BOOK TWO
Love and the World
## CHAPTER I
THE PRINCESS CINDERELLA
When the society editor of "America's foremost newspaper," as in its trademark it proclaims itself to be, announced that the Rodney Aldriches had taken the Allison McCreas' house, furnished, for a year, beginning in October, she spoke of it as an ideal arrangement. As everybody knew, it was an ideal house for a young married couple, and it was equally evident that the Rodney Aldriches were an ideal couple for it.
In the sense that it left nothing to further realization, it was an ideal house; an old house in the Chicago sense, built over into something very much older still--Tudor, perhaps--Jacobean, anyway--by a smart young society architect who wore soft collars and an uptwisted mustache, and who, by a perfectly reciprocal arrangement which almost deserves to be called a form of perpetual motion, owed the fact that he was an architect to his social position, and maintained his social position by being an architect.
He had cooperated enthusiastically with Florence McCrea, not only in the design of the house, but in the supplementary matters of furniture, hangings, rugs and pictures, with the effect that the establishment presented the last politely spoken word in things as they ought to be. The period furniture was accurate almost to the minute, and the arrangement of it, the color schemes and the lighting, had at once the finality of perfection and the perfection of finality. If you happened to like that sort of thing, it was precisely the sort of thing you'd like.
The same sort of neat, fully acquired perfection characterized the McCreas' domestic arrangements. Allison McCrea's income, combined with his wife's, was exactly enough to enable them to live in this house and entertain on the scale it very definitely prescribed, just half the time. Every other year they went off around the world in one direction or another, and rented their house furnished for exactly enough to pay all their expenses. They had no children, and his business, which consisted in allowing his bank to collect his invariable quarterly dividends for him and credit them to his account, offered no obstacle to this arrangement. On the alternate years, they came back and spent two years' income living in their house.
Florence was an old friend of Rodney's and it was her notion that it would be just the thing he'd want. She made no professions of altruism--admitted she was fussy about whom she rented her darling house to, and that Rodney and his wife would be exactly right. Still, she didn't believe he could do better. They'd have to have some sort of place to live in, in the autumn. It would be such a mistake to buy a lot of stuff in a hurry and find out later that they didn't want it! The arrangement she proposed would leave him an idyllically untroubled summer--nothing to fuss about, and provide ... Well, Rodney knew for himself what the house was--complete down to the cork-screws.
Even the servant question was eliminated. "Ours are so good," Florence said, "that the last time we rented the house, we put them in the lease. I wouldn't do that with you, of course, but I know they'll be just what you want." And six thousand dollars a year was simply dirt cheap.
To clinch the thing, Florence went around and saw Frederica about it. And Frederica, after listening, non-committally, dashed off to the last meeting of the Thursday Club (all this happened in June, just before the wedding) and talked the matter over with Violet Williamson on the way home, afterward.
"John said once," observed Violet, "that if he had to live in that house, he'd either go out and buy a plush Morris chair from feather-your-nest Saltzman's, and a golden oak sideboard, or else run amuck."
Frederica grinned, but was sure it wouldn't affect Rodney that way. He'd never notice that there _wasn't_ a golden oak sideboard with a beveled mirror in it. As for Rose, she thought Rose would like it--for a while, anyway. Of course it wasn't forever. But this wasn't the point. It was something else she had to get an unprejudiced opinion on, "simply because in this case my own isn't trustworthy. I'm so foolish about old Roddy, that I can't be sure I haven't--well, caught being mad about Rose from him. It all depends, you see, on whether Rose is going to be a hit this winter or not. If she is, they'll want a place just like that and it would be a shame for her to be bothered and unsettled when she might have everything all oiled for her. But of course if she doesn't--go (and it all depends on her; Rodney won't be much help)--why, having a house like that might be pretty sad. So, if you're a true friend, you'll tell me what you think."
"What I really think," said Violet, "--of course I suppose I'd say this anyway, but I do honestly mean it--is that she'll be what John calls a 'knock-out.' To be sure, I've only met her twice, but I think she's absolutely thrilling. She's so perfectly simple. She's never--don't you know--_being_ anything. She just is. And she thinks we're all so wonderful--clever and witty and beautiful and all that--just honestly thinks so, that she'll make everybody feel warm and nice inside, and they'll be sure to like her. Of course, when she gets over feeling that way about us...."
"She's got a real eye for clothes, too," said Frederica. "We've been shopping. Well then, I'm going to tell Rodney to go ahead and take the house."
Rose was consulted about it of course, though consulted is perhaps not the right word to use. She was taken to see it, anyway, and asked if she liked it, a question in the nature of the case superfluous. One might as well have asked Cinderella if she liked the gown the fairy godmother had provided her with for the prince's ball.
It didn't occur to her to ask how much the rent would be, nor would the fact have had any value for her as an illuminant, because she would have had no idea whether six thousand dollars was a half or a hundredth of her future husband's income. The new house was just a part--as so many of the other things that had happened to her since that night when Rodney had sent her flowers and taken her to the theater and two restaurants in Martin's biggest limousine had been parts--of a breath-arresting fairy story.
It takes a consciousness of resistance overcome to make anything feel quite real, and Rose, during the first three months after their return to town in the autumn, encountered no resistance whatever. It was all, as Frederica had said, oiled. She was asked to make no effort. The whole thing just happened, exactly as it had happened to Cinderella. All she had to do was to watch with wonder-wide eyes, and feel that she was, deliciously, being floated along.
The conclusion Frederica and Violet had come to about her chance for social success was amply justified by the event, and it is probable that Violet had put her finger on the mainspring of it. One needn't assume that there were not other young women at the prince's ball as beautiful as Cinderella, and other gowns, perhaps, as marvelous as the one provided by the fairy godmother. The godmother's greatest gift, I should say, though the fable lays little stress on it, was a capacity for unalloyed delight. No other young girl, beautiful as she may have been, if she were accustomed to driving to balls in coaches and having princes ask her to dance with them, could possibly have looked at that prince the way Cinderella must have looked at him.
While a sophisticated woman can affect this sort of simplicity well enough to take in the men, the affectation is always transparently clear to other women and they detest her for it. But it was altogether the real thing with Rose, and they knew it and took to her as naturally as the men did.
So it fell out that what with the Junior League, the woman's auxiliary boards of one or two of the more respectably elect charities, the Thursday Club and The Whifflers (this was the smallest and smartest organization of the lot--fifteen or twenty young women supposed to combine and reconcile social and intellectual brilliancy on even terms. They met at one another's houses and read scintillating papers about nothing whatever under titles selected generally from _Through the Looking-glass_ or _The Hunting of the Snark_)--what with all this, her days were quite as full as the evenings were, when she and Rodney dined and went to the opera and paid fabulous prices to queer professionals, to keep themselves abreast of the minute in all the new dances.
But it wasn't merely the events of this sort, sitting in boxes at the opera and going to marvelous supper dances afterward, that had this thrilling quality of incredibility to Rose. The connective tissue of her life gave her the same sensation, perhaps even more strongly.
Portia had been quite right in saying that she had never _had_ to do anything; the rallying of all her forces under the spur of necessity was an experience she had never undergone. And it was also true that her mother, and for that matter, Portia herself had spoiled her a lot--had run about doing little things for her, come in and shut down her windows in the morning, and opened the register, and on any sort of excuse, on a Saturday morning, for example, had brought her her breakfast on a tray.
But these things had been favors, not services--never to be asked for, of course, and always to be accepted a little apologetically. She never knew what it was really to be served, until she and Rodney came back from their camp in the woods. The whole mechanism of ringing bells for people, telling them, quite courteously of course, but with no spare words, precisely what she wanted them to do and seeing them, with no words at all of their own, except the barest minimum required to indicate respectful acquiescence--carrying out these instructions, was in its novelty, as sensuously delightful a thing to her feelings as the contact with a fine fabric was to her finger-tips.
"I haven't," Rose, in bed, told Rodney one morning, "a single, blessed, mortal thing to do all day." Some fixture scheduled for that morning had been moved, she went on to explain, and Eleanor Randolph was feeling seedy and had called off a little luncheon and matinée party. So, she concluded with a deep-drawn sigh, the day was empty.
"Oh, that's too bad," he said with concern. "Can't you manage something ...?"
"Too bad!" said Rose in lively dissent. "It's too heavenly! I've got a whole day just to enjoy being myself;--being"--she reached across to the other bed for his hand, and getting it, stroked her cheek with it--"being my new self. You've no idea how new it is, or how exciting all the little things about it are. State Street's so different now--going and getting the exact thing I want, instead of finding something I can make do, and then faking it up to look as much like the real thing as I could. Portia used to think I faked pretty well. It was the one thing she really admired about me, because she couldn't do it herself at all. But I never was--don't you know?--right.
"And then when I was going anywhere, I'd figure out the through routes and where I'd take transfers, and how many blocks I'd have to walk, and what kind of shoes I'd have to wear. And coming home in time for dinner always meant the rush hour, and I'd have to stand. And it simply never occurred to me that everybody else didn't do it that way. Except"--she smiled--"except in Robert Chambers' novels and such."
It wasn't necessary to see Rose smile to know she did it. Her voice, broadening out and--dimpling, betrayed the fact. This smile, plainly enough, went rather below the surface, carried a reference to something. But Rodney didn't interrupt. He let her go on and waited to inquire about it later.
"So you see," she concluded, "it's quite an adventure just to say--well, that I want the car at a quarter to eleven and to tell Otto exactly where I want him to drive me to. I always feel as if I ought to say that if he'll just stop the car at the corner of Diversey Street, I can walk."
He laughed out at that and asked her how long she thought this blissful state of things would last.
"Forever," she said.
But presently she propped herself up on one elbow and looked over at him rather thoughtfully. "Of course it's none of it new to you," she said--"not the silly little things I've been talking about, nor the things we do together--oh, the dinners, and the dances, and the operas. Do you sort of--wish I'd get tired of it? Is it a dreadful bore to you?"
"So long as it doesn't bore you," he said; "so long as you go on--shining the way you do over it, and I am where I can see you shine"--he got out of his bed, sat down on the edge of hers, and took both her hands--"so long as it's like that, you wonder," he said, "well, the dinners and the operas and all that may be piffle, but I shall be blind to the fact."
She kissed his hands and told him contentedly that he was a darling. But, after a moment's silence, a little frown puckered her eyebrows and she asked him what he was so solemn about.
Well, he had told her the truth. The edge of excitement in his voice would have carried the irresistible conviction to anybody, that the thing he had said was, without reserve, the very thing he meant. But precisely as he said it, as if, indeed, the thing that he had said were the detonating charge that fires the shell, he felt the impact, away down in the inner depths of him, of a realization that he was not the same man he had been six months ago. Not the man who had tramped impatiently back and forth across Frederica's drawing-room, expounding his ideals of space and leisure--open, wind-swept space, for the free range of a hard, clean, athletic mind. Not the man who despised the clutter of expensive junk--"so many things to have and to do, that one couldn't turn around for fear of breaking something." That man would have derided the possibility that he could ever say this thing that he, still Rodney Aldrich, had just said to Rose--and meant.
To that man, the priceless hour of the day had always been precisely this one, the first waking hour, when his mind, in the enjoyment of a sort of clairvoyant limpidity, had been wont to challenge its stiffest problems, wrestle with them, and whether triumphant or not, despatch him to his office avid for the day's work and strides ahead of where he had left it the night before.
He spent that hour very differently now. He spent all his hours, even the formal working ones, differently. And the terrifying thing was that he hadn't resisted the change, hadn't wanted to resist, didn't want to now, as he sat there looking down at her--at the wonderful hair which framed her face and, in its two thick braids, the incomparable whiteness of her throat and bosom--at the slumberous glory of her eyes.
So, when she asked him what he was looking so solemn about, he said with more truth than he pretended to himself, that it was enough to make anybody solemn to look at her. And then, to break the spell, he asked her why she had laughed a little while back, over something she had said about Robert W. Chambers' novels.
"I was thinking," she said, "of the awful disgrace I got into yesterday, with somebody--well, with Bertram Willis, by saying something like that. I'll have to tell you about it."
Bertram Willis, it should be said, was the young architect with the upturned mustaches and the soft Byronic collars, who had done the house for the McCreas. And I must warn you to take the adjective young, with a grain of salt. Youth was no mere accident with him. He made an art of it, just as he did of eating and drinking and love-making and, incidentally, architecture. He was enormously in demand, chiefly perhaps, among young married women whose respectability and social position were alike beyond cavil. He never carried anything too far, you see. He was no pirate--a sort, rather, of licensed privateer. And what made him so invincibly attractive--after you had granted his other qualities, that is--was that he professed himself, among women, exceedingly difficult to please, so that attentions from him, even of a casual sort, became _ex hypothesi_ compliments of the first order. If he asked you, in his innocently shameless way, to belong to his _hareem_, you boasted of it afterward;--jocularly, to be sure, but you felt pleased just the same. The thing that had given the final cachet of distinction to Rose's social success that season, had been the fact that he had shown a disposition to flirt with her quite furiously.
Rose didn't need to tell her husband that, of course, because he knew it already, as he also knew that Willis had asked her to be one of the Watteau group he was getting up for the charity ball (the ball was to be a sumptuously picturesque affair that year), nor that he had been spending hours with her over the question of costumes--getting as good as he gave, too, because her eye for clothes amounted to a really special talent.
All that Rodney didn't know, was about the conversation the two of them had had yesterday afternoon at tea-time.
Rose, intent on telling him all about it, had postponed the recital while she made up her own mind as to how she should regard the thing herself; whether she ought to have been annoyed, or seriously remonstrant, or whether the smile of pure amusement which had come so spontaneously to her lips, had expressed, after all, an adequate emotion.
The look in her husband's face made an end of all doubts, reduced the episode of yesterday to its proper scale. Married to a man who could look at her like that, she needn't take any one else's looks or speeches very seriously. It was at this angle that she told about it.
"Why," she said, "of course he's always talked to me as if I were about six--sixteen, anyway, no older than that, and the names he makes up to call me are simply too silly to repeat. But I never paid any attention, because--well, everybody knows he's that way to everybody. 'Flower face' was one of his favorites, but there were others that were worse. Well, yesterday he brought around some old costume plates, but he wouldn't let me look at them without coming round beside me and--holding my hand, so that didn't work very well. And then he got quite solemn and said I'd--given him the only real regret of his life, because he hadn't seen me until it was too late."
"I didn't know," said Rodney, "that he ever let obstacles like husbands bother him."
"That's what I thought he meant at first," said Rose, "but it wasn't. He didn't mean it was too late because of my being married to you. He meant too late because of him. He couldn't love me, he said, as I deserved, because he'd been in love so many times before, himself.
"And then, of course, just when I should have been looking awfully sad and sympathetic, I had to go and grin, and he wanted to know why, and I said, 'Nothing,' but he insisted, you know, so then I told him.
"Well, it was just what I said to you a while ago--that I didn't know any men ever talked like that except in books by Hichens or Chambers--why do you suppose they're both named Robert?--and he went perfectly purple with rage and said I was a savage. And then he got madder still and said he'd like to be a savage himself for about five minutes; and I wanted to tell him to go ahead and try, and see what happened, but I didn't. I asked him how he wanted his tea, and he didn't want it at all, and went away."
As she finished, she glanced up into his face for a hardly-needed reassurance that the episode looked to him, as it had looked to her, trivial. Then, with a contented little sigh, for his look gave her just what she wanted, she sat up and slid her arms around his neck.
"How plumb ridiculous it would have been," she said, "if either of us had married anybody else."
If Rodney, that is, had married a girl who'd have taken Bertram Willis seriously; or if she had married a man capable of thinking the architect's attentions important.
## CHAPTER II
THE FIRST QUESTION AND AN ANSWER TO IT
But within a day or two, when a conversation overheard at a luncheon table recalled the architect to her mind, a rather perplexing question propounded itself to her. Why had it infuriated him so--why had he glared at her with that air of astounded incredulity, on discovering that she wasn't prepared to take him seriously? There could be only one answer to that question. He could not have expected Rose to be properly impressed and fluttered, unless that were the effect he was in the habit of producing on other women. These others, much older that Rose all of them (because no débutantes were ever invited to belong to the _hareem_), these new, brilliant, sophisticated friends her marriage with Rodney had brought her, did not, evidently, regard the dapper little architect with feelings anything like the mild, faintly contemptuous mirth that he had roused so spontaneously and irresistibly in Rose. Every one of them had a husband of her own, hadn't she? And they were happily married, too. Well, then ...!
She found Violet Williamson in Frederica's box at the Symphony concert one Friday afternoon, and took them both home to tea with her afterward. And when the talk fairly got going, she tossed her problem about Bertie Willis and his _hareem_ into the vortex to see what would come of it.
It was always easy to talk with Frederica and Violet, there was so much real affection under the amusement they freely expressed over her youth and inexperience and simplicity. They always laughed at her, but they came over and hugged her afterward.
"I'm turned out of the _hareem_," she said, apropos of the mention of him, "in disgrace."
Violet wanted to know whatever in the world she had done to him. "Because, he's been positively--what do you call it?--dithyrambic about you for the last three months."
"I laughed," Rose acknowledged; "in the wrong place of course."
The two older women exchanged glances.
"Do you suppose it's ever been done to him before," asked Frederica, "in the last fifteen years, anyway?" And Violet solemnly shook her head.
"But why?" demanded Rose. "That's what I want to know. How can any one help thinking he's ridiculous. Of course if you were alone on a desert island with him like the Bab Ballad, I suppose you'd make the best of him. But with any one else that was--real, you know, around ..."
Only a very high vacuum--this was the idea Rose seemed to be getting at--might be expected, _faute de mieux_, to tolerate Bertie. So if you found him tolerated seriously in a woman's life, you couldn't resist the presumption that there was a vacuum there.
"Don't ask me about him," said Frederica. "He never would have anything to do with me; said I was a classic type and they always bored him stiff. But Violet, here ..."
"Oh, yes," said Violet, "I lasted one season, and then he dropped me. He beat me to it by about a minute. All the same--oh, I can understand it well enough. You see, what he builds on is that a woman's husband is always the least interesting man in the world. Oh, I don't mean we don't love them, or that we want to change them--permanently, you know. Take Frederica and me. We wouldn't exchange for anything. Yet, we used to have long arguments. I've said that Martin was more--interesting, witty, you know, and all that, than John. And Frederica says John is more interesting than Martin. Oh, just to talk to, I mean. Not about anything in particular, but when you haven't anything else to do."
She paused long enough to take a tentative sip or two of boiling hot tea. But the way she had hung up the ending to her sentence, told them she wasn't through with the topic yet.
"It's funny about that, too," she went on, "because really, we see each other so much and have known each other so long, that I know Martin's--repertory, about as well as Frederica. I mean, it isn't like Walter Mill, when he was just back from the Legation at Pekin, or even like Jimmy Wallace, who spends half his time playing around with all sorts of impossible people--chorus-girls and such, and tells you queer stories about them. There's something besides the--familiarness that makes husbands dull. And that's what makes Bertie amusing."
"Oh, of course," said Frederica, "everybody likes to flirt--whether they have to or not."
"Have to?" Rose echoed. She didn't want to miss anything.
Frederica hesitated. Then, rather tentatively, began her exegesis.
"Why, there are a lot of women--especially of our sort, I suppose, who are always ... well, it's like taking your own temperature--sticking a thermometer into their mouths and looking at it. They think they know how they ought to feel about certain things, and they're always looking to see if they do. And when they don't, they think their emotional natures are being starved, or some silly thing like that. And of course, if you're that way, you're always trying experiments, just the way people do with health foods. In the end, they generally settle on Bertie. He's perfectly safe, you know--just as anxious as they are not to do anything really outrageous. Bertie keeps them in a pleasant sort of flutter, and maybe he does them good. I don't know.--Drink your tea, Violet. We've got to run."
That was explicit enough anyway. But it didn't solve Rose's problem--broadened and deepened it rather, and gave it a greater basis of reality. It was silly, of course, always to be asking yourself questions. But after all, you didn't question a thing that wasn't questionable. There had been no necessity for a compromise between romance and reality in her own case. She hadn't any need of a thermometer. Why had they?
Of course she knew well enough that marriage was not always the blissful transformation it had been for her. There were unhappy marriages. There were such things in the world as unfaithful husbands and brutal drunken husbands, who had to be divorced. And equally, too, there were cold-blooded, designing, mercenary wives. (In the back of her mind was the unacknowledged notion that these people existed generally in novels. She knew, of course, that those characters must have real prototypes somewhere. Only, it hadn't occurred to her to identify them with people of her own acquaintance.) But the idea had been that, barring these tragic and disastrous types, marriage was a state whose happy satisfactoriness could, more or less, be taken for granted.
Oh, there were bumps and bruises, of course. She hadn't forgotten that tragic hour in the canoe last summer. There had, indeed, been two or three minor variants on the same theme since. She had seen Rodney drop off now and again into a scowling abstraction, during which it was so evident he didn't want to talk to her, or even be reminded that she was about, that she had gone away flushed and wondering, and needing an effort to hold back the tears.
These weren't frequent occurrences, though. Once settled into what apparently was going to be their winter's routine, they had so little time alone together that these moments, when they came, had almost the tension of those that unmarried lovers enjoy. They were something to look forward to and make the delicious utmost of.
So, until she got to wondering about Bertie, Rose's instinctive attitude toward the group of young to middle-aged married people into which her own marriage had introduced her, was founded on the assumption that, allowing for occasional exceptions, the husbands and wives felt toward each other as she and Rodney did--were held together by the same irresistible, unanalyzable attraction, could remember severally, their vivid intoxicating hours, just as she remembered the hour when Rodney had told her the story and the philosophy of his life.
Bertie, or rather the demand for what Bertie supplied, together with Frederica's explanation of it, brought her the misgiving that marriage was not, perhaps, even between people who loved each other,--between husbands who were not "unfaithful" and wives who were not "mercenary"--quite so simple as it seemed.
The misgiving was not very serious at first--half amused, and wholly academic, because she hadn't, as yet, the remotest notion that the thing concerned, or ever could concern, herself; but the point was, it formed a nucleus, and the property of a nucleus is that it has the power of attracting to itself particles out of the surrounding nebulous vapor. It grows as it attracts, and it attracts more strongly as it grows.
An illustration of this principle is in the fact that, but for the misgiving, she would hardly have asked Simone Gréville what she meant by saying that though she had always supposed the fundamental sex attraction between men and women to be the same in its essentials, in all epochs and in all civilizations, her acquaintance with upper-class American women was leading her to admit a possible exception.
Since that amiable celestial, Wu Ting Fang, made his survey of our western civilization and left us wondering whether after all we had the right name for it, no one has studied our leisured and cultivated classes with more candor and penetration than this great Franco-Austrian actress. She had ample opportunities for observation, because during the first week of her tour the precise people who count the most in our informal social hierarchy took her up and, upon examination, took her in. Playing in English as she did, and with an American supporting company, she did not make a great financial success (the Continental technique, especially when contrasted so intimately with the one we are familiar with does not attract us), but socially she was a sensation. So during her four weeks in Chicago, while she played to houses that couldn't be dressed to look more than a third full, she was enormously in demand for luncheons, teas, dinners, suppers, Christmas bazaars, charity dances and so on. (If it had only been possible to establish a scale of fees for these functions, her manager used to reflect despairingly, he might have come out even after all.) Any other sort of engagement melted away like snow in the face of an opportunity of meeting Simone Gréville.
Rose had met her a number of times before the incident referred to happened, but had always surveyed the lioness from afar. What could she, whose acquaintance with Europe was limited to one three-months trip, undertaken by the family during the summer after she graduated from high school, have to say to an omniscient cosmopolite like that?
So she hung about, within ear-shot when it was possible, and watched, leaving the active duties of entertainment to heavily cultured illuminati like the Howard Wests, or to clever creatures like Hermione Woodruff and Frederica, and Constance Crawford, whose French was good enough to fill in the interstices in Madame Gréville's English.
She was standing about like that at a tea one afternoon, when she heard the actress make the remark already quoted, to the effect that American women seemed to her to be an exception to what she always supposed to be the general law of sex attraction.
It was taken, by the rather tense little circle gathered around her, as a compliment; exactly as, no doubt, Gréville intended it to be taken. But her look flashed out beyond the confines of the circle and encountered a pair of big luminous eyes, under brows that had a perplexed pucker in them. Whereupon she laughed straight into Rose's face and said, lifting her head a little, but not her voice:
"Come here, my child, and tell me who you are and why you were looking at me like that."
Rose flushed, smiled that irresistible wide smile of hers, and came, not frightened a bit, nor, exactly, embarrassed; certainly not into pretending she was not surprised, and a little breathlessly at a loss what to say.
"I'm Rose Aldrich." She didn't, in words, say, "I'm just Rose Aldrich." It was the little bend in her voice that carried that impression. "And I suppose I was--looking that way, because I was wishing I knew exactly what you meant by what you said."
Gréville's eyes, somehow, concentrated and intensified their gaze upon the flushed young face; took a sort of plunge, so it seemed to Rose, to the very depths of her own. It was an electrifying thing to have happen to you.
"_Mon dieu_," she said, "_j'ai grande envie de vous le dire_." She hesitated the fraction of a moment, glanced at a tiny watch set in a ring upon the middle finger of her right hand, took Rose by the arm as if to keep her from getting away, and turned to her hostess.
"You must forgive me," she said, "if I make my farewells a little soon. I am under orders to have some air each day before I go to the theater, and if it is to be done to-day, it must be now. I am sorry. I have had a very pleasant afternoon.--Make your farewells, also, my child," she concluded, turning to her prisoner, "because you are going with me."
There was something Olympian about the way she did it. The excuse was made, and the regret expressed in the interest of courtesy, but neither was insisted on as a fact, nor was seriously intended, it appeared, even to disguise the fact, which was simply that she had found something better worth her while, for the moment, than that tea. It occurred to Rose that there wasn't a woman in town--not even terrible old Mrs. Crawford, Constance's mother-in-law, who could have done that thing in just that way; no one who felt herself detached, or, in a sense, superior enough, to have done it without a trace of self-consciousness, and consequently without offense. An empress must do things a good deal like that.
The effect on Rose was to make complete frankness seem the easiest thing in the world. And frankness seemed to be the thing called for. Because no sooner were they seated in the actress' car and headed north along the drive, than she, instead of answering Rose's question, repeated one of her own.
"I ask who you are, and you say your name--Rose something. But that tells me nothing. Who are you--one of them?"
"No, not exactly," said Rose. "Only by accident. The man I married is--one of them, in a way. I mean, because of his family and all that. And so they take me in."
"So you are married," said the French woman. "But not since long?"
"Six months," said Rose.
She said it so with the air of regarding it as a very considerable period of time that Gréville laughed.
"But tell me about him then, this husband of yours. I saw him perhaps at the tea this afternoon?"
Rose laughed. "No, he draws the line at teas," she said. "He says that from seven o'clock on, until as late as I like, he's--game, you know--willing to do whatever I like. But until seven, there are no--well, he says, siren songs for him."
"Tell me--you will forgive the indiscretions of a stranger?--how has it arrived that you married him? Was it one of your American romances?"
"It didn't seem very romantic," said Rose. "I mean not much like the romantic stories you read, and of course one couldn't make a story about it, because there was nothing to tell. We just happened to get acquainted, and we knew almost straight off that we wanted to marry each other, so we did. Some people thought it was a little--headlong, I suppose, but he said it was an adventure anyway, and that people could never tell how it was going to come out until they tried. So we tried, and--it came out very well."
"It 'came out'?" questioned the actress.
"Yes," said Rose. "Ended happily, you know."
"Ended!" Madame Gréville echoed. Then she laughed.
Rose flushed and smiled at herself. "Of course I don't mean that," she admitted, "and I suppose six months isn't so very long. Still you could find out quite a good deal ..."
"What is his affair?" The actress preferred asking another question, it seemed, to committing herself to an answer to Rose's unspoken one. "Is he one of your--what you call tired business men?"
