davies, p. 54; His, Pl. xxiv.; Ganz, _Holbein_, p. 160.
Footnote 264:
Woltmann, 94. Reproduced by him (woodcut), i. 151.
Footnote 265:
Reproduced by Ganz, _Holbein_, p. 162.
Footnote 266:
Reproduced by Ganz, _Holbein_, p. 161.
Footnote 267:
Reproduced by Ganz, _Holbein_, p. 159.
Footnote 268:
Woltmann, 48. Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 10; Knackfuss, fig. 41.
Footnote 269:
Ganz, _Hdz. von H. H. dem Jüng._, p. 26.
Footnote 270:
Woltmann, 39. Reproduced by His, Pl. xxii. (i.).
Footnote 271:
See pp. 68-9.
Footnote 272:
Woltmann, 235, who regarded it as a genuine example of Holbein’s earlier Basel period. Reproduced by His, Pls. xviii.-xx.
Footnote 273:
Woltmann, i. 148-9.
Footnote 274:
Woltmann, i. 153-4.
Footnote 275:
See Ganz, _Holbein_, p. 247.
Footnote 276:
Quoted by Woltmann, i. 152.
Footnote 277:
Woltmann, i. 159 (note), and Eng. trans., p. 173.
Footnote 278:
_Basilea Sepulta_, p. 382.
Footnote 279:
_Geschichte der Stadt und Landschaft Basel_, 1786-1822, vol. v. pp. 394-400.
Footnote 280:
Reproduced by Ganz, _Holbein_, p. 165.
Footnote 281:
Reproduced by Ganz, _Holbein_, p. 164.
Footnote 282:
The head of Charondas was introduced into a glass painting by H. J. Plepp in 1581. See Ganz, _Holbein_, p. 247. A badly over-painted fragment with the head from the wall itself is preserved in the Basel Gallery.
Footnote 283:
Reproduced by Ganz, _Holbein_, p. 167.
Footnote 284:
Reproduced by Ganz, _Holbein_, p. 166.
Footnote 285:
Ganz, _Holbein_, p. 247.
Footnote 286:
Reproduced by Ganz, _Holbein_, p. 168.
Footnote 287:
Reproduced by Ganz, _Holbein_, p. 31.
Footnote 288:
Woltmann, i. p. 157.
Footnote 289:
Woltmann, 47. Reproduced by Ganz, _Hdz. Schwz. Mstr._, i. 13, and also in _Hdz. von H. H. dem Jüng._, Pl. xi., and _Holbein._ 163.
Footnote 290:
See Ganz, _Hdz. Schwz. Mstr._, note to i. 13.
Footnote 291:
See Ganz, _Holbein_, p. 247.
Footnote 292:
Reproduced by Ganz, _Holbein_, p. 171.
Footnote 293:
Reproduced by Ganz, _Holbein_, p. 171.
Footnote 294:
Reproduced by Ganz, _Holbein_, p. 169.
Footnote 295:
Reproduced by Ganz, _Holbein_, p. 170.
Footnote 296:
Reproduced by Ganz, _Holbein_, p. 170.
Footnote 297:
See pp. 347-50.
Footnote 298:
See Woltmann, i. p. 158 (note); Eng. trans., p. 172 (note).
Footnote 299:
“Vnnd dwyl die hindere wand noch nit gmacht vnnd gemolet ist, vnnd er vermeint an dysem das gelt verdient habenn, sol man dieselbig hindere want bis vff wytherenn bescheit lossenn an ston.”—Der Dreyer Herren Gedenkbüchlein. (Woltmann, i. 159.)
Footnote 300:
See pp. 78-9, and Appendix (B).
Footnote 301:
Woltmann, 82-89.
Footnote 302:
Reproduced by Knackfuss, fig. 22; His, Pl. xvii.
Footnote 303:
Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 35; His, Pl. xvi.
Footnote 304:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 35.
Footnote 305:
Reproduced by Knackfuss, figs. 23, 24.
Footnote 306:
Reproduced by Knackfuss, fig. 25.
Footnote 307:
Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 8.
