Part 6

On such a fine frosty night, with no wind and the thermometer below zero, the brain works with much vivacity; and the next moment I had seen the circumstance transplanted from India and the tropics to the Adirondack wilderness and the stringent cold of the Canadian border. Here then, almost before I had begun my story, I had two countries, two of the ends of the earth involved: and thus though the notion of the resuscitated man failed entirely on the score of general acceptation, or even (as I have since found) acceptability, it fitted at once with my design of a tale of many lands; and this decided me to consider further of its possibilities. The man who should thus be buried was the first question: a good man, whose return to life would be hailed by the reader and the other characters with gladness? This trenched upon the Christian picture, and was dismissed. If the idea, then, was to be of any use at all for me, I had to create a kind of evil genius to his friends and family, take him through many disappearances, and make this final restoration from the pit of death, in the icy American wilderness, the last and the grimmest of the series. I need not tell my brothers of the craft that I was now in the most interesting moment of an author’s life; the hours that followed that night upon the balcony, and the following nights and days, whether walking abroad or lying wakeful in my bed, were hours of unadulterated joy. My mother, who was then living with me alone, perhaps had less enjoyment; for, in the absence of my wife, who is my usual helper in these times of parturition, I must spur her up at all seasons to hear me relate and try to clarify my unformed fancies.

And while I was groping for the fable and the character required, behold I found them lying ready and nine years old in my memory. Pease porridge hot, pease porridge cold, pease porridge in the pot, nine years old. Was there ever a more complete justification of the rule of Horace? Here, thinking of quite other things, I had stumbled on the solution, or perhaps I should rather say (in stagewright phrase) the Curtain or final Tableau of a story conceived long before on the moors between Pitlochry and Strathardle, conceived in Highland rain, in the blend of the smell of heather and bog-plants, and with a mind full of the Athole correspondence and the memories of the dumlicide Justice. So long ago, so far away it was, that I had first evoked the faces and the mutual tragic situation of the men of Durrisdeer.

My story was now world-wide enough: Scotland, India, and America being all obligatory scenes. But of these India was strange to me except in books; I had never known any living Indian save a Parsee, a member of my club in London, equally civilised, and (to all seeing) equally accidental with myself. It was plain, thus far, that I should have to get into India and out of it again upon a foot of fairy lightness; and I believe this first suggested to me the idea of the Chevalier Burke for a narrator. It was at first intended that he should be Scottish, and I was then filled with fears that he might prove only the degraded shadow of my own Alan Breck. Presently, however, it began to occur to me it would be like my Master to curry favour with the Prince’s Irishmen; and that an Irish refugee would have a particular reason to find himself in India with his countryman, the unfortunate Lally. Irish, therefore, I decided he should be, and then, all of a sudden, I was aware of a tall shadow across my path, the shadow of Barry Lyndon. No man (in Lord Foppington’s phrase) of a nice morality could go very deep with my Master: in the original idea of this story conceived in Scotland, this companion had been besides intended to be worse than the bad elder son with whom (as it was then meant) he was to visit Scotland; if I took an Irishman, and a very bad Irishman, in the midst of the eighteenth century, how was I to evade Barry Lyndon? The wretch besieged me, offering his services; he gave me excellent references; he proved that he was highly fitted for the work I had to do; he, or my own evil heart, suggested it was easy to disguise his ancient livery wit a little lace and a few frogs and buttons, so that Thackeray himself should hardly recognise him. And then of a sudden there came to me memories of a young Irishman, with whom I was once intimate, and had spent long nights walking and talking with, upon a very desolate coast in a bleak autumn: I recalled him as a youth of an extraordinary moral simplicity—almost vacancy; plastic to any influence, the creature of his admirations: and putting such a youth in fancy into the career of a soldier of fortune, it occurred to me that he would serve my turn as well as Mr. Lyndon, and in place of entering into competition with the Master, would afford a slight though a distinct relief. I know not if I have done him well, though his moral dissertations always highly entertained me: but I own I have been surprised to find that he reminded some critics of Barry Lyndon after all. . . .