"He's never tired," said Rose, "and he isn't a business man. He's a lawyer--a rather special kind of lawyer. He has other lawyers, mostly, for his clients, he's awfully enthusiastic about it. He says it's the finest profession in the world, if you don't let yourself get dragged down into the stupid routine of it. It certainly sounds thrilling when he tells about it."
The actress looked round at her. "So," she said, "you follow his work as he follows your play? He talks seriously to you about his affairs?"
"Why, yes," said Rose, "we have wonderful talks." Then she hesitated. "At least we used to have. There hasn't seemed to be much--time, lately. I suppose that's it."
"One question more," said the French woman, "and not an idle one--you will believe that? _Alors!_ You love your husband. No need to ask that. But how do you love him? Are you a little indulgent, a little cool, a little contemptuous of the grossness of masculine clay, and still willing to tolerate it as part of your bargain? Is that what you mean by love? Or do you mean something different altogether--something vital and strong and essential--the meeting of thought with thought, need with need, desire with desire?"
"Yes," said Rose after a little silence, "that's what I mean."
She said it quietly, but without embarrassment and with full meaning; and as if conscious of the adequacy of her answer, she forbore to embroider on the theme. There was a momentary silence, while the French woman gazed contemplatively out of the open window of the limousine, at a skyscraping apartment building which jutted boldly into a curve of the parkway they were flying along.
"That's a beauty, isn't it?" said Rose, following her gaze. "Every apartment in that building has its own garage that you get to with an elevator."
The actress nodded. "You Americans do that;" she said, "better than any one else in the world. The--surfaces of your lives are to marvel at."
"But with nothing inside?" asked Rose. "Is that what you mean? Is--that what you mean about--American women, that you said you'd tell me?"
Madame Gréville took her time about answering. "They are an enigma to me," she said, "I confess it. I have never seen such women anywhere, as these upper-class Americans. They are beautiful, clever, they know how to dress. For the first hour, or day, or week, of an acquaintance, they have a charm quite incomparable. And, up to a certain point, they exercise it. Your _jeunes filles_ are amazing. All over the world, men go mad about them. But when they marry ..." She finished the sentence with the ghost of a shrug, and turned to Rose. "Can you account for them? Were you wondering at them, too, with those great eyes of yours? _Alors_! Are we puzzled by the same thing? What is it, to you, they lack?"
Rose stirred a little uneasily. "I don't know very much," she said. "I don't know them well at all, and of course I shouldn't criticize ..."
"Ah, child," broke in the actress, "there you mistake yourself. One must always criticize. It is by the power of criticism and the courage of criticism, that we have become different from the beasts."
"I don't know," said Rose, "except that some of them seem a little dissatisfied and restless, as if--well, as if they wanted something they haven't got."
"But do they truly want it?" Madame Gréville demanded. "I am willing to be convinced, but myself, I find of your women of the aristocrat class, the type most characteristic is"--she paused and said the thing first to herself in French, then translated--"is a passive epicure in sensations; sensations mostly mental, irritating or soothing--a pleasant variety. She waits to be made to feel; she perpetually--tastes. One may demand whether it is that their precocity has exhausted them before they are ripe, or whether your Puritan strain survives to make all passion reprehensible, or whether simply they have too many ideas to leave room for anything else. But, from whatever cause, they give to a stranger like me, the impression of being perfectly frigid, perfectly passionless. And so, as you say, of missing the great thing altogether.
"A few of your women are great, but not as women, and of second-rate men in petticoats, you have a vast number. But a woman, great by the qualities of her sex, an artist in womanhood, I have not seen."
"Oh, I wish," cried Rose, "that I knew what you meant by that!"
"Why, regard now," said the actress. "In every capital of Europe--and I know them all--wherever you find great affairs--matters of state, diplomacy, politics--you find the influence of women in them; women of the great world, sometimes, sometimes of the half-world; great women, at all events, with the power to make or ruin great careers; women at whose feet men of the first class lay all they have; women the tact of whose hands is trusted to determine great matters. They may not be beautiful (I have seen a faded little woman of fifty, of no family or wealth, whose salon attracted ministers of state), they haven't the education, nor the liberties that your women enjoy, and, in the mass, they are not regarded--how do you say?--chivalrously. Yet there they are!
"And why? Because they are capable of great passions, great desires. They are willing to take the art of womanhood seriously, make sacrifices for it, as one must for any art, in order to triumph in it."
Rose thought this over rather dubiously. It was a new notion to her--or almost new. Portia had told her once she never would have any trouble making her husband "want" her as much as she liked. This idea of making a serious art of your power to attract and influence men, seemed to range itself in the same category.
"But suppose," she objected, "one doesn't want to triumph at it? Suppose one wants to be a--person, rather than just a woman?"
"There are other careers indeed," Madame Gréville admitted, "and one can follow them in the same spirit, make the sacrifices--pay the price they demand. _Mon dieu!_ How I have preached. Now you shall talk to me. It was for that I took you captive and ran away with you."
For the next half-hour, until the car stopped in front of her house, Rose acted on this request; told about her life before and since her marriage to Rodney, about her friends, her amusements--anything that came into her mind. But she lingered before getting out of the car, to say:
"I hope I haven't forgotten a single word of your--preaching. You said so many things I want to think about."
"Don't trouble your soul with that, child," said the actress. "All the sermon you need can be boiled down into a sentence, and until you have found it out for yourself, you won't believe it."
"Try me," said Rose.
"Then attend.--How shall I say it?--Nothing worth having comes as a gift, nor even can be bought--cheap. Everything of value in your life will cost you dear; and some time or other you'll have to pay the price of it."
It was with a very thoughtful, perplexed face that Rose watched the car drive away, and then walked slowly into her house--the ideal house that had cost Florence McCrea and Bertie Willis so many hours and so many hair-line decisions--and allowed herself to be relieved of her wraps by the perfect maid, who had all but been put in the lease.
The actress had said many strange and puzzling things during their ride; things to be accepted only cautiously, after a careful thinking out. But strangest of all was this last observation of hers; that there was nothing of worth in your life that you hadn't to pay a heavy price for.
Certainly it contradicted violently everything in Rose's experience, for everything she valued had come to her precisely as a gift. Her mother's and Portia's love of her, the life that had surrounded her in school and at the university, the friends; and then, with her marriage, the sudden change in her estate, the thrills, the excitement, the comparative luxuries of the new life. Why,--even Rodney himself, about whom everything else swung in an orbit! What price had she paid for him, or for any of the rest of it? It was all as free as the air she breathed. It had come to her without having cost even a wish. Was Rodney's love for her, therefore, valueless? No, the French woman was certainly wrong about that.
## CHAPTER III
WHERE DID ROSE COME IN
However, it was one thing to decide that this was so, and quite another thing to dismiss the preposterous idea from her mind. There was still an hour before she need begin dressing for the Randolph dinner, but as she had already had her tea and there was nothing else to do, she thought she might as well go about it. It might help her resist a certain perfectly irrational depression which the talk with the actress, somewhat surprisingly, had produced. And besides, if she were all dressed when Rodney came home, she'd be free to visit with him while he dressed--to sit and watch him swearing at his studs, and tell him about the events of her day, including their climax in the ride with the famous Simone Gréville. And he'd come over every now and then and interrupt himself and her with some sort of unexpected caress--a kiss on the back of her neck, or an embrace that would threaten her coiffure--and this vague, scary, nightmarish sort of feeling, which for no reasonable reason at all seemed to be clutching at her, would be forgotten.
It was a queer sort of feeling--a kind of misgiving, in one form or another, as to her own identity--as if all the events since her marriage were nothing but a dream of Rose Stanton's, from which, with vague painful stirrings, she was just beginning to wake. Or, again, as if for all these months, she had been playing a part in a preposterously long play, on which the curtain was, presently, going to be rung down. She wished Rodney would come--hoped he wouldn't be late, and finally sat down before the telephone with a half-formed idea of calling him up and reminding him that they were dining with the Randolphs.
Just as she laid her hand upon the receiver, the telephone bell rang. It was Rodney calling her.
"Oh, that you, Rose?" he said. "I shan't be out till late to-night. I've got to work."
She wanted to know what he meant by late.
"I've no idea," he said. "Ten--twelve--two. I've got to get hold of something, but I've no idea how long it will take."
"But, Roddy, dearest," she protested. "You have to come home. You've got the Randolphs' dinner."
"Oh, the devil!" he said. "I forgot all about it. But it doesn't make a bit of difference, anyway. I wouldn't leave the office before I finished this job, for anybody short of the Angel Gabriel."
"But what shall we do?" she asked despairingly.
"I don't know," said Rodney. "Call them up and tell them. Randolph will understand."
"But,"--it was absurd that her eyes should be filling up and her throat getting lumpy over a thing like this,--"but what shall I do? Shall I tell Eleanor _we_ can't come, or shall I offer to come without you?"
"Lord!" he said, "I don't care. Do whichever you like. I've got enough to think about without deciding that. Now do hang up and run along."
"But, Rodney, what's happened? Has something gone wrong?"
"Heavens, no!" he said. "What is there to go wrong? I've got a big day in court to-morrow and I've struck a snag, and I've got to wriggle out of it somehow, before I quit. It's nothing for you to worry about. Go to your dinner and have a good time. Good-by."
The click in the receiver told her he had hung up. The difficulty about the Randolphs was managed easily enough. Eleanor was perfectly gracious about it and insisted that Rose should come by herself.
She was completely dressed a good three-quarters of an hour before it was time to start, and after pretending for fifteen interminable minutes to read a magazine, she chucked it away and told her maid to order the car at once. If she drove straight down-town, she could have a ten-minute visit with Rodney and still not be late for the dinner. She was a little vague as to why she wanted it so much, but the prospect was irresistible.
If any one had accused her of feeling very meritorious over not having allowed herself to be hurt at his rudeness to her or annoyed at the way he had demolished their evening's plans, and of hoping to make him feel a little contrite by showing him how sweet she was about it, she might, with a rueful grin, have acknowledged a tincture of truth about the charge; but she didn't discover it by herself. As she dreamed out the little scene, riding down-town in the car, she'd come stealing up behind him as he sat, bent wearily over his book, and clasp her hands over his eyes and stroke the wrinkles out of his forehead. He'd give a long sigh of relaxation, and pull her down on the chair-arm and tell her what it was that troubled him, and she'd tell him not to worry--it was surely coming out all right. And she'd stroke his head a little longer and offer not to go to the dinner if he wanted her to stay, and he'd say, no, he was better already, and then she'd give him a good-by kiss and steal away, and be the life of the party at the Randolphs' dinner, but her thoughts would never leave him....
She knew she was being silly of course, and her beautiful wide mouth smiled an acknowledgment of the fact, even while her checks flushed and her eyes brightened over the picture. Of course it wouldn't come out exactly like that.
Well, it didn't!
She found a single elevator in commission in the great gloomy rotunda of the office building, and the watchman who ran her up made a terrible noise shutting the gate after he had let her out on the fifteenth floor. The dim marble corridor echoed her footfalls ominously, and when she reached the door to his outer office and tried it, she found it locked. The next door down the corridor was the one that led directly into his private office, and here the light shone through the ground-glass.
She stole up to it as softly as she could, tried it and found it locked, too, so she knocked. Through the open transom above it, she heard him say "Hell!" in a heartfelt sort of way, and heard his chair thrust back. The next moment he opened the door with a jerk.
His glare of annoyance changed to bewilderment at the sight of her, and he said:
"Rose! Has anything happened? What's the matter?" And catching her by the arm, he led her into the office. "Here, sit down and get your breath and tell me about it!"
She smiled and took his face in both her hands. "But it's the other way," she said. "There's nothing the matter with me. I came down, you poor old boy, to see what was the matter with you."
He frowned and took her hands away and stepped back out of her reach. Had it not been for the sheer incredibility of it, she'd have thought that her touch was actually distasteful to him.
"Oh," he said. "I thought I told you over the phone there was nothing the matter!--Won't you be awfully late to the Randolphs'?"
"I had ten minutes," she said, "and I thought ..."
She broke off the sentence when she saw him snap out his watch and look at it.
"I know there's something," she said. "I can tell just by the way your eyes look and the way you're so tight and--strained. If you'd just tell me about it, and then sit down and let me--try to take the strain away...."
Beyond a doubt the strain was there. The laugh he meant for a good-humored dismissal of her fears, didn't sound at all as it was intended to.
"Can't you tell me?" she repeated.
"Good heavens!" he said. "There's nothing to tell! I've got an argument before the Court of Appeals to-morrow and there's a ruling decision against me. It is against me, and it's bad law. But that isn't what I want to tell them. I want some way of making a distinction so that I can hold that the decision doesn't rule."
"And it wouldn't help," she ventured, "if you told me all about it? I don't care about the dinner."
"I couldn't explain in a month," he said.
"Oh, I wish I were some good," she said forlornly.
He pulled out his watch again and began pacing up and down the room.
"I just can't stand it to see you like that," she broke out again. "If you'll only sit down for five minutes and let me try to get that strained look out of your eyes...."
"Good God, Rose!" he shouted. "Can't you take my word for it and let it alone? I'm not ill, nor frightened, nor broken-hearted. I don't need to be comforted nor encouraged. I'm in an intellectual quandary. For the next three hours, or six, or however long it takes, I want my mind to run cold and smooth. I've got to be tight and strained. That's the way the job's done. You can't solve an intellectual problem by having your hand held, or your eyes kissed, or anything like that. Now, for God's sake, child, run along and let me forget you ever existed, for a while!"
And he ground his teeth over an impulse that all but got the better of him, after she'd shut the door, to follow her out into the corridor and pull her up in his arms and kiss her face all over, and to consign the Law and the Prophets both, to the devil.
## CHAPTER IV
LONG CIRCUITS AND SHORT
James Randolph was a native Chicagoan, but his father, an intelligent and prosperous physician, with a general practise in one of the northern suburbs, afterward annexed to the city, did not belong to the old before-the-fire aristocracy that Rodney and Frederica, and Martin Whitney, the Crawfords and Violet Williamson were born into. The medical tradition carried itself along to the third generation, when James made a profession of it, and in him, it flowered really into genius. From the beginning his bent toward the psychological aspect of it was marked and his father was sympathetic enough to give it free sway. After graduating from one of the Chicago medical colleges he went to Johns Hopkins, and after that to Vienna, where he worked mostly under Professor Freud.
It was in Vienna that he met Eleanor Blair. She, too, was a native of Illinois, but this fact cut a very different figure in her life from that which it cut in his. Her grandfather, a pioneer, forceful, thrifty and probably rather unscrupulous, had settled on the wonderfully fertile land at a time when one had almost to drive the Indians off it. He had accumulated it steadily to the day of his death and died in possession of about thirty thousand acres of it. It was in much this fashion that a feudal adventurer became the founder of a line of landed nobility, but the centrifugal force of American life caused the thing to work out differently. His son had an eastern college education, got elected to Congress, as a preliminary step in a political career, went to Washington, fell in love with and married the beautiful daughter of an unreconstructed and impoverished southern gentleman. She detested the North, and as her love for the South found its expression in passionate laments over its ruin, uncomplicated by any desire to live there, she spent more and more of her time--her husband's faint wishes becoming less and less operative with her until they ceased altogether--in one after another of the European capitals.
So Eleanor, two generations away from the fertile soil of central Illinois, was as exotic to it as an orchid would be in a New England garden. Two or three brief perfunctory visits to the land her income came from, and to the relatives who still lived upon it, became the substitute for what, in an older and stabler civilization, would have been the dominant tradition in her life.
She must have been a source of profound satisfaction to large numbers of French, Italian, Austrian and English persons, to whose eminent social circles her mother's wealth and breeding gained admittance, by embodying for them, with perfect authenticity, their notion of the American girl. She was rich, beautiful, clever in a rather shallow, "American" way, she had a will of her own, and was indulged by her mother with an astounding amount of liberty; she was audacious, yet with a tempering admixture of cool shrewdness, which kept her out of the difficulties she was always on the brink of.
Kept her out of them, that is, until, in Vienna, as I have said, she met James Randolph. That she fell in love with him is one of those facts which seem astonishing the first time you look at them, and inevitable when you look again. Physically, a sanguine blond, with a narrow head, a forward thrusting nose, and really blue eyes, his dominating spiritual quality was the sort of asceticism which proclaims not weak anemic desires, but strong unruly ones, curbed in by the hand of a still stronger will. He was highly imaginative, as a successful follower of the Freudian method must be. He was capable of the gentlest sympathy, and of the most relentless insistence. And he thought, until he met Eleanor Blair, that he was, indisputably, his own master.
The wide social gulf between them--between a beautiful American heiress with the entry into all circles of aristocratic society, except the highest, and an only decently pecunious medical student, caught both of them off their guard. The utter unlikelihood of anything coming of such an acquaintance as theirs, was just the ambush needed to make it possible for them to fall in love. They would, probably, have attracted each other anywhere. But, in a city like Vienna, where all the sensuous appurtenances of life are raised to their highest power, the attraction became irresistible.
He did resist as long as he could--successfully, indeed, to the point of holding himself back from asking her to marry him, or even explicitly from making love to her. But the thing shone through his deeply-colored emotions, like light through a stained-glass window. And when she asked him to marry her, as she did in so many words--pleaded her homesickness for a home she had never known, and a loneliness she had suddenly become aware of, amid would-be friends and lovers, who could not, not one of them, be called disinterested, his resistance melted like a powder of April snow.
It was the only serious obstacle she had to overcome. The terms of her father's will left her share of the income of the estate wholly at her disposal. And so, in spite of her mother's horrified protest, they were married, and not long afterward, her mother, who was still a year or two on the sunny side of fifty, gratified her aristocratic yearnings by marrying a count herself.
The Randolphs came back to America and, somewhat against Eleanor's wishes, settled in Chicago. With her really very large income, her exotic type of beauty and her social skill, she was probably right in thinking she could have made a success anywhere. One of the larger eastern cities--preferably New York or Washington, would have suited her better. But Chicago, he said, was where he belonged and where his best chance for professional success lay, and she yielded, though without waiving her privilege of making a more or less good-humored grievance of it. However, she found the place much more tolerable than riding into and out of it on the train a few times had led her to expect.
She knew a few people of exactly the right sort and she neatly and almost painlessly detached her husband from his old Lake View associations. She looked out a house in precisely the right neighborhood, and furnished it to combine the splendor of her income with the simple austerity of his profession in just the right proportions. She trailed her game with unfailing precision, never barked up the wrong tree, could distinguish a goat from a sheep as far as she could see one, and in no time at all had won the exact position she wanted.
Her attitude toward her husband (you have already had a sample of it at Frederica's famous dinner, where Rodney was supposed to take the preliminary steps toward marrying Hermione Woodruff) attracted general admiration, and it was fortified, of course, by the story of their romantic marriage. It was conceded she had done a very fine and splendid thing in marrying the man she loved, settling down to live with him on so comparatively simple and modest a scale, and devoting herself so whole-heartedly to his career. She had an air--and it wasn't consciously assumed, either--of living wholly with reference to him, which people found exceedingly engaging. (A cynic might observe at this point that the same quality in a homely unattractive woman would fail of producing this effect.)
Indeed, he had much to be grateful for. But for the fact that his wife was accepted without reserve, a man whose principal preoccupation was with matters of sex psychology, who was said to cure hysterical and neurasthenic patients by the interpretation of their dreams, would have been regarded askance by the average run of common-sense, golf-playing men of affairs. Even his most miraculous cures would be attributed to the imaginary nature of the disease, rather than to the skill of the physician.
Not even his wife's undeniable charm could altogether efface this impression from the mind of this sort of man. But though his way of turning the theme of a smoking-room story into a subject for serious scientific discussion might make you uncomfortable, you couldn't meet James Randolph and hear him talk, without respecting him. He was attractive to women (it amounted almost to fascination with the neurotic type), and to men of high intelligence, like Rodney, he was a boon and a delight. And the people who liked him least were precisely those most attracted by his wife. Anyhow, no one refused an invitation to their dinners.
Rose's arrival at this one--a little late, to be sure, but not scandalously--created a mild sensation. None of the other guests were strangers, either, on whom she could have the effect of novelty. They were the same crowd, pretty much, who had been encountering one another all winter--dancing, dining and talking themselves into a state of complete satiety with one another. They'd split up pretty soon and branch out in different directions--the Florida east coast, California, Virginia Hot Springs and so on, and so galvanize their interest in life and in one another. At present they were approaching the lowest ebb.
But when Rose came into the drawing-room--in a wonderful gown that dared much, and won the reward of daring--a gown she'd meant to hold in reserve for a greater occasion, but had put on to-night because she had felt somehow like especially pleasing Rodney--when she came in, she reoxygenated the social atmosphere. She won a moment of complete silence, and when the buzz of talk arose again, it was jerky--the product of divided minds and unstable attentions.
She was, in fact, a stranger. Her voice had a bead on it which roused a perfectly unreasoning physical excitement--the kind of bead which, in singing, makes all the difference between a church choir and grand opera. The glow they were accustomed to in her eyes, concentrated itself into flashes, and the flush that so often, and so adorably, suffused her face, burnt brighter now in her cheeks and left the rest pale.
And these were true indices of the change that had taken place within her. From sheer numb incredulity, which was all she had felt as she'd walked away from Rodney's office door, and from the pain of an intolerable hurt, she had reacted to a fine glow of indignation. She had found herself suddenly feeling lighter, older, indescribably more confident. That dinner was to be gone through with, was it? Well, it should be! They shouldn't suspect her humiliation or her hurt. She was conscious suddenly of enormous reserves of power hitherto unsuspected--a power that could be exercised to any extent she chose, according to her will.
Her husband, James Randolph reflected, had evidently either been making love to her, or indulging in the civilized equivalent of beating her; he was curious to find out which. And having learned from his wife that Rose was to sit beside him at the table, he made up his mind that he would make her tell him.
He didn't attempt it, though, during his first talk with her--confined himself rigorously to the carefully sifted chaff which does duty for polite conversation over the same hors-d'oeuvres and entrées, from one dinner to the next, the season round. It wasn't until Eleanor had turned the table the second time, that he made his first gambit in the game.
"No need asking you if you like this sort of thing," he said. "I would like to know how you keep it up. You have the same things said to you seven nights a week and you make the same answers--thrust and parry, carte and tierce, buttons on the foils. It can't any of it get anywhere. What's the attraction?"
"You can't get a rise out of me to-night," said Rose. "Not after what I've been through to-day. Madame Gréville's been talking to me. She thinks American women are dreadful dubs,--or she would if she knew the word--thinks we don't know our own game. Do you agree with her?"
"I'll tell you that," he said, "after you answer my question. What's the attraction?"
"Don't you think it would be a mistake," said Rose, "for me to try to analyze it? Suppose I did and found there wasn't any! You aren't supposed to look a gift horse in the mouth, you know."
"Is that what's the matter with Rodney?" he asked. "Is this sort of"--a gesture with his head took in the table--"caramel diet, beginning to go against his teeth?"
"He had to work to-night," Rose said. "He was awfully sorry he couldn't come."
She smiled just a little ironically as she said it, and exaggerated by a hair's breadth, perhaps, the purely conventional nature of the reply.
"Yes," he observed, "that's what we say. Sometimes it gets us off and sometimes it doesn't."
"Well, it got him off to-night," she said. "He was pretty impressive. He said there was a ruling decision against him and he had to make some sort of distinction so that the decision wouldn't rule. Do you know what that means? I don't."
"Why didn't you ask him?" Randolph wanted to know.
"I did and he said he could explain it, but that it would take a month. So of course there wasn't time."
"I thought," said Randolph, "that he used to talk law to you by the hour."
The button wasn't on the foil that time, because the thrust brought blood--a bright flush into her cheeks and a sudden brightness into her eyes that would have induced him to relent if she hadn't followed the thing up of her own accord.
"I wish you'd tell me something," she said. "I expect you know better than any one else I could ask. Why is it that husbands and wives can't talk to each other? With people who live the way we do, it isn't that they've worn each other out, because they see no more of each other, hardly, than they do of the others. And it isn't that they're naturally more uninteresting to each other than the rest of the people they know. Because then, why did they marry each other in the first place, instead of any one of the others who are so easy to talk to afterward? Imagine what this table would be if the husbands and wives sat side by side! Would Eleanor ever be able to turn it so that they talked that way?"
"That's a fascinating speculation," he said. "I wish I could persuade her some time to indulge the wild eccentricity of trying it out."
"Well, why?" she demanded.
"Shall I try to say something witty," he asked, "or do you want it, as near as may be, absolutely straight?"
"Let's indulge," she said, "in the wild, eccentricity of talking straight."
The cigarettes came around just then, and he lighted one rather deliberately, at one of the candles, before he answered.
"I am under the impression," he said, "that husbands and wives can talk exactly as well as any other two people. Exactly as well, and no better. The necessary conditions for real conversation are a real interest in and knowledge of a common subject; ability on the part of both to contribute something to that subject. Well, if a husband and wife can meet those terms, they can talk. But the joker is, as our legislative friend over there would say," (he nodded down the table toward a young millionaire of altruistic principles, who had got elected to the state assembly) "the joker is that a man and a woman who aren't married, and who are moderately attracted to each other, can talk, or seem to talk, without meeting those conditions."
"Seem to talk?" she questioned.
"Seem to exchange ideas mutually. They think they do, but they don't. It's pure illusion, that's the answer."
"I'm not clever, really," said Rose, "and I don't know much, and I simply don't understand. Will you explain it, in short words,"--she smiled--"since we're not married, you know?"
He grinned back at her. "All right," he said, "since we're not married, I will. We'll take a case ..." He looked around the table. "We'll be discreet," he amended, "and take a hypothetical case. We'll take Darby and Joan. They encounter each other somewhere, and something about them that men have written volumes about and never explained yet, sets up--you might almost call it a chemical reaction between them--a physical reaction, certainly. They arrest each other's attention--get to thinking about each other, are strongly drawn together.
"It's a sex attraction--not quite the oldest and most primitive thing in the world, but nearly. Only, Darby and Joan aren't primitive people. If they were, the attraction would satisfy itself in a direct primitive way. But each of them is carrying a perfectly enormous superstructure of ideas and inhibitions, emotional refinements and capacities, and the sex attraction is so disguised that they don't recognize it. Do you know what a short circuit is in electricity?"
"I think so," said Rose, "but you'd better not take a chance. Tell me that, too."
"Why," he said, "the juice that comes into your house to light it and heat the flat-irons and the toaster, and so on, comes in by one wire and goes out by another. Before it can get out, it's got to do all the work you want it to do--push its way through the resistance of fine tungsten filaments in your lamps and the iron wires in your heaters that get white hot resisting it. When it's pushed its way through all of them and done the work you want it to do, it's tired out and goes away by the other wire. But if you cut off the insulation down in the basement, where those two wires are close together, and make it possible for the current to jump straight across without doing any work, it will take the short circuit instead of the long one and you won't have any lights in your house. Now do you see what I mean?
"Darby and Joan are civilized. That is to say, they're insulated. The current's there, but it's long-circuited. The only expression it's got is through the intelligence,--so it lights the house. Absence of common knowledge and common interests only adds to the resistance and makes it burn all the brighter. Naturally Darby and Joan fall victims to the very dangerous illusion that they're intellectual companions. They think they're having wonderful talks. All they are doing, is long-circuiting their sex attraction. Well, marriage gives it a short circuit. Why should the current light the lamps when it can strike straight across? There you are!"
"And poor Joan," said Rose, after a palpable silence, but evenly enough, "who has thought all along that she was attracting a man by her intelligence and her understanding, and all that, wakes up to find that she's been married for her long eyelashes, and her nice voice--and her pretty ankles. That's a little hard on her, don't you think, if she's been taking herself seriously?"
"Nine times in ten," he said, "she's fooling herself. She's taken her own ankles much more seriously than she has her mind. She's capable of real sacrifices for them--for her sex charm, that is. She'll undergo a real discipline for it. Intelligence she regards as a gift. She thinks the witty conversation she's capable of after dinner, on a cocktail and two glasses of champagne, or the bright letters she can write to a friend, are real exercises of her mind--real work. But work isn't done like that. Work's overcoming something that resists; and there's strain in it, and pain and discouragement."
