CHAPTER X

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Did Prince Dolor become a great king? Was he, though little more than a boy, "the father of his people," as all kings ought to be? Did his reign last long--long and happy?--and what were the principal events of it, as chronicled in the history of Nomansland?

Why, if I were to answer all these questions, I should have to write another book. And I'm tired, children, tired--as grown-up people sometimes are; though not always with play. (Besides, I have a small person belonging to me, who, though she likes extremely to listen to the word-of-mouth story of this book, grumbles much at the writing of it, and has run about the house clapping her hands with joy when mamma told her that it was nearly finished. But that is neither here nor there.)

I have related, as well as I could, the history of Prince Dolor, but with the history of Nomansland I am as yet unacquainted. If anybody knows it, perhaps he or she will kindly write it all down in another book. But mine is done.

However, of this I am sure, that Prince Dolor made an excellent king. Nobody ever does anything less well, not even the commonest duty of common daily life, for having such a godmother as the little old woman clothed in grey, whose name is--well, I leave you to guess. Nor, I think, is anybody less good, less capable of both work and enjoyment in after life, for having been a little unhappy in his youth, as the Prince had been.

I cannot take upon myself to say that he was always happy now--who is?--or that he had no cares; just show me the person who is quite free from them! But, whenever people worried and bothered him--as they did sometimes, with state etiquette, state squabbles, and the like, setting up themselves and pulling down their neighbours--he would take refuge in that upper room which looked out on the Beautiful Mountains and, laying his head on his godmother's shoulder, become calmed and at rest.

Also, she helped him out of any difficulty which now and then occurred--for there never was such a wise old woman. When the people of Nomansland raised the alarm--as sometimes they did--for what people can exist without a little fault-finding?--and began to cry out, "Unhappy is the nation whose king is a child," she would say to him gently, "You are a child. Accept the fact. Be humble--be teachable. Lean upon the wisdom of others till you have gained your own."

He did so. He learned how to take advice before attempting to give it, to obey before he could righteously command. He assembled round him all the good and wise of his kingdom--laid all its affairs before them, and was guided by their opinions until he had maturely formed his own.

This he did, sooner than anybody would have imagined, who did not know of his godmother and his travelling-cloak--two secret blessings, which, though many guessed at, nobody quite understood. Nor did they understand why he loved so the little upper room, except that it had been his mother's room, from the window of which, as people remembered now, she had used to sit for hours watching the Beautiful Mountains.

Out of that window he used to fly--not very often; as he grew older, the labours of state prevented the frequent use of his travelling-cloak; still he did use it sometimes. Only now it was less for his own pleasure and amusement than to see something, or investigate something, for the good of the country. But he prized his godmother's gift as dearly as ever. It was a comfort to him in all his vexations; an enhancement of all his joys. It made him almost forget his lameness--which was never cured.

However, the cruel things which had been once foreboded of him did not happen. His misfortune was not such a heavy one after all. It proved to be much less inconvenience, even to himself, than had been feared. A council of eminent surgeons and mechanicians invented for him a wonderful pair of crutches, with the help of which, though he never walked easily or gracefully, he did manage to walk, so as to be quite independent. And such was the love his people bore him that they never heard the sound of his crutch on the marble palace-floors without a leap of the heart, for they knew that good was coming to them whenever he approached them.

Thus, though he never walked in processions, never reviewed his troops mounted on a magnificent charger, nor did any of the things which make a show monarch so much appreciated, he was able for all the duties and a great many of the pleasures of his rank. When he held his levées, not standing, but seated on a throne, ingeniously contrived to hide his infirmity, the people thronged to greet him; when he drove out through the city streets, shouts followed him wherever he went--every countenance brightened as he passed, and his own, perhaps, was the brightest of all.

[Illustration: "_When he drove out through the city streets, shouts followed him wherever he went._" _Page 116._]

First, because, accepting his affliction as inevitable, he took it patiently; second, because, being a brave man, he bore it bravely; trying to forget himself, and live out of himself, and in and for other people. Therefore other people grew to love him so well, that I think hundreds of his subjects might have been found who were almost ready to die for their poor lame King.

He never gave them a queen. When they implored him to choose one, he replied that his country was his bride, and he desired no other. But, perhaps, the real reason was that he shrank from any change; and that no wife in all the world would have been found so perfect, so lovable, so tender to him in all his weaknesses, as his beautiful old godmother.

