Part 3
And so he lay quite still, while the shot rattled through the rushes, and gun after gun was fired over him. It was late in the day before all became quiet, but even then the poor young thing did not dare to move. He waited quietly for several hours and then, after looking carefully around him, hastened away from the moor as fast as he could. He ran over field and meadow till a storm arose, and he could hardly struggle against it.
Towards evening he reached a poor little cottage that seemed ready to fall, and only seemed to remain standing because it could not decide on which side to fall first. The storm continued so violent that the duckling could go no farther. He sat down by the cottage, and then he noticed that the door was not quite closed, in consequence of one of the hinges having given way. There was, therefore, a narrow opening near the bottom large enough for him to slip through, which he did very quietly, and got a shelter for the night. Here, in this cottage, lived a woman, a cat, and a hen. The cat, whom his mistress called "My little son," was a great favorite; he could raise his back, and purr, and could even throw out sparks from his fur if it were stroked the wrong way. The hen had very short legs, so she was called "Chickie Short-legs." She laid good eggs, and her mistress loved her as if she had been her own child. In the morning the strange visitor was discovered; the cat began to purr and the hen to cluck.
"What is that noise about?" said the old woman, looking around the room. But her sight was not very good; therefore when she saw the duckling she thought it must be a fat duck that had strayed from home. "Oh, what a prize!" she exclaimed. "I hope it is not a drake, for then I shall have some ducks' eggs. I must wait and see."
So the duckling was allowed to remain on trial for three weeks; but there were no eggs.
Now the cat was the master of the house, and the hen was the mistress; and they always said, "We and the world," for they believed themselves to be half the world, and by far the better half, too. The duckling thought that others might hold a different opinion on the subject, but the hen would not listen to such doubts.
"Can you lay eggs?" she asked. "No." "Then have the goodness to cease talking." "Can you raise your back, or purr, or throw out sparks?" said the cat. "No." "Then you have no right to express an opinion when sensible people are speaking." So the duckling sat in a corner, feeling very low-spirited; but when the sunshine and the fresh air came into the room through the open door, he began to feel such a great longing for a swim that he could not help speaking of it.
"What an absurd idea!" said the hen. "You have nothing else to do; therefore you have foolish fancies. If you could purr or lay eggs, they would pass away."
"But it is so delightful to swim about on the water," said the duckling, "and so refreshing to feel it close over your head while you dive down to the bottom."
"Delightful, indeed! it must be a queer sort of pleasure," said the hen. "Why, you must be crazy! Ask the cat--he is the cleverest animal I know; ask him how he would like to swim about on the water, or to dive under it, for I will not speak of my own opinion. Ask our mistress, the old woman; there is no one in the world more clever than she is. Do you think she would relish swimming and letting the water close over her head?"
"I see you don't understand me," said the duckling.
"We don't understand you? Who can understand you, I wonder? Do you consider yourself more clever than the cat or the old woman?--I will say nothing of myself. Don't imagine such nonsense, child, and thank your good fortune that you have been so well received here. Are you not in a warm room and in society from which you may learn something? But you are a chatterer, and your company is not very agreeable. Believe me, I speak only for your good. I may tell you unpleasant truths, but that is a proof of my friendship. I advise you, therefore, to lay eggs and learn to purr as quickly as possible."
"I believe I must go out into the world again," said the duckling.
"Yes, do," said the hen. So the duckling left the cottage and soon found water on which it could swim and dive, but he was avoided by all other animals because of his ugly appearance.
Autumn came, and the leaves in the forest turned to orange and gold; then, as winter approached, the wind caught them as they fell and whirled them into the cold air. The clouds, heavy with hail and snowflakes, hung low in the sky, and the raven stood among the reeds, crying, "Croak, croak." It made one shiver with cold to look at him. All this was very sad for the poor little duckling.
One evening, just as the sun was setting amid radiant clouds, there came a large flock of beautiful birds out of the bushes. The duckling had never seen any like them before. They were swans; and they curved their graceful necks, while their soft plumage shone with dazzling whiteness. They uttered a singular cry as they spread their glorious wings and flew away from those cold regions to warmer countries across the sea. They mounted higher and higher in the air, and the ugly little duckling had a strange sensation as he watched them. He whirled himself in the water like a wheel, stretched out his neck towards them, and uttered a cry so strange that it frightened even himself. Could he ever forget those beautiful, happy birds! And when at last they were out of his sight, he dived under the water and rose again almost beside himself with excitement. He knew not the names of these birds nor where they had flown, but he felt towards them as he had never felt towards any other bird in the world.