In her cheeks the red flared up brighter. She smiled again--not her own smile--one at any rate that was new to her.
"You don't 'solve an intellectual problem' then;" she quoted, "'by having your hand held, or your eyes kissed?'"
Whereupon he shot a look at her and observed that evidently he wasn't as much of a pioneer as he thought.
She did not rise to this cast, however. "All right;" she said, "admitting that her ankles are serious and her mind isn't, what is Joan going to do about it?"
"It's easier to say what she's not to do," he decided, after hesitating a moment. "Her fatal mistake will be to despise her ankles without disciplining her mind. If she will take either one of them seriously, or both for that matter--it's possible--she'll do very well."
He could, no doubt, have continued on the theme indefinitely, but the table turned the other way just then and Rose took up an alleged conversation with the man at her right which lasted until they left the table and included such topics as indoor golf, woman's suffrage, the new dances, Bernard Shaw, Campanini and the Progressive party; with a perfectly appropriate and final comment on each.
Rose didn't care. She was having a wonderful time--a new kind of wonderful time. No longer gazing, big-eyed like little Cinderella at a pageant some fairy godmother's whim had admitted her to, but consciously gazed upon; she was the show to-night, and she knew it. Her low, finely modulated voice so rich in humor, so varied in color, had to-night an edge on it that carried it beyond those she was immediately speaking to and drew looks that found it hard to get away again. For the first time in her life, with full self-consciousness, she was producing effects, thrilling with the exercise of a power as obedient to her will as electricity to the manipulator of a switchboard.
She was like a person driving an aeroplane, able to move in all three dimensions. Pretty soon, of course, she'd have to come hack to earth, where certain monstrously terrifying questions were waiting for her.
Madame Gréville's final apothegm had suggested one of them. Was all she valued in the world just so much fairy gold that would change over night into dry leaves in her treasure chest because she had never earned it--paid the price for it that life relentlessly exacts for all we may be allowed to call ours?
Her tragi-comic scene with Rodney suggested another. What was her value to him? Was she something enormously desirable when he wanted his hand held and his eyes kissed, but an infernal nuisance when serious matters were concerned? A fine and luxurious dissipation, not dangerous unless recklessly indulged in, but to be kept strictly in her place? Before her talk with Randolph she'd have laughed at that.
But did the horrible plausibility of what he had said actually cover the truth? Did she owe that first golden hour with Rodney, his passionate thrilling avowal of his life's philosophy, to nothing deeper in herself than her unconscious power of rousing in him an equally unconscious, primitive sex desire? Was the fine mutuality of understanding she had so proudly boasted to her mother clear illusion? Now that the short circuit had been established, would the lights never burn in the upper stories of their house again? Turned about conversely the question read like this: Was the thing that had, in Randolph himself, aroused his vivid interest in the subject--well, nothing more than the daring cut of her gown, the gleam of her jewels, the whiteness of her skin ...?
Those questions were waiting for her to come back to earth; and they wouldn't get tired and go away. But for the present the knowledge that they were there only made the aeroplane ride the more exhilarating.
She was called to the telephone just as she was on the point of starting reluctantly for home, and found Rodney on the wire. He told her that he had got hold of the thing he was looking for, but that there were still hours of work ahead of him while he was fortifying himself with necessary authorities. He wouldn't come home to-night at all, he said. When his work was finished, he'd go to the club and have a Turkish bath and all the sleep he had time for. When he got through in court to-morrow afternoon, he'd come home.
It was all perfectly reasonable--it was to her finely tuned ear just a shade too reasonable. It had been thought out as an excuse. Because it wasn't for the Turkish bath nor the extra hour's sleep that he was staying away from home. It was herself he was staying away from. He wanted his mind to stay cold and taut, and he was afraid to face the temptation of her eyes and her soft white arms. And in the mood of that hour, it pleased her that this should be so--that the ascetic in him should pay her the tribute of fear.
Afterward, of course, she felt like lashing herself for having felt like that and for having replied, in a spirit of pure coquetry, in a voice of studied, cool, indifferent good humor:
"That's a good idea, Roddy. I'm glad you're not coming back. Good night."
## CHAPTER V
RODNEY SMILED
It was with a reminiscent smile that Rose sat down before her telephone the next morning and called a number from memory. Less than a year ago, it had been such a thrilling adventure to call the number of that fraternity house down at the university and ask, in what she conceived to be a businesslike way, for Mr. Haines. And then, presently, to hear the voice of the greatest half-back the varsity had boasted of in years, saying in answer to her "Hello, Harry," "Hello, Rose."
It was really less than a year, and yet it was so immensely long ago, judged by anything but the calendar, that the natural way to think of him was as a married man with a family somewhere and faint memories of the days when he was a student and used to flirt with a girl called Rose something--Rose Stanton, that was it!
It was during one of the interminable waking hours of last night that she had thought of the half-back as a person who might be able, and willing, to do her the service she wanted, and she had spent a long while wondering how she could get track of him. Then the logic of the calendar had forced the conviction on her, that he was, in all probability still at the university, dozing through recitations, or lounging about the corridors, in a blue serge suit and a sweater with a C on it, waiting for some other girl to come out of her class-room; and that between the hours of ten-fifteen and eleven, it was altogether likely that she'd find him again, as she had so many times in the past, at his fraternity house, going through the motions of getting up an eleven o'clock recitation. It was absurd enough now to find herself calling the old number and asking again for Mr. Haines. The dreamlike unreality of it grew stronger, when the voice that answered said, "Just a minute," and then bellowed out his old nickname--"Hello, Tiny! Phone!" and, after a wait, she heard his own very deep bass.
"Hello. What is it?"
"Hello, Harry," she said. "This is Rose Aldrich. Do you remember me?--Rose Stanton, you know."
The ensuing silence was so long, that she said "Hello" again to make sure that he was still there.
"Y--yes," he said. "Of--of course I haven't forgotten. I--I only ... I ..."
She wondered what he was so embarrassed about, but to save the situation, she interrupted.
"Are you going to be awfully busy this afternoon? Because, if you aren't, there's something you can do for me. You're in the law school this year, aren't you?"
"Yes," he said. "Of course I'm not busy at all."
"It'll take quite a little while," she warned him, "an hour or so, and I don't want to interfere with anything you've got to do."
Again he assured her that he hadn't anything.
"Well, then," she said rather dubiously, because his voice sounded still so constrained and unnatural, "I'll come down in the car and pick you up about half past one. Is that all right?"
"Yes," he said. "Yes, of course. Thank you very much."
Had inclination led Rose to do a little imaginative thinking about the half-back, from his own point of view, she might, without much trouble, have approximated the cause of his embarrassment.
Here is a poor but honest young man, who has devoted himself, heart, brain and good right arm, to the service of a beautiful young fellow student at the university. They must wait for each other, of course, until he can graduate and get admitted to the bar and make a success that will enable him to support her as she deserves to be supported. The girl declines to wait. A much older man--a great, trampling brute of a man, possessed of wealth and fame, and a social altitude positively vertiginous--asks her to marry him. She, woman-weak, yields to the temptation of all the gauds and baubles that go with his name, and marries him. Indeed, few young men at the university ever have as valid an excuse for becoming broken-hearted misogynists as the half-back. He would he faithful, of course, though she was not. And some day, years later, it might he, she would come hack broken-hearted to him, confess the fatal mistake that she had made; seek his protection, perhaps, against the cruelties of the monster she had come to hate. He would forgive her, console her--in a perfectly moral way, of course--and for a while, they would just be friends. Then the wicked husband would conveniently die, and after long years, they could find happiness.
It made a very pretty idea to entertain during the semi-somnolent hours of dull lectures and while he was waiting for the last possible moment to leap out of bed in the morning and make a dash for his first recitation. Written down on paper, the imaginary conversation between them would have filled volumes.
But to be called actually to the telephone--she had telephoned to him a thousand times in the dream--and hear her say, just as in the dream she had said--"This is Rose; do you remember me?" was enough to make even his herculean knees knock together. To be sure her voice wasn't choked with sobs, but you never could tell over the telephone.
What did she want to do? Confront her husband with him, perhaps, this very afternoon, and say, "Here is the man I love?" And what would he do then? He'd have to back her up, of course--and until his next mouth's allowance came in, he had only a dollar and eighty-five cents in the world!
Rose couldn't have filled in all the details, of course, but she might have approximated the final result. Indeed, I think she had done so, unconsciously, by half past one, when her car stopped in front of the fraternity house and, instantaneously, like a cuckoo out of a clock, the half-back appeared. He was portentously solemn, and Rose thought he looked a little pale.
"Get in," she said holding out a hand to him. "I'm going to take you down-town to do an errand for me--well, two errands, really. My, but it's a long time since I've seen you!"
She didn't look tragic, to be sure--not as if there were livid bruises underneath her furs. And nothing about the manner of her greeting suggested that she was on the point of sobbing out a plea to be forgiven. Still, what did she mean by an errand? It might be anything.
"You see," she explained, "I happened to remember that you were going to begin studying law this year, and that you were just the person who wouldn't mind doing what I want."
"Divorce!" thought the half-back with a shudder.
"I want you," she went on, "to tell me just how you begin studying law--what text-books you get, and where you get them. I want you to come along and pick them out for me. You see, I've decided to study it myself."
It was a fact that the half-back was enormously relieved. But it was a brutal derisive fact--an unescapable one. He wasn't heart-broken over the dashing of a suddenly raised hope. He was, in his heart of hearts, saying, "Thank the Lord!"
If he had been pale before, he was red enough now. He felt ridiculous and irritable.
"Your husband knows all that a great deal better than I, of course," he said.
"Yes, of course," Rose was thoughtless enough to admit, "but you see, I don't want him to know." She flushed a little herself. "It's going to be a--surprise for him," she said.
"And, after we've got the books," she went on, "I want you to do something else. He's making an argument in court to-day, and I want to go and hear him. Only--I'm so ignorant, you see, I don't know how to do it and I didn't want to tell him I was going. So you're to find out where the court room is and how to get me in. Now, tell me all about everything and what's been happening since I went away. I saw you made the all-American last fall, and meant to write you a note about it, but I didn't get a chance. That was great!"
But even at this new angle, the talk didn't run smoothly. Because, precisely as the half-back forgot his terrors and the hopes that had prompted them, and the absurdity of both--precisely as he began to feel, after all, that it was a very superb and grown-up thing to be a familiar friend of a married woman with a limousine and a respectful chauffeur, and wonderful clothes and an air of taking them all for granted--precisely as he made up his mind to this, he became so very mature, and wise and blasé, modeled his manners and his conversation so strictly on John Drew in his attempt to rise to the situation, that the schoolboy topics she suggested froze on his tongue. So that, by the time he had picked out the books for her and seen them stowed away in the car, and then had telephoned Rodney's office to find what court he was appearing before, and finally taken her up to the eighth floor in the Federal Building and left her there, she was, though grateful, distinctly glad to be rid of him.
What heightened this feeling was that just as she caught herself smiling a little, down inside, over his callow absurdity, she reflected that a year ago they had been equals; that, as far as actual intelligence went, he was no doubt her equal to-day--her superior, perhaps. He'd gone on studying and she hadn't. Except for the long-circuited sex attraction that Doctor Randolph had been talking about last night, he was as capable of being an intellectual companion to her husband as she was. That idea stung the red of resolution into her cheeks. She would study law. She'd study it with all her might!
She was successful in her project of slipping into the rear of the court room without attracting her husband's attention, and for two hours and a half, she listened with mingled feelings, to his argument. A good part of the time she was occupied in fighting off, fiercely, an almost overwhelming drowsiness. The court room was hot of course, the glare from the skylight pressed down her eyelids; she hadn't slept much the night before. And then, there was no use pretending that she could follow her husband's reasoning. Listening to it had something the same effect on her as watching some enormous, complicated, smooth-running mass of machinery. She was conscious of the power of it, though ignorant of what made it go, and of what it was accomplishing.
The three stolid figures behind the high mahogany bench seemed to be following it attentively, though they irritated her bitterly, sometimes, by indulging in whispered conversations. Toward the end, though, as Rodney opened the last phase of his argument, one of them, the youngest--a man with a thick neck and a square head--hunched forward and interrupted him with a question; evidently a penetrating one, for the man sitting across the table from Rodney looked up and grinned, and interjected a remark of his own.
"I simply followed the cases cited in _Aldrich on Quasi Contracts_," he said. "I have a copy of the work here, in case Mr. Aldrich didn't bring one along himself, which I'd be glad to submit to the Court."
Rose gasped. It was his own book they were quoting against him.
"I propose to show," said Rodney, "if the Court please, that an absolutely vital distinction is to be made between the cases cited in the section of _Aldrich on Quasi Contracts_, which my honorable opponent refers to, and the case before the Court."
Then the other judges spoke up. They knew the cases, it appeared, and didn't want to look at the book, but it was clear that they were skeptical about the distinction. For five minutes the formal argument was lost in swift flashing phrases in which everybody took a part. Rodney was defending himself against them all. And Rose, in an agony because she couldn't understand it, was reminded, grotesquely enough, of the Gentleman of France, or some other of the sword-and-cloak heroes of her girlhood, defending the head of the stairway against the simultaneous assault of half a dozen enemies. And then suddenly it was over. The judges settled back again, the argument went on.
At half past four, the oldest judge, who sat in the middle, interrupted again to tell Rodney, with what seemed to Rose brutally bad manners, what time it was.
"If you can finish your argument in fifteen minutes, Mr. Aldrich, we'll hear you out. If it's going to take longer than that, the Court will adjourn till to-morrow morning."
"I don't think I shall want more than fifteen minutes," said Rodney, and he went on again.
And, presently, he just stopped talking and began stacking up his notes. The oldest judge mumbled something, everybody stood up and the three stiff formidable figures filed out by a side door. It was all over.
But nothing had happened!
Rose had been looking forward, you see, to a driving finish; to a dramatic summoning of reserves, a mighty onslaught. And at the end of it, as from the umpire at a ball game, to a decision. She had expected to leave the court room in the blissful knowledge of Rodney's victory or the tragic acceptance of his defeat. In her surprise over the failure of this climax to materialize, she almost neglected to make her escape before he discovered her there.
One practical advantage she had gained out of what was, on the whole, a rather unsatisfactory afternoon. When she had gone home and changed into the sort of frock she thought he'd like and come down-stairs in it in answer to his shouted greeting from the lower hall, she didn't say, as otherwise she would have done, "How did it come out, Roddy? Did you win?"
In the light of her newly-acquired knowledge, she could see how a question of that sort would irritate him. Instead of that, she said: "You dear old boy, how dog tired you must be! How do you think it went? Do you think you impressed them? I bet you did."
And not having been rubbed the wrong way by a foolish question, he held her off with both hands for a moment, then hugged her up and told her she was a trump.
"I had a sort of uneasy feeling," he confessed, "that after last night--the way I threw you out of my office, fairly, I'd find you--tragic. I might have known I could count on you. Lord, but it's good to have you like this! Is there anywhere we have got to go? Or can we just stay home?"
He didn't want to flounder through an emotional morass, you see. A firm smooth-bearing surface, that was what, for every-day use, he wanted her to provide him with; lightly given, casual caresses that could be accepted with a smile, pleasantness, a confident security that she wouldn't be "tragic." And on the assumption that she couldn't walk beside him on the main path of his life, it was just and sensible. But it wasn't good enough for Rose.
So the very next morning, she stripped the cover off the first of the books the half-back had picked out for her, and really went to work. She bit down, angrily, the yawns that blinded her eyes with tears; she made desperate efforts to flog her mind into grappling with the endless succession of meaningless pages spread out before her, to find a germ of meaning somewhere in it that would bring the dead verbiage to life. She tried to recall the thrill in Rodney's voice when he had told her, on that wonderful wind-swept afternoon, that the law was the finest profession in the world. Also, he had told her, he'd never been bored with it--it was immoral to be bored. It was a confession of defeat, anyway, she could see that. And she wouldn't--she absolutely would not be defeated.
In a variety of moods which included everything except real hope and confidence, she kept the thing up for weeks--didn't give up indeed, until Fate stepped in, in her ironic way, and took the decision out of her hands. She was very secretive about it; developed an almost morbid fear that Rodney would discover what she was doing and laugh his big laugh at her. She resisted innumerable questions she wanted to propound to him, from a fear that they'd betray her secret.
She even forbore to ask him about the case--it was The Case in her mind--the one she knew about, and as she struggled along with her heavy text-books, and a realization grew in her mind of the countless hours of such struggling on his part which must have lain behind his ability to make that argument that day, the thing accumulated importance to her. How could he, under the suspense of waiting for that decision, concentrate his mind on anything else?
She discovered in the newspaper one day, a column summary of court decisions that had been handed down, and though The Case wasn't in it, she kept, from that day forward, a careful watch--discovered where the legal news was printed, and never overlooked a paragraph. And at last she found it--just the bare statement "Judgment affirmed." Rodney, she knew, had represented the appellant. He was beaten.
For a moment the thing bruised her like a blow. She had never succeeded in entertaining, seriously, the possibility that it could end otherwise than in victory for him. She read it again and made sure. She remembered the names of both parties to the suit, and she knew which side Rodney was on. There couldn't be any mistake about it. And the certainty weighed down her spirits with a leaden depression.
And then, all at once, in the indrawing of a single breath, she saw it differently. Now that it had happened--and she couldn't help its happening--didn't it give her, after all, the very opportunity she wanted? She remembered what he had said the night he had turned her out of his office. He wasn't sick or discouraged. He was in an intellectual quandary that couldn't be solved by having his hand held or his eyes kissed.
She saw now, that that had been just enough. She couldn't help him out of his intellectual quandaries--yet. But under the discouragement and lassitude of defeat, couldn't she help him? She remembered how many times she had gone to him for help like that. In panicky moments when the new world she had been transplanted into seemed terrible to her; in moments when she feared she had made hideous mistakes; and, most notably, during the three or four days of an acute illness of her mother's, when she had been brought face to face with the monstrous, incredible possibility of losing her, how she had clung to him, how his tenderness had soothed and quieted her--how his strength and steady confidence had run through her veins like wine!
He had never come to her like that. She knew now it was a thing she had unconsciously longed for. And to-night she'd have a chance! Oddly enough, it turned out to be the happiest day she'd known in a long while. There was a mounting excitement in her, as the hours passed--a thrilling suspense. Perhaps, after all, it wasn't going to be necessary to grind through all those law-books in order to win the place beside him that she wanted. If she could comfort him--mother him in his defeat and discouragement--hold him fast when his world reeled around him, that would be the basis of a better companionship than mere ability to chop legal logic with him. She could he content with the shallow sparkle of the stream of their life together, if it deepened, now and then, into still pools like this.
She resisted the impulse to call him up on the telephone, and a stronger one to go straight to him at his office. She'd wait until he came home to her. She had been feeling wretched lately--headachy, nervous, sickish;--probably, she thought, from staying in the house too much and bending over her heavy law-books. Perhaps she had strained her eyes. But to-day these discomforts were forgotten. Every little while she straightened up and stood at an open window drawing in long breaths. He should see her at her best to-night--serene--triumphant. The pallor of her cheeks he had commented on lately, shouldn't be there to trouble him.
For two hours that afternoon, she listened for his latch-key, and when at last she heard it she stole down the stairs. He didn't shout her name from the hall, as he often did. He didn't hear her coming, and she got a look at his face as he stood at the table absently turning over some mail that lay there. He looked tired, she thought.
He saw her when she reached the lower landing, but for just a fraction of a second his gaze left her and went back to the letter he held in his hand, as if to satisfy himself it was of no importance before he tossed it away. Then he came to meet her.
"Oh!" he said. "I thought you were going to be off somewhere with Frederica this afternoon. It's been a great day. I hope you haven't spent the whole of it indoors. You're looking great, anyway. Come here and give me a kiss."
Because she had hesitated, a little perplexed. Did he mean not to tell her--to "spare" her, as he'd have said? The kiss she gave had a different quality from those that ordinarily constituted her greetings, and the arms that went round his neck, didn't give him their customary hug. But they stayed there.
"You poor dear old boy!" she said. And then, "Don't you care, Roddy!"
He returned the caress with interest, before he seemed to realize the different significance of it. Then he pushed her away by the shoulders and held her where he could look into her face.
"What do you mean?" he asked. "Don't care about what?"
It didn't seem like bravado--like an acted out pretense, and yet of course it must be.
"Don't," she said. "Because I know. I've known all day. I read it in the paper this morning."
From puzzled concern, the look in his face took on a deeper intensity. "Tell me what it is," he said very quietly. "I don't know. I didn't read the paper this morning. Is it Harriet?" Harriet was his other sister--married, and not very happily, it was beginning to appear, to an Italian count.
A revulsion--a sort of sick misgiving took the color out of Rose's cheeks.
"It isn't any one," she said. "It's nothing like that. It's--it's that case." Her lips stumbled over the title of it. "It's been decided against you. Didn't you know?"
For a moment his expression was simply the absence of all expression whatever. "Good lord!" he murmured. Then, "But how the dickens did you know anything about it? How did you happen to see it in the paper? How did you know the title of it?"
"I was in the court the day you argued it," she said unevenly. "And when I found they printed those things in the paper, I kept watch. And to-day ..."
"Why, you dear child!" he said. And the queer ragged quality of his voice drew her eyes back to his, so that she saw, wonderingly, that they were bright with tears. "And you never said a word, and you've been bothering your dear little head about it all the time. Why, you darling!"
He sat down on the edge of the table, and pulled her up tight into his arms again. She was glad to put her head down--didn't want to look at his face; she knew that there was a smile there along with the tears.
"And you thought I was worrying about it," he persisted, "and that I'd be unhappy because I was beaten?" He patted her shoulder consolingly with a big hand. "But that's all in the day's work, child. I'm beaten somewhere nearly as often as I win. And really, down inside, leaving out a little superficial pleasure, I don't care a damn whether I win or lose. A man couldn't be any good as a lawyer, if he did care, any more than a surgeon could be any good if he did. You've got to keep a cold mind or you can't do your best work. And if you've done your best work, there's nothing to care about. I honestly haven't thought about the thing once from that day to this. Don't you see how it is?"
He couldn't see how it was, that was plain enough. What he very reasonably expected was that after so lucid an explanation, she would turn her wet face up to his, with her old wide smile on it. But that was not what happened at all. Instead, she just went limp in his arms, and the sobs that shook her seemed to be meeting no resistance whatever. It wasn't like her to work herself up in that way over trifles, either; yet, surely a trifle was all this could be called--a laughable mistake he couldn't help loving her for, or a touching demonstration of affection that he couldn't help smiling at. Either way you took it, it was nothing to make a scene about. Where was her sense of humor? That was the thing to do--get her quiet first, and then persuade her to laugh at the whole affair with him.
He was saved from carrying out this program by the fact that Rose, of her own accord, anticipated him. At least she controlled, rather suddenly, her sobs, sat up, wiped her eyes and, after a fashion, smiled. Not at him, though; resolutely away from him, he might almost have thought--as if she didn't want him to see.
"That's right," he said, craning round to make sure that the smile was there. "Have a look at the funny side of it."
She winced at that as from a blow and pulled herself away from him. Then she controlled herself and, in answer to his look of troubled amazement, said:
"It's all right. Only it happens that you're the one who d-doesn't know how awfully funny it really is." Her voice shook, but she got it in hand again. "No, I don't mean anything by that. Here! Give me a kiss and then let me wash my face."
And for the whole evening, and again next morning until he left the house, she managed to keep him in the only half-questioning belief that nothing was the matter.
It was about an hour after that, that her maid came into her bedroom, where she had had her breakfast, and said that Miss Stanton wanted to see her.
## CHAPTER VI
THE DAMASCUS ROAD
It argued no real lack of sisterly affection that Rose didn't want to see Portia that morning. Even if there had been no other reason, being found in bed at half past ten in the morning by a sister who inflexibly opened her little shop at half past eight, regardless of bad weather, backaches and other potentially valid excuses, was enough to make one feel apologetic and worthless. Rose could truthfully say that she was feeling wretched. But Portia would sit there, slim and erect, in a little straight-backed chair, and whatever perfunctory commiseration she might manage to express, the look of her fine eyebrows would be skeptical. Justly, too. Rose could never deny that. Not so long as she could remember the innumerable times when she had yielded to her mother's persuasions that she was over-tired and that a morning in bed was just what she needed. Portia, so far as she could remember, had never been the subject of these persuasions.
But this was only the beginning of Rose's troubles to-day. She was paying the price of yesterday's exaltation and her spirits had sunk down to nowhere. What a fool's paradise yesterday had been with its vision of her big self-sufficient husband coming to her for mothering because he had lost a law-suit! What a piece of mordant irony it was, that she should have found herself, after all her silly hopes, sobbing in his arms, while he comforted her for her bitter disappointment over not being able to comfort him! She had told the truth when she said he was the one, really, who didn't know how funny it was.
Well, and wasn't her other effort just as ridiculous? If ever he found her heap of law-books and learned of the wretched hours she had spent trying to discover what they were all about in the hope of promoting herself to a true intellectual companionship with him, wouldn't he take the discovery in exactly the same way--be touched by the childish futility of it and yet amused at the same time--cuddle her indulgently in his arms and soothe her disappointment;--and then urge her to look at the funny side of it? He must know hundreds of practising lawyers. Were there a dozen out of them all whose minds had the power to stimulate and bring into action the full powers of his own?
Well then, what was the use of trying? If James Randolph was right--and it seemed absurd to question it--she had just one charm for her husband--the charm of sex. To that she owed her hours of simulated companionship with him, his tenderness for her, his willingness to make her pleasures his own. To that she owed the extravagantly pretty clothes he was always urging her to buy--the house he kept her in--the servants he paid to wait on her. Well then, why not make the best of it?
Only, if she went on much longer, feeling sick and faded like this, she'd have nothing left to make the most of, and then where would she be?
Oh, she was getting maudlin, and she knew it! And when she got over feeling so weak and giddy, she'd brace up and be herself again. But for the present, she didn't feel like seeing Portia.
But Rose's shrinking from a talk with Portia that morning was a mild feeling compared with Portia's dread of the impending talk with Rose. Twice she had walked by the perfect doorway of the McCrea house before she entered it; ostensibly to give herself a little more time to think--really, because she shrank from the ordeal that awaited her in there.
Her sister's ménage had been a source of irritation to Portia ever since it was established, though a deeper irritation was her own with herself for allowing it to affect her thus. Rose's whole-hearted plunge into the frivolities of a social season, her outspoken delight in it, her finding in it, apparently, a completely satisfactory solution to the problem of existence, couldn't fail to arouse Portia's ironic smile. This was the sort of vessel her mother had freighted with her hopes! This was the course she steered.
She had fought this feeling with a bitter self-contempt. The trouble with her was, she told herself in icy self-communings, that she envied Rose her happiness, her opportunities, her husband--even her house. Why should all that wonderful furniture have been wasted on Rose, to whom a perfect old Jacobean gate-legged table was nothing but a surface to drop anything on that she wanted out of her hands? Why should a man of Rodney's powerful intelligence waste his time on her frivolous amusements, content, apparently, just to sit and gaze at her, oblivious of any one else who might happen to be about? She knew that she, Portia, out of her disciplined experience of life, and her real eagerness for knowledge of it, was better able to challenge the attention of his mind than Rose. And yet she had never really got it. She remained half invisible to him--some one to be remembered with a start, after an interval of oblivion, and treated considerately--even affectionately, for that matter--as Rose's sister!
They had been seeing each other with reasonable frequency all winter. The Aldriches had Portia and her mother in to a family dinner pretty often, and always came out to Edgewater for a one-o'clock dinner with the Stantons on Sunday. The habit was for Rose to come out early in the car and take them to church, while Rodney walked out later, and turned up in time for dinner.
Mrs. Stanton had taken a great liking to Rodney. His manner toward her had just the blend of deference and breezy unconventionality that pleased her. So, while Portia would worry through the dinner, for fear it wouldn't be cooked well enough, or served well enough, not to present a sorry contrast to the meals her guests were accustomed to, her mother would sit beaming upon the pair with a contentment as unalloyed as if Rose were the acknowledged new leader of the great Cause and her husband her adoring convert, as they had been in her old day-dream.