His four-and-twenty other godfathers and godmothers, or as many of them as were still alive, crowded round him as soon as he ascended the throne. He was very civil to them all, but adopted none of the names they had given him, keeping to the one by which he had been always known, though it had now almost lost its meaning; for King Dolor was one of the happiest and cheerfullest men alive.

He did a good many things, however, unlike most men and most kings, which a little astonished his subjects. First, he pardoned the condemned woman who had been his nurse, and ordained that from henceforward there should be no such thing as the punishment of death in Nomansland. All capital criminals were to be sent to perpetual imprisonment in Hopeless Tower, and the plain round about it, where they could do no harm to anybody, and might in time do a little good, as the woman had done.

Another surprise he shortly afterwards gave the nation. He recalled his uncle's family, who had fled away in terror to another country, and restored them to all their honours in their own. By-and-by he chose the eldest son of his eldest cousin (who had been dead a year), and had him educated in the royal palace, as the heir to the throne. This little prince was a quiet, unobtrusive boy, so that everybody wondered at the King's choosing him, when there were so many more; but as he grew into a fine young fellow, good and brave, they agreed that the King judged more wisely than they.

"Not a lame prince neither," his Majesty observed one day, watching him affectionately; for he was the best runner, the highest leaper, the keenest and most active sportsman in the country. "One cannot make oneself, but one can sometimes help a little in the making of somebody else. It is well."

This was said, not to any of his great lords and ladies, but to a good old woman--his first homely nurse--whom he had sought for far and wide, and at last found, in her cottage among the Beautiful Mountains. He sent for her to visit him once a year, and treated her with great honour until she died. He was equally kind, though somewhat less tender, to his other nurse, who, after receiving her pardon, returned to her native town and grew into a great lady, and I hope a good one. But as she was so grand a personage now, any little faults she had did not show.

[Illustration: "_But as she was so grand a personage now, any little faults she had did not show._" _Page 118.

Thus King Dolor's reign passed, year after year, long and prosperous. Whether he was happy--"as happy as a king"--is a question no human being can decide. But I think he was, because he had the power of making everybody about him happy, and did it too; also because he was his godmother's godson, and could shut himself up with her whenever he liked, in that quiet little room, in view of the Beautiful Mountains, which nobody else ever saw or cared to see. They were too far off, and the city lay so low. But there they were, all the time. No change ever came to them; and I think, at any day throughout his long reign, the King would sooner have lost his crown than have lost sight of the Beautiful Mountains.

In course of time, when the little prince, his cousin, was grown into a tall young man, capable of all the duties of a man, his Majesty did one of the most extraordinary acts ever known in a sovereign beloved by his people and prosperous in his reign. He announced that he wished to invest his heir with the royal purple--at any rate, for a time--while he himself went away on a distant journey, whither he had long desired to go.

Everybody marvelled, but nobody opposed him. Who could oppose the good King, who was not a young king now? And, besides, the nation had a great admiration for the young Regent--and, possibly, a lurking pleasure in change.

So there was fixed a day, when all the people whom it would hold, assembled in the great square of the capital, to see the young Prince installed solemnly in his new duties, and undertaking his new vows. He was a very fine young fellow; tall and straight as a poplar tree, with a frank handsome face--a great deal handsomer than the King, some people said, but others thought differently. However, as his Majesty sat on his throne, with his grey hair falling from underneath his crown, and a few wrinkles showing in spite of his smile, there was something about his countenance which made his people, even while they shouted, regard him with a tenderness mixed with awe.

[Illustration: "_All the people ... assembled to see the young Prince installed solemnly in his new duties and undertaking his new vows._" _Page 119._]

He lifted up his thin, slender hand, and there came a silence over the vast crowd immediately. Then he spoke, in his own accustomed way, using no grand words, but saying what he had to say in the simplest fashion, though with a clearness that struck their ears like the first song of a bird in the dusk of the morning.

"My people, I am tired: I want to rest. I have had a long reign, and done much work--at least, as much as I was able to do. Many might have done it better than I--but none with a better will. Now I leave it to others. I am tired, very tired. Let me go home."

There rose a murmur--of content or discontent none could well tell; then it died down again, and the assembly listened silently once more.

"I am not anxious about you--my people--my children," continued the king. "You are prosperous and at peace. I leave you in good hands. The Prince Regent will be a fitter king for you than I."

"No, no, no!" rose the universal shout--and those who had sometimes found fault with him shouted louder than anybody. But he seemed as if he heard them not.

