Part 2

Now, gentlemen, on that sandy, desolate spot of Plymouth great deeds were done, and we are here to commemorate them. Those were hard times. It was a terrible voyage, and they were hungry and cold and worn out with labor, and they took their guns to the church and the field, and the half of them died in the first winter. They were not prosperous times that we recall with this hour. Let us take some comfort from that in the present circumstances of our beloved country. She is in danger of a terrible disaster, but let us remember that the times which future generations delight to recall are not those of ease and prosperity, but those of adversity bravely borne. [Applause.]

SAMUEL A. ELIOT

THE SOURCE OF SONG AND STORY

[Speech of Rev. Samuel A. Eliot at the fifteenth annual dinner of the New England Society in the City of Brooklyn, December 21, 1894. The President of the Society, Robert D. Benedict, presided. In introducing Mr. Eliot, he said: "I am not aware that there were any poets among the Pilgrim Fathers. They had something else to do besides versifying. But poesy has found many a home among the hills of New England. And many a home, not only in New England, but in Old England also, was saddened during the year that is gone to hear that the song of one of the poets of New England was hushed forever. I give you as the next sentiment: 'The Poets and Poetry of New England,' and I call upon the Rev. Samuel A. Eliot, of the Church of the Saviour, in this city, to respond."]

MR. PRESIDENT AND GENTLEMEN OF THE NEW ENGLAND SOCIETY IN BROOKLYN:--I have been given to understand, sir, that in these unpuritanic days lovers keep late hours; and as I listened to the wooing of fair Brooklyn by the eloquent son[1] of New York I thought we might be here till papa turned out the gas. Brooklyn is a New England maiden and a trifle coy, and it may take even more than an hour's pleading and persuasive wooing to win her. [Applause.] You ask me, sir, to turn our thoughts back from these considerations of pressing and immediate problems, from discussion of international and even intercontinental relations, to the beginnings and the causes of our rejoicings here. I am glad to do that, for I love to trace the connections and contrasts of past and present, and to mark the growth and evolution of that New England genius and character which are illustrated at these tables.

The early history of New England seems to many minds as dry and unromantic as it was hard and narrow. No mist of distance softens the harsh outlines, no mirage of tradition lifts events and characters into picturesque beauty. There seems a poverty of sentiment. The transplanting of a people breaks the successions and associations of history. No memories of conqueror and crusader stir for us poetic fancy. Instead of the glitter of chivalry there is but the sombre homespun of Puritan peasants. In place of the "long-drawn aisle and fretted vault" of Gothic cathedral there is but the rude log meeting-house and schoolhouse. Instead of Christmas merriment there is only the noise of axe and hammer or the dreary droning of psalms. It seems a history bleak and barren of poetic inspiration, at once plebeian and prosaic.

How is it then that out of the hard soil of the Puritan thought and character, out of the sterile rocks of the New England conscience, have sprung the flowers of poetry which you bid me celebrate to-night? From those songless beginnings have burst, in later generations, melodies that charm and uplift our land--now a deep organ peal filling the air with music, now a trumpet blast thrilling the blood of patriotism, now a drum-beat to which duty delights to march, now a joyous fantasy of the violin bringing smiles to the lips, now the soft vibrations of the harp that fill the eyes with tears. What is it in the Puritan heritage, externally so bare and cold, that make it intrinsically so poetic and inspiring?

There is no poetry in the darkness of the Puritan's creed nor in the rigid rectitude of his morality. His surly boldness, his tough hold on the real, his austere piety enforce respect, but do not allure affection. The genial graces cannot bear company with ruthless bigotry and Hebraic energy. Nor is there any poetry in the mere struggle for existence, and the mean poverty that marked the outward life. The Pilgrims were often pinched for food; they suffered in a bitter climate; they lived in isolation. We think lightly of these things because we cannot help imagining that they knew that they were founding a mighty nation. But that knowledge was denied them. Generations of them sank into nameless graves without any vision of the days when their descendants should rise up and call them blessed. Nor is there any inspiration in the measure of their outward success. Judged by their own ideals, the Puritans failed. They would neither recognize nor approve the civilization that has sprung from the seeds of their planting. They tried to establish a theocracy; they stand in history as the heroes of democracy. Alike in their social and religious aims they ignored ineradicable elements in human nature. They attempted the impossible. How then have their deeds become the source of song and story? Why all the honor that we pay them? It is not because in danger, in sacrifice, and in failure, they were stout-hearted. Many a freebooter or soldier of fortune has been that. It is, as one said whose name I bear, "because they were stout-hearted for an ideal--their ideal, not ours, of civil and religious liberty. Wherever and whenever resolute men and women devote themselves, not to material, but to spiritual ends, there the world's heroes are made," and made to be remembered, and to become the inspiration of poem and romance and noble daring.