As far as Rodney went, the dream might have been true, for he showed an unending interest in the Woman Movement--never tired of drawing from his mother-in-law the story of her labors and the exposition of her beliefs. Sometimes he argued with her playfully in order to get her started. More often, and as far as Portia could see, quite seriously, he professed himself in full accord with her views.
After this had been going on for about so long, Rose would yawn and stretch and sit down on the arm of her mother's chair, begin stroking her hair and offering her all manner of quaint unexpected caresses. And then, pretty soon, Rodney's attention to the subject would begin to wander and at last flag altogether and leave him stranded, gazing and unable to do anything but gaze, at the lovely creature--the still miraculous creature, who, when he got her home again, would come and sit on the arm of his chair like that! When this happened, Portia found it hard to stay in the room.
Until Mrs. Stanton's terrifying illness along in January, these meetings constituted the whole of the intercourse between the families. Rose had done her best to carry Portia with her, to some extent at least, into her new life--to introduce her to her new friends and make her, as far as might be, one of them. And in this she was seconded very amiably, by Frederica. But Portia had put down a categorical veto on all these attempts. She hadn't the inclination nor the energy, she said, and her mother needed all the time she could spare away from her business. Once, when Rose pressed the matter, she gave a more genuine reason. Rose's new friends, she said, would regard her introduction to them solely as a bid for business. She didn't want them coming around to her place to buy their wedding presents "in order to help out that poor old maid sister of Rose Aldrich's." She was getting business enough in legitimate ways.
Sometimes she told herself that if Rose had really wanted her, she'd have pressed the matter harder--wouldn't have given up unless she was clutching with real relief at an excuse that let her out of an embarrassment. But at other times she accused herself of having acted in a petty snobbish spirit in declining the chance not only for pleasant new friendships, especially Frederica's, but for a closer association with her sister. Well, the thing was done now, and the question certainly never would rise again.
The reason why it couldn't arise again was what Portia came to tell Rose this morning. She hoped she'd be able to tell it gently--provide Rose with just the facts she'd have to know, and get away without letting any other facts escape, so that afterward she'd have the consolation of being able to say to herself, "That was finely done." All her life, she told herself, she had been doing fine things grudgingly, mutilating them in the doing. If she weren't very careful, that would happen this morning. If she could have known the truth and made her resolution, and confided it to Rose during the first hours of her mother's illness, when the fight for life had drawn them together, it would not have been hard. But with the beginning of convalescence, when Rose, with an easy visit and a few facile caresses, could outweigh in one hour, all of Portia's unremitting tireless service during the other twenty-three, and carry off as a prize the whole of her mother's gratitude and affection, the old envy and irritation had come back threefold.
Rose greeted her with a "Hello, Angel! Why didn't you come right up? Isn't it disgraceful to be lying around in bed like this in the middle of the morning?"
"I don't know," said Portia. "Might as well stay in bed, if you've nothing to do when you get up." She meant it to sound good-humored, but was afraid it didn't. "Anyhow," she added after a straight look into Rose's face, "you look, this morning, as if bed was just where you ought to be. What's the matter with you, child?"
"Nothing," said Rose, "--nothing that you'd call anything at any rate."
Portia smiled ironically. "I'm still the same old dragon, then," she said. And then, with a gesture of impatience, turned away. She hadn't meant to begin like that. Why couldn't she keep her tongue in control!
"I only meant," said Rose very simply, "that you'd say it was nothing, if it was the matter with you. I've seen you, so many times, get up looking perfectly sick and, without any breakfast but a cup of black coffee, put on your old mackintosh and rubbers and start off for the shop, saying you were all right and not to bother, that I knew that was what you'd say now, if you felt the way I do."
"I'm sorry," said Portia. "I might have known that was what you meant. I wonder if you ever want to say ugly things and don't, or if it's just that it never occurs to you to try to hurt anybody. I didn't mean to say that either. I've had a rather worrying sort of week."
"What is it?" said Rose. "Tell me about it. Can I help?"
"No," said Portia. "I've thought it over and it isn't your job." She got up and went to the window where Rose couldn't see her face, and stood looking out. "It's about mother," she concluded.
Rose sat up with a jerk. "About mother!" she echoed. "Has she been ill again this week? And you haven't let me know! It's a shame I haven't been around, but I've been busy"--her smile reflected some of the irony of Portia's--"and rather miserable. Of course I was going this afternoon."
"Yes," said Portia, "I fancied you'd come this afternoon. That's why I wanted to see you alone first."
"Alone!" Rose leaned sharply forward. "Oh, don't stand there where I can't see you! Tell me what it is."
"I'm going to," said Portia. "You see, I wasn't satisfied with old Murray. That soothing bedside manner of his, and his way of encouraging you as if you were a child going to have a tooth pulled, drove me nearly wild. I thought it was possible, either that he didn't understand mother's case, or else that he wouldn't tell me what he suspected. So a week ago to-day, I got her to go with me to a specialist. He made a very thorough examination, and the next day I went around to see him." Her voice got a little harder and cooler. "Mother'll never be well, Rose. She's got an incurable disease. There's a long name for it that I can't remember. What it means is that her heart is getting flabby--degenerating, he called it. He says we can't do anything except to retard the progress of the disease. It may go fast, or it may go slowly. That attack she had was just a symptom, he said. She'll have others. And by and by, of course, a fatal one."
Still she didn't look around from the window. She knew Rose was crying. She had heard the gasp and choke that followed her first announcement of the news, and since then, irregularly, a muffled sound of sobbing. She wanted to go over and comfort the young stricken thing there on the bed, but she couldn't. She could feel nothing but a dull irresistible anger that Rose should have the easy relief of tears, which had been denied her. Because Portia couldn't cry.
"He said," she went on, "that the first thing to do was to get her away from here. He said that in this climate, living as she has been doing, she'd hardly last six months. But he said that in a bland climate like Southern California, in a bungalow without any stairs in it, if she's carefully watched all the time to prevent excitement or over-exertion, she might live a good many years.
"So that's what we're going to do. I've written the Fletchers to look out a place for us--some quiet little place that won't cost too much, and I've sold out my business. I thought I'd get that done before I talked to you about it. I'll give the house here to the agent to sell or rent, and as soon as we hear from the Fletchers, we'll begin to pack. Within a week, I hope."
Rose said a queer thing then. She cried out incredulously, "And you and mother are going away to California to live! And leave me here all alone!"
"All alone with the whole of your own life," thought Portia, but didn't say it.
"I can't realize it at all," Rose went on after a little silence. "It doesn't seem--possible. Do you believe the specialist is right? They're always making mistakes, aren't they--condemning people like that, when the trouble isn't what they say? Can't we go to some one else and make sure?"
"What's the use?" said Portia. "Suppose we did find a man who said it probably wasn't so serious as that, and that she could probably live all right here? We shouldn't know that he was right--wouldn't dare trust to that. Besides, if I drag mother around to any more of them, she'll know."
Rose looked up sharply. "Doesn't she know?"
"No," said Portia in that hard even voice of hers. "I lied to her of course. I told her the doctor said her condition was very serious, and that the only way to keep from being a hopeless invalid would be to do what he said--go out to California--take an absolute rest for two or three years--no lectures, no writing, no going about.
"You know mother well enough to know what she'd do if she knew the truth about it. She'd say, 'If I can never be well, what's the use of prolonging my life a year, or two, or five; not really living, just crawling around half alive and soaking up somebody else's life at the same time?' She'd say she didn't believe it was so bad as that anyway, but that whether it was or not, she'd go straight along and live as she's always done, and when she died, she'd be dead. Don't you know how it's always pleased her when old people could die--'in harness,' as she says?"
Her voice softened a little as she concluded and the tenseness of her attitude, there at the window, relaxed. The ordeal, or the worst of it, was over; what she had meant to say was said, and what she had meant not to say, if hinted at once or twice, had not caught Rose's ear. She turned for the first time to look at her. Rose was drooping forlornly forward, one arm clasped around her knees, and she was trying to dry her tears on the sleeve of her nightgown. The childlike pathos of the attitude caught Portia like the surge of a wave. She crossed the room and sat down on the edge of the bed. She'd have come still closer and taken the girl in her arms but for the fear of starting her crying again.
"Yes," Rose said. "That's mother. And I guess she's right about it. It must be horrible to be half alive;--to know you're no use and never will be. Only I don't believe it will be that way with her. I believe you told her the truth without knowing it. It's just a feeling, but I'm sure of it. She'll get strong and well again out there. You'll think so, too, when you get rested up a little.--You're so frightfully tired, poor dear. It makes me sick to think what a week you've had. And that you've gone through it all alone;--without ever giving Rodney and me a chance to help. I don't see why you did that, Portia."
"Oh, I saw it was my job," Portia said, in that cool dry way of hers. "It couldn't work out any other way. It had to be done and there was no one else to do it. So what was the use of making a fuss? It was easier, really, without, and--I didn't want any extra difficulties."
"But all the work there must have been!" Rose protested. "Selling your shop, and all. How did you ever manage to do it?"
"That was luck, of course," Portia admitted. "Do you know that Craig woman? You may have met her. She's rather on the fringe of your set, I believe. She's got a good deal of money and nothing to do, and I think she's got a fool notion that it'll be _chic_ to go 'into trade.' She came and offered to buy me out a month ago, and of course I wouldn't listen. But just by luck she called me up again the very day I went to talk to the specialist. I asked for twenty-four hours to think it over, and by that time I'd made up my mind. I got a very good price from her, really. She bought the whole thing; lease, stock and good-will."
It wasn't more than a very subconscious impression in the back of Rose's mind, that Portia must be pretty callous and cold to have been able on the very day of the doctor's sentence to look as far ahead as that, and to drive a good bargain on the next--awfully efficient, anyway. "I wish I was more like you," she said.
But she didn't want to be questioned as to just what she meant by it and, aware that Portia had just shot a queer searching look at her, she changed the subject, or thought she did.
"Anyway, I'm glad it worked out so well for you," she went on; "selling the shop so easily, and all. And I believe it'll do you as much good as mother. Getting a rest.... You do need it. You're worked right down to the bones. And out there where it's warm and bright all the time, and you don't have to get up in the dark any more winter mornings and wade off through the slush to the street-car.... And a nice little bungalow to live in--just you and mother.... I--I sort of wish I was going too."
Portia laughed--a ragged, unnatural sounding laugh that brought a look of puzzled inquiry from Rose.
"Why, nothing," Portia explained. "It was just the notion of your leaving Rodney and all you've got here--all the wonderful things you have to do--for what we'll have out there. The idea of your envying me is something worth a small laugh, don't you think?"
Rose's head drooped lower. She buried her face in her hands. "I do envy you," she said. There was a dull muffled passion in her voice. "Why shouldn't I envy you? You're so cold and certain all the time. You make up your mind what you'll do, and you do it. I try to do things and just make myself ridiculous. Oh, I know I've got a motor and a lot of French dresses, and a maid, and I don't have to get up in the morning, because, as you say, I have nothing else to do--and I suppose that might make some people happy."
"You've got a husband," said Portia in a thin brittle voice. "That might count for something, I should think."
"Yes, and what good am I to him?" Rose demanded. "He can't talk to me--not about his work or anything like that. And I can't help him any way. I'm something nice for him to make love to, when he feels like doing it, and I'm a nuisance when I make scenes and get tragic. And that's all. That's--marriage, I guess. You're the lucky one, Portia."
The silence had lasted a good while before Rose noticed that there was any special quality about it--became aware that since the end of her outburst--of which she was ashamed even while she yielded to it, because it represented not what she meant, but what, at the moment, she felt--Portia had not stirred; had sat there as rigidly still as a figure carved in ivory.
Becoming aware of that, she raised her head. Portia wasn't looking at her, but down at her own clenched hands.
"It needed just that, I suppose," she heard her older sister say between almost motionless lips. "I thought it was pretty complete before, but it took that to make it perfect--that you think I'm the lucky one--lucky never to have had a husband, or any one else for that matter, to love me. And lucky now, to have to give up the only substitute I had for that."
"Portia!" Rose cried out, for the mordant alkaline bitterness in her sister's voice and the tragic irony in her face, were almost terrifying. But the outcry might never have been uttered for any effect it had.
"I hoped this wouldn't happen," the words came steadily on, one at a time. "I hoped I could get this over and get away out of your life altogether without letting it happen. But I can't. Perhaps it's just as well--perhaps it may do you some good. But that's not why I'm doing it. I'm doing it for myself. Just for once, I'm going to let go! You won't like it. You're going to get hurt."
Rose drew herself erect and a curious change went over her face, so that you wouldn't have known she'd been crying. She drew in a long breath and said, very steadily, "Tell me. I shan't try to get away."
"A man came to our house one day to collect a bill," Portia went on, quite as if Rose hadn't spoken. "Mother was out, and I was at home. I was seventeen then, getting ready to go to Vassar. Fred was a sophomore at Ann Arbor, and Harvey was going to graduate in June. You were only seven--I suppose you were at school. Anyhow, I was at home, and I let him in, and he made a fuss. Said he'd have us black-listed by other grocers, if it wasn't paid.
"It was the first I ever knew about anything like that. I knew we weren't rich, of course--I never had quite enough pocket money. But the idea of an old unpaid grocery bill made me sick. I talked things over with mother the next day--told her I wasn't going to college--said I was going to get a job. I got her to tell me how things stood, and she did, as well as she could. The boys were getting their college education out of the capital of father's estate, so that the income of it was getting smaller. She had meant that I should do the same. But the income wasn't really big enough to live on as it was.
"Mother could earn money of course, lecturing and writing, but money wasn't one of the things she naturally thought about, and when there was something big and worth while to do, she plunged in and did it whether it was going to pay her anything or not. And there were you coming along, and mother wasn't so very strong even then, and I--well, I saw where I came in.
"I got mother to let me run all the accounts after that, and attend to everything. And I got a job and began paying my way within a week."
"If I had a thing like that to remember," said Rose unsteadily, "I'd never forget to be proud of it so long as I lived!"
"I wish I could be proud of it," said Portia. "But, like everything else I do, I spoiled it. I knew that mother was doing a big fine work worth doing--worth my making a sacrifice for, and I wanted to make the sacrifice. But I couldn't help making a sort of grievance of it, too. In all these years I've always made mother afraid of me--always made her feel that I was, somehow, contemptuous of her work and ideas. That's rather a strong way of putting it, perhaps. But I've seen her trying to hide her enthusiasms from me a little, because of my nasty way of sticking pins in them.
"Oh, of course in a way I was making the enthusiasms possible--I knew that. She never could have gone on as she did if she'd been nagged at all the time for money. Big ideas are always more important to her than small facts, but without some narrow-minded, literal person to look after the facts her ideas wouldn't have had much chance. I grubbed away until I got things straightened out, so that her income was enough to live on--enough for her to live on. I'd pulled her through. But then ..."
"But then there was me," said Rose.
"I thought I was going to let you go," Portia went on inflexibly. "You'd got to be just the age I was when I went to work, and I said there was no reason why you shouldn't come in for your share. If things had happened a little differently, I'd have told mother how matters stood and you'd have got a job somewhere and gone to work. But things didn't come out that way--at least I couldn't make up my mind to make them--so you went to the university. I paid for that, and I paid for your trousseau, and then I was through."
Rose was trembling, but she didn't flinch. "Wh--what was it," she asked quietly, "what was it that might have been different and wasn't? Was it--was it somebody you wanted to marry--that you gave up so I could have my chance?"
Portia's hard little laugh cut like a knife. "I ought to believe that," she said. "I've told myself so enough times. But it's not true. I wonder why you should have thought of that--why it occurred to you that a cold-blooded fish like me should want to marry?"
Rose didn't try to answer. She waited.
"You have always thought me cold," Portia said. "So has mother. I'm not, really. I'm--the other way. I don't believe there ever was a girl that wanted love and marriage more than I. But I didn't attract anybody. I was working pretty hard, of course, and that left me too tired to go out and play--left me a little cross and acid most of the time. But I don't believe that was the whole reason. It wouldn't have worked out that way with you. But nobody ever saw me at all. The men I was introduced to forgot me--were polite to me--got away as soon as they could. They were always craning around for a look at somebody else. The few men--the two or three who weren't like that, weren't good enough. But a man did want me to marry him at last, and for a while I thought I would. Just--just for the sake of marrying somebody. He wasn't much, but he was some one. But I knew I'd come to hate him for not being some one else and I couldn't make up my mind to it. So I took you on instead.
"I stopped hoping, you see, and tried to forget all about it--tried to crowd it out of my life. I said I'd make my work a substitute for it. And, in a way, I succeeded. The work opened up and got more interesting as it got bigger. It wasn't just selling four-dollar candlesticks and crickets and blue glass flower-holders. I was beginning to get real jobs to do--big jobs for big people, and it was exciting. That made it easier to forget. I was beginning to think that some day I'd earn my way into the open big sort of life that your new friends have had for nothing.
"And then, a week ago, there came the doctor and cut off that chance. Oh, there's no way out, I know that! That's the way the pattern was cut, I suppose, in the beginning. I've always suspected the cosmic Dressmaker of having a sense of humor. Now I know it. I'm the lucky one who isn't going to have to wade through the slush any more. I'm to go out to southern California and live in a nice little bungalow and be a nurse for five or ten years, and then I'm going to be left alone in genteel poverty, without an interest in the world, and too tired to make any. And I'll probably live to eighty.
"And yet,"--she leaned suddenly forward, and the passion that had been suppressed in her voice till now, leaped up into flame--"and yet, can you tell me what I could have done differently? I've lived the kind of life they preach about--a life of noble sacrifice. It hasn't ennobled me. It's made me petty--mean--sour. It's withered me up. Look at the difference between us! Look at you with your big free spaciousness--your power of loving and attracting love! Why, you even love me, now, in spite of all I've said this morning. I've envied you that--I've almost hated you for it.
"No, that's a lie. I've wanted to. The only thing I could ever hate you for, would be for failing. You've got to make good! You've had my share as well as yours--you're living my life as well as yours. I'm the branch they cut off so that you could grow. If you give up and let the big thing slip out of your hands the way you were talking this morning, because you're too weak to hold it and haven't pluck enough to fight for it...."
"Look at me!" said Rose. The words rang like a command on a battle-field.
Portia looked. Rose's blue eyes were blazing. "I won't do that," she said very quietly. "I promise you that." Then the hard determination in her face changed to something softer, and as if Portia's resistance counted no more than that of a child, she pulled her sister up in her arms and held her tight. And so at last Portia got the relief of tears.
## CHAPTER VII
HOW THE PATTERN WAS CUT
Through the two weeks that intervened before Portia and her mother left for the West, Rose disregarded the physical wretchedness--which went on getting worse instead of better--and dismissed her psychical worries until she should have time to attend to them. She helped Portia pack, she presented a steady cheerful radiance of optimism to her mother, that never faltered until the last farewells were said.
Just how she'd take up the fight again for the great thing Portia had adjured her not to miss, she didn't know. She supposed she'd go back to her law-books--at any rate until she could work out something better.
But the pattern, it seemed, was cut differently. She went to the doctor's office the day after Portia took her mother away, and discovered the cause of her physical wretchedness. She was pregnant.
## CHAPTER VIII
A BIRTHDAY
Rodney heard young Craig, who deviled up law for him, saying good night to the stenographer; glanced at his watch and opened the door to his outer office.
"You may go home, Miss Beach," he said. "I'm staying on for a while but I shan't want you." Then, to the office boy: "You, too, Albert."
He waited till he heard them go, then went out and disconnected his own desk telephone, which the office boy, on going home, always left plugged through; went back into his inner office again and shut the door after him.
There was more than enough pressing work on his desk to fill the clear hour that remained to him before he had to start for home. But he didn't mean to do it. He didn't mean to do anything except drink down thirstily the sixty minutes of pure solitude that were before him; to let his mind run free from the clutch of circumstance. That hour had become a habit with him lately, like--he smiled at the comparison--like taking a drug. When something happened that forced him to forego it, he felt cheated--irrationally irritable. He was furtive about it, too. He never corrected Rose's assumption that the thing which kept him late at the office so much of the time nowadays was a press of work. He even concealed the fact that he pulled his telephone plug, by sticking it back again every night just before he left.
He tried to laugh that guilty feeling out of existence. But he couldn't. He knew too well whence it sprang. He knew whom he was stealing that hour from. It wasn't the world in general he intrenched himself against. It was his wife. The real purpose of that sixty minutes was to enable him to stop thinking and feeling about her.
It was not that she had faded for him--become less the poignant, vivid, irresistible thing he had first fallen in love with. Rather the contrary. The simple rapture of desire that had characterized the period of their engagement and the first months of their marriage, had lost something--not so much, either--of its tension. But it had broadened--deepened into something more compelling, more pervasive--more, in his present mood, formidable.
She hadn't seemed quite well, lately, nor altogether happy, and he had not been able to find out why. He had attributed it at first to the shock occasioned by her mother's illness and her departure with Portia to California, but this explanation seemed not to cover the ground. Why couldn't she have talked freely with him about that? Inquiries about her health, attempts--clumsily executed, no doubt--to treat her with special tenderness and guard her against overexertion, only irritated her, drove her to the very edge of her self-control--or over it. She was all right, she always said. He couldn't force confidences from her of course. But her pale face and eyes wide with a trouble in them he could not fathom stirred something deeper in him than the former glow and glory had ever reached.
And there was a new thing that gripped him in a positively terrifying way--a realization of his importance to her. The after-effect of her invasion of his office the night of the Randolphs' dinner and of his learning of the tremulous interest with which she had afterward followed the case he was then working on, had been very different from his first irritation and his first amusement.
He had discovered, too, one day--a fortnight or so ago, in the course of a rummage after some article he had mislaid, a heap of law-books that weren't his. He had guessed the explanation of them, but had said nothing to Rose about it--had found it curiously impossible to say anything. If only she had taken up something of her own! It seemed as essentially a law of her being to attempt to absorb herself in him, as it was a law of his to resist that absorption of himself in her.
But resistance was difficult. The tendency was, after his perfectly solid, recognizable duties had been given their places in the cubic content of his day, that Rose should fill up the rest. It was as if you had a bucket half full of irregularly shaped stones and filled it up with water. And yet there was a man in him who was neither the hard-working, successful advocate, nor Rose's husband--a man whose existence Rose didn't seem to suspect. (Was there then in her no woman that corresponded to him?) That man had to fight now for a chance to breathe.
He got a pipe out of a drawer in his desk, loaded and lighted it, stretched his arms, and sat down in his desk chair. In the middle of his blotter was a stack of papers his stenographer had laid there just before she went out. On top of the heap was a memorandum in her handwriting, and mechanically he read it.
"Please ask Mrs. Aldrich about this bill," it read. "The work done seems to be the same that was paid for last month."
The rest of the month's bills lay beneath, all neatly scheduled and totaled; and the total came to more than three thousand dollars. He damned them cordially and moved them over to one side.
But the mood of quiet contentment he had, for just a moment, captured, had given place to angry exasperation. He felt like a bull out in a ring tormented by the glare and the clamor and the flutter of little red flags.
There was nothing ruinous about his way of living. Including his inherited income with what he could earn, working the way he had been working lately, he could meet an expenditure of thirty-six thousand dollars a year well enough. It meant thinking about his fees of course, seeing to it that the work he undertook was profitable as well as interesting. Only, declared the man who was not Rose's husband, it was senseless--suffocating! Rodney tried, with an athletic sweep of his will, to crowd that train of thought out of his mind as, with his hand, he had swept the papers that gave rise to it.
He leaned his elbows on the cleared blotter and propped up his chin on his fists. The thing exactly in front of his eyes was his desk calendar. There was something familiar about the date--some subconscious association that couldn't quite rise to the surface. Was there something he had to do to-day, that he'd forgotten? No, Miss Beach would have reminded him of anything except a social engagement. And he distinctly remembered that Rose had said this morning that the evening was clear. And yet, surely ... Then, with a grunt of relief and amusement, he got it. It was his birthday! Another mile-stone.
Where had he been, what had he been doing a year ago to-day? It would be interesting if he could manage to remember.
A year ago--why, good lord! That was the day it had all begun. He'd sold the old house that day and then had started to walk over to Frederica's for dinner, and got caught in the rain and taken a street-car. He had heard a vibrant young voice say, "Don't dare touch me like that," and, turning, had seen the blazing glorious creature who held the conductor pinned by both wrists. That had been Rose--his Rose; whom he was spending these sixty minutes out of the twenty-four hours trying to forget about!
And that was only a year ago. It was curiously hard to realize. Their identities had shifted so strangely--his own as well as hers. Well, and in what direction had, he changed? How did he compare--the man who sat here now, with the man who had unhesitatingly jumped off the car to follow a new adventure--the man who had turned up water-logged at Frederica's dinner and made hay of her plan to marry him off to Hermione Woodruff?
They had had a great old talk that night, Frederica and he, he remembered. He remembered what he had talked about, and he smiled grimly over the recollection--space and leisure; the defective intelligence that trapped men into cluttering their lives with useless junk; so many things to have and to do that they couldn't turn around without breaking something. Had he been a fool then, or was he a fool now? Both, perhaps. But how old Frederica must have grinned over the naiveté of him. Which of the two of him in her candid opinion would be the better man?
He believed he could answer that question. Oh, he was succeeding all right--increasing his practise, making money, getting cautious--prudent; he didn't bolt the track any more. And the quality of his work was good, he couldn't quarrel with that. Only, the old big free dreams that had glorified it, were gone. He was in harness, drawing a cart; following a bundle of hay.
He sprang impatiently to his feet, thrust back his chair so violently as he did so that it tipped over with a crash. The one really footling, futile, fool thing to do, was what he was doing now--lamenting his old way of life and making no effort to recapture it! Let him either accept the situation, make up his mind to it and stop complaining, or else offer it some effective resistance--sweep the flummery out of his life--clear decks for action.
Well, and that was the most asinine consideration of all. Because of course he couldn't do one thing or the other. As long as the man who wasn't Rose's husband remained alive in him, he'd protest--struggle--clamor for his old freedom. And yet, as long as the million tiny cords that bound hum, Gulliver-like, went back to Rose, talk of breaking them was sophomoric foolishness. He'd better go home!
The building was pretty well deserted by now, and against the silence he heard the buzzer in his telephone switchboard proclaiming insistently that some one was trying to get him on the telephone. His hour of recollection hadn't been a success, but the invasion of it irritated him none the less. He thought at first he wouldn't answer. He didn't care who was on the wire. He didn't want to talk to anybody. But no one can resist the mechanical bell-ringers they use in exchanges nowadays--the even-spaced ring and wait, ring and wait, so manifestly incapable of discouragement. At the end of forty-five seconds, he snatched open his door, punched the jack into its socket, caught up the head-piece, and bellowed, "Hello!" into the dangling transmitter.
And then the look of annoyance in his face changed to one of incredulous pleasure. "Good God!" he said. "Is that you, Barry Lake? Are you here in Chicago? And Jane, too? How long you going to be here?... Lord, but that's immense!"
And five minutes later he was calling Rose on the wire. "Rose, listen to this! Barry Lake and his wife are here. He just called up. They got in from New York at five o'clock, and I've asked them out to dinner. Barry Lake and Jane! What's the matter? Can't you hear me?... Why, they're about the best friends I've got. The magazine writer, you know, and his wife. And they're coming out to dinner--coming right out. I told them not to dress. I'll come straight home myself--get there before they do, I guess.... Why, Rose, what's the matter? Aren't you well? Look here! If you're below par, and don't feel like having them come, I can call it off and go over to the hotel and dine with them.... You'd rather we came out to the house? You're sure? Because they won't mind a bit. I can take them to a restaurant or anywhere.... All right, if you're sure it won't be too much for you. I'll be home in fifteen minutes. Lord, but it was good to hear old Barry's voice again! I haven't seen him for over a year. You're sure you'd rather?... All right. Good-by."