Footnote 308:
Woltmann, 101. Reproduced by Ganz, _Hdz. Schwz. Mstr._, i. 24.
Footnote 309:
Woltmann, 93. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 9; His, Pl. iii.
Footnote 310:
Ganz, _Hdz. Schwz. Mstr._, note to iii. 9.
Footnote 311:
Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii. 49.
Footnote 312:
See Ganz, _Hdz. Schwz. Mstr._, note to ii. 49.
Footnote 313:
See also Appendix (B).
Footnote 314:
Woltmann, 92. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 36; Knackfuss, fig. 37; His, Pl. i.
Footnote 315:
Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 7.
Footnote 316:
Woltmann, 119. Reproduced by Knackfuss, fig. 36 (in colours); His, Pl. xv.
Footnote 317:
Woltmann, 96. Reproduced by Knackfuss, fig. 35.
Footnote 318:
Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 7.
Footnote 319:
Appendix (B).
Footnote 320:
Woltmann, 121.
Footnote 321:
Woltmann, 49. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 24.
Footnote 322:
_Hdz. Schwz. Mstr._, note to iii. 24.
Footnote 323:
See Appendix (D).
Footnote 324:
Reproduced by Ganz, _Holbein_, p. xxi.
Footnote 325:
Woltmann, 112. Reproduced by His, Pl. v.; Ganz, _Holbein_, p. 30.
Footnote 326:
Woltmann, 102. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 38; His, Pl. iv.
Footnote 327:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 38.
Footnote 328:
British Museum, 13, Binyon Catg., ii. p. 329. Woltmann, 209.
Footnote 329:
Woltmann, 95. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 53 (see note to the plate by Meyenburg).
Footnote 330:
Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 54, and in _Hdz. von H. H. dem Jüng._, Pl. 13. See his notes to both plates.
Footnote 331:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 54.
Footnote 332:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 54.
Footnote 333:
Woltmann, 90. Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii. 35; His, Pl. vii.
Footnote 334:
Woltmann, 91. Reproduced by Ganz, _Hdz. Schwz. Mstr._, i. 42, and in _Hdz. von H. H. dem Jüng._, Pl. 15; Knackfuss, fig. 26; His, Pl. vi.
Footnote 335:
Woltmann, 66. Reproduced by Knackfuss, fig. 28; Mantz, p. 44 (No. 1).
Footnote 336:
Woltmann, 67. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 22; Davies, p. 72; Knackfuss fig. 29; Mantz, p. 44 (No. 2).
Footnote 337:
Woltmann, 68. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 39; Knackfuss, fig. 30; Mantz, p. 44 (No. 3).
Footnote 338:
See Ganz, _Hdz. Schwz. Mstr._, note to iii. 39.
Footnote 339:
Woltmann, 69. Reproduced by His, Pl. x.; Mantz, p. 44 (No. 4).
Footnote 340:
Woltmann, 70. Reproduced by Knackfuss, fig. 31; His, Pl. xi.; Woltmann, i. p. 173; Mantz, p. 44 (No. 5).
Footnote 341:
Woltmann, 71. Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 17; His, Pl. xii., Mantz, p. 44 (No. 6).
Footnote 342:
See Ganz, _Hdz. von H. H. dem Jüng._, p. 36.
Footnote 343:
Woltmann, 72. Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii. 50; Knackfuss, fig. 32; His, Pl. xiii.; Mantz, p. 44 (No. 7).
Footnote 344:
Woltmann, 73. Reproduced by Mantz, p. 44 (No. 8).
Footnote 345:
Woltmann, 74. Reproduced by Davies, p. 68; His, Pl. xiv.; Mantz, p. 44 (No. 9).
Footnote 346:
Woltmann, 75. Reproduced by Davies, p. 70; Knackfuss, fig. 33; Woltmann, i. p. 174; Mantz, p. 44 (No. 10).
Footnote 347:
Woltmann, 177-183; British Museum, 1-7, Binyon Catg., ii. pp. 327-8. See Appendix (D).