Scratch a New Englander to-day, it is said, and you find the Puritan. That is no less true of the poets than of the warriors and the men of facts and figures. The New England poets derived their nourishment from the deep earth of that wholesome past, into which the roots of all our lives go down. The mystical and mediæval side of Puritanism finds its embodiment in Hawthorne; its moral ideals shine in Bryant; its independency is incarnated in Emerson. Emerson is the type of the nineteenth-century Puritan, in life pure, in temperament saintly, in spirit detached from the earth, blazing a path for himself through the wilderness of speculation, seeing things from the centre, working for the reconstruction of Christian society and the readjustment of the traditional religion. An enfranchised Puritan is a Puritan still. Of such is Holmes, who shot his flashing arrows at all shams and substitutes for reality, and never failed to hit the mark; of such is Whittier,

"Whose swelling and vehement heart Strains the strait-breasted drab of the Quaker apart;"

of such is Lowell, to whom belongs the supreme distinction of having written the greatest poem yet produced on this continent.

We who have undergone the shock of material, intellectual and spiritual growth too often fail to recognize our debt to the deserted cause. Our poets remind us that our very freedom is our inheritance from the system we reject. It was inevitable that our six great poets should have been in literature, idealists; in politics, abolitionists; in religion, Unitarians. It was the progressive independency of a Puritan ancestry declaring itself. Save, perhaps, in Longfellow, no gloss or glamour of Europe obscures their poetry. No hush of servility rests on it. No patronage summoned it, and no indifference silenced it. Our poetry is the genuine utterance of democracy, and betrays in every syllable the fibre of freemen.

New England poetry is well nigh as Puritan in its form as in its spirit. There is in it a true Cromwellian temper. Our poets have been patriots, firm and prophetic believers in their country's destiny, loving their country so well that they dared to tell the sometimes unwelcome truth about her. The Biblical strain is in our poetry. If our English Bible were lost to us we could reconstruct almost all of its best verses out of Whittier's poems. The thunders of Sinai still roll in Lowell's fiery denunciations of smug conventionalities and wickedness in high places. The music of the psalmist is in Longfellow's meditations, and all the prophet's vision in Emerson's inspired utterance. The Puritan restraint is on New England poetry. There is no noisy rhetoric, no tossing about of big adjectives and stinging epithets, no abuse of our noble English tongue by cheap exaggerations. Our poets do not need to underscore words or to use heavy headlines and italics. Their invective has been mighty because so restrained and so compressed. There is none of the common cant or the common plausibilities. There is no passing off of counterfeits for realities, no "pouring of the waters of concession into the bottomless buckets of expediency."

Thus do our poets declare their inheritance. But they do not stop there. To the indomitable power of the Puritan conscience they have added a wealth of imaginative sympathy. They have made sweetness to be the issue of strength, and beauty to be the halo of power. They have seen the vision of the rainbow round the throne. They have touched with divine light the prosaic story of New England, and found the picturesque in what seemed commonplace. They have seen the great in the little, and ennobled the humbler ways of existence with spiritual insight. They have set to music the homely service and simple enjoyments of common life. They have touched the chords that speak to the universal heart. The very provincialism of our poets endears them to us. Their work, as some foreign critic said, has been done in a corner. We do not deny it. But, verily we believe, that New England is the corner lot of our national estate. Our poets have preserved for us in ballads our homespun legends. They have imaged in verse the beauty of New England's hills and waters. As we read there comes the whiff of fragrance which transports us to the hillside pasture where the sweet fern and sorrel grow, or the salt breeze of the sea blows again on our cheeks, or the rippling Merrimac sings in our ears, or the heights of Katahdin or Wachusett, lift our eyes upward. Finally, our poets, in their characters, disprove the reproach that a democracy can produce only average men. As they wrote, they were.