"Yes, yes," said he, as soon as the tumult had a little subsided; and his voice sounded firm and clear; and some very old people, who boasted of having seen him as a child, declared that his face took a sudden change, and grew as young and sweet as that of the little Prince Dolor. "Yes, I must go. It is time for me to go. Remember me sometimes, my people, for I have loved you well. And I am going a long way, and I do not think I shall come back any more."

He drew a little bundle out of his breast pocket--a bundle that nobody had ever seen before. It was small and shabby-looking, and tied up with many knots, which untied themselves in an instant. With a joyful countenance, he muttered over it a few half-intelligible words. Then, so suddenly that even those nearest to his Majesty could not tell how it came about, the King was away--away--floating right up in the air--upon something, they knew not what, except that it appeared to be as safe and pleasant as the wings of a bird.

And after him sprang a bird--a dear little lark, rising from whence no one could say, since larks do not usually build their nests in the pavement of city squares. But there it was, a real lark, singing far over their heads, louder and clearer, and more joyful, as it vanished further into the blue sky.

Shading their eyes, and straining their ears, the astonished people stood, until the whole vision disappeared like a speck in the clouds--the rosy clouds that overhung the Beautiful Mountains.

Then they guessed that they should see their beloved king no more. Well-beloved as he was, he had always been somewhat of a mystery to them, and such he remained. But they went home, and, accepting their new monarch, obeyed him faithfully for his cousin's sake.

King Dolor was never again beheld or heard of in his own country. But the good he had done there lasted for years and years; he was long missed and deeply mourned--at least, so far as anybody could mourn one who was gone on such a happy journey.

Whither he went, or who went with him, it is impossible to say. But I myself believe that his godmother took him, on his travelling-cloak, to the Beautiful Mountains. What he did there, or where he is now, who can tell? I cannot. But one thing I am quite sure of, that, wherever he is, he is perfectly happy.

And so, when I think of him, am I.

THE END.

[Illustration: STORY OF THE AUTHOR'S LIFE]

The author of this little book, Dinah Maria Mulock Craik, was a woman as modest, sweet, and wholesome as the story itself. She lived in England, but her writings endeared her to people all over the world. Some American ladies who went to call upon her in her home, Wildwood Cottage, in Hampstead, near London, describe her as wearing a black silk gown with a plain linen collar, her brown hair drawn smoothly back from an open brow, and her face, gracious and winning to an unusual degree, bearing the look of one who had tasted of sorrow. This was when she was already a well-known writer, having won her place in literature by hard and faithful work; but probably she did not dream, even then, that she would come to be recognized as, next to Dickens, the most widely-read novelist of her time.

She was born April 20, 1826, at Stoke-upon-Trent, one of the chief manufacturing towns of Staffordshire, England. Staffordshire is the central county of England, and has many curious and interesting features. It forms the sloping base of a long chain of hills, where in countless ages the sea, sometimes covering the land and again driven away from it by the upheaval of a great body of earth and stone, has worn down the grit and limestone rock into clay. Did you know that all clay was mud made by the washing away of rocks? Just think how many hundreds of years it took to make the little ball of clay you model with!

Well, the people who lived in this country found out, eighteen hundred years ago, that they could mould their clay into pots and basins, even if they could not make things grow in it; so they dug up the clay, shaped it with their hands, and baked it in the sun, making jars, bowls, and other useful things which they sold to farmers in exchange for food.

About that time there came marching over the thickly wooded land, companies of Roman soldiers, who took all the clay bowls they wanted for their own use, and showed the potters how to make better ones. They also compelled them to make floors, roofs, and wall ornaments of clay baked in very hot ovens, called kilns. Much of this old Roman pottery was, of course, broken and lost, but still, if you should ever go there, you would find pieces of it in the banks of the little rivers and brooks near the clay pits, pieces more than a thousand years old.

Because it is so full of clay--dark blue clay, and red and yellow ochres, used for coloring and painting, as well as red and black chalk--the country seems to have been made for potteries. Besides this, there used always to be plenty of wood to keep the kilns hot, for a great forest covered nearly all the land. This was a continuation of the Forest of Arden, about which you will read some day, as well as about Sherwood Forest, which sheltered Robin Hood and his merry men.--Have you heard about them yet?--Later, when better fuel was needed, two great coal fields were discovered underlying the county, one of them twenty miles long by two broad. Here, then, where all was so perfectly prepared for his work, it was natural that the greatest potter of modern times, and one of the greatest of all times, should be born--Josiah Wedgwood, who lived for many years in the very town where Mrs. Craik was born. He not only loved to make dishes and jars of all kinds as perfect as possible, but while shut in with a long illness he studied the chemistry and the arithmetic needed in his trade. In years of hard labor and close study he so mastered his trade that he made it both a science and an art. He, more than any other, turned the county into one of the busiest places in the world, where thousands of men work from morning till night to supply the whole world with every sort of thing that can be made out of clay. Perhaps on the bottom of your plates at home you may find printed the words "Staffordshire, England."