He was not envious of these beautiful creatures; it never occurred to him to wish to be as lovely as they. Poor ugly creature, how gladly he would have lived even with the ducks, had they only treated him kindly and given him encouragement.
The winter grew colder and colder; he was obliged to swim about on the water to keep it from freezing, but every night the space on which he swam became smaller and smaller. At length it froze so hard that the ice in the water crackled as he moved, and the duckling had to paddle with his legs as well as he could, to keep the space from closing up. He became exhausted at last and lay still and helpless, frozen fast in the ice.
Early in the morning a peasant who was passing by saw what had happened. He broke the ice in pieces with his wooden shoe and carried the duckling home to his wife. The warmth revived the poor little creature; but when the children wanted to play with him, the duckling thought they would do him some harm, so he started up in terror, fluttered into the milk pan, and splashed the milk about the room. Then the woman clapped her hands, which frightened him still more. He flew first into the butter cask, then into the meal tub and out again. What a condition he was in! The woman screamed and struck at him with the tongs; the children laughed and screamed and tumbled over each other in their efforts to catch him, but luckily he escaped. The door stood open; the poor creature could just manage to slip out among the bushes and lie down quite exhausted in the newly fallen snow.
It would be very sad were I to relate all the misery and privations which the poor little duckling endured during the hard winter; but when it had passed he found himself lying one morning in a moor, amongst the rushes. He felt the warm sun shining and heard the lark singing and saw that all around was beautiful spring.
Then the young bird felt that his wings were strong, as he flapped them against his sides and rose high into the air. They bore him onwards until, before he well knew how it had happened, he found himself in a large garden. The apple trees were in full blossom, and the fragrant elders bent their long green branches down to the stream, which wound round a smooth lawn. Everything looked beautiful in the freshness of early spring. From a thicket close by came three beautiful white swans, rustling their feathers and swimming lightly over the smooth water. The duckling saw these lovely birds and felt more strangely unhappy than ever.
"I will fly to these royal birds," he exclaimed, "and they will kill me because, ugly as I am, I dare to approach them. But it does not matter; better be killed by them than pecked by the ducks, beaten by the hens, pushed about by the maiden who feeds the poultry, or starved with hunger in the winter."
Then he flew to the water and swam towards the beautiful swans. The moment they espied the stranger they rushed to meet him with outstretched wings.
"Kill me," said the poor bird and he bent his head down to the surface of the water and awaited death.
But what did he see in the clear stream below? His own image--no longer a dark-gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan.
To be born in a duck's nest in a farmyard is of no consequence to a bird if it is hatched from a swan's egg. He now felt glad at having suffered sorrow and trouble, because it enabled him to enjoy so much better all the pleasure and happiness around him; for the great swans swam round the newcomer and stroked his neck with their beaks, as a welcome.
Into the garden presently came some little children and threw bread and cake into the water.
[Illustration: The new one is the most beautiful of all...]
"See," cried the youngest, "there is a new one;" and the rest were delighted, and ran to their father and mother, dancing and clapping their hands and shouting joyously, "There is another swan come; a new one has arrived."
Then they threw more bread and cake into the water and said, "The new one is the most beautiful of all, he is so young and pretty." And the old swans bowed their heads before him.
Then he felt quite ashamed and hid his head under his wing, for he did not know what to do, he was so happy--yet he was not at all proud. He had been persecuted and despised for his ugliness, and now he heard them say he was the most beautiful of all the birds. Even the elder tree bent down its boughs into the water before him, and the sun shone warm and bright. Then he rustled his feathers, curved his slender neck, and cried joyfully, from the depths of his heart, "I never dreamed of such happiness as this while I was the despised ugly duckling."