But he sat there frowning in a puzzled sort of way for half a minute after he'd pulled the plug. Rose's voice had certainly sounded queer. He was sure she hadn't planned anything else for to-night. He distinctly remembered her saying just before he left for the office that they'd have the evening to themselves. And it was incredible that she minded his bringing home two old friends like the Lakes on the spur of the moment, to take pot-luck. Oh, well, you couldn't tell about people's voices over the telephone. There must have been something funny about the connection.
An opportune taxi just passing the entrance to his office building as he came out, enabled him to better the fifteen minutes he'd allowed for getting home. But in spite of this he found Rose rather splendidly gowned for her expected guests.
"Good gracious!" he cried excitedly. "What did you do that for? I thought I told you over the phone the Lakes weren't going to dress."
"I was--dressed like this when you telephoned," Rose said. "And I was afraid there wouldn't be time to change into anything else."
"We weren't going anywhere, were we?" he asked. "There's nothing I've forgotten?"
"No," she said, "we weren't going anywhere."
"And you dressed like that just for a--treat for me?"
She nodded. "Just for you," she said. "Roddy, who are the Lakes? Oh, I know his articles, I think! But where were they friends of yours, and when?"
"Why, for years, until they moved to New York. They used to live here. I know I must have told you about them. I was always having dinner with them--either out in Rogers Park, where they lived, or at queer, terrible little restaurants down-town. They were always game to try anything, once. He's the longest, leanest, angularest, absent-mindedest chap in the world. And just about the best. And his wife fits all his angles. She's a good chap, too. That's the way you have to think of her. They're a great pair. She writes, too. Oh, you're sure to like them! They're going to be out here for months, he says. He's going to specialize in women, and he's come back here where they've got the vote and all, to make headquarters. Lord, but it's great! I haven't had a real talk with anybody since he went away, over a year ago!"
Then, at the sound of the bell, he cried out, "There they are!" and dashed down into the hall ahead of the parlor maid, as eagerly as a schoolboy anticipating a birthday present.
Rose followed more slowly, and by the time she had reached the landing she found him slapping Barry on the back and shaking both hands with Jane, and trying to help both of them out of their wraps at once.
The last thing she could have thought of just then, was of making, for herself, an effective entrance on the scene. But it worked out rather that way. The three of them, Rodney and the Lakes, at the foot of the stairs, in the clothes they had been working and traveling in all day, looked up simultaneously and saw Rose, gowned for a treat for Rodney, on the first landing; a wonderful rose-colored Boucher tapestry (guaranteed authentic by Bertie Willis) on the wall behind her for a background, and the carved Gothic newel-post bringing out the whiteness of the hand that rested upon it. The picture would have won a moment's silence from anybody. And Barry and Jane simply gazed at her wide-eyed.
[Illustration: "Oh, my dear! I didn't know!"]
Rodney was the first to speak. "It's really the Lakes, Rose. I couldn't quite believe it till I saw them. And the lady on the landing," he went on, turning to his guests, "is really my wife. It's all a little incredible, isn't it?"
When the greetings were over and they were on the way up-stairs again, he said: "I told Rose we weren't going to dress, but she explained she didn't put on this coronation robe for you, but for a treat for me before I telephoned, and hadn't time to change back."
And when Jane cried out, as they entered the drawing room, "Good heavens, Rodney, what a house!" he answered: "It isn't ours, thank God! We rented it for a year in a sort of honeymoon delirium, I guess. We don't live up to it, of course. Nobody could, but the woman who built it. But we do our damnedest."
The gaiety in his voice clouded a little as he said it, and his grin, for a moment, had a rueful twist. But for a moment only. Then his untempered delight in the possession of his old friends took him again and, with the exception of one or two equally momentary cloud-shadows, lasted all evening.
They talked--heavens how they talked! It was like the breaking up of a log-jam. The two men would rush along, side by side, in perfect agreement for a while, catching each other's half expressed ideas, and hurling them forward, and then suddenly they'd meet, head on, in collision over some fundamental difference of opinion, amid a prismatic spray of epigram. Jane kept up a sort of obbligato to the show, inserting provocative little witticisms here and there, sometimes as Rodney's ally, sometimes as her husband's, and luring them, when she could, into the quiet backwaters of metaphysics, where she was more than a match for the two of them. Jane could juggle Plato, Bergson and William James, with one hand tied behind her. But when she incautiously ventured out of this domain, as occasionally she did--when, for example, she confessed herself in favor of a censorship of the drama, she was instantly demolished.
"The state's got no business with morals," said Barry.
"That's the real cause of most of our municipal corruption," said Rodney. "A city administration, for instance, is corrupt exactly in ratio to its attempt to be moral. The more moral issues you import into politics--gambling, prostitution, Sunday closing, censored movies, and the rest--the more corrupt and helpless and inefficient your government will be." And, between them, for the next half-hour, they kept on demonstrating it until the roar of their heavy artillery fairly drove Jane from her trenches.
But all this was preliminary to the main topic of the evening, which got launched when Rodney seized the advantage of a pause to say:
"A series of articles on women, eh! What are you going to do to them?"
With that the topic of feminism was on the carpet and it was never thereafter abandoned. "Utopia to Brass Tacks," was the slogan Barry's chief had provided him with, he said. We were about the end of the heroic age of the movement, the age of myths and saints and prophecies. A transition was about due to smaller, more immediate things. The quality of the leaders would probably change. The heroines of the last three or four decades, women like Naomi Rutledge Stanton, to take a fine type of them.
"She's my mother," said Rose.
Barry Lake's aplomb was equal to most situations, but it failed him here; for a moment he could only stare. The contrast between the picture in his mind's eye, of the plain, square-toed, high-principled and rather pathetic champion of the Cause--pathetic in the light of what she hoped from it--facing indifference and ridicule with the calm smile of one who has climbed her mountain and looked into the promised land,--between that and the lovely, sensitive, sensuous creature he was staring at, was enough to stagger anybody. He got himself together in a moment, said very simply and gravely how much he admired her and how high a value, he believed, the future would put on her work; then he picked up his sentence where Rose had broken it.
The heroines and the prophets were going to be replaced, he believed, by leaders much more practical and less scrupulous, and the movement would follow the leaders. As far as polities went, he not only looked for no millennium, but for a reaction in the other direction. There'd be more open graft, he thought.
Rose asked him if he meant that he thought women were less honest than men.
"It isn't a lack of old-fashioned honesty that makes a man a grafter," he said. "It's seeing the duties and privileges of a public office in a private and personal way, instead of in a public, impersonal one; being kind to old friends who need a helping hand, and grateful to people who've held out helping hands to you. Well, and women have been trained for hundreds of years to see things in that private and personal way, and to exalt the private and personal virtues. Just as they've been trained to stick to rule of thumb methods that more or less work, rather than to try experiments. So, on the whole, I think their getting the vote will mean that politics will be crookeder and more reactionary than they've been in a good many years. All the same I'm for it, because it's a part of democracy, and I'm for democracy all the way. Not because you get good government out of it; you don't. You get as good as you deserve, and in the long run I think a society that has to deserve as good a government as it gets, grows stronger and healthier than one that gets a better government than it deserves."
"That old tory radical over there," said Jane, with a nod at Rodney, "has been grinning away for half an hour without saying a word. I'd like to know what you think about it."
"'Tory radical'?" questioned Rose.
"That's what Barry calls him," Jane explained. "He's so conservative about the law that he calls Blackstone an upstart and a faker, but the things he'd do, when it comes, down to cases--on good old common law principles, of course, would make the average Progressive's hair curl. Why, when people were getting excited over Roosevelt's recall of judicial decisions--remember?--Rodney was for abolishing the Bill of Rights altogether."
"What's the Bill of Rights?" asked Rose.
Jane headed Rodney off. "Oh, life, liberty and property without due process of law," she said. "Neither of these men has any opinion of rights. The only natural inalienable right you've got, they say, is to take what you can get and keep it until somebody stronger than you, that you can't run away from, catches you. What you call your individual rights are just what society has made and doesn't for the moment need, to keep itself going. If it does need them, it takes them back. Only, of course, it has got to keep itself going. If it doesn't, people get up and kick it to bits and start again." She turned to Rodney. "But what do you think about it, really? What Barry's been talking about, I mean. Are you for it?"
"For what?" Rodney wanted to know.
"For what women want," said Jane. "Economic independence, equality, easy divorce--all the new stuff."
"I'm not against it," Rodney said, "any more than I'm against to-morrow being Tuesday. It's going to be Tuesday whether I like it or not. But that conviction keeps me from crusading for it very hard. What I'm curious about is how it's going to work. When they get what they want, do you suppose they're going to want what they get?"
"I knew there was something deadly about your grin," said Jane. "What are you so cantankerous about?"
"Why, the thing," said Rodney, "that sours my naturally sweet disposition is this economic independence. I've been hearing it at dinner tables all winter. When I hear a woman with five hundred dollars' worth of clothes on--well, no, not on her back--and anything you like in jewelry, talking about economic independence as if it were something nice--jam on the pantry shelf that we men were too greedy to let them have a share of--I have to put on the brakes in order to stay on the rails.
"We men have to fight for economic independence from the time we're twenty, more or less, till the time we die. It's a sentence to hard labor for life; that's what economic independence is. How does that woman think she'd set about it, to make her professional services worth a hundred dollars a day--or fifty, or ten? What's she got that has a market value? What is there that she can capitalize? She's got her physical charm, of course, and there are various professions besides the oldest one, where she can make it pay. Well, and what else?"
"She can bear children," said Jane. "She ought to be paid well for that."
"You're only paid well," Rodney replied, "for something you can do exceptionally well, or for something that few people can do at all. As long as the vast majority of women can bear children, the only women who could get well paid for it would be those exceptionally qualified, or exceptionally proficient. This is economics, now we're talking. Other considerations are left out. No, I tell you. Economic independence, if she really got it--the kind of woman I've been talking about--would make her very, very sick."
"She'd get over being sick though, wouldn't she," said Rose, "after a while? And then, don't you think she'd be glad?"
Rodney laughed. "The sort of woman I've been talking about," he said, "would feel, when all was said, that she'd got a gold brick."
Rose poured his coffee with a steady hand. They were in the library by now.
"If that's so," she said, "then the kind of woman you've been talking about has already got a profession--the one you were just speaking of as--as the oldest. As Doctor Randolph says, she's cashed in on her ankles. But maybe you're mistaken in thinking she wouldn't choose something else if she had a chance. Maybe she wouldn't have done it, except because her husband wanted her to and she was in love with him and tried to please. You can't always tell."
It was almost her first contribution to the talk that evening. She had asked a few questions and said the things a hostess has to say. The other three were manifestly taken by surprise--Rodney as well as his guests.
But surprise was not the only effect she produced. Her husband had never seen her look just like that before (remember, he had not been a guest at the Randolphs' dinner on the night he had turned her out of his office), the flash in her eyes, the splash of bright color in her cheeks.
Barry saved him the necessity of trying to answer, by taking up the cudgels himself. Rodney didn't feel like answering, nor, for the moment, like listening to Barry. His interest in the discussion was eclipsed for the moment, by the thrill and wonder of his wife's beauty.
He walked round behind her chair, on the pretext of getting his coffee cup, and rested his hand, for an instant, on her bare shoulder. He was puzzled at the absence of response to the caress. For there was none, unless you could call it a response that she sat as still as ivory until he took his hand away. And looking into her face, he thought she had gone pale. Evidently though, it was nothing. Her color came back in a moment, and for the next half-hour she matched wits with Barry Lake very prettily.
When Jane declared that they must go, her husband protested.
"I haven't managed yet to get a word out of Rodney about any of his things. He dodged when I asked him how his Criminal Procedure Reform Society was getting on, and he changed the subject when I wanted to know about his model Expert Testimony Act." He turned on Rodney. "But there's one thing you're not going to get out of. I want to know how far you've come along with your book on Actual Government. It was a great start you had on that, and a bully plan. I shan't let you off any details. I want the whole thing. Now."
"I've had my fling," said Rodney, with a sort of embarrassed good humor. "And I don't say I shall never have another. But just now, there are no more intellectual wild-oats for me. What I sow, I sow in a field and in a furrow. And I take good care to be on hand to gather the crop. Model Acts and Reform of Procedure! Have you forgotten you're talking to a married man?"
On learning their determination to walk down-town, he said he'd go with them part of the way. Would Rose go, too? But she thought not.
"Well, I can't pretend to think you need it," he admitted. Then, turning to the Lakes: "You people must spend a lot of evenings with us like this. You've done Rose a world of good. I haven't seen her look so well in a month of Sundays."
## CHAPTER IX
A DEFEAT
The gown that Rodney had spoken of apologetically to the Lakes as a coronation robe, was put away; the maid was sent to bed. Rose, huddled into a big quilted bath-robe, and in spite of the comfortable warmth of the room, feeling cold clear in to the bones--cold and tremulous, and sure that when she tried to talk her teeth would chatter--sat waiting for Rodney to come back from seeing the Lakes part way home.
It was over an hour since they had gone, but she was in no hurry for his return. She wanted time for getting things straight before he came--for letting the welter subside and getting the two or three essentials clear in her mind. She hadn't cried a tear.
The old Rose would have cried--the Rose of a month ago, before that devastating, blinding scene with Portia, and what had happened since. She even managed to smile a little satirically, now, over the way that child would have taken it. Here it was their first anniversary of the day--the great day in their two lives--their birthday, as well as his! And he'd forgotten it! He had remained oblivious that morning, in spite of all the little evocative references she had made. She hadn't let herself be hurt about that--not much, anyway; had managed to smile affectionately over his masculine obtuseness, as if it had meant no more to her than it would have, say, to Frederica. She had impressed him strongly, though--or tried to--with the idea that the evening was to be kept clear just for their two selves. And then she had arranged a feast--a homely little feast that was to culminate in a cake with a hedge of little candles around the edge for his birthday, and a single red one in the center, for theirs.
Well, and that was only part of it. She had planned, when the cake should have come in, all lighted up, and the servants had gone away and the other lights had been put out,--she had planned to tell him her great news. She hadn't told him yet, though it was over a fortnight since her visit to the doctor.
She had no reasoned explanation of her postponement of it. The instinct that led her to keep it wholly to herself, was probably one of the reflections of that morning with Portia. She was still in a penitential mood when she went to the doctor--a mood which the contemplation of Portia's frustrated life and her own undeservedly happy one, had bitten deep into her soul. It was a mood that nothing but pain could satisfy. The only relief she could get during that fortnight of packing and leave-taking, came in flogging herself to do hard things--things that hurt, physically and literally, I mean; that made her back ache and cramped the muscles of her arms. Her spiritual aches were too contemptible to pay any attention to.
Conversely, in that mood, the thing she couldn't endure, that made her want to scream, was precisely what, all her life, she had taken for granted; tenderness, concern, the smoothing away of little difficulties for which the people about her had always sacrificed themselves. That mood made it hard to go to the doctor. But, after she had fainted dead away twice in one morning, a saving remnant of common sense--the reflection that if there were anything organically wrong with her, it would be a poor trick to play on Rodney, not to take remedial measures as soon as possible--dictated the action.
When the doctor told her what had happened, she was a little bewildered. She hadn't, in her mind, any prepared background for the news. She and Rodney had decided at the beginning not to have any children for the first year or two--in view of Rose's extreme youth, the postponement seemed sensible--and the decision once made, neither of them had thought much more about it.
Rodney's vigorously objective mind had always been so fully occupied with things as they were that it found little leisure for speculation on things as they might be. The day's work was always so vividly absorbing to him that day-dreams never got a chance. His sex impulses had always been crowded down to the smallest possible compass, not because he was a Puritan, but because he was, spiritually and mentally, an athlete. He had never thought of marriage as a serious possibility, Frederica's efforts to the contrary notwithstanding, until, in a moment of bewilderment, he found himself head over ears in love with Rose Stanton. That this emotion had been able to fight its way into the fortress of his life spoke volumes for the power and the vitality of it. Once it got inside, it formed a part of the garrison of the fort. And, just as the contemplation of marriage had had to wait until there was a Rose Stanton to make it concrete and irresistible, so the contemplation of fatherhood would have to wait for a concrete fact to drive it home.
With certain important differences, Rose was a good deal like him. She had never had time to dream much. The pretending games of childhood--playing with dolls, playing house--had never attracted her away from more vigorous and athletic enterprises. A superb physique gave her an outlet for her emotional energy, so that she satisfied her wants pretty much as she became aware of them. And, conversely, she remained unaware of possibilities she had not, as yet, the means to realize.
They were both rather abnormally normal about this. Persons of robust emotions seldom think very much about them. The temperament that cultivates its emotional soil assiduously, warms it, waters it and watches anxiously for the first sprouts, gets a rather anemic growth for its pains. Which of these facts is cause and which effect, one need not pretend to say: whether it is a lack of vitality in the seed that prompts the instinct of cultivation, or whether it is the cultivation that prevents a sturdy growth. But, feeble as the results of cultivation may be, they produce at least the apparent advantage of running true to form. The thing that sprouts in cultivated soil will be what was planted there--will be, at all events, appropriate.
But in Rose's penitential mood, and in the absence of a prepared background, it was the processes of her pregnancy rather than the issue of it, that got into the foreground of her mind. She was in for an experience now that no one could call trivial. She had months of misery ahead of her, she assumed, reasoning from the one she had just gone through with, surmounted by hours of agony and peril that even Portia wouldn't deny the authenticity of.
Well, she was glad of it; glad she was going to be hurt. She could get back some of her self-respect, she thought, by enduring it all, first the wretchedness, then the pain, with a Spartan fortitude. There would he a sort of savage satisfaction in marching through all her miseries with her head up.
She couldn't do that if Rodney knew. He wouldn't let her. He'd want to care for her, comfort her, pack her in cotton-wool. And there was a terrible yearning down in her heart, to let him. For just that reason, he mustn't be told.
But, as the sharp edges of this mood wore off, she saw a little more justly. Already he suspected something. She caught, now and again, a puzzled, worried, almost frightened look in his face. It was a poor penance that others had to share. So, at the end of her feast to-night, when the candles were lighted and the servants gone away, she'd tell him. And, oh, what a comfort it would be to have him know!
That was the moment she was waiting for when he telephoned that he was bringing the Lakes out for dinner. The old Rose might well have cried.
But now, as she sat trembling in front of her little boudoir fire, the door open behind her so that she'd surely hear him when he came in, the disappointment and the hurt that had clutched at her throat when she turned from the telephone, were wholly forgotten. As I said, she hadn't shed a tear.
The situation she was confronted with now was beyond tears. Portia's stinging words went over and over through her mind. "If you let the big thing slip out of your hands because you haven't the pluck to fight ..." and her own, "I promise I won't do that." It would mean a fight. She must keep her head.
She gave a last panicky shiver when she heard his latch-key, then pulled herself together.
"Come in here, Roddy," she called, as he reached the head of the stairs. "I want to talk about something."
He had hoped, evidently, to find her abed and fast asleep. His cautious footfalls on the stairs made clear his intention not to waken her.
"Oh, I'm sorry," he said, pausing in the doorway to her dressing-room, but not coming in. "I didn't know you meant to sit up for me. If I'd known you were waiting, I'd have come back sooner. But we got to talking and we were at the hotel before we knew it, and it was so long since I'd seen them ..."
"I haven't minded," she told him. "I've been glad of a chance to think. But now ... Oh, please come in and shut the door!"
He did come in, but with manifest reluctance, and he stayed near the door in an attitude of arrested departure.
"It's pretty late," he protested with a nonchalance that rang a little flat. "You must be awfully tired. Hadn't we better put off our pow-wow?"
She understood well enough. The look in her face, some uncontrolled inflection in the voice she had meant to keep so even, had given her away. He suspected she was going to be "tragic." If he didn't look out, there'd be a "scene."
"We can't put it off," she said. "I let you have your talk out with the Lakes, but you'll have to talk with me now."
"We spent most of the time talking about you, anyway," he said pleasantly. "They're both mad about you. Barry says you've got a fine mind."
She laughed at that, a little raggedly. Whereupon Rodney looked hurt and protested against this imputation of insincerity against his friend.
"When you know him better," he said, "you will see he couldn't say a thing like that unless he meant it."
"Oh, he meant it, all right," said Rose. And she added incomprehensibly, "It isn't his fault, of course. It's just the way the world's made."
She had been in good looks to-night, she knew; hurt, humiliated, confronted with a crisis, she had rallied her powers just as she had done at the Randolphs' dinner. She had been aware of the color in her cheeks, the brightness in her eyes, the edge to her voice. Each of the two men had responded to the effect she produced. Barry had talked with her all the last part of the evening--brilliantly, eagerly, and had come away saying she had a fine mind. Her husband had come across to her and put his hand on her bare shoulder. And the two of them had responded to an identical impulse, although they translated it so differently--one over the long circuit, the other over the short.
Lacking the clue, Rodney, of course, didn't understand. The look in Rose's eyes softened suddenly.
"Don't mind, dear;" she said. "I'm truly glad if they liked me. It will make things a lot easier."
At that his eyes lighted up. "Do you seriously think any one could resist you, you darling?" he said. "You were a perfect miracle to-night, when they were here. But now, like this ..." He came over to her with his arms out.
But she cried out "Don't!" and sprang away from him. "Please don't, Roddy--not to-night! I can't stand it to have you touch me to-night!"
He stared at her, gave a shrug of exasperation, and then turned away. "You _are_ angry about something then," he said. "I thought so when I first came in. But I honestly don't know what it's about."
"I'm _not_ angry," she said as steadily as she could. She mustn't let it go on like this. They were getting started all wrong somehow. "You didn't want me to touch you, the night when I came to your office, when you were working on that case. But it wasn't because you were angry with me. Well, I'm like that to-night. There's something that's got to be thought out. Only, I'm not like you. I can't do it alone. I've got to have help. I don't want to be soothed and comforted like a child, and I don't want to be made love to. I just want to be treated like a human being."
"I see," he said. Very deliberately he lighted a cigarette, found himself an ash-tray and settled down astride a spindling little chair. (It was lucky for Florence McCrea's peace of mind that she didn't see him do it.) "All right," he said. "Now, come on with your troubles." He didn't say "little troubles," but his voice did and his smile. The whole thing would probably turn out to be a question about a housemaid, or a hat.
Rose steadied herself as well as she could. She simply mustn't let herself think of things like that. If she lost her temper she'd have no chance.
"We've made a horrible mistake," she began. "I don't suppose it's either of our faults exactly. It's been mine in a way of course, because it wouldn't have happened if I hadn't been--thoughtless and ignorant. I might have seen it if I'd thought to look. But I didn't--not really, until to-night."
He wanted to know what the mistake was. He was still smiling in good-humored amusement over her seriousness.
"It's pretty near everything," she said, "about the way we've lived--renting this house in the first place."
He frowned and flushed. "Good heavens, child!" he said. "Can't you take a joke? I didn't mean anything by what I said about the house--except that--well, it is a precious, soulful, sacred--High Church sort of house, and we're not the sort of people, thank God--I'll say it again--who'd have built it and furnished it for ourselves. You _aren't_ right, Rose. You're run down and very tired and hypersensitive, or you wouldn't have spent an evening worrying over a thing like that."
"You can make jokes about a thing that's true," she persisted. "And it's true that you've hated the way we've lived--the way this house has made us live.--No, please listen and let me talk. I can't help it if my voice chokes up. My mind's just as cool as yours and you've got to listen. It isn't the first time I've thought of it. It's always made me feel a little unhappy when people have laughed about the 'new leaf' you've turned over; how 'civilized' you've got, learning all the new dances and going out all the time and not doing any of the--wild things you used to do. In a joking sort of way, people have congratulated me about it, as if it were some sort of triumph of mine. I haven't liked it, really. But I never stopped to think out what it meant."
"What it does mean," he said, with a good deal of attention to his cigarette, "is that I've fallen in love with you and married you and that things are desirable to me now, because I am in love with you, that weren't desirable before. And things that were desirable before, are less so. I don't see anything terrible about that."
"There isn't," she said, "when--when you're in love with me."
He shot a frowning look at her and echoed her phrase interrogatively. She nodded.
"Because you aren't in love with me all the time. And when you aren't, you must see what I've done to you. You must--hate me for what I've done to you. I remember the first day we ever talked--when you laughed at my note-books. You talked about people who wore blinders and drew a cart and followed a bundle of hay. That's what I've made you do."
His face flushed deep. He sprang to his feet and threw his cigarette into the fire. "That's perfectly outrageous nonsense," he said. "I won't listen to it."
"If it weren't true," she persisted, "you wouldn't be excited like that. If I hadn't known it before, I'd have known it when I saw you with the Lakes. You can give them something you can't give me, not with all the love in the world. I never heard about them till to-night--not in a way I'd remember. And there are other people--you spoke of some of them at dinner--who are living here, that you've never mentioned to me before. You've tried to sweep them all out of your life; to go to dances and the opera and things with me. You did it because you loved me, but it wasn't fair to either of us, Roddy. Because you can't love me all the time. I don't believe a man--a real man--_can_ love a woman all the time. And if she makes him hate her when he doesn't love her, he'll get so he hates loving her."
"You're talking nonsense!" he said again roughly. He was pacing the room by now. "Stark staring nonsense!"
Of course the reason it caught him like that was simply that it echoed so uncannily the things that went through his own head sometimes in his stolen hours of solitude--thoughts he had often tried, unavailingly, to stamp out of existence.
"I'd like to know where you get that stuff. Is it from James Randolph? He's dangerous, that fellow. Oh, he's interesting, and I like him, but he's a cynic. He doesn't want anybody to be happier than he is. But what may be true of him, isn't true of me. I've never stopped loving you since the first day we talked together. And I should think I'd done enough to prove it."
"That's it," she said. "You've done too much. And you're so sorry for me when you don't love me, that it makes you do all the more."
She had found another joint in his armor. She was absolutely clairvoyant to-night, and this time he fairly cried out, "Stop it!"
Then he got himself together and begged her pardon. "After all, I don't see what it comes to," he said. "I don't know what we're fighting about to-night. You're saying you think we ought to do more playing around with the Lakes and people like that; not spend all our time with the Casino set, as we have done this winter. Well, that may be good sense. I've no objection certainly."
"Well, then," she said, "that's settled--that's one thing settled. But there's something else. Oh, it all comes to the same thing, really. Roddy,"--she had to gulp and draw a long breath and steady herself before this--"Roddy, how much money have you got, and how much are we spending?"
"Oh, good lord!" he cried. "_Please_ don't go into that now, Rose. It's after one o'clock, and you're worn to a frazzle. If we've got to go into it, let's do it some other time, when we can be sensible about it."
"When I am, you mean?"
"Yes," he said.
"Well, I'm sensible now. I can't help it if my--voice chokes and my eyes fill up. That's silly, of course, but down in my mind, I don't believe I've ever been as sensible as I am right now. And I've had the nerve to ask--I don't know when I will again--and I know you won't bring the subject up by yourself. I've been trying to for ever so long. But money's always seemed the one thing I couldn't b-bear to talk about with you.
"You see, when I first told mother and Portia about you--about how you helped me with the conductor that night, I told them your name, and Portia said she didn't think it could be you, because you were a millionaire. I supposed she knew. Anyway, I didn't think very much about it. You yourself,--just being with you and hearing you talk, were so much more important. After we got engaged, and you began doing all sorts of lovely things for me, I enjoyed it of course. But it was just something that went with you. After we were married and took this house ... Well, I knew, of course, I hadn't married you for money, but I thought it would sound sort of queer and prying to ask questions about it; because I hadn't anything."
He had looked up two or three times and drawn in his breath for a protest, but apparently he couldn't think of anything effective to say. Now though, he cried out, "Rose! Please!"
But she went steadily on. "You were always so dear about it. You never let me feel like a beggar, and--well, it was the easy way, and I took it. I got worried once during the winter when I heard the Crawfords talking. All those people were millionaires, I'd supposed. They were going on at a dinner here, one night, about being awfully hard up, and I began to wonder if we were. I spent a week trying to--get up my courage to ask you about it. But then Constance got a new necklace on her birthday, and they went off to Palm Beach the next week, so I persuaded myself it was all a joke. The thing's come up again several times since, but never so that I couldn't side-step it some way, until to-night. But to-night--oh, Roddy ...!" Her silly ragged voice choked there and stopped and the tears brimmed up and spilled down her cheeks. But she kept her face steadfastly turned to his.