PREFACE TO ‘THE MASTER OF BALLANTRAE’ {145}

Although an old, consistent exile, the editor of the following pages revisits now and again the city of which he exults to be a native; and there are few things more strange, more painful, or more salutary, than such revisitations. Outside, in foreign spots, he comes by surprise and awakens more attention than he had expected; in his own city, the relation is reversed, and he stands amazed to be so little recollected. Elsewhere he is refreshed to see attractive faces, to remark possible friends; there he scouts the long streets, with a pang at heart, for the faces and friends that are no more. Elsewhere he is delighted with the presence of what is new, there tormented by the absence of what is old. Elsewhere he is content to be his present self; there he is smitten with an equal regret for what he once was and for what he once hoped to be.

He was feeling all this dimly, as he drove from the station, on his last visit; he was feeling it still as he alighted at the door of his friend Mr. Johnstone Thomson, W.S., with whom he was to stay. A hearty welcome, a face not altogether changed, a few words that sounded of old days, a laugh provoked and shared, a glimpse in passing of the snowy cloth and bright decanters and the Piranesis on the dining-room wall, brought him to his bed-room with a somewhat lightened cheer, and when he and Mr. Thomson sat down a few minutes later, cheek by jowl, and pledged the past in a preliminary bumper, he was already almost consoled, he had already almost forgiven himself his two unpardonable errors, that he should ever have left his native city, or ever returned to it.

‘I have something quite in your way,’ said Mr. Thomson. ‘I wished to do honour to your arrival; because, my dear fellow, it is my own youth that comes back along with you; in a very tattered and withered state, to be sure, but—well!—all that’s left of it.’

‘A great deal better than nothing,’ said the editor. ‘But what is this which is quite in my way?’

‘I was coming to that,’ said Mr. Thomson: ‘Fate has put it in my power to honour your arrival with something really original by way of dessert. A mystery.’

‘A mystery?’ I repeated.

‘Yes,’ said his friend, ‘a mystery. It may prove to be nothing, and it may prove to be a great deal. But in the meanwhile it is truly mysterious, no eye having looked on it for near a hundred years; it is highly genteel, for it treats of a titled family; and it ought to be melodramatic, for (according to the superscription) it is concerned with death.’

‘I think I rarely heard a more obscure or a more promising annunciation,’ the other remarked. ‘But what is It?’

‘You remember my predecessor’s, old Peter M‘Brair’s business?’

‘I remember him acutely; he could not look at me without a pang of reprobation, and he could not feel the pang without betraying it. He was to me a man of a great historical interest, but the interest was not returned.’

‘Ah well, we go beyond him,’ said Mr. Thomson. ‘I daresay old Peter knew as little about this as I do. You see, I succeeded to a prodigious accumulation of old law-papers and old tin boxes, some of them of Peter’s hoarding, some of his father’s, John, first of the dynasty, a great man in his day. Among other collections were all the papers of the Durrisdeers.’

‘The Durrisdeers!’ cried I. ‘My dear fellow, these may be of the greatest interest. One of them was out in the ’45; one had some strange passages with the devil—you will find a note of it in Law’s _Memorials_, I think; and there was an unexplained tragedy, I know not what, much later, about a hundred years ago—‘

‘More than a hundred years ago,’ said Mr. Thomson. ‘In 1783.’

‘How do you know that? I mean some death.’

‘Yes, the lamentable deaths of my lord Durrisdeer and his brother, the Master of Ballantrae (attainted in the troubles),’ said Mr. Thomson with something the tone of a man quoting. ‘Is that it?’

‘To say truth,’ said I, ‘I have only seen some dim reference to the things in memoirs; and heard some traditions dimmer still, through my uncle (whom I think you knew). My uncle lived when he was a boy in the neighbourhood of St. Bride’s; he has often told me of the avenue closed up and grown over with grass, the great gates never opened, the last lord and his old maid sister who lived in the back parts of the house, a quiet, plain, poor, hum-drum couple it would seem—but pathetic too, as the last of that stirring and brave house—and, to the country folk, faintly terrible from some deformed traditions.’