Footnote 348:
Woltmann 76-81. All six reproduced by Mantz, eng. by Edouard Lièvre, p. 128.
Footnote 349:
Woltmann, 76. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 11, and in _Hdz. von H. H. dem Jüng._, Pl. 3; Knackfuss, fig. 42.
Footnote 350:
Woltmann, 80. Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 37; Davies, p. 136; Knackfuss, fig. 44.
Footnote 351:
Woltmann, 78. Also wearing a gauze cap.
Footnote 352:
Woltmann, 77. Reproduced by Knackfuss, fig. 43.
Footnote 353:
Woltmann, 79.
Footnote 354:
See pp. 245-6.
Footnote 355:
Ganz, _Hdz. Schwz. Mstr._, note to iii. 11.
Footnote 356:
Reproduced by Ganz, _Hdz. von H. H. dem Jüng._, Pl. 26; and see his note, p. 44.
Footnote 357:
Reproduced by Ganz, _Hdz. Schwz. Mstr._, iii. 55, and in _Hdz. von H. H. dem Jüng._, Pl. 12.
Footnote 358:
Woltmann, 104. Reproduced by Ganz, _Hdz. Schwz. Mstr._, ii. 36, and in _Hdz. von H. H. dem Jüng._, Pl. 28; Knackfuss, fig. 68.
Footnote 359:
And the Lachner glass design. See Appendix (B).
Footnote 360:
Woltmann, 63. Reproduced by Ganz, _Hdz. Schwz. Mstr._, i. 10; Knackfuss, fig. 69.
Footnote 361:
This drawing is only the central part of the design, the left-hand half being in the Albertina, Vienna (Woltmann, 259). For the drawing at Frankfurt of the transport ship with landsknechte, see Vol. ii. p. 264.
Footnote 362:
Woltmann, 105. Reproduced by Knackfuss, fig. 17.
Footnote 363:
Woltmann, 106. Reproduced by Knackfuss, fig. 18.
Footnote 364:
Ægidius was thirty-one when the portrait was painted, and had been appointed town-clerk seven years previously.
Footnote 365:
_Archæologia_, xliv. pp. 435 _et seq._
Footnote 366:
Reproduced by Sir Claude Phillips, _Art Journal_, 1897, p. 101; Arundel Club, 1905; Catalogue of the Pictures in the Earl of Radnor’s Collection, 1909, vol. i. No. 80; A. Machiels, _Gaz. des Beaux-Arts_, Nov. 1911, heliotype.
Footnote 367:
Inscribed “Viro Literatissimo Petro Egidio Amico Charissimo Antuerpiæ.”
Footnote 368:
Eng. by F. Leuwers, 1873. For a description and history of the two pictures, see H. Barclay Squire, in Lord Radnor’s Catalogue, note to No. 80, vol. i. pp. 44, 45.
Footnote 369:
Law, _Royal Gallery of Hampton Court_, 1898, p. 215.
Footnote 370:
A poor reproduction of this portrait—which Wornum (p. 143) regarded as a fine, genuine work by Holbein, but in some of its details recalling Metsys—accompanies M. Henri Hymans’ article “Quentin Metsys et son Portrait d’Erasme,” in the _Bulletin des Commissions Royales d’Art et d’Archéologie_, 1882; reproduced also by J. R. Haarhaus, “Bildnisse des Erasmus,” _Zeits. für bild. Kunst_, Nov. 1898.
Footnote 371:
See André Machiels, “Les Portraits d’Erasme,” _Gazette des Beaux-Arts_, November 1911, pp. 349-61, who reproduces the Rome portrait; also W. Barclay Squire, _Lord Radnor’s Catalogue_, addit. note to No. 80.
Footnote 372:
One of these drawings is in the collection of M. Léon Bonnat, Paris, and is reproduced in the _Gaz. des Beaux-Arts_, 1879, i. p. 269.
Footnote 373:
Reproduced by A. Machiels, _Gaz. des Beaux-Arts_, Nov. 1911, p. 355.
Footnote 374:
See Appendix (E).