Before Wedgwood's time--in 1653, to be accurate--Stoke-upon-Trent was a small group of thatched houses and two pot-works, gathered around the ancient parish church. In 1762, thirty-two years after Wedgwood's birth, it had a population of 8,000, of whom 7,000 were employed, in one way or another, in the pottery trade. The whole country-side is now black with smoke from the many factories. At one time, when the potters used salt to glaze their ware--that is, to put a bright polish on it--they used to open up their huge ovens every Saturday morning, between the hours of eight and twelve, and cast in salt. It would then melt, and run over the surface of the clay jugs and things inside, and leave a smooth, shining surface. If you let some salt and water, very strong of salt, boil over an old crock of your mother's, when the fire is making the stove red-hot, you will see how it works. Indeed, it was through an accidental boiling-over of this sort that salt-glaze was discovered. On Saturdays, when the salt was cast into the kilns, it made great clouds of smoke and vapor, filling streets and houses, and spreading far out into the country, so heavy that travelers to town lost their way, and persons in the street ran against each other.

Here lived, and preached, and argued, and laid down the law, a brilliant, enthusiastic Irishman, named Thomas Mulock, the father of the woman who wrote this book. He was a minister, but one who did not agree with any of the other ministers around him. He had a warm, eager nature, and a temper to match, and as the second of twenty-two children must have exercised from his early childhood all that power of domineering which made Lord Byron nickname him "Muley Mulock." By this name he was known over half of Europe, but for all that he was much loved and admired, and moved in the same circle as Byron, Scott, Southey, and Wordsworth. From him, Mrs. Craik undoubtedly inherited her gifts as a writer.

Her mother was a daughter of Mr. Mellard, a tanner and a member of the Reverend Thomas Mulock's congregation. She was one of three sisters who used to talk with the young minister over the wall that separated their gardens. There is a legend that he went all in white to the wedding, his shoes being of white satin; but this is very likely only a picturesque bit of gossip, kept alive by the fact that Mr. Mulock was quite romantic enough and independent enough to have done such a thing if it had happened to strike his fancy. His wife was a frail little woman, and the troubles which soon beset her husband on account of his strong, new opinions, were hard for her to bear, as was also the way in which he, like a hot-blooded Irishman, sure that he was right and all the rest of the world wrong, marched straight into the thick of any theological fight that might be going on. Dinah, at last, although merely an inexperienced girl, persuaded her mother to go with her to London, to seek a little peace and quiet, leaving the father to fight out his battles alone in the country place he found--or made--so full of strife.

This was a tremendous responsibility for a young girl with no means to speak of and only an ordinarily good education, such as was given to young ladies in the girls' schools of those days. At school she seems to have been a great favorite, and is described as being always the center of a bevy of girls, who hung round her lovingly, and for whom she prophesied the most wonderful things. She was always sure they had great abilities, but seemed to be quite unconscious that she herself was the most gifted of them all, and would be remembered when they were forgotten.

Even after she came to London, she made friends among other girls, and in spite of her unceasing and exacting work, seems always to have had time to enjoy them and make them enjoy her. She was only twenty years old when, in 1846, she went to London, and undertook the main support of her mother and the two young brothers who soon joined them. She did everything her pen could find to do, writing stories for fashion books and other periodicals, and had the satisfaction, finally, of knowing that she had succeeded in caring for her aged mother to the end of her life.

Of the two brothers, the elder, Thomas, Jr., true son of his father, took part in some act of rebellion while studying at the Royal Academy. His father sided with the principals of the school and approved of the son's being expelled, his own heart aching, most probably, while he did what he thought was his duty. The son's heart, in turn, was sore at what he must have thought unloving conduct on the father's part. At any rate, he decided soon after to go to Australia, and, as he was about to board the ship, fell off the quay and was killed.

This was a heavy blow to the brave young sister, now left with only the younger brother. He was a musician and a photographer of no mean rank at a time when few persons thought of photography as an art. Though he never proved a support to her, always leaning on her motherly care and getting himself into many scrapes from which she had to pull him out he was nevertheless the joy of his sister's life.