"That's what I said about being married and not sowing wild oats, I suppose," he said glumly. "It was a joke. Do you suppose I'd have said it if I meant it?"
"It wasn't only that," she managed to go on. "It was the way they looked at the house; the way you apologized for my dress; the way you looked when you tried to get out of answering Barry Lake's questions about what you were doing. Oh, how I despised myself! And how I knew you and they must be despising me!"
"The one thing I felt about you all evening," he said, with the patience that marks the last stage of exasperation, "was pride. I was rather crazily proud of you."
"As my lover you were proud of me," she said. "But the other man--the man that's more truly you--was ashamed, as I was ashamed. Oh, it doesn't matter! Being ashamed won't accomplish anything. But what we'll _do_ is going to accomplish something."
"What do you mean to do?" he asked.
"I want you to tell me first," she said, "how much money we have, and how much we've been spending."
"I don't know," he said stubbornly. "I don't know exactly."
"You've got enough, haven't you, of your own ... I mean, there's enough that comes in every year, to live on, if you didn't earn a cent by practising law? Well, what I want to do, is to live on that. I want to live however and wherever we have to to live on that--out in the suburbs somewhere, or in a flat, so that you will be free; and I can work--be some sort of help. Barry and the others--your real friends, that you really care about, won't mind. And as long as we want to get rid of the other people anyway, that's the way to do it."
"You can wash the dishes and scrub the floors," he supplemented, "and I can carry my lunch to the office with me in a little tin box." He looked at his watch. "And now that the thing's reduced to an absurdity, let's go to bed. It's getting along toward two o'clock."
"You don't have to get to the office till nine to-morrow morning," said Rose. "And I want to talk it out now. And I don't think I said anything that was absurd."
The devil of it was she hadn't. The precise quality about her suggestions that pointed and barbed them, was their fantastic logic. It would be ridiculous--impossible--to uproot their life as she wanted it done. One simply couldn't do such a thing. Serious discussion of it was preposterous. But to explain why ...! He was apt enough at explanations generally. This one seemed to present difficulties.
"I shouldn't have called it absurd," he admitted after a rather long silence. "But it's exaggerated and unnecessary. I don't care to make a public proclamation that I'm not able to support you and run our domestic establishment in a way that we find natural and agreeable;--and that I've been a fool to try. The situation doesn't call for it. You've made a mountain out of an ant-hill. When our lease is up, if we think this house is more than we want, we can find something simpler."
"But we'll begin economizing now," she pleaded; "change things as much as we can, even if we do have to go on living in this house. It won't hurt me a bit to work, and you could go back to your book. We'd both be happier, if I were something besides just a drag on you."
"Discharge a couple of maids, you mean," he asked, "and sweep and make beds and that sort of thing yourself?"
"I don't know exactly how we'd do it," she said. "That's why I said I needed your help in figuring it out. Something like that, I suppose. Sweeping and making beds isn't very much, but it's something."
"The most we could save that way," he said, "would be a few hundred dollars a year. It wouldn't be a drop in the bucket. But everything would run at cross-purposes. You'd be tired out all the time--you're that pretty much as it is lately, we'd have to stop having people in; you'd be bored and I'd be worried. When you start living on a certain scale, everything about your life has to be done on that scale. Next October, as I said, when the lease on this house runs out, we can manage, perhaps, to change the scale a little. There you are! Now do stop worrying about it and let's go to bed."
But she sat there just as she was, staring at the dying fire, her hands lying slack in her lap, all as if she hadn't heard. The long silence irked him. He pulled out his watch, looked at it and began winding it. He mended the fire so that it would be safe for the night; bolted a window. Every minute or two, he stole a look at her, but she was always just the same. Except for the faint rise and fall of her bosom, she might have been a picture, not a woman.
At last he said again, "Come along, Rose, dear."
"It'll be too late in October," she said. "That's why I wanted to decide things to-night. Because we must begin right away." Then she looked up into his face. "It will be too late in October," she repeated, "unless we begin now."
The deep tense seriousness of her voice and her look arrested his full attention.
"Why?" he asked. And then, "Rose, what do you mean?"
"We're going to have a baby in October," she said.
He stared at her for a minute without a word, then drew in a deep breath and pressed his hands against his eyes. All he could say at first was just her name. But he dropped down beside her and got her in his arms.
"So that's it," he said raggedly at last. "Oh, Rose, darling, it's such a relief! I've been so terrified about you--so afraid something had gone wrong. And you wouldn't let me ask, and you seemed so unhappy. I'd even thought of talking to Randolph. I might have guessed, I suppose. I've been stupid about it. But, you darling, I understand it all now."
She didn't see just what he meant by that, but she didn't care. It was such a wonderful thing to stop fighting and let the tension relax, cuddle close into his embrace, and know nothing in the world but the one fact that he loved her; that their tale of golden hours wasn't spent--was, perhaps, illimitable. She was even too drowsily happy to think what he meant when he said a little later:
"So now you won't let anything trouble you, will you, child? And if queer worrying ideas get into your head about the way we live, and about being a drag on me and making me hate you, you'll laugh at them? You'll be able to laugh, because you'll know why they're there."
It wasn't until the next day that she recalled that remark of his and analyzed it. It meant, of course, that she was beaten; that her first fight for the big thing had been in vain. There would be no use, for the present, in renewing the struggle. He'd taken the one ground that was impregnable. So long as he could go on honestly interpreting every plea of hers for a share in the hard part of his life as well as in the soft part of it, for a way of life that would make them something more than lovers--as wholly subjective to herself, the inevitable accompaniment of her physical condition--the pleas and the struggles would indeed be wasted. She'd have to wait.
## CHAPTER X
THE DOOR THAT WAS TO OPEN
She would have to wait. Accepted, root and branch, as Rose was forced by her husband's attitude to accept it, a conclusion of that sort can be a wonderful anodyne. And so it proved in her ease. Indeed, within a day after her talk with Rodney, though it had ended in total defeat, she felt like a person awakened out of a nightmare. There had taken place, somehow, an enormous letting-off of strain--a heavenly relaxation of spiritual muscles. It was so good just to have him know; to have others know, as all her world did within the next week!
Ultimately nothing was changed, of course. The great thing that she had promised Portia she wouldn't fail in getting--the real thing that should solve the problem, equalize the disparity between her husband and herself and give them a life together in satisfying completeness beyond the joys of a pair of lovers;--that was still to be fought for.
She'd have to make that fight alone. Rodney wouldn't help her. He wouldn't know how to help her. Indeed, interpreting from the way he winced under her questions and suggestions, as if they wounded some essentially masculine, primitive element of pride in him, it seemed rather more likely that he'd resist her efforts--fight blindly against her. She must be more careful about that when she took up the fight again; must avoid hurting him if she could.
She hadn't an idea on what lines the fight was to be made. Perhaps before the time for its beginning, a way would appear. The point was that for the present, she'd have to wait--coolly and thoughtfully, not fritter her strength away on futile struggles or harassments.
The tonic effect of that resolution was really wonderful. She got her color back--I mean more than just the pink bloom in her cheeks--and her old, irresistible, wide slow smile. She'd never been so beautiful as she was during the next six months.
People who thought they loved her before--Frederica for example, found they hadn't really, until now. She dropped in on Eleanor Randolph one day, after a morning spent with Rose, simply because she was bursting with this idea and had to talk to somebody. That was very like Frederica.
She found Eleanor doing her month's bills, but glad to shovel them into her desk, light up a cigarette, and have a chat; a little rueful though, when she found that Rose was to be the subject of it.
"She's perfectly wonderful," Frederica said. "There's a sort of look about her ..."
"Oh, I know," Eleanor said. "We dined there last night."
"Well, didn't it just--get you?" insisted Frederica.
"It did," said Eleanor. "It also got Jim. He was still talking about her when I went to sleep, about one o'clock. I don't a bit blame him for being perfectly maudlin about her. As I say, I was a good deal that way myself, though a half-hour's steady raving was enough for me. But poor old Jim! She isn't one little bit crazy about him, either--unfortunately."
"_Un_fortunately!" thought Frederica. This was rather illuminating. The Randolphs' love-match had been regarded as establishing a sort of standard of excellence. But when you heard a woman trying to arrange subsidiary romances for her husband, or lamenting the failure of them, it meant, as a rule, that things were wearing rather thin. However, she dismissed this speculation for a later time, and went back to Rose.
"I had been worrying about her, too;" she said. "Rodney was so funny about her. _He_ was worried, I could see that. And he means the best in the world, the dear. But he could be a dreadful brute, just in his simplicity. Oh, I know! He and I were always rather special pals--more than Harriet. But no man ever learned less from his sisters,--about women, I mean. He's always been so big and healthy and even-minded, you couldn't tell him anything, except what you could print right out in black and white. So when you were feeling edgy and blue and miserable you either kept out of his way or kept your troubles to yourself. He was always easy to fool--there was that about it. If you wiped your eyes and blew your nose, he always thought you had a cold. Which is all very nice about a brother; but in a husband ..."
Something that Eleanor did with her shoulders, the way she blew out her smoke and twisted her mouth around, caught Frederica's eye. "What did you mean by that?" she asked. "Oh, I know you didn't say anything."
Eleanor got up restlessly, squared the cushions on her _chaise longue_, tapped her cigarette ash into a receiver and said that Rose was happy enough now, anyway, if looks were anything to go by; hesitated again, and finally answered Frederica's question.
"Why," she said, "whenever I hear a woman miaouling about being misunderstood, I always want to tell her she doesn't know her luck. Wait till she marries a man who really does understand--too well. Let her see how she likes it, whenever she turns loose and gets--going a little, to have him look interested, as if he were taking notes, and begin asking questions that are--a little too intelligent. How does she think it'll feel never to know, _never_--I mean that, that she isn't being--experimented on!"
It was a rather horrible idea, Frederica didn't try to deny it. But not being understood wasn't very agreeable either. What did they want then?
Eleanor laughed. "Did you ever think," she asked, "that one of these regular stage husbands would be rather satisfactory? Terribly
## particular, you know, and bossy and domineering. The kind that discovers
a letter or a handkerchief or sees you going into some other man's 'rooms' and gets frightfully jealous, and denounces you without giving you a chance to explain, and drags you round by the hair and threatens to kill you? And then discovers--in the last act, you know,--that you were perfectly innocent all the while, and repents all over the place and begs you to forgive him and take him back; and you do? Do you suppose any of the men we know would be capable of acting like that? Don't you think we'd like it if they were? Not if they really did those things, perhaps, but if we thought they might?"
Frederica was amused, but didn't think there was much to that. Of course, if the play was very thrilling, and you liked the leading man, you might build yourself into the romance somehow. But when it came to the real thing ...
"No, there is something in it," Eleanor insisted. "There's something you can't get in any other way. Whom do you think I'd pick," she asked suddenly, "for the happiest wife I know? Edith Welles. Yes, really. Oh, I know, her husband's a slacker and no real good to anybody. And he goes out every now and then and drinks too much and doesn't know just what happens afterward. But he always comes back and wants to be forgiven. And he thinks she's an angel,--which she is--and he thinks he isn't worthy to put on her rubbers--which he isn't, and--well, there you are! She knows she's _got_ him, somehow.
"But you take Jim. I can get my way with him always. I can outmaneuver him every time. He's positively simple about things, unless they happen to strike him--professionally. But there's always something that gets away. Something I'm no nearer now than I was the day I first saw him. And I sometimes think that if there were--something horrible I had to forgive him for--if I could get something on him as they say.... It's rather fun, isn't it, sometimes, just to let your mind go wild and see where you bring up. Awful rot, of course. Can you stop for lunch?"
Frederica thought she couldn't; must run straight along. But the talk had been amusing. "Only--you won't mind?--don't spring any of that stuff on Rose. She's just a child, really you know, and entitled to any illusions that Rodney leaves; especially these days."
"You, as an old hen fussing about your new chicken!" Eleanor mocked. "Wait till you can look the part a little better, Frederica, dear. But really, I'm harmless. Talk to Jim and Rodney and those fearful and wonderful Lakes of his. They were there, and--well, you ought to have heard the talk. I thought I was pretty well hardened, but once or twice I gasped. Jim's pretty weird when he gets going, but that Barry Lake has a sort of--surgical way of discussing just _anything_, and his wife's as bad. Oh, she's awfully interesting, I'll admit that, and she's as crazy about Rose as any of the rest of us, which is to her credit.
"We never got off women all the evening. Barry Lake had their history down from the early Egyptians, and Jim had an endless string of pathological freaks to tell about. And then Rodney came out strong for economic independence, only with his own queer angle on it of course. He thought it would be a fine thing, but it wouldn't happen until the men insisted on it. When a girl wasn't regarded as marriageable unless she had been trained to a trade or a profession, then things would begin to happen. I think he meant it, too, though he was more than usually outrageous in his way of putting things.
"Well, and all the while there sat Rose, taking it all in with those big eyes of hers, smiling to herself now and then; saying things, too, sometimes, that were pretty good, though nobody but Jim seemed to understand, always, just what she meant. They've talked before, those two. But she didn't mind--anything; no more embarrassed than as if we'd been talking embroidery stitches. You don't need to worry about her. And she absolutely seemed to like Jane Lake."
Frederica did worry. Seriously meditated running in on Rodney before she went home to lunch and giving him a tip that a young wife in Rose's condition wanted treating a little more carefully. It was not for prudential reasons that she decided against doing it. She was perfectly willing to have her head bitten off in a good cause. But she knew Rodney down to the ground; knew that it was utterly impossible for him, whatever his previous resolutions might be, to pull up on the brink of anything. Once you launched a topic that interested him, he'd go through with it. So the only thing that would do any good would be to ban the Lakes and James Randolph completely. And Rodney, if persuaded to do that--he would in a minute, of course, if he thought it would be good for Rose--would be incapable of concealing from her why he had done it; which would leave matters worse than ever.
The only outcome, then, of her visit to Eleanor and her subsequent cogitations, was that Martin, when he came home that night, found her unusually affectionate and inclined to be misty about the eyes. "I'm a--lucky guy, all right"--this was her explanation,--"being married to you. Instead of any of the others."
He was a satisfactory old dear. He took her surplus tenderness as so much to the good, and didn't bother over not knowing what it was all about.
Eleanor was right in her surmise that Rose had really taken a fancy to Jane Lake. She was truly--and really humbly--grateful to Jane, in the first place, for liking her, finding her, in Jane's own phrase, "worth while," and her ideas worth listening to. Because here was something, you see, that she could take at its face value. There was no long-circuited sex attraction to discount everything, in Jane's case. But she had another reason.
Rodney, it seemed, had told the Lakes about the prospective baby the very morning after he'd learned the news himself, and Jane--this was perfectly characteristic of her--had come straight up to see Rose about it; even before Frederica. And about the first thing she said was:
"Which do you want--a boy or a girl?"
Rose looked puzzled, then surprised. "Why," she said at last, "I don't believe I know."
"It's funny about that," said Jane. "The one thing I was frightened about--the first time, you know--was that it might be a girl. I think Barry really wanted a girl, too. He does now, and we're going to try to have one, though we can't rightly afford it. But I'm just primitive enough--I'm a cave person, really--to have felt that having a girl, at least before you had a boy, would be a sort of disgrace. Like the Hindoo women in Kipling. But don't you really care?"
"Why, the queer thing is," said Rose, who had been in a daze ever since Jane's first question, "that I hadn't thought of it as anything at all but--It. Hardly that, really. I've known how miserable I've been, and that there were things I must be careful not to do,--and, of course, what was going to happen. But that when it was all over there'd be a baby left,--a--a son or a daughter, why, that's ..."
Her surprise had carried her into a confidence that her budding friendship for Jane was hardly ripe for, and she pulled up rather suddenly. "I didn't know you had any children," she concluded, by way of avoiding a further discussion of the marvel just then. "Are they here with you now?"
Jane explained why they were not. They weren't babies any more, two husky little boys of five and three, and they were rejoicing in the care of a grandmother and a highly competent nurse. "One of those terribly infallible people, you know. Oh, I don't like it. I get a night letter every morning, and, of course, if one of them got the sniffles I'd be off home like a shot. I'd like to be a regular domestic mother; not let another soul but me touch them (Jane really believed this) but you see we can't well afford it. Barry pays me five dollars a day for working for him. I scout around and dig up material and interview people for him--I used to be a reporter, you know. He'd have to hire somebody, and it might better be me and keep the money in the family. Because the nurse who takes my place doesn't cost near so much as that. All the same, as I say, I don't half like it. You can preach the new stuff till you're black in the face, but there's no job for a woman like taking care of her own children."
Rose listened to all this, as well as to Jane's subsequent remarks, with only so much attention as was required to keep her guest from suspecting that she wasn't really listening at all. Jane didn't stay long. She had to go out and earn Barry's five dollars--she'd lose her job if she didn't, so she said, and Rose was presently left alone to dream, actually for the first time, of the wonders that were before her.
What a silly little idiot she'd been not to have seen the thing for herself! She'd been, all the while, beating her head against blind walls when there was a door there waiting to open of itself when the time came. Motherhood! There'd be a doctor and a nurse at first, of course, but presently they'd go away and she'd be left with a baby. Her own baby! She could care for him with her own hands, feed him--her joy reached an ecstasy at this--feed him from her own breast.
That life which Rodney led apart from her, the life into which she had tried with such ludicrous unsuccess to effect an entrance, was nothing to this new life which was to open before her in a few short months now. Meanwhile, she not only must wait; she could well afford to.
That was why she could listen with that untroubled smile of hers to the terrible things that Rodney and James Randolph and Barry Lake and Jane got into the way of hurling across her dinner table, and to the more mildly expressed but equally alkaline cynicisms of Jimmy Wallace.
(Jimmy was dramatic critic on one of the evening papers, as well as a bit of a playwright. He was a slim, cool, smiling, highly sophisticated young man, who renounced all privileges as an interpreter of life in favor of remaining an unbiased observer of it. He never bothered to speculate about what you ought to do;--he waited to see what you did. He knew, more or less, everybody in the world,--in all sorts of worlds. He was, for instance, a great friend of Violet Williamson's and Bella Forrester's and was, at the same time, on terms of avuncular confidence with Dotty Blott of the Globe chorus. And he was exactly the same man to the three of them. He fitted admirably in with their new circle.)
Well, in the light of the miraculous transformation that lay before her Rose could listen undaunted to the tough philosophizings her husband and Barry Lake delighted in as well as to the mordant merciless realities with which Doctor Randolph and Jimmy Wallace confirmed them. She wasn't indifferent to it all. She listened with all her might.
If there was anything in prenatal influence, that baby of hers was going to be intelligent!
## CHAPTER XI
AN ILLUSTRATION
So far as externals went, her life, that spring, was immensely simplified. The social demands on her, which had been so insistent all winter, stopped almost automatically. The only exception was the Junior League show in Easter week, for which she put in quite a lot of work. She was to have danced in it.
This is an annual entertainment by which Chicago sets great store. All the smartest and best-looking of the younger set take part in it, in costumes that would do credit to Mr. Ziegfeld, and as much of Chicago as is willing and able to pay five dollars a seat for the privilege is welcome to come and look. Delirious weeks are spent in rehearsal, under a first-class professional director, audience and performers have an equally good time, and Charity, as residuary legatee, profits by thousands.
Rose dropped in at a rehearsal one day at the end of a solid two hours of committee work, found it unexpectedly amusing, and made a point thereafter of attending when she could. Her interest was heightened if not wholly actuated by some things Jimmy Wallace had been telling her lately about how such things were done on the real stage.
He had written a musical comedy once, lived through the production of it, and had spent a hard-earned two-weeks vacation trouping with it on the road, so he could speak with authority. It was a wonderful Odyssey when you could get him to tell it, and as she made a good audience she got the whole thing--what everybody was like, from the director down, how the principals dug themselves in and fought to the last trench for every line and bit of business in their parts, and sapped and mined ahead to get, here or there, a bit more;--how insanely hard the chorus worked....
The thing got a sociological twist eventually, of course, when Jane wanted to know if it were true, as alleged by a prominent woman writer on feminism, that the chorus-girls were driven to prostitution by inadequate pay. Jimmy demolished this assertion with more warmth than he often showed. He didn't know any other sort of job that paid a totally untrained girl so well. There were initial requirements, of course. She had to have reasonably presentable arms and legs and a rudimentary sense of rhythm. But it took a really accomplished stenographer, for instance, to earn as much a week as was paid the average chorus-girl. The trouble was that the indispensable assets in the business were not character and intelligence and ambition, but just personal charms.
Rose grinned across at Rodney. "That's like wives, isn't it?" she observed.
"And then," Jimmy went on, "the work isn't really hard enough, except during rehearsals, to keep them out of mischief." Rose smiled again, but didn't press her analogy any further. "But a girl who's serious about it, who doesn't have to be told the same thing more than once, and catches on, sometimes, without being told at all,--why, she can always have a job and she can be as independent as anybody. She can get twenty-five dollars a week or even as high as thirty. It's surprising though," he concluded, "considering what a bunch of morons most of them are, that they work as well as they do; turn up on time for rehearsals and performances, even when they're feeling really seedy, stand the awful bawling out they get every few minutes--because some directors are downright savages--and keep on going over and over a thing till they're simply reeling on their pins, without any fuss at all."
"They can always lose their job," said Barry. "There's great merit in that."
The latter part of this conversation was what she was to remember afterward, but the thing which impressed Rose at the time, and that held her for hours looking on at the League show rehearsals, was what Jimmy had told her about the technical side of the work of production, the labors of the director, and so on.
The League was paying their director three hundred dollars a week, and by the end of the third rehearsal Rose decided that he earned it. The change he could make, even with one afternoon's work, in the effectiveness, the carrying power, of a dance number was astonishing. It wasn't at all a question of good taste. There stood Bertie Willis simply awash with good taste and oozing suggestions whose hopeless futility was demonstrated, even to him, the moment an attempt was made to put them into effect. The director was concerned with matters of fact. There were ascertained methods of getting a certain range of effects and he knew what they were and applied them--as well as the circumstances admitted. He was working under difficulties, poor chap! Rose, enlightened by Jimmy Wallace, could see that. A man habituated to bawling at a girl, when the spirit so moved him, "Here, you Belmont! What do you think you're trying to do? You try sleeping at night and staying awake at rehearsal. See how it works!"--accustomed to the liberty of saying things like that, and then finding himself under the necessity of swallowing hard and counting ten, and beginning with an--"I think, if you don't mind ...!" was in a hard case.
Bertie Willis had his usefulness here. Sometimes Rose heard the director whisper hoarsely, "For God's sake, don't let her do that! She _can't_ do that!" and then Bertie would intervene and accomplish wonders by diplomacy.
But it must be wonderfully exhilarating, Rose thought, to know exactly why that girl was ridiculous and what to do to make her look right. And to be able to sell your knowledge for three hundred dollars a week. This was the sort of thing Rodney did, when one came to think of it. She wondered whether he could sell his special sort of knowledge for as much. That must be: the sort of possession Simone Gréville had had in mind when she said that nothing worth having could be bought cheap. Neither Rodney nor the director had found his specialty growing on a bush!
But her specialty, which in her life was to fill the place a knowledge of stage dancing filled in the director's, was to come in a different way. You paid a price, of course, for motherhood, in pain and peril, but it remained a miraculous gift, for all that.
## CHAPTER XII
WHAT HARRIET DID
She must wait for her miracle. As the weeks and months wore away, and as the season of violent and high-frequency alternations between summer and winter, which the Chicagoan calls spring, gave place to summer itself, Rose was driven to intrench herself more and more deeply behind this great expectation. It was like a dam holding back waters that otherwise would have rushed down upon her and swept her away.
The problems went on mounting up behind the dam, of course. All the minor luxuries of their way of living, which had been so keen a delight to her during the first unthinking months of their married life; all the sumptuous little elaborations of existence which she had explored with such adventurous delight, had changed--now that she knew they had been bought by the abridgment of her husband's freedom, by the invasion of the clear space about himself which he had always so jealously guarded--into a cloud of buzzing stinging distractions.
And they were the harder to bear now that she recognized how hard they were going to be to drive away. It would have to be effected without wounding Rodney's primitive masculine pride--without convicting him of being an inadequate provider.
The baffling thing about him was that he had, quite unconsciously and sincerely, two points of view. His affection for her, his wife, lover, mistress, was a lens through which he sometimes looked out on the world. As she refracted the facts of life for him they presented themselves in the primitive old-fashioned way.
But there was another window in his soul through which he saw life with no refractions whatever; remorselessly, logically. Looking through the window, as he did when he talked to Barry Lake, or James Randolph, he saw life as a mass of unyielding reciprocities. You got what you paid for. You paid for what you got. And he saw both men and women--though chiefly women--tangling and nullifying their lives in futile efforts to evade this principle; looking for an Eldorado where something was to be had for nothing; for panaceas; for the soft without the hard.
He was perfectly capable of seeing and describing an abstract wife like that in blistering terms that would make an industrious street-walker look almost respectable by comparison. But when he looked at Rose, he saw her through the lens, as some one to be loved and desired,--and prevented, if possible, from paying anything.
Somehow or other those two views must be reconciled before a life of real comradeship between them was possible; before the really big thing she had promised Portia to fight for could be anything more than a tormenting dream.
Would the miracle solve this? It must. It was the only thing left to hope for. In the shelter of the great dam she could wait serene.
And then came Harriet, and the pressure behind the dam rose higher.
Rose had tried, rather unsuccessfully, to realize, when during the earlier days of her marriage she had heard Harriet talked about, that there was actually in existence another woman who occupied, by blood anyway, the same position toward Rodney and herself that Frederica did. She felt almost like a real sister toward Frederica. But without quite putting the notion into words, she had always felt it was just as well that Harriet was an Italian _contessa_ four thousand miles away. Rodney and Frederica spoke of her affectionately, to be sure, but their references made a picture of a rather formidably correct, seriously aristocratic sort of person. Harriet had always had, Rose could see, a very effective voice in the family councils. She hadn't much of a mind, perhaps; Rodney described it once as a small, well oiled, easy running sort of mind that stitched away without misgivings, to its conclusions. Rodney never could have been very fond of her. But she had something he knew he lacked, and in matters which he regarded as of minor importance--things that he didn't consider worth bothering much about one way or the other--he'd submit to her guidance, it appeared, without much question.
She had written, on the occasion of Rodney's marriage, a letter to Rose, professing with perfect adequacy, to give her a sisterly welcome into the family. But Rose felt pretty sure (a fragment of talk she overheard, an impatient laugh of Rodney's, and Frederica's "Oh, that's Harriet of course," had perhaps suggested it) that the _contessa_ regarded Rodney's marriage as a _mésalliance_. She had entertained this notion the more easily because at that time what Harriet thought--whatever Harriet might think--seemed a matter of infinitesimal importance.
She'd discovered, along in the winter sometime, that Harriet's affairs were going rather badly. Neither Rodney nor Frederica had gone into details. But it was plain enough that both of them were looking for a smash of some sort. It was in May that the cable came to Frederica announcing that Harriet was coming back for a long visit. "That's all she said," Rodney explained to Rose. "But I suppose it means the finish. She said she didn't want any fuss made, but she hinted she'd like to have Freddy meet her in New York, and Freddy's going. Poor old Harriet! That's rather a pill for her to swallow, if it's so. We must try to cheer her up."
She didn't seem much in need of cheering up, Rose thought, when they first met. All that showed on the _contessa's_ highly polished surface was a disposition to talk humorously over old times with her old friends, including her brother and sister, and a sort of dismayed acquiescence in the smoky seriousness, the inadequate civilization, the sprawling formlessness of the city of her birth, not excluding that part of it which called itself society.