Footnote 375:
According to Walpole, _Anecdotes_, ed. Wornum, 1888, i. p. 344, the pictures were “altered” by Von Steenwyck for King Charles.
Footnote 376:
Wornum, p. 140.
Footnote 377:
Law, _Holbein’s Pictures at Windsor Castle_, 1901, p. 28.
Footnote 378:
Reproduced by Ganz, _Holbein_, p. 207.
Footnote 379:
See Appendix (E).
Footnote 380:
See A. Horawitz, _Zeitschrift für bildende Kunst_, viii. p. 128. Quoted by Woltmann, i. p. 286.
Footnote 381:
F. M. Nichols, _Proceedings of the Society of Antiquaries_, second series, xvii. No. I., pp. 132-145.
Footnote 382:
Woltmann, 214. Reproduced by Davies, frontispiece; Sir Claude Phillips, _Art Journal_, 1897, p. 102; Earl of Radnor’s Catalogue, No. 81; Ganz, _Holbein_, p. 37; Machiels, _Gaz. des Beaux-Arts_, Nov. 1911, p. 357. Exhibited Royal Academy Winter Exhib., 1873, No. 178.
Footnote 383:
In _Jahrbücher des Vereins von Alterthumsfreunden im Rheinlande_, 1868, p. 269, quoted by Woltmann, i. p. 288. For other readings by Grimm, &c., see W. Barclay Squire in Lord Radnor’s Catalogue, note to 81.
Footnote 384:
See Sir Claude Phillips, _Art Journal_, 1897, p. 103. Also Waagen, _Galleries and Cabinets_, 1857, p. 356, who says that it is “alone worth a pilgrimage to Longford Castle.”
Footnote 385:
Woltmann, 232. Reproduced by Davies, p. 110; Ganz, _Holbein_, p. xxiii.
Footnote 386:
Woltmann, 231. Reproduced by Davies, p. 110; Ganz, _Hdz. von H. H. dem Jüng._, Pl. 16.
Footnote 387:
It is possibly the portrait noted by Evelyn in his _Diary_, August 10, 1655—“I went to Alburie to visit Mr. Howard.... He shew’d me many rare pictures, particularly ... _Erasmus_ as big as the life, by Holbein.” This could hardly refer to the small Greystoke portrait.
Footnote 388:
Reproduced by Ganz, _Holbein_, p. 206. Mr. Barclay Squire notes copies of Mr. Gay’s version in the Bodleian Library, Oxford, presented by Sir James Thornhill in 1728, and one in Archbishop Tenison’s School, Leicester Square (note to No. 81, Lord Radnor’s Catalogue).
Footnote 389:
See Colvin, _Burlington Magazine_, vol. xvi. Nov. 1909, p. 71.
Footnote 390:
Woltmann, 224. Reproduced by Davies, p. 108; Knackfuss, fig. 52; Sir C. Phillips, “Picture Gallery of Charles I,” _Portfolio Monograph_, 1896, p. 23; Ganz, _Holbein_, p. 39.
Footnote 391:
The study for this hand, in the Louvre, has aleady been mentioned (see Pl. 55).
Footnote 392:
Reproduced by Cust, _Royal Collection of Paintings, Windsor Castle_, Pl. 47.
Footnote 393:
Or perhaps the small roundel at Basel mentioned below.
Footnote 394:
Vol. xxix., 1884, p. 423.
Footnote 395:
Woltmann, 12. Reproduced by Woltmann, vol. i. p. 315, fig. 57; Ganz, _Holbein_, p. 38.
Footnote 396:
Woltmann, ii. p. 99.
Footnote 397:
Woltmann, i. p. 290.
Footnote 398:
Ganz, _Holbein_, p. xxvi.
Footnote 399:
See Ganz, _Holbein_, pp. xxv.-vi.
Footnote 400:
See Appendix (F).
Footnote 401:
He may have gone, of course, as Lützelburger’s representative.
Footnote 402:
Woltmann, 44 and 45.
Footnote 403:
Reproduced by Ganz, _Hdz. Schwz. Mstr._ iii. 25; Knackfuss, fig. 53.
Footnote 404:
See