Part 2

[15] A ha-ha is a boundary to a garden, pleasure-ground, or park of such a nature as not to interrupt the view from the mansion and may not be seen until closely approached. According to a French etymologist, the name is derived from _ha_, an exclamation of surprise, uttered by one suddenly approaching such a boundary. The ha-ha consists of a trench, the inner side of which is perpendicular and faced with a wall; the outer being sloped and turfed. The ha-ha permitted grazing cattle and sheep to appear on the landscape, and at the same time held them at a distance from the mansion. In his diary, George Washington refers, on several occasions, to the ha-has on the grounds at "Mount Vernon." Cf. Fitzpatrick, John, _The Diaries of George Washington_, Vol. II, _passim_.

Situated amidst such attractive surroundings, the residences appeared to fine advantage. Their architectural arrangement contributed much to their impressiveness. At the same time it was admirably suited to the peculiar needs of plantation life. The mansion or "great house" was but the central unit, about which, at carefully spaced intervals, stood numerous smaller structures, all subsidiary to it. Spoken of indiscriminately as "offices," these dependent buildings all served some useful purpose or function in the domestic economy.

The mansion was usually a substantial two-story, rectangular building of brick, though sometimes it was built of stone or wood. The rather low-pitched roofs were generally shingled with cypress or slate. Since many of the activities of the household were carried on in offices under separate roofs, a central structure approximately seventy-five feet long and forty-two feet wide was usually regarded as commodious. The exteriors of these houses were often characterized by an elegant simplicity achieved through perfection of line and proportion. The severity of a facade might be relieved by a handsome wooden cornice, a pedimented hood over the doorway, a string-course and water table of molded brick, and window and door facings of rubbed brick. Sometimes pilasters of finely molded brick framed the doorways.

Not infrequently the principal offices, set in advance or in the rear of the mansion, served as foils to impart greater dignity to it. Sometimes, as at "Blandfield" and "Mount Airy," the major offices were connected with the central building by straight or curved lateral passages. The great house and its dependent structures were generally placed in such a relation as to form one or more rectangular courts.[16] The principal offices were often large and contained a number of rooms.

[16] At "Mount Vernon" the mansion and its wings together composed three sides of an open square, the main house and its wings closing the side opposite the open end. At "Stratford Hall" four dependent structures formed a square court, inside of which the great house stands. Two offices are set twenty-eight feet in advance of the main house on the land front. On the water front two others are placed in a similar relation to it. At "Shirley" the great house and four principal dependent buildings form a long rectangular court, the mansion closing the side facing the river.

To one unfamiliar with plantation life, the number and diversity of the offices about the manor house occasioned astonishment. A Huguenot exile who visited "Rosegill," the home of Ralph Wormeley, as early as 1686, recorded that the master's residence comprised at least twenty structures. "When I reached his place," this Frenchman wrote, "I thought I was entering a rather large village, but later on was told that all of it belonged to him."[17]

[17] _A Huguenot Exile in Virginia_, ed. and tr. by Gilbert Chinard (New York, 1934), p. 142. In writing of Maryland early in the eighteenth century, Sir John Oldmixon said: "Both here [Maryland] and there [Virginia] the _English_ live at large at their several Plantations, which hinders the Increase of Towns; indeed every Plantation, is a little Town of itself, and can subsist itself with Provisions and Necessaries, every considerable Planter's Warehouse being like a Shop...." Oldmixon, John, _British Empire in America_ (second edition, 1741), Vol. I, p. 339. Cf. Kimball, Fiske, _Domestic Architecture_, _passim_.

Offices near the great house were utilized as counting-rooms, schoolrooms, and sleeping quarters for the sons of the family as well as for a variety of other purposes. The kitchen, wash-house, dairy, smoke-house, and other offices intimately connected with the processes of housekeeping were usually set farther away in order to keep the mansion cool in summer and free it of the noise and odors of cooking.[18]

[18] A historian who described the Virginia residences at the beginning of the eighteenth century stated that "All their Drudgeries of Cookery, Washing, Daries, &c. are perform'd in Offices detacht from the Dwelling-Houses, which by this means are kept more cool and Sweet." Cf. Beverley, Robert, _The History and Present State of Virginia_, Book IV, p. 53.