The harp of New England is silent. The master hands sweep the chords no more. But shall we dare to think that the coming generation will have no songs and no singers? Shall we build the sepulchre of poetry? Shall we express ourselves only in histories and criticisms? Shall man no longer behold God and nature face to face? "Things are in the saddle to-day," said Emerson; and indeed it may well depress us to see our greatness as a nation measured by the number of bushels of wheat raised, or the number of hogs packed. "The value of a country," said Lowell, "is weighed in scales more delicate than the balance of trade. On a map of the world you may cover Judea with your thumb, Athens with a finger tip, and neither of them figures in the prices current, yet they still live in the thought and action of every civilized man. Material success is good, but only as the necessary preliminary of better things. The measure of a nation's true success is the amount it has contributed to the thought, the moral energy, the intellectual happiness, the spiritual hope and consolation of mankind." Before we can have a rebirth of poetry, we must have a fresh infusion of the Puritan devotion to ideal ends. We must be baptized again into the spirit of non-conformity, of intellectual and moral honesty, the spirit which does not suffer men to go with the crowd, when reason and conscience and a living God bid them go alone. There never was a time when we needed more the background of Puritanism. We need in our business and our politics a sterner sense of the fear of God, and in our home life a renewed simplicity. If we are to build up to the level of our best opportunities, we must build down to solid foundation on the sense of obligation. We have new times, new land and new men. Shall we not have new thought, new work and new worship? [Applause.]

RALPH WALDO EMERSON

ENGLAND, MOTHER OF NATIONS

[Speech of Ralph Waldo Emerson at the annual banquet of the Manchester Athenæum, Manchester, England, November, 1847. Sir Archibald Alison, the historian, presided]

MR. CHAIRMAN AND GENTLEMEN:--It is pleasant to me to meet this great and brilliant company, and doubly pleasant to see the faces of so many distinguished persons on this platform. But I have known all these persons already. When I was at home, they were as near to me as they are to you. The arguments of the League and its leader are known to all the friends of free trade. The gaieties and genius, the political, the social, the parietal wit of "Punch" go duly every fortnight to every boy and girl in Boston and New York. Sir, when I came to sea, I found the "History of Europe"[2] on the ship's cabin table, the property of the captain;--a sort of programme or play-bill to tell the seafaring New Englander what he shall find on landing here. And as for Dombey, sir, there is no land where paper exists to print on, where it is not found; no man who can read, that does not read it, and, if he cannot, he finds some charitable pair of eyes that can, and hears it.

But these things are not for me to say; these compliments, though true, would better come from one who felt and understood these merits more. I am not here to exchange civilities with you, but rather to speak of that which I am sure interests these gentlemen more than their own praises; of that which is good in holidays and working-days, the same in one century and in another century. That which lures a solitary American in the woods with the wish to see England, is the moral peculiarity of the Saxon race,--its commanding sense of right and wrong,--the love and devotion to that,--this is the imperial trait, which arms them with the sceptre of the globe. It is this which lies at the foundation of that aristocratic character, which certainly wanders into strange vagaries, so that its origin is often lost sight of, but which, if it should lose this, would find itself paralyzed; and in trade, and in the mechanic's shop, gives that honesty in performance, that thoroughness and solidity of work, which is a national characteristic. This conscience is one element, and the other is that loyal adhesion, that habit of friendship, that homage of man to man, running through all classes,--the electing of worthy persons to a certain fraternity, to acts of kindness and warm and staunch support, from year to year, from youth to age,--which is alike lovely and honorable to those who render and those who receive it;--which stands in strong contrast with the superficial attachments of other races, their excessive courtesy, and short-lived connection.

You will think me very pedantic, gentlemen, but holiday though it be, I have not the smallest interest in any holiday, except as it celebrates real and not pretended joys; and I think it just, in this time of gloom and commercial disaster, of affliction and beggary in these districts, that on these very accounts I speak of, you should not fail to keep your literary anniversary. I seem to hear you say that, for all that is come and gone, yet we will not reduce by one chaplet or one oak-leaf the braveries of our annual feast. For I must tell you, I was given to understand in my childhood that the British island, from which my forefathers came, was no lotus-garden, no paradise of serene sky and roses and music and merriment all the year round, no, but a cold, foggy, mournful country, where nothing grew well in the open air, but robust men and virtuous women, and these of a wonderful fibre and endurance; that their best parts were slowly revealed; their virtues did not come out until they quarrelled; they did not strike twelve the first time; good lovers, good haters, and you could know little about them till you had seen them long, and little good of them till you had seen them in

## action; that in prosperity they were moody and dumpish, but in adversity

they were grand.