In broad strokes, you could describe Harriet by saying she was as different as a beautiful woman could be from Frederica. She wasn't so beautiful as Frederica, to be sure, but together they made a wonderfully contrasted pair--Harriet almost as perfect a brunette type as Frederica was a blonde, and got up with her ear-rings and her hair and all to look rather exotic. Her speech, too, and the cultivated things she could do with her shoulders, carried out the impression. She had a trick--when she wanted to be disagreeable an ill-natured observer would have said--of making remarks in Italian and then translating them.
She wasn't disagreeable though--not malicious anyway, and the very hard finish she carried, had been developed probably as a matter of protection. She must have been through a good deal in the last few years. She'd had two children stillborn, for one thing, and she was frankly afraid to try it again. She never wanted any sympathy from anybody. If it came down to that, she'd prefer arsenic. She resisted Rose's rather poignant charm, as she resisted any other appeal to her emotions. With the charm left out, Rose was simply a well meaning, somewhat insufficiently civilized young person, the beneficiary, through her marriage with Rodney, of a piece of unmerited good fortune. She didn't in the least mean to be unkind to her, however, and didn't dream that she was giving Rose an inkling how she thought of her.
Her manner toward this new member of the family was studiously affectionate. She avoided being either disagreeable or patronizing. Rose could see, indeed, how carefully she avoided it. She knew, too, that Frederica saw the same thing and tried to compensate for it by a little extra affectionateness. She even thought--though perhaps this was mere self-consciousness--that she detected a trace of the same thing in Rodney.
The tie of blood is a powerful thing. Rose had never realized before how powerful. With Harriet's arrival, she became aware of the Aldrich family as a sodality--something she didn't belong to and never could. It was quite true, as Frederica had said, that she and Rodney had always been special pals. Harriet fitted into the family on the other side of Frederica from her brother. She was a person with a good deal of what one calls magnetism, and she attracted Frederica toward herself--made her, when she was about, a somewhat different Frederica. She even attracted Rodney a little in the same way.
The time of the year (it was after the end of the social season) made it natural for them to be together a good deal. And of course Harriet's return, after an absence of years, made them seek such meetings. The result was that Rose, at the end of almost a year of marriage, got her first real taste of lonesomeness. When the four of them were together, Rose felt like an outsider intruding on intimates. They didn't mean her to feel that way--made a distinct effort, Rodney and Frederica, anyway, to prevent her feeling that way; which of course only pointed it. They had old memories to talk about; old friendships. They had, like all close knit families, a sort of shorthand language to talk in. If Rose came into the room where they were, she'd often be made aware that the current subject of the conversation had been dropped and a new one was getting started; or else there'd be laborious explanations.
It wouldn't have mattered--not so much anyway, if Rose had had a similar sodality of her own to fall back on--a mass of roots extending out into indigenous soil. But Rose, you see, had been transplanted. Her two brothers were hardly more than faint memories of her childhood. One was a high-school principal down in Pennsylvania; the other a professor of history at one of the western state universities. Both of them had married young and had been very much married--on small incomes--ever since. The only family she had that counted, was her mother and Portia. And they were gone now to California.
She had had a world of what she called friends, of course, of her own age, at the high school and at the university. But her popularity in those circles, her easy way of liking everybody, and her energetic preoccupation with things to do, had prevented any of these friendships from biting in very deep. None of them had been solidly founded enough to withstand the wavelike rush of Rodney Aldrich into her life. She had gone over altogether into her husband's world. The world that had been her own, hadn't much more existence, except for her mother and sister out in California, than the memory of a dream.
But it took Harriet's arrival to make her realize this. And the realization, when it was pressed home particularly hard, brought with it moments of downright panic. Everything--everything she had in the world, went back to Rodney. Except for him, she was living in an absolute vacuum. What would happen if the stoutly twisted cable that bound her to him should be broken, as the cable that bound Harriet to her husband was, apparently, broken? What would she have then of which she could say, "This much is mine"? Well, she'd have the child. That would be,
## partly at least, hers.
But Harriet's contribution to Rose's difficulties, to the mounting pressure behind the dam, was destined to be more serious--more actual, anyway--before very long.
The question where Rose and Rodney were going to live after their lease on the McCrea house ended, had begun to press for an answer. October first was when the lease expired and it wasn't far from the date at which they expected the baby. Rose wouldn't be in any condition for house hunting during the hot summer months. Things would have to be settled somehow before then. A heavy calendar of important cases had kept Rodney from giving as much attention to the problem as he himself felt it needed. He had delighted Rose with the suggestion that they go out into the country somewhere. Not the real country of course, but up along the shore, where the train service was good and the motor a possible alternative.
They spent some very lovely afternoons during the early days of the emerging spring, cruising about looking at possible places. They talked of building at first, but long before they could make up their minds what they wanted it had become too late for that, and they shifted to the notion of buying an old place somewhere and remodeling it. One reason why they made no more progress was because they were looking for such different things. Rodney wanted acres. He'd never gardened a bit, and never would; was an altogether urban person, despite the physical energy which took him pounding off on long country walks. But when he heard there was a tract just west of Martin Whitney's, up at Lake Forest, that could be had at a bargain--thirty-five thousand dollars--he let his eye rove over it appreciatively. And Frank Crawford and Howard West knew of advantageous sites, also, on which to expatiate with convincing enthusiasm. The kind of house you'd have to build on that sort of place would cost you an easy thirty thousand more.
Rose didn't even yet know much about money, to be sure, but she knew enough to be aghast at all that. What she tried to make Rodney look for was a much more modest establishment--a yard big enough to hold a tennis court, perhaps, and a house, well, that could be added to as they needed room.
Neither of them stuck very close to the main point on these expeditions. They always had too good a time together--more like a pair of children on a picnic than serious home-hunters, and they frittered a good deal of time away that they couldn't well afford.
This was the situation when Harriet took a hand in it. It was a situation made to order for Harriet to take a hand in. She'd sized it up at a glance, made up her mind in three minutes what was the sensible thing for them to do, written a note to Florence McCrea in Paris, and then bided her opportunity to put her idea into effect. She went out cruising with Rose in the car two or three times, looking at places, but gave her no indications that she felt more than the most languid interest in the problem. She could seem less interested in a thing without being quite impolite, than any one Rose knew.
When she got Florence McCrea's answer to her letter, she took the first occasion to get Rodney off by himself and talk a little common sense into him.
"What about where to live, Rodney?" she asked. "Made up your mind about it yet? I suppose you know how many months there are between the first of June and the first of October."
"We haven't got much of anywhere," he admitted. "We know we want to live in the country, that's about all."
"Out in the country just as winter's getting started?" she asked. "Settling into a new place--Rose with a new baby--everybody else back in town;--simply no _chance_ of keeping servants? Roddy, old man, you're entitled to be a babe in the woods, of course. Any man is who does the kind of work you do. But it is time some one with a little common sense straightened you out about this."
Harriet couldn't be sure from the length of time he took seeing that his pipe was properly alight, whether he altogether liked this method of approach or not.
"Common sense always was a sort of specialty of yours, sis," he said at last, "and straightening out. You were always pretty good at it." Then, out of a cloud of his own smoke, "Fire away."
"Well, in the first place;" she said, "remodeling is the slowest work in the world, and the fussiest. And you can't just tell an architect, with a wave of the hand, to go ahead. You have to do your own fussing, which would drive you crazy. If you had your house to-day, you'd be lucky if the paint was dry and the thing was fit to move into by the first of September. And next September, if it's blazing hot, won't be exactly the time for Rose to go ramping around trying to buy furniture for a whole establishment--because you haven't a stick yourselves, of course--and getting settled in, hiring servants, getting the thing going. You can't be sure you'll have till the first of October. Things like that don't always happen exactly as they are expected to. But suppose you have good luck and manage it. Then where are you? Out in the woods somewhere at the beginning of winter, just when you ought to be settled comfortably somewhere in town.
"Oh, I know it's all very poetic, sitting in front of a roaring fire of logs, while the wind bangs the shutters, and that sort of thing, Rose singing to the baby and all. But you're not an Arcadian one bit. Neither is she, really, and you'll simply perish out there, both of you, and be back in town before the holidays.
"Rose oughtn't to be in town this summer. But she'll have to be to put this through. She ought to be down at York Harbor, or one of those Cape Cod places, instead of in this horrible smoky hole. Because she's not so very fit, really do you think? Bit moody, I'd say."
"But good lord, Harriet, we've got to get out of here anyway, in October. And that means we've got to have some sort of place to get into. It is an awkward time, I'll admit."
"No, you haven't," she said. "You can stay right here another six months, if you like. I've heard from Florence. I met her in Paris in April, and found she wasn't a bit keen to come back and take this house on. Their securities have gone down again, and they're feeling hard-up. Florence has got an old barn of an _atelier_, and she's puttering around in the mud thinking she's making statuary. Well, when I found how things stood here, I wrote and asked her if she'd lease for six months more if she got the chance, and she wrote back and simply grabbed at it. All you've got to do is to send her a five-word cable and you're fixed. Then, next spring, when your troubles are over, and you know what you want, you can look out a place up the shore and have the summer there."
Rodney smoked half-way through his pipe before he made any comment on this suggestion.
"This house isn't just what we want," he said. "In the first place, it's damned expensive."
Harriet shrugged her shoulders, found herself a cigarette and lighted it; picked up one of Florence's poetry books and eyed the heavily tooled binding with a satirical smile before she replied. She could feel him looking at her, and she knew he'd wait till she got ready to go on.
"I'd an idea there was that in it," she said at last. "Freddy said something ... Rose had been talking to her." Then after another little silence, and with a sudden access of vehemence, "You don't want to go and do a regular _fool_ thing, Roddy. You're getting on perfectly splendidly. You'll be at the head of the bar out here in ten years, if you keep on. Frank Crawford was telling me about you the other day. You've settled down, and we thought you never would. It was a corking move, your taking this house, just because it made you settle down. You can earn forty thousand dollars next year, just with your practise, if you want to. But if you pull up and go to live in a barn somewhere, and stop seeing anybody--people that count, I mean ..."
Rodney grunted. "You're beyond your depth, sis," he said. "Come back where you don't have to swim. The expense isn't a capital consideration, I'll admit that. Now go on from there."
"That's like old times," she observed with a not ill-humored grimace. "I wonder if you talk to Rose like that. Oh, I know the house is rather solemn and absurd. It's Florence herself all over, that's the size of it, and I suppose you are getting pretty well fed up with it. But what does that matter for six months more? Heavens! You won't know where you're living. But the place is comfortable, and there's room in it for nurses and all and the best doctor in town in the line you'll want, is right around the corner. And, as I say, when your troubles are over and you know what you want ..."
He pocketed his pipe and got up out of this chair.
"There's something in it," he admitted. "I'll think it over."
"Better cable Florence as soon as you can," she advised. "She'll want to know ..."
Rose protested when the plan for living six months more in Florence McCrea's house was broached to her. She made the best fight she could. But Harriet's arguments, re-stated now by Rodney with full conviction, were too much for her. When she broke down and cried, as she couldn't help doing, Rodney soothed and comforted her, assured her that this notion of hers about the expensiveness of it all, was just a notion--obsession was the word he finally came to--which she must struggle against as best she could. She'd see things in a truer proportion afterward.
Then it came out that he had made all his plans for a long summer vacation. There was no court work in July and August anyway. He was going to carry her off to a quiet little place out on Cape Cod that he knew about, and just luxuriate in her; have her all to himself--not a soul they knew about them. They would lie about in the sands all day, building air castles. If she got tired of him, any person she wanted to see should be telegraphed for forthwith. The one thing she had to bear in mind was that she was to be happy and not bother about things; leave everything to him.
This plan was carried out, and in a paradise, made up of blue sea, white sands, warm sun and Rodney--Rodney always there, and queerly content to drowse away the time with her, she almost forgot the great dam and the pressure of the waters that had mounted up behind it. Was it an obsession just as Rodney said? Would she find when it was all over and she rallied herself for the great endeavor, that there was, after all, no battle to be fought--nothing but a baby at her breast?
## CHAPTER XIII
FATE PLAYS A JOKE
Traveling bars flowing along parallel, black and white; the white ones incandescent;--and a small helpless harried thing struggling to keep in the shadow of the black ones, or to regain it again across the pitiless zone of white that the little helpless thing called pain.--Traveling bars flowing along endlessly.
And then a great ball whirling in planetary space, half dark, half incandescent white, having for its sole inhabitant, the small harried thing that struggled to keep in the dark out of the glare of that pitiless white pain.--One watched its struggles from a long way off--like God.--But the ball whirled drunkenly and it made one sick to look.--And then a supervening chaos--no longer a ball but still whirling, reeling, tottering. Rectangles of light, which, had they kept still, would have been windows--a mirror.
And then, very fine and small and weak, something that knew it was Rose Stanton--Rose Stanton lying in a bed with people about her. She let her eyes fall heavily shut again lest they should discover she was there and want her to speak or think.
The bars came back, but the whiteness of them was no longer so white, and slowly they faded out. Then, for a long time, nothing. Then sounds, movements--soft, skilful, disciplined sounds and movements. And, presently, a hand--a firm powerful hand, that picked up and supported a heavy limp wrist--Rose Stanton's wrist--and two sensitive finger-tips that rested lightly on the upper surface of it. After that, an even measured voice--a voice of authority, whose words no doubt made sense, only Rose was too tired to think what the sense was:
"She's out of the ether now, practically. That's a splendid pulse. She's doing the best thing she can, sleeping like that. It's been a thoroughly normal delivery from the beginning. Oh, a long difficult one, I'll admit. But there's nothing now, that you could want better than what you've got."
And then another voice, utterly unlike Rodney's and yet unmistakably his--a ragged voice that tried to talk in a whisper but couldn't manage it; broke queerly.
"That's all right," it said. "But I'll find it easier to believe when ..."
She must see him--must know what it meant that he should talk like that. With a strong physical effort, she opened her eyes and tried to speak his name.
She couldn't; but some one must have been watching and seen, because a woman's voice said quickly and quietly, "Mr. Aldrich."
And the next moment, vast and towering, and very blurred in outline, but, like his voice, unmistakable, was Rodney--her own big strong Rodney. She tried to hold her arms up to him, but of course she couldn't.
And then he shortened suddenly. He had knelt down beside her bed, that was it. And she felt upon her palm, the pressure of his lips, and his unshaven cheek, and on her wrist, a warm wetness that must be--tears.
Why was he crying? What had happened? She must try to think.
It was very hard. She didn't want to think, but she must. She must begin with something she knew. She knew who she was. She was Rose--Rodney's Rose. Here was his mouth down close to the pillow saying her name over and over and over again. And she was in her own bed. But what had happened? She must try to remember. She remembered something she had said--said to herself over and over again an illimitable while ago. "It's coming. The miracle's beginning." What had she meant by that?
And then she knew. The urgency of a sudden terror gave her her voice.
"Roddy," she said. "There was going to be a--baby. Isn't there?"
Something queerly like a laugh broke his voice when he answered. "Oh, you darling! Yes. It's all right. That isn't why I'm crying. It's just because I'm so happy."
"But the baby!" she persisted. "Why isn't it here?"
Rodney turned and spoke to some one else. "She wants to see," he said. "May she?"
And then a woman's voice (why, it was the nurse, of course! Miss Harris, who had come last night) said in an indulgent soothing tone, "Why, surely she may. Wait just a minute."
But the wait seemed hours. Why didn't they bring the baby--her baby? There! Miss Harris was coming at last, with a queerly bulky, shapeless bundle. Rodney stepped in between and cut off the view, but only to slide an arm under mattress and pillow and raise her a little so that she could see. And then, under her eyes, dark red and hairy against the whiteness of the pillow, were two small heads--two small shapeless masses leading away from them, twitching, squirming. She stared, bewildered.
"There were twins, Rose," she heard Rodney explaining triumphantly, but still with something that wasn't quite a laugh, "a boy and a girl. They're perfectly splendid. One weighs seven pounds and the other six."
Her eyes widened and she looked up into his face so that the pitiful bewilderment in hers was revealed to him.
"But the _baby!_" she said. Her wide eyes filled with tears and her voice broke weakly. "I wanted a baby."
"You've got a baby," he insisted, and now laughed outright. "There are two of them. Don't you understand, dear?"
Her eyes drooped shut, but the tears came welling out along her lashes. "Please take them away," she begged. And then, with a little sob she whispered, "I wanted a baby, not those."
Rodney started to speak, but some sort of admonitory signal from the nurse silenced him.
The nurse went away with her bundle, and Rodney stayed stroking her limp hand.
In the dark, ever so much later, she awoke, stirred a little restlessly, and the nurse, from her cot, came quickly and stood beside her bed. She had something in her hands for Rose to drink, and Rose drank it dutifully.
"Is there anything else?" the nurse asked.
"I just want to know," Rose said; "have I been dreaming, or is it true? Is there a baby, or are there twins?"
"Twins, to be sure," said the nurse cheerfully. "The loveliest, liveliest little pair you ever saw."
"Thank you," said Rose. "I just wanted to know."
She shut her eyes and pretended to go to sleep. But she didn't. It was true then. Her miracle, it seemed somehow, had gone ludicrously awry.
## CHAPTER XIV
THE DAM GIVES WAY
She began getting her strength back very fast after the next two or three days, but this queer kink in her emotions didn't straighten out. She came to see that it was absurd--monstrous almost, but that didn't help. Instead of a baby, she had given birth to two. They were hers of course, as much as one would have been. Only, her soul, which had been waiting so ecstatically for its miracle--for the child which, by making her a mother, should supply what her life needed--her soul wouldn't--couldn't accept the substitution. Those two droll, thin voiced, squirming little mites that were exhibited to her every morning, were as foreign to her, as detached from her, as if they had been brought into the house in a basket.
There was a certain basis of reason back of this. At some time, during those early hours of misty half-consciousness, it had been decided that two children would be too much for her to attempt to nurse.
She had a notion that this idea hadn't originated with the doctor, though it was he who had stated it to her with the most plausible firmness. Rodney had backed the doctor up, firmly, too. Rose was only a girl in years--why, just a child herself; hadn't had her twenty-second birthday yet; the labor had been long, she was very weak, the children were big and vigorous, and she couldn't hope to supply them both for more than a very few weeks, anyway. And, at this time of year, as the doctor said, there was no difficulty to be apprehended from bottle feeding. It would be better on all accounts.
Still, it didn't sound exactly like Roddy's idea either.
When Harriet came in for the first time to see her, Rose knew. Harriet was living here now, running the house for Rodney, while Rose was laid up. Doing it beautifully well, too, through all the confusion of nurses and all. Not the slightest jar or creak of their complex domestic machinery ever reached Rose in the big chamber where she lay. Harriet said:
"I think you're in great luck to have had two at once; get your duty to posterity done that much sooner. And, of course, you couldn't possibly be expected to nurse two great creatures like that."
Rose acquiesced. What was the use of struggling against so formidable a unanimity? She would have struggled though, she knew, but for that queer trick Fate had played her. Her heart ached, as did her breasts. But that was for the lips of the baby--the baby she hadn't had!
When she found that struggling with herself, denouncing herself for a brute, didn't serve to bring up the feelings toward the twins that she knew any proper mother ought to have, she buried the dark fact as deep as she could, and pretended. It was only before Rodney that the pretense was necessary. And with him, really, it was hardly a pretense at all. He was such a child himself, in his gleeful delight over the possession of a son and a daughter, that she felt for him, tenderly, mistily, luminously, the very emotion she was trying to capture for them--felt like cradling his head in her weak arms, kissing him, crying over him a little.
She wouldn't have been allowed to do that to the babies anyway. They were going to be terribly well brought up, those twins; that was apparent from the beginning. They had two nurses all to themselves, quite apart from Miss Harris, who looked after Rose: one uncannily infallible person, omniscient in baby lore--thoroughgoing, logical, efficient, remorseless as a German staff officer; and a bright-eyed, snub-nosed, smart little maid, for an assistant, who boiled bottles, washed clothes, and, at certain stated hours, over a previously determined route, at a given number of miles per hour, wheeled the twins out, in a duplex perambulator, which Harriet had acquired as soon as the need for it had become evident.
Miss Harris was to go away to another case at the end of the month. But Mrs. Ruston (she was the staff officer) and Doris, the maid, were destined, it appeared, to be as permanent as the babies. But Rose had the germ of an idea of her own about that.
They got them named with very little difficulty. The boy was Rodney, of course, after his father and grandfather before him. Rose was a little afraid Rodney would want the girl named after her, and was relieved to find he didn't. There'd never in the world be but one Rose for him, he said. So Rose named the girl Portia.
They kept Rose in bed for three weeks; flat on her back as much as possible, which was terribly irksome to her, since her strength and vitality were coming back so fast. The irksomeness was added to by a horrible harness largely of whalebone. Rose got the notion, too, that the purpose of all this was not quite wholly hygienic. Harriet had said once: "You know the most distinguished thing about you, Rose, dear--about your looks, I mean--is that lovely boyish line of yours. It will be a perfect crime if you let yourself spread out."
This wasn't the sort of consideration to make the inactivity any easier to endure. She might have rebelled, had it not been for that germinant idea of hers. It wouldn't do, she saw, in the light of that, to give them any excuse for calling her unreasonable.
At the end of this purgatorial three weeks, she was carried to a chair and allowed to sit up a little, and by the end of another, to walk about--just a few steps at a time of course. One Sunday morning, Rodney carried her up-stairs to the nursery to see her babies bathed. This was a big room at the top of the house which Florence McCrea had always vaguely intended to make into a studio. But, in a paralysis of indecision as to what sort of studio to make it (book-binding, pottery and art weaving called her about equally) she had left the thing bare.
Rodney had given Harriet _carte blanche_ to go ahead and fit it up before he and Rose came back from the seashore, and the layette was a monument to Harriet's thoroughgoing practicality. There had been a wild day of supplementing of course, when it was discovered that there were two babies instead of one.
The room, when they escorted Rose into it, was a terribly impressive place. The spirit of a barren sterile efficiency brooded everywhere. And this appearance of barrenness obtained despite the presence of an enormous number of articles; a pair of scales, a perfect battery of electric heaters of various sorts; rows of vacuum jars for keeping things cold or hot; a small sterilizing oven; instruments and appliances that Rose couldn't guess the uses or the names of. Mrs. Ruston, of course, was master of them all, and Doris flew about to do her bidding, under a watchful and slightly suspicious eye. (Doris was the sort of looking girl who might be suspected of kissing a tiny pink hand when no one was looking.)
Rose surveyed this scene, just as she would have surveyed a laboratory, or a factory where they make something complicated, like watches. That's what it was, really. Those two pink little objects, in their two severely sanitary baskets, were factory products. At precise and unalterable intervals, a highly scientific compound of fats and proteids was put into them. They were inspected, weighed, submitted to a routine of other processes. And in all the routine, there was nothing that their mother, now they were fairly born, was wanted for. Indispensable to a certain point, no doubt. But after that rather the other way about--an obstacle to the routine instead of a part of it.
Rose kept these ideas to herself and kept her eye on young Doris; listened to the orders she got; and studied alertly what she did in the execution of them.
Rodney had a lovely time watching the twins bathed. He stood about in everybody's way, made what he conceived to be alluring noises, in the perfectly unsuccessful attempt to attract the infants' attention, and finally, when the various processes were complete, on schedule, like a limited train, and the thermometrically correct bottles of food were ready, one for each baby, he turned suddenly to his wife and said: "Don't you want to--hold them, Rose?" She'd have held a couple of glowing brands in her arms for him, the way he had looked and the way he had said it.
A stab of pain went through her and tears came up into her eyes. "Yes, give them to me," she started to say.
But Mrs. Ruston spoke before she could frame the words. It was their feeding hour, she pointed out; a bad time for them to be excited, and the bottles were heated exactly right.
By that time Rose's idea had flowered into resolution. She knew exactly what she was going to do. But she mustn't jeopardize the success of her plan by trying to put it into effect too soon.
She waited patiently, reasonably, for another fortnight. Harriet by that time had gone off to Washington on a visit, taking Rodney's heartfelt thanks with her. Rose expressed hers just as warmly, and felt ashamed that they were so unreal. She simply mustn't let herself get to resenting Harriet! At the end of the fortnight, the doctor made his final visit. Rose had especially asked Rodney to be on hand to hear his report when the examination was over. Rose and the doctor found him waiting in the library.
"He says," Rose told her husband, "that I'm perfectly well." She turned to the doctor for confirmation, "Don't you?"
The doctor smiled. "As far as my diagnostic resources go, Mrs. Aldrich, you are perfectly well."
Rodney was pleased of course, and expressed this feeling fervently. But he looked across at his glowing radiant wife, with a touch of misgiving.
"What are you trying to put over on me?" he asked.
"Not a thing," said Rose demurely. "I thought you'd be glad to know that I needn't be kept in cotton-wool any more, and that you'd feel surer of it if he told you."
"I feel surer that you've got something up your sleeve," he said. And, to the doctor: "I don't imagine that in saying my wife is perfectly well, you mean to suggest an absence of all reasonable caution."
The doctor took the hint, expatiated largely; it was always well to be careful--one couldn't, in fact, be too careful. The human body at best, more especially the--ah--feminine human body, was a delicate machine, not to be abused without inviting serious consequences. He was even a little reproachful about it.
"But there's no more reason, is there," Rose persisted, "why I should be careful than why any other woman should--my nurse-maid for example? Is she any healthier than I am?"
It was indiscreet of the doctor to look at her before he answered. Her eyes were sparkling, the color bright in her cheeks; unconsciously, she had flattened her shoulders back and drawn a good deep breath down into her lungs. The doctor smiled a smile of surrender and turned back to Rodney. "I'll confess," he said, "that in my experience, Mrs. Aldrich is almost a _lusus naturae_--a perfectly sound, healthy woman."
Rose smiled widely and contentedly on the pair of them. "That's more like it," she said to the doctor. "Thanks very much."
But after he had gone, she did not spring anything on Rodney, as he fully expected she would. She took him out for a tramp through the park in the dusk of a perfect autumn afternoon, and went to a musical show with him in the evening. She might have been, as far as he could see, the Rose of a year ago. She had the same lithe boyish swing. She even wore, though he didn't know it, the same skirt for their walk in the park that she had worn on some of their tramps before they were married. And when they had had their evening at the theater, and a bite of supper somewhere, and come home, she let him drop off to sleep without a word that would explain her insistence on getting a clean bill of health from the doctor.
But the next morning, while Doris was busy in the laundry, she found Mrs. Ruston in the nursery and had a talk with that lady, which was destined to produce seismic upheavals.
"I've decided to make a little change in our arrangements, Mrs. Ruston," she said. "But I don't think it's one that will disturb you very much. I'm going to let Doris go--I'll get her another place, of course--and do her work myself."
Mrs. Ruston compressed her lips, and went on for a minute with what she was doing to one of the twins, as if she hadn't heard.
"Doris is quite satisfactory, madam," she said at last. "I'd not advise making a change. She's a dependable young woman, as such go. Of course I watch her very close."
"I think I can promise to be dependable," Rose said. "I don't know much about babies, of course, but I think I can learn as well as Doris. Anyhow, I can wheel them about and wash their clothes and boil bottles and things as well as she does. For the rest, you can tell me what to do just as you tell her."
Mrs. Ruston took a considerably longer interval to digest this reply. "Then you're meaning to give the girl her notice at once, madam?" she asked.
"I'm not going to give her notice at all," said Rose. "I'm going to find her another place. I shan't have any trouble about it though. As you say, she's a very good nurse-maid, and she's a pleasant sort of a human being besides. But as soon as I can find her another place, I'm going to take over her work."
To this last observation it became evident that Mrs. Ruston meant to make no reply at all. She gave Rose some statistical information about the twins instead, in which Rose showed herself politely interested and presently withdrew.