Within the manor house the lower floors were usually devoted entirely to social purposes. Halls and chambers were generally finely panelled in native pine or walnut, and the symmetry of the paneling, the deeply recessed windows, and the excellent proportion of the doors and mantels imparted dignity and beauty to the rooms. Frequently the effect was heightened by fine carving, and occasionally the pink or orange tones of mantels of sienna marble lent a pleasing touch of color.

In many of the apartments there were fine cornices, modillions, and dentils. Delicately fluted pilasters often flanked windows and doors. Elaborately carved cornice and mantel friezes and frets represented the most skilled craftsmanship of the period. Sometimes, as at "Carter's Grove," the miniature carving of the friezes was of exquisite beauty. Motifs such as the egg and dart, the Wall of Troy, and the Tudor rose were employed with fine effect.

In the halls ornamentation was frequently given freer scope than elsewhere. The wide passageways which extended through the houses were customarily broken midway by arches of fine proportions. The usual focal point of interest in the hallways, however, was the stairs, the sweep of which was often majestic. Carved and hidden newel posts were common, and sometimes the pattern of the posts reappeared in elaborate friezes below the landing. Twist-carved balusters were placed on the steps, and running floral and foliated carving decorated the risers or step-ends of many of the stairs.

For these homes the Virginia aristocrats imported furniture, china, plate, and other furnishings from England and France. Their letters to factors in the homeland were filled with descriptions of the articles wanted, and frequently specified that items must be in the latest London fashion. Choice pieces of walnut and mahogany, expensive mirrors, and carpets and hangings of the best quality graced their drawing rooms. Harpsichords, spinets, and other fine instruments stood in many homes, and portraits of members of the family, some by the best artists of the day, hung on their walls. In the dining rooms, fine crystal and plate emblazoned with the family crest gleamed on polished sideboards and tables.

Though they sometimes maintained residences at Williamsburg for the court season, the Virginia great were rarely absentee landlords in the sense that planters in other colonies were. Rather, they were country gentlemen residing on their manor plantations, and, as we have seen, seriously interested in improving their homes and domains. A family was customarily identified by reference to its seat. "Epping Forest," "Marmion," "Berkeley," "Chelsea," "Elsing Green," and the other musical names by which the homes were called, impart a romantic and picturesque flavor to the literature of the region, and reveal the strong hold retained over men's affections by the mother country.

Since no land in the Tidewater was cleared until it was to be utilized for tobacco culture, and since discarded fields were allowed to grow up in thickets, the plantation establishments were generally located at a considerable distance from one another and separated by heavily wooded tracts.[19]

[19] The Tidewater plantation economy had spread into the Piedmont section prior to the American Revolution. A paroled British officer writing of his situation in Albemarle County in 1779, said: "The house that we reside in is situated upon an eminence, commanding a prospect of near thirty miles around it, and the face of the country appears an immense forest, interspersed with various plantations, four or five miles distant from each other; on these there is a dwelling-house in the center, with kitchens, smoke-house, and out-houses detached, and from the various buildings, each plantation has the appearance of a small village; at some little distance from the houses, are peach and apple orchards, &c. and scattered over the plantations are the negroes huts and tobacco-houses, which are large built of wood, for the cure of that article." Cf. Anburey, Thomas, _Travels Through the Interior Parts of America_, Vol. II, p. 187.

Set in a land abounding in excellent house sites, the planters' homes generally stood near the bank of one of the great rivers or upon some natural eminence. In the former case these houses had two fronts, a land and a water entrance. The approach from the public highway generally led through a wide avenue of trees, perhaps a mile or more in length, or the house might be shielded from the public gaze by a park of stately beeches or poplars. Since overland routes often presented serious difficulties, the Virginians made highroads of their rivers and creeks, and the side of the mansion facing the water generally constituted its true front. This is evidenced by the fact that one usually ascended the stairs from the water side. Isolated as the homes were, the Virginians were able to enjoy the seclusion so greatly prized by the gentry of the mother country, and they developed to a high degree the hospitable and generous traits and the love of outdoor sports that have usually characterized country squires.[20]