‘Yes,’ said Mr. Thomson. Henry Graeme Durie, the last lord, died in 1820; his sister, the Honourable Miss Katherine Durie, in ’27; so much I know; and by what I have been going over the last few days, they were what you say, decent, quiet people and not rich. To say truth, it was a letter of my lord’s that put me on the search for the packet we are going to open this evening. Some papers could not be found; and he wrote to Jack M‘Brair suggesting they might be among those sealed up by a Mr. Mackellar. M‘Brair answered, that the papers in question were all in Mackellar’s own hand, all (as the writer understood) of a purely narrative character; and besides, said he, “I am bound not to open them before the year 1889.” You may fancy if these words struck me: I instituted a hunt through all the M‘Brair repositories; and at last hit upon that packet which (if you have had enough wine) I propose to show you at once.’

In the smoking-room, to which my host now led me, was a packet, fastened with many seals and enclosed in a single sheet of strong paper thus endorsed:—

Papers relating to the lives and lamentable deaths of the late Lord Durisdeer, and his elder brother James, commonly called Master of Ballantrae, attainted in the troubles: entrusted into the hands of John M‘Brair in the Lawnmarket of Edinburgh, W.S.; this 20th day of September Anno Domini 1789; by him to be kept secret until the revolution of one hundred years complete, or until the 20th day of September 1889: the same compiled and written by me,

EPHRAIM MACKELLAR, _For near forty years Land Steward on the_ _estates of His Lordship_.

As Mr. Thomson is a married man, I will not say what hour had struck when we laid down the last of the following pages; but I will give a few words of what ensued.

‘Here,’ said Mr. Thomson, ‘is a novel ready to your hand: all you have to do is to work up the scenery, develop the characters, and improve the style.’

‘My dear fellow,’ said I, ‘they are just the three things that I would rather die than set my hand to. It shall be published as it stands.’

‘But it’s so bald,’ objected Mr. Thomson.

‘I believe there is nothing so noble as baldness,’ replied I, ‘and I am sure there is nothing so interesting. I would have all literature bald, and all authors (if you like) but one.’

‘Well, well,’ said Mr. Thomson, ‘we shall see.’

* * * * *

Printed by T. and A. CONSTABLE, Printers to His Majesty at the Edinburgh University Press

FOOTNOTES

{3} First published in the Contemporary Review, April 1885

{21} Milton.

{24} Milton.

{33} Milton.

{34} As PVF will continue to haunt us through our English examples, take, by way of comparison, this Latin verse, of which it forms a chief adornment, and do not hold me answerable for the all too Roman freedom of the sense: ‘Hanc volo, quæ facilis, quæ palliolata vagatur.’

{35} Coleridge.

{36} Antony and Cleopatra.

{37a} Cymbeline.

{37b} The V is in ‘of.’

{38} Troilus and Cressida.

{47a} First published in the _Fortnightly Review_, April 1881.

{47b} Mr. James Payn.

{64} A footnote, at least, is due to the admirable example set before all young writers in the width of literary sympathy displayed by Mr. Swinburne. He runs forth to welcome merit, whether in Dickens or Trollope, whether in Villon, Milton, or Pope. This is, in criticism, the attitude we should all seek to preserve; not only in that, but in every branch of literary work.

{75a} First published in the _British Weekly_, May 13, 1887.

{75b} Of the _British Weekly_.

{93} First published in the _Magazine of Art_ in 1883.

{111} First published in the _Idler_, August 1894.

{112} _Ne pas confondre_. Not the slim green pamphlet with the imprint of Andrew Elliot, for which (as I see with amazement from the book-lists) the gentlemen of England are willing to pay fancy prices; but its predecessor, a bulky historical romance without a spark of merit, and now deleted from the world.

{145} 1889.