In London Miss Mulock made friends whose assistance, later, was worth a great deal to her. She had published, in 1849, her first novel, _The Ogilvies_, which brought her recognition, and made men and women of real power in the world of letters seek her out. When they knew her personally, her simple cordiality, friendliness, and, above all, her thorough goodness of heart, made them her warm friends. When she found herself able to take a cottage--the "Wildwood Cottage" already spoken of--she quickly gathered around her some of the brightest and best people in the great city. From that time on, her books came out steadily and in great numbers. In all, she wrote forty-six works, including many novels, some essays, and two or three volumes of poetry.

The greatest of her novels is _John Halifax, Gentleman_, considered by many the best story of English middle-class life ever written. This novel was translated into French, German, Italian, Greek, and Russian, and is still one of the most frequently called for books in the public libraries. Her poems, _Douglas, Douglas, Tender and True_, and _Philip My King_, are known wherever English is spoken.

There is an interesting story connected with the latter poem. Philip Bourke Marston, the boy to whom it refers, was the son of one of Miss Mulock's London friends, Westland Marston, a famous dramatic poet and critic. When his little son was born, August 13, 1850, he asked Miss Mulock to be Philip's godmother, and traces of her deep affection for the gifted child are to be found among her writings. _A Hero_ was written for him, and it is to him, evidently, that the lovely little poem, _A Child's Smile_, refers. The boy lost his sight when only three years old. The cause is said to have been too much belladonna, given to prevent scarlet fever. For many years enough sight remained to enable him, in his own words, to see "the three boughs waving in the wind, the pageant of sunset in the west, and the glimmer of a fire upon the hearth." Shut in thus to the inner world of thought and feeling, Philip indulged in an imaginative series of wonderful adventures, and in long daydreams excited by music. Perhaps his blindness, coupled with his vivid imagination, is the reason why the beautiful poems he wrote when he grew older show such a wonderfully vivid power of portraying nature. When he saw a tree-bough waving in the wind, he saw it only dimly with his outward eyes, but as he sat dreaming over it afterward, it became more real to him than any bough was likely to become to an everyday, hearty boy who saw so many trees, with so many branches, that he hardly noticed them at all. It must have been a great comfort to him to have such a godmother as Miss Mulock--a real fairy godmother, who could weave magic spells of the most interesting stories, and heal the aches of his poor heart by sweet little poems.

It was at Wildwood Cottage that Miss Mulock formed that close acquaintance with George Lillie Craik that finally led to her marriage with him. Mr. Craik met with a serious railroad accident near her house, which she promptly gave up to him, she staying with a friend near by; in the long days of convalescence they learned to know each other thoroughly. The marriage was singularly happy. Mr. Craik was a man of letters as well as a publisher, and they had every taste in common. Their life together was beautiful and full of a deep peace.

Although they had no children of their own, they had an adopted daughter, Dorothy, and she it is for whom _The Adventures of a Brownie_ was written. It is probably because of Mrs. Craik's devotion and love for her that the little book is so free from self-consciousness, so evidently written wholeheartedly "as told to my child."

Mrs. Craik's death, which took place in 1887, was, like her life, full of self-sacrificing affection and obedience to duty. She had not been ill, beyond a few attacks of heart-trouble that no one considered serious. By some blessed chance, on the morning of her last day on earth, her husband took an especially loving farewell of her--so much so that Dorothy laughed at him, and Mrs. Craik, smiling happily, reminded her that, although they had been so long married, they were lovers still. It was within a few weeks of Dorothy's marriage when the sudden heart failure came, and Mrs. Craik's one wish was that she might be permitted to live four weeks longer, so that her death might not overshadow her daughter's wedding. She resigned even this unselfish wish when she saw that it was not God's will.

The beauty of her character, it may be supposed, quite as much as any peculiar merit in her writings, led Queen Victoria, who always tried to reward uprightness of life as well as unusual skill in any art, to bestow upon Mrs. Craik the only mark of recognition in her power. This was a small pension, and although she often was criticised for keeping a sum of money she did not need, while many less fortunate writers did need it, she retained it as her right, to use as her conscience dictated. She set it aside for struggling authors who would accept help from the queen's bounty that they would refuse from her private funds.

Other writers may be more brilliant and more profound than Mrs. Craik, but her tales of simple goodness bring, not only a sense of rest and relief to the reader, but also a new desire to put goodness into his own daily life. In all her stories Mrs. Craik makes goodness as lovely as it really is. There are sad things in them, but the sadness is always made sweet at last by courage and patience and kindliness.