Is it not true, sir, that the wise ancients did not praise the ship

## parting with flying colors from the port, but only that brave sailor

which came back with torn sheets and battered sides, stript of her banners, but having ridden out the storm? And so, gentlemen, I feel in regard to this aged England, with the possessions, honors and trophies, and also with the infirmities of a thousand years gathering around her, irretrievably committed as she now is to many old customs which cannot be suddenly changed; pressed upon by the transitions of trade, and new and all incalculable modes, fabrics, arts, machines and competing populations,--I see her not dispirited, not weak, but well remembering that she has seen dark days before; indeed, with a kind of instinct that she sees a little better in a cloudy day, and that in storm of battle and calamity, she has a secret vigor and a pulse like a cannon. I see her in her old age, not decrepit, but young, and still daring to believe in her power of endurance and expansion. Seeing this, I say, All hail! mother of nations, mother of heroes, with strength still equal to the time; still wise to entertain and swift to execute the policy which the mind and heart of mankind require in the present hour, and thus only hospitable to the foreigner, and truly a home to the thoughtful and generous who are born in the soil. So be it! so let it be! If it be not so, if the courage of England goes with the chances of a commercial crisis, I will go back to the capes of Massachusetts, and my own Indian stream, and say to my countrymen, the old race are all gone, and the elasticity and hope of mankind must henceforth remain on the Alleghany ranges, or nowhere.

* * * * *

THE MEMORY OF BURNS

[Speech of Ralph Waldo Emerson at the festival of the Boston Burns Club, at the Parker House, Boston, Mass., January 25, 1859, commemorating the hundredth anniversary of the birth of the Scottish bard. Around the tables were gathered a company numbering nearly three hundred, including Emerson, Lowell, Holmes, George S. Hillard, Nathaniel P. Willis, and others of the literary guild. Among the decorations of the banqueting-hall was displayed a bust of Burns crowned with a wreath of roses and bays. Mr. Emerson spoke to the principal toast of the evening, "The Memory of Burns," and his graceful flights of oratory were received with cheers, and calls for "More! More!" which the presiding officer, General John S. Tyler, quieted with the remark: "Mr. Emerson begs to be excused, not because the well of gushing waters is exhausted, but because, in the kindness of his heart, he thinks he ought to leave room for gentlemen who are to succeed him." Willis, writing later of the festival, said of this speech, "Why, in that large and convivially excited audience, there was not, while he spoke, a wandering eye--not a pulse or a breath that was not held absolutely captive. Wherein lies the wonderful spell?"]

MR. PRESIDENT AND GENTLEMEN:--I do not know by what untoward accident it has chanced--and I forbear to inquire--that, in this accomplished circle, it should fall to me, the worst Scotsman of all, to receive your commands, and at the latest hour, too, to respond to the sentiment just offered, and which, indeed, makes the occasion. But I am told there is no appeal, and I must trust to the inspiration of the theme to make a fitness which does not otherwise exist.

Yet, sir, I heartily feel the singular claims of the occasion. At the first announcement, from I know not whence, that the twenty-fifth of January was the hundredth anniversary of the birth of Robert Burns, a sudden consent warned the great English race, in all its kingdoms, colonies and states, all over the world, to keep the festival. We are here to hold our parliament with love and poesy, as men were wont to do in the Middle Ages. Those famous parliaments might or might not have had more stateliness, and better singers than we--though that is yet to be known--but they could not have better reason.

I can only explain this singular unanimity in a race which rarely acts together--but rather after their watchword, each for himself--by the fact that Robert Burns, the poet of the middle class, represents in the mind of men to-day that great uprising of the middle class against the armed and privileged minorities--that uprising which worked politically in the American and French Revolutions, and which, not in governments so much as in education and in social order, has changed the face of the world. In order for this destiny, his birth, breeding and fortune were low. His organic sentiment was absolute independence, and resting, as it should, on a life of labor. No man existed who could look down on him. They that looked into his eyes saw that they might look down the sky as easily. His muse and teaching was common sense, joyful, aggressive, irresistible. Not Latimer, nor Luther, struck more telling blows against false theology than did this brave singer. The "Confession of Augsburg," the "Declaration of Independence," the French "Rights of Man," and the "Marseillaise," are not more weighty documents in the history of freedom than the songs of Burns. His satire has lost none of its edge. His musical arrows yet sing through the air. He is so substantially a reformer, that I find his grand, plain sense in close chain with the greatest masters--Rabelais, Shakespeare in comedy, Cervantes, Butler, and Burns. If I should add another name, I find it only in a living countryman of Burns. He is an exceptional genius. The people who care nothing for literature and poetry care for Burns. It was indifferent--they thought who saw him--whether he wrote verse or not; he could have done anything else as well.