It soon appeared, however, that though Mrs. Ruston might be slow and sparing of speech, she was capable of acting with a positively Napoleonic dash. Rodney wore a queer expression all through dinner, and when he got Rose alone in the library afterward, he explained it. Mrs. Ruston had made her two-hour constitutional that afternoon into an opportunity for calling on him at his office. She had given him notice, contingently. She made it an inviolable rule of conduct, it appeared, never to undertake the care of two infants without the assistance of a nurse-maid. She was a conscientious person and she felt she couldn't do justice to her work on any other basis. Rose had informed her of her intention to dispense with the services of the nurse-maid, without engaging any one else to take her place. If Rose adhered to this intention, Mrs. Ruston must leave.
It was some sort of absurd misunderstanding, of course, Rodney concluded and wanted to know what it was all about.
"I did say I meant to let Doris go," Rose explained, "but I told her I meant to take Doris' job myself. I said I thought I could be just as good a nurse-maid as she was. I said I'd boil bottles and wash clothes and take Mrs. Ruston's orders exactly as if I were being paid six dollars a week and board for doing it. And I meant it just as literally as I said it."
He was prowling about the room in a worried sort of way, before she got as far as that.
"I don't see, child," he exclaimed, "why you couldn't leave well enough alone! If it's that old economy bug of yours again, it's nonsense. You'd save, including board, about ten dollars a week. And it would work out one of two ways: If you didn't do all the maid's work. Mrs. Ruston would have a real grievance. She's right about needing all the help she gets. If you did do it, it would mean that you'd work yourself sick.--Oh, I know what the doctor said, but that's all rot, and he knew it. You had him hypnotized. You'd have to give up everything for it--all your social duties, all our larks together. Oh, it's absurd! You, to spend all your time doing menial work--scrubbing and washing bottles, to save me ten dollars a week!"
"It isn't menial work," Rose insisted. "It's--apprentice work. After I've been at it six months, learning as fast as I can, I'll be able to let Mrs. Ruston go and take _her_ job. I'll be really competent to take care of my own children. I don't pretend I am now."
"I don't see why you can't do that as things are now. She'll let you practise bathing them and things like that, and certainly no one would object to your wheeling them out in the pram. But the nurse-maid would be on hand in case ..."
"I'm to take it on then," said Rose, and her voice had a new ring in it--the ring of scornful anger--"I'm to take it on as a sort of polite sentimental amusement. I'm not to do any real work for them that depends on me to get done. I'm not to be able to feel that, even in a bottle-washing sort of way, I'm doing an indispensable service for them. They're not to need me for anything, the poor little mites! They're to be something for me to have a sort of emotional splurge with, just as"--she laughed raggedly--"just as some of the wives you're so fond of talking about, are to their husbands."
He stared at her in perfectly honest bewilderment. He'd never seen her like this before.
"You're talking rather wild I think, Rose," he said very quietly.
"I'm talking what I've learned from you," she said, but she did get her voice in control again. "You've taught me the difference between real work, and the painless imitation of it that a lot of us women spend our lives on--between doing something because it's got to be done and is up to you, and--finding something to do to spend the time.
"Oh, Rodney, _please_ try to forget that I'm your wife and that you're in love with me. Can't you just say: `Here's A, or B, or X, a perfectly healthy woman, twenty-two years old, and a little real work would be good for her'?"
She won, with much pleading, a sort of troubled half-assent from him. The matter might be borne in mind. It could be taken up again with Mrs. Ruston.
But Mrs. Ruston was adamant. Under no conceivable circumstances could she consent to regard her employer's wife as a substitute for her own hired assistant. There were other nurses though, to be got. Somewhere one could be found, no doubt, who'd take a broader view.
Given a fair field, Rose might have won a victory here. But, as Portia had said once, the pattern was cut differently. There was a sudden alarm one night, when her little namesake was found strangling with the croup. There were seven terrifying hours--almost unendurable hours, while the young life swung and balanced over the ultimate abyss. The heroine of those hours was Mrs. Ruston. It was her watchfulness that had been accessible to the first alarm--her instant doing of the one right thing that stemmed the first onrush. That the child lived was clearly creditable to her.
Rose made another effort even after that, though she knew she was beaten in advance. She waited until the storm had subsided, until the old calm routine was reestablished. Then, once more, she asked for her chance.
But Rodney exploded before she got the words fairly out of her mouth.
"No," he shouted, "I won't consider it! She's saved that baby's life. Another woman might have, but it's more likely not. You'll have to find some way of satisfying your whims that won't jeopardize those babies' lives. After that night--good God, Rose, have you forgotten that night?--I'm going to play it safe."
Rose paled a little and sat ivory still in her chair. There were no miracles any more. The great dam was swept away.
## CHAPTER XV
THE ONLY REMEDY
The sudden flaw of passion that had troubled the waters of Rodney's soul, subsided, spent itself in mutterings, explanations, tending to become at last rather apologetic. He said he didn't know why her request had got him like that. It had seemed to him for a moment as if she didn't realize what the children's lives meant to them--almost as if she didn't love them. He knew that was absurd, of course.
Her own rather monstrous comments on these observations had luckily remained unspoken. What if she did lose a child as a result of her effort to care for it herself? She could bear more children. And what chance had she to love them? Where was the soil for love to take root in, unless she took care of them herself? These weren't really thoughts of hers--just a sort of crooked reflection of what he was saying off the surface of a mind terribly preoccupied with something else.
She was in the grip of an appalling realization. This moment--this actually present moment that was going to last only until she should speak for the next time, or move her eyes around to his face--was the critical moment of her life. She had, for just this moment, a choice of two things to say when next she should speak--a choice of two ways of looking into his face. A mountaineer, standing on the edge of a crevasse, deciding whether to try to leap across and win a precarious way to the summit, or to turn back and confess the climb has been in vain, is confronted by a choice like that. If ever the leap was to be made, it must be made now. The rainbow bridge across the crevasse, the miracle of motherhood, had faded like the mist it was composed of.
She was a mother now. Yet her relation to her husband's life was the same as that of the girl who had gone to his office the night of the Randolphs' dinner. And no external event--nothing that could _happen_ to her (remember that even motherhood had "happened" in her case) could ever transmute that relation into the thing she wanted. If the alchemy were to be wrought at all, it would be by the act of her own will--at the cost of a deliberately assumed struggle. There was nothing, any more, to hope from waiting. The thing that whispered, "Wait! To-morrow--some to-morrow or other, it may be easier! Wait until, for yourself, you've thought out the consequences,"--that was the voice of cowardice. If she turned back, down the easier path, to-night, it must be under no delusion that she'd ever try to climb again, or find a pair of magic wings that would carry her, effortless, to what she wanted.
Well, then, she had her choice. One of two things she might do now. It was in her power to look up at him and smile, and say: "All right, Roddy, old man, I'll stop being disagreeable. I won't have any more whims." And she could go to him and clasp her hands behind his head and feel the rough pressure of his cheeks against the velvety surfaces of her forearms, and kiss his eyes and mouth; surrender to the embrace she knew so well would follow.
She could make, after a fashion, a life of that. She had no fear but it would last. Barring incalculable misfortunes, she ought to be able to keep her looks and her charm for him, unimpaired, or but little impaired, for twenty years--twenty-five, with care. For the rich, the resources of modern civilization would almost guarantee that. Well, twenty-five years would see Rodney through his fifties. She needn't, barring accident, have any more children. He'd probably be content with two; especially as they were boy and girl.
The other man in him--the man who wasn't her lover--would struggle of course. Except when she was by, the lover would probably have a bad time of it. She'd have to find some amusing sort of occupation to enable her to forget that. But when she was there, it would be strange if she and her lover together couldn't, most of the time, keep the other man locked up where he wouldn't disturb them much.
Lived without remorse or misgivings, played magnificently for all it was worth, as she could play it--she knew that now--it would be a rather wonderful life. They must be decidedly an exceptional pair of lovers, she thought. Certainly Madame Gréville's generalization about Americans did not apply to them, and she was coming to suspect it did apply to the majority of her friends. She could have that life--safely, surely, as far as our poor mortality can be sure of anything. She had only to reach out her hands.
But if, instead, she took the leap ...!
"Roddy ..." she said.
He was slumped down in a big easy chair at the other side of the table, swinging a restless foot; drumming now and then with his fingers. It was many silent minutes since the storm of reproach with which he had repelled her plea for a part in the actual responsible care of her children had died away. He had spoken with unnecessary vehemence, he knew. He had admitted that--said he was sorry, as well as he could without withdrawing from his position. But he had been met by that most formidable of all weapons--a blank silence--an inscrutable face. Some sort of scene was inevitable, he knew. And he sat there waiting for it. She had been hurt. She was undoubtedly very angry.
He thought he was ready for anything. But just the way she spoke his name, startled--almost frightened--him, she said it so quietly, so--tenderly.
"Roddy," she said, "I want you to come over here and kiss me, and then go back and sit down in that chair again."
He went a little pale at that. The swing of his foot was arrested suddenly. But, for a moment, he made no move--just looked wonderingly into her great grave eyes.
"Something's going to happen," she went on, "and before it's over, I'm afraid it's going to hurt you terribly--and me. And I want the kiss for us to remember. So that we'll always know, whatever happens afterward, that we loved each other." She held out her arms to him. "Won't you come?"
He came--a man bewildered--bent down over her and found her lips; but almost absently, out of a daze.
"No, not like that," she murmured. "In the old way."
There was a long embrace.
"I wouldn't do it," she said, "I don't believe I'd have the courage to do it, if it were just me. But there's some one else--I've made some one a promise. I can't tell you about that. Now please go back and sit over there where you were, where we can talk quietly.--Oh, Roddy, I love you so!--No, please go back, old man! And--and light your pipe. Oh, don't tremble like that! It--it isn't a tragedy. It's--for us, it's the greatest hope in the world."
He went back to his chair. He even lighted his pipe as she asked him to, and waited as steadily as he could for her to begin.
But she couldn't begin while she looked at him. She moved a little closer to the table and leaned her elbow on it, shaded her eyes with one hand, while the other played with the stump of a pencil that happened to be lying there.
"Do you remember ..." she began, and it was wonderful how quiet and steady her voice was. There was even the trace of a smile about her wonderful mouth. "Do you remember that afternoon of ours, the very first of them, when you brought home my note-books and found me asleep on the couch in our old back parlor? Do you remember how you told me that one's desires were the only motive power he had? One couldn't ride anywhere, you said, except on the backs of his own passions? Well, it was a funny thing--I got to wondering afterward what my desires were, and it seemed I hadn't any. Everything had, somehow, come to me before I knew I wanted it. Everything in the world, even your love for me, came like that.
"But I've got a passion now, Rodney. I've had it for a long while. It's a desire I can't satisfy. The thing I want, and there's nothing in the world that I wouldn't give to get it, is--well, your friendship; that's a way of saying it."
What he had been waiting to hear, of course, she didn't know. But she knew by the way he started and stared at her, that it hadn't been for that. The thing struck him, it seemed, as a sort of grotesquely irritating anti-climax.
"Gracious Heaven!" he said. "My friendship! Why, I'm in love with you! That's certainly a bigger thing. Go back to your geometry, child. The greater includes the less, doesn't it?"
"I don't know whether it's a bigger thing or not," she said. "But it doesn't include the other. Love's just a sort of miracle thing that happens to you. You don't have it because you deserve it. The person I made that promise to would have earned it, if any one could. But it doesn't come that way. It's like lightning. It strikes or else it doesn't. Well, it struck us. But friendship--there's this about it. You can't get it any way in the world, except just by earning it. Nobody can give it to you, no matter how hard he tries. So when you've got it, you can always say, 'There's something that I'm entitled to--something that's mine.' Your love isn't mine any more than the air is. I never did anything to earn it.
"And that's why it can't satisfy me.--Because it doesn't, Roddy. It hasn't for ever so long. It's something wonderful that's--_happened_ to me. It's the loveliest thing that ever happened to anybody. And just because it's so wonderful and beautiful, I can't bear to--well, this is hard to say--I can't bear to use it to live on. I can't bear to have it mixed up in things like millinery bills and housekeeping expense. I can't bear to see it become a thing that piles a load of hateful obligations on your back. I could live on your friendship, Roddy; because your friendship would mean that somehow I was earning my way, but I can't live on your love; any more than you could on mine. Won't you--won't you just try to think for a moment what that would mean to you?"
Now that he had sensed the direction her talk was headed in, even though he hadn't even vaguely glimpsed the point at which she was going to bring up, he made it much harder for her to talk to him. He was tramping up and down the room, stopping and turning short every now and then with a gesture of exasperation, or an interruption that never got beyond two or three words and broke off always in a sort of frantic speechlessness.
She knew he couldn't help it. Down underneath his mind, controlling utterly its processes, was a ganglion of instincts that were utterly outraged by the things she was saying to him. It was they and not his intelligence she had to fight. She must be patient, as gentle as she could, but she must make him listen.
"You've got my friendship!" he cried out now. "It's a grotesque perversion of the facts to say you haven't."
She smiled at him as she shook her head. "I've spent too many months trying to get it and seeing myself fail--oh, so ridiculously!--not to know what I am talking about, Roddy."
And then, still smiling, rather sadly, she told what some of the experiments had been--some of her attempts to break into the life he kept locked away from her and carry off a share of it for herself.
"I was angry at first when I found you keeping me out," she said, "angry and hurt. I used to cry about it. And then I saw it wasn't your fault. That's how I discovered friendship had to be earned."
But her power to maintain that attitude of grave detachment was about spent. The passion mounted in her voice and in her eyes as she went on.
"You thought it was because of my condition, as you called it, that my mind had got full of wild ideas;--the wild idea that I wasn't really and truly your wife at all, but only your mistress, and that I was pulling you down from something free and fine that you had been, to something that you despised yourself for being and had to try to deny you were. Those were the obsessions of a pregnant woman, you thought--something she was to be soothed and coddled into forgetting. You were wrong about that, Roddy.
"I did have an obsession, but it wasn't the thing you thought. It was an obsession that kept me quiet, and contented and happy, and willing to wait in spite of everything. The obsession was that none of those things mattered because a big miracle was coming that was going to change it all. I was going to have a job at last--a job that was just as real as yours--the job of being a mother."
Her voice broke in a fierce sharp little laugh over the word, but she got it back in control again.
"I was going to have a baby to feed out of my own body, to keep alive with my own care. There was going to be responsibility and hard work, things that demanded courage and endurance and sacrifice. I could earn your friendship with that, I said. That was the real obsession, Roddy, and it never really died until to-night. Because of course I have kept on hoping, even after I might have seen how it was. But the babies' lives aren't to be jeopardized to gratify my whims. Well, I suppose I can't complain. It's over, that's the main thing.
"And now, here I am perfectly normal and well again--as good as ever. I've kept my looks--oh, my hair and my complexion and my figure. I could wear pretty clothes again and start going out to things now that the season's begun, just as I did a year ago. People would admire me, and you'd be pleased, and you'd love me as much as ever, and it would all be like the paradise it was last year, except for one thing. The one thing is that if I do that, I'll know this time what I really am. Your mistress, Roddy; your legal, perfectly respectable mistress,--and a little more despicable rather than less, I think, because of the adjectives."
"I've let that word go by once," he said quietly, but with a dangerous light of anger in his eyes. "I won't again. It's perfectly outrageous and inexcusable that you should talk like that, and I'll ask you never to do it again."
"I won't," she flashed back at him, "if you'll explain why I'm not exactly what I say." And after ten seconds of silence, she went on.
"Why, Roddy, I've heard you describe me a hundred times. Not the you that's my lover. The other you; talking all over the universe to Barry Lake. You've described the woman who's never been trained nor taught nor disciplined; who's been brought up soft, with the bloom on, for the purpose of making her marriageable; who's never found her job in marriage, who doesn't cook, nor sew, nor spin, nor even take care of her own children; the woman who uses her sex charm to save her from having to do hard ugly things, and keep her in luxury. Do you remember what you've called her, Roddy? Do you remember the word you've used? I've used a gentler word than that.
"Oh, you didn't know, you poor blind boy, that I was the woman you were talking about. You never saw it at all. But I am. I was brought up like that.--Oh, not on purpose. Dear old mother! She wasn't trying to make me into a prostitute any more then you are trying to make me into your mistress. You both love me, that's all. It's just an instinct not to let anything hurt me, nor frighten me, nor tire me, nor teach me what work is. She thought she was educating me to be a lawyer so that when the time came, I could be one of the leaders of the woman movement just as she'd been. And all the while, without knowing it, she was educating me to be the sort of person you'd fall in love with--something precious and expensive--something to be taken care of.
"I didn't understand any of that when you married me, Roddy; it was just like a dream to me--like a fairy story come true. If any one had told me a year ago, that I should ever be anything but perfectly happy in your love for me, I'd have laughed at him. I remember telling Madame Gréville that our marriage had turned out well--ended happily. And she did laugh. That was before I'd begun to understand. But I do understand now. I know why it was you could talk to me, back in those days before we were married, about anything under the sun--things ten thousand miles above my head; what it was that fooled me into thinking we were friends as well as lovers. I know why you've never been able to talk to me like that since. And I know--this is the worst of all, Roddy,--this is the piece of knowledge that makes it impossible--I know what a good mistress I could make. I know I could make you love me whether you wanted to or not; whether I loved you or not. I could make other men love me, if I could make up my mind to do it--make them tell me all their hopes and dreams, and think I had a fine mind and a wonderful understanding. Oh, it's too easy--it's too hatefully easy!
"Do you know why I told you that? Because if you believe it and understand it, you will see why I can't go on living on your love. Because how can you be sure, knowing that my position in the world, my friends--oh, the very clothes on my back, and the roof over my head, are dependent on your love,--how are you going to be sure that my love for you is honest and disinterested? What's to keep you from wondering--asking questions? Love's got to be free, Roddy. The only way to make it free is to have friendship growing alongside it. So, when I can be your partner and your friend, I'll be your mistress, too. But not--not again, Roddy, till I can find a way. I'll have to find it for myself. I'll have to go...."
She broke down there over a word she couldn't at first say, buried her face in her arms and let a deep racking sob or two have their own way with her. But presently she sat erect again and, with a supreme effort of will, forced her voice to utter the word.
"I've got to go somewhere alone--away from you, and stay until I find it. If I ever do, and you want me, I'll come back."
## CHAPTER XVI
ROSE OPENS THE DOOR
The struggle between them lasted a week--a ghastly week, during which, as far as the surface of things showed, their life flowed along in its accustomed channels. It was a little worse than that, really, because the week included, so an ironic Fate had decreed, Thanksgiving Day and a jolly family party at Frederica's, with congratulations on the past, plans for the future. And Rose and Rodney, as civilized persons will do, kept their faces, accepted congratulations, made gay plans for the twins; smiled or laughed when necessary--somehow or other, got through with it.
But at all sorts of times, and in all sorts of places when they were alone together, the great battle was renewed; mostly through the dead hours of the night, in Rose's bedroom, she sitting up in bed, he tramping up and down, shivering and shuddering in a big bath-robe. It had a horrible way of interrupting itself for small domestic commonplaces, which in their assumption of the permanency of their old life, their blind disregard of the impending disaster, had an almost unendurable poignancy. A breakfast on the morning of an execution is something like that.
The hardest thing about it all for Rose--the thing that came nearest to breaking down her courage--was to see how slowly Rodney came to realize it at all. He was like a trapped animal pacing the four sides of his cage confident that in a moment or two he would find the way out, and then, incredulously, dazedly, coming to the surmise that there was no way out. She really meant to go away and leave him--leave the babies; go somewhere where his care and protection could not reach her! She was actually planning to do it--planning the details of doing it! By the end of one of their long talks, it would seem to her he had grasped this monstrous intention and accepted it. But before the beginning of the next one, he seemed to manage somehow to dismiss the thing as an impossible nightmare.
An invitation came in from the Crawfords for a dance at the Blackstone, the fifth of December, and he said something about accepting it.
"I shan't be here then, Roddy, you know," she said.
He went completely to pieces at that, as if the notion of her going away had never really reached his mind before.
The struggle ranged through the widest possible gamut of moods. They had their moments of rapturous love--passionate attempts at self-surrender. They had long hours of cool discussion, as impersonal as if they had been talking about the characters out of a hook instead of about themselves. They had stormy nerve-tearing hours of blind agonizing, around and around in circles, lacerating each other, lashing out at each other, getting nowhere. They had moments of incandescent anger.
He tried, just once, early in the fight, to take the ground he had taken once before; that she was irresponsible, obsessed. There was a fracture somewhere, as James Randolph's jargon had it, in her unconscious mind. She didn't let him go far with that. He saw her blaze up in a splendid burst of wrath, as she had blazed once--oh, an eternity ago, at a street-car conductor. Her challenge rang like a sword out of a scabbard.
"We'll settle that before we go any further," she said. "Telephone for James Randolph, or any other alienist you like. Let him take me and put me in a sanatorium somewhere and keep me under observation as long as he pleases, until he's satisfied whether I'm out of my mind or not. But unless you're willing to do that, don't call me irresponsible."
He grew more reasonable as a belief in her complete seriousness and determination sobered him. He made desperate efforts to recover his self-control--to get his big, cool, fine mechanism of a mind into
## action. But his mind, to his complete bewilderment, betrayed him. He'd
always looked at Rose before, through the lens of his emotions. But now that he forced himself to look at her through the non-refracting window from which he looked at the rest of the world, she compelled him again and again to admit that she was right.
"Why shouldn't I be right?" she said with a woebegone smile. "These are all just things I've learned from you."
After a long and rather angry struggle with himself, he made up his mind to a compromise, and in one of their cooler talks together, he offered it.
"We've both of us pretty well lost our sense of proportion, it seems to me," he said. "This whole ghastly business started from my refusing to let Mrs. Ruston go and get a nurse who'd allow you to be your own nurse-maid. Well, I'm willing to give up completely on that point. You can let Mrs. Ruston go as soon as you like and get a nurse who'll meet with your ideas."
"You're doing that," said Rose thoughtfully, "rather than let me go away. That's the way it is, isn't it?"
"Why, yes, of course," he admitted. "I was looking at things from the children's point of view, and I thought I was right. From their point of view, I still think so."
She drew in a long sigh and shook her head. "It won't do, Roddy. Can't you see you're giving way practically under a threat--because I'll go away if you don't? But think what it would mean if I did stay, on those terms. The thing would rankle always. And if anything did happen to one of the babies because the new nurse wasn't quite so good, you'd never forgive me--not in all the world.
"And," she added a little later, "that would be just as true of any other compromise. I mean like going and living in a flat and letting me do the housework--any of the things we've talked about. I can say I am going away, don't you see, but I couldn't say I'd go away--_unless_ ... I couldn't use that threat to extort things from you without killing our whole life dead. Can't you see that?"
His mind infuriated him by agreeing with her--goaded him into another passionate outburst during which he accused her of bad faith, of being tired of him, anxious to get away from him--seizing pretexts. But he offered no more compromises. The thing he fell back on after that was a plea for delay. The question must be decided coolly; not like this. Let them just put it out of their minds for a while, go on with the old routine as if nothing threatened it and see if things didn't work somewhat better--see if they weren't, after all, better friends than she thought.
"If I were ill, Roddy," she said, "and there was an operation talked about; if they said to you that there was something I might drag along for years, half alive, without, but that if I had it, it would either kill or cure, you wouldn't urge delay. We'd decide for or against it and be done. It's--it's taking just all the courage I've got to face this thing now that I am excited--now that I've thought it out and talked it out with you--now that I've got the big hope before my eyes. But to wait until I was tangled in the old routine and the babies began to get a little older and more--human, so that they knew me, and then do it in cold blood! I couldn't do that. We'd patch up some sort of a life, pretending a little, quarreling a little, and when my feelings got especially hurt about something, I'd try to make myself think, and you, that I was going away. And we'd both know down inside that we were cowards."
He protested against the word, but she stuck to it.
"We're both afraid now," she insisted. "That's one of the things that makes us so cruel to each other when we talk--fear. The world's a terrible place to me, Roddy. I've never ventured out alone in it; not a step. A year ago, I don't think I'd have been so frightened. I didn't know then--I'd never really thought about it--what a hard dangerous thing it is, just to earn enough to keep yourself alive. I haven't any illusions now that it's easy--not after the things I've heard Barry Lake tell about. But sometimes I think you're more afraid than I; and that you've got a more intolerable thing to fear--ridicule--an intangible sort of pitying ridicule that you can't get hold of; guessing at the sort of things people will say and never really quite knowing. And we have each got the other's fear to suffer under, too.--Oh, Roddy, Roddy, don't hate me too bitterly ...! But I think if we can both endure it, stand the gaff, as you said once, and know that the other's standing it, too, perhaps that'll be the real beginning of the new life."
Somehow or other, during their calmer moments toward the end, practical details managed to get talked about--settled after a fashion, without the admission really being made on his part that the thing was going to happen at all.
"I'd do everything I could of course, to make it easier," she said. "We could have a story for people that I'd gone to California to make mother a long visit. You could bring Harriet home from Washington to keep house while I was gone. I'd take my trunks, you see, and really go. People would suspect of course, after a while, but they'll always pretend to believe anything that's comfortable--anything that saves scenes and shocks and explanations."
"Where would you go, really?" he demanded. "Have you any plan at all?"
"I have a sort of plan," she said. "I think I know of a way of earning a living."
But she didn't offer to go on and tell him what it was, and after a little silence, he commented bitterly on this omission.
"You won't even give me the poor satisfaction of knowing what you're doing," he said.
"I'd love to," she said, "--to be able to write to you, hear from you every day. But I don't believe you want to know. I think it would be too hard for you. Because you'd have to promise not to try to get me back--not to come and rescue me if I got into trouble and things went badly and I didn't know where to turn. Could you promise that, Roddy?"
He gave a groan and buried his face in his hands. Then:
"No," he said furiously. "Of course I couldn't. See you suffering and stand by with my hands in my pockets and watch!" He sprang up and seized her by the arms in a grip that actually left bruises, and fairly shook her in the agony of his entreaty. "Tell me it's a nightmare, Rose," he said. "Tell me it isn't true. Wake me up out of it!"
But under the indomitable resolution of her blue eyes, he turned away. This was the last appeal of that sort that he made.
"I'll promise," she said presently, "to be sensible--not to take any risks I don't have to take. I'll regard my life and my health and all, as something I'm keeping in trust for you. I'll take plenty of warm sensible clothes when I go; lots of shoes and stockings--things like that, and if you'll let me, I'll--I'll borrow a hundred dollars to start myself off with. It isn't a tragedy, Roddy,--not that part of it. You wouldn't be afraid for any one else as big and strong and healthy as I."
Gradually, out of the welter of scenes like that, the thing got itself recognized as something that was to happen. But the parting came at last in a little different way from any they had foreseen.
Rodney came home from his office early one afternoon, with a telegram that summoned him to New York to a conference of counsel in a big public utility case he had been working on for months. He must leave, if he were going at all, at five o'clock. He ransacked the house, vainly at first, for Rose, and found her at last in the trunk-room--dusty, disheveled, sobbing quietly over something she held hugged in her arms. But she dried her eyes and came over to him and asked what it was that had brought him home so early.
He showed her the telegram. "I'll have to leave in an hour," he said, "if I'm to go."
She paled at that, and sat down rather giddily on a trunk. "You must go," she said, "of course. And--Roddy, I guess that'll be the easiest way. I'll get my telegram to-night--pretend to get it--from Portia. And you can give me the hundred dollars, and then, when you come back, I'll be gone."
The thing she had been holding in her hands slipped to the floor. He stooped and picked it up--stared at it with a sort of half awakened recognition.
"I f--found it," she explained, "among some old things Portia sent over when she moved. Do you know what it is? It's one of the note-books that got wet--that first night when we were put off the street-car. And--and, Roddy, look!"
She opened it to an almost blank page, and with a weak little laugh, pointed to the thing that was written there:
"'March fifteenth, nineteen twelve!' Your birthday, you see, and the day we met each other."
And then, down below, the only note she had made during the whole of that lecture, he read: "Never marry a man with a passion for principles."
"That's the trouble with us, you see," she said. "If you were just an ordinary man without any big passions or anything, it wouldn't matter much if your life got spoiled. But with us, we've got to try for the biggest thing there is. Oh, Roddy, Roddy, darling! Hold me tight for just a minute, and then I'll come and help you pack."