[Illustration]
LITTLE IDA'S FLOWERS
"MY POOR flowers are quite faded!" said little Ida. "Only yesterday evening they were so pretty, and now all the leaves are drooping. Why do they do that?" she asked of the student, who sat on the sofa. He was a great favorite with her, because he used to tell her the prettiest of stories and cut out the most amusing things in paper--hearts with little ladies dancing in them, and high castles with doors which one could open and shut. He was a merry student. "Why do the flowers look so wretched to-day?" asked she again, showing him a bouquet of faded flowers.
"Do you not know?" replied the student. "The flowers went to a ball last night, and are tired. That's why they hang their heads."
"What an idea," exclaimed little Ida. "Flowers cannot dance!"
"Of course they can dance! When it is dark, and we are all gone to bed, they jump about as merrily as possible. They have a ball almost every night."
"And can their children go to the ball?" asked Ida.
"Oh, yes," said the student; "daisies and lilies of the valley, that are quite little."
"And when is it that the prettiest flowers dance?"
"Have you not been to the large garden outside the town gate, in front of the castle where the king lives in summer--the garden that is so full of lovely flowers? You surely remember the swans which come swimming up when you give them crumbs of bread? Believe me, they have capital balls there."
"I was out there only yesterday with my mother," said Ida, "but there were no leaves on the trees, and I did not see a single flower. What has become of them? There were so many in the summer."
"They are inside the palace now," replied the student. "As soon as the king and all his court go back to the town, the flowers hasten out of the garden and into the palace, where they have famous times. Oh, if you could but see them! The two most beautiful roses seat themselves on the throne and act king and queen. All the tall red cockscombs stand before them on either side and bow; they are the chamberlains. Then all the pretty flowers come, and there is a great ball. The blue violets represent the naval cadets; they dance with hyacinths and crocuses, who take the part of young ladies. The tulips and the tall tiger lilies are old ladies,--dowagers,--who see to it that the dancing is well done and that all things go on properly."
"But," asked little Ida, "is there no one there to harm the flowers for daring to dance in the king's castle?"
"No one knows anything about it," replied the student. "Once during the night, perhaps, the old steward of the castle does, to be sure, come in with his great bunch of keys to see that all is right; but the moment the flowers hear the clanking of the keys they stand stock-still or hide themselves behind the long silk window curtains. Then the old steward will say, 'Do I not smell flowers here?' but he can't see them."
"That is very funny," exclaimed little Ida, clapping her hands with glee; "but should not I be able to see the flowers?"
"To be sure you can see them," replied the student. "You have only to remember to peep in at the windows the next time you go to the palace. I did so this very day, and saw a long yellow lily lying on the sofa. She was a court lady."
"Do the flowers in the Botanical Garden go to the ball? Can they go all that long distance?"
"Certainly," said the student; "for the flowers can fly if they please. Have you not seen the beautiful red and yellow butterflies that look so much like flowers? They are in fact nothing else. They have flown off their stalks high into the air and flapped their little petals just as if they were wings, and thus they came to fly about. As a reward for always behaving well they have leave to fly about in the daytime, too, instead of sitting quietly on their stalks at home, till at last the flower petals have become real wings. That you have seen yourself.
"It may be, though, that the flowers in the Botanical Garden have never been in the king's castle. They may not have heard what frolics take place there every night. But I'll tell you; if, the next time you go to the garden, you whisper to one of the flowers that a great ball is to be given yonder in the castle, the news will spread from flower to flower and they will all fly away. Then should the professor come to his garden there won't be a flower there, and he will not be able to imagine what has become of them."
"But how can one flower tell it to another? for I am sure the flowers cannot speak."
"No; you are right there," returned the student. "They cannot speak, but they can make signs. Have you ever noticed that when the wind blows a little the flowers nod to each other and move all their green leaves? They can make each other understand in this way just as well as we do by talking."
"And does the professor understand their pantomime?" asked Ida.
"Oh, certainly; at least part of it. He came into his garden one morning and saw that a great stinging nettle was making signs with its leaves to a beautiful red carnation. It was saying, 'You are so beautiful, and I love you with all my heart!' But the professor doesn't like that sort of thing, and he rapped the nettle on her leaves, which are her fingers; but she stung him, and since then he has never dared to touch a nettle."
"Ha! ha!" laughed little Ida, "that is very funny."
"How can one put such stuff into a child's head?" said a tiresome councilor, who had come to pay a visit. He did not like the student and always used to scold when he saw him cutting out the droll pasteboard figures, such as a man hanging on a gibbet and holding a heart in his hand to show that he was a stealer of hearts, or an old witch riding on a broomstick and carrying her husband on the end of her nose. The councilor could not bear such jokes, and he would always say, as now: "How can any one put such notions into a child's head? They are only foolish fancies."
But to little Ida all that the student had told her was very entertaining, and she kept thinking it over. She was sure now that her pretty yesterday's flowers hung their heads because they were tired, and that they were tired because they had been to the ball. So she took them to the table where stood her toys. Her doll lay sleeping, but Ida said to her, "You must get up, and be content to sleep to-night in the table drawer, for the poor flowers are ill and must have your bed to sleep in; then perhaps they will be well again by to-morrow."
And she at once took the doll out, though the doll looked vexed at giving up her cradle to the flowers.
Ida laid the flowers in the doll's bed and drew the coverlet quite over them, telling them to lie still while she made some tea for them to drink, in order that they might be well next day. And she drew the curtains about the bed, that the sun might not shine into their eyes.
All the evening she thought of nothing but what the student had told her; and when she went to bed herself, she ran to the window where her mother's tulips and hyacinths stood. She whispered to them, "I know very well that you are going to a ball to-night." The flowers pretended not to understand and did not stir so much as a leaf, but that did not prevent Ida from knowing what she knew.
When she was in bed she lay for a long time thinking how delightful it must be to see the flower dance in the king's castle, and said to herself, "I wonder if my flowers have really been there." Then she fell asleep.
* * * * *
In the night she woke. She had been dreaming of the student and the flowers and the councilor, who told her they were making game of her. All was still in the room, the night lamp was burning on the table, and her father and mother were both asleep.
"I wonder if my flowers are still lying in Sophie's bed," she thought to herself. "How I should like to know!" She raised herself a little and looked towards the door, which stood half open; within lay the flowers and all her playthings. She listened, and it seemed to her that she heard some one playing upon the piano, but quite softly, and more sweetly than she had ever heard before.
"Now all the flowers are certainly dancing," thought she. "Oh, how I should like to see them!" but she dared not get up for fear of waking her father and mother. "If they would only come in here!" But the flowers did not come, and the music went on so prettily that she could restrain herself no longer, and she crept out of her little bed, stole softly to the door, and peeped into the room. Oh, what a pretty sight it was!
[Illustration: On the floor all the flowers danced gracefully....]
There was no night lamp in the room, still it was quite bright; the moon shone through the window down upon the floor, and it was almost like daylight. The hyacinths and tulips stood there in two rows. Not one was left on the window, where stood the empty flower pots. On the floor all the flowers danced gracefully, making all the turns, and holding each other by their long green leaves as they twirled around. At the piano sat a large yellow lily, which little Ida remembered to have seen in the summer, for she recollected that the student had said, "How like she is to Miss Laura," and how every one had laughed at the remark. But now she really thought that the lily was very like the young lady. It had exactly her manner of playing--bending its long yellow face, now to one side and now to the other, and nodding its head to mark the time of the beautiful music.
A tall blue crocus now stepped forward, sprang upon the table on which lay Ida's playthings, went straight to the doll's cradle, and drew back the curtains. There lay the sick flowers; but they rose at once, greeted the other flowers, and made a sign that they would like to join in the dance. They did not look at all ill now.
Suddenly a heavy noise was heard, as of something falling from the table. Ida glanced that way and saw that it was the rod she had found on her bed on Shrove Tuesday, and that it seemed to wish to belong to the flowers. It was a pretty rod, for a wax figure that looked exactly like the councilor sat upon the head of it.
The rod began to dance, and the wax figure that was riding on it became long and great, like the councilor himself, and began to exclaim, "How can one put such stuff into a child's head?" It was very funny to see, and little Ida could not help laughing, for the rod kept on dancing, and the councilor had to dance too,--there was no help for it,--whether he remained tall and big or became a little wax figure again. But the other flowers said a good word for him, especially those that had lain in the doll's bed, so that at last the rod left it in peace.