[20] A British observer reported in 1779 that "... before the war, the hospitality of the country was such, that travellers always stopt at a plantation when they wanted to refresh themselves and their horses, where they always met with the most courteous treatment, and were supplied with every thing gratuitously; and if any neighbouring planters heard of any gentleman being at one of these ordinaries, they would send a negroe with an invitation to their own house." Cf. Anburey, _Travels Through the Interior Parts of America_, Vol. II, p. 198. This same traveller described the hospitality shown the guests at one of the James River plantations. "I spent a few days at Colonel Randolph's, at Tuckahoe, at whose house the usual hospitality of the country prevailed," he wrote. "It is built on a rising ground, having a most beautiful and commanding prospect of James River; on one side is Tuckahoe, which being the Indian name of that creek, he named his plantation Tuckahoe after it; his house seems to be built solely to answer the purposes of hospitality, which being constructed in a different manner than in most other countries; I shall describe it to you: It is in the form of an H, and has the appearance of two houses, joined by a large saloon; each wing has two stories, and four large rooms on a floor; in one the family reside, and the other is reserved solely for visitors: the saloon that unites them, is of a considerable magnitude, and on each side are doors; the ceiling is lofty, and to these they principally retire in the Summer, being but little incommoded by the sun, and by the doors of each of the houses, and those of the saloon being open, there is a constant circulation of air; they are furnished with four sophas, two on each side, besides chairs, and in the center there is generally a chandelier; these saloons answer the two purposes of a cool retreat from the scorching and sultry heat of the climate, and of an occasional ball-room. The outhouses are detached at some distance, that the house may be open to the air on all sides." _Ibid._, p. 208.

The constant activity that centered about the great house is clearly reflected in the journals, letters, and account books of the day. Through their pages may be seen the great planter-businessmen, the members of their families, the overseers and stewards, the free white artisans, the Negro slaves, and the indentured servants moving about their daily tasks. The master of the plantation in a counting room near his mansion balances accounts, writes letters to his factors in England, or converses with the overseers and stewards from his other plantations who have come for instructions regarding their work. The children of the household and their tutor pass to and from the office used as a schoolroom. A ship from the homeland touches at the plantation landing and its captain comes ashore to bring letters and the latest news from the mother country, and perchance to dine at the planter's table. Visitors from neighboring plantations or from adjoining counties arrive in sloops or in coaches or sedans. Rooms reserved for guests are rarely empty and almost any event serves as the excuse for a celebration. A peripatetic dancing master arrives, the children of the neighborhood gather, and an informal dance is held after they have been singly instructed. Even passing strangers are accorded hospitable entertainment and treated as welcome guests. The planter and his family frequently ride out in a coach or chair for "an airing" or to call upon neighbors or relatives. On Sunday, if the weather be good, he takes his family by water to attend services at the parish church. Not infrequently a neighbor's servant arrives bearing venison or some other delicacy for the master's table.

Countless articles are bought or taken from the plantation stores. In the smith's shop nails and other articles are forged for plantation use, and the chair of a neighbor is mended or his plows pointed. Provisions are sent to the outlying plantations and supplies needed for the home place brought from them. In buildings near the mansion, tobacco is cured and prized. Hogsheads are rolled to the wharf to be shipped.

Such was the nature of the world about "Nomini Hall," the manor house of Robert Carter III in Westmoreland County, to which Philip Vickers Fithian, a young Princeton-bred theological student, went as a tutor to the children of the household in 1773.

CHAPTER TWO

Philip Fithian And The Carter Family

During his residence at "Nomini Hall" from October, 1773, to October, 1774, Philip Fithian recorded his impressions of the life about him in a daily journal and in letters to relatives and friends. These impressions constitute a detailed and illuminating account. The civilization he described differed in many respects from that he had known in New Jersey. His austere Presbyterian training caused him to look with disfavor or misgiving upon many of the gay diversions and other social customs of Virginia. Yet he was open-minded to an unusual degree and not unsympathetic to the people among whom he lived. His freshness of viewpoint led him to comment upon various features of Virginia civilization which would doubtless have escaped the attention of one more familiar with them. He admired many aspects of Southern life and for the members of the Carter household Fithian developed a genuine and lasting fondness. The account possesses both vivacity and charm.

At "Nomini Hall" Philip Fithian found himself in an excellent observation post. Robert Carter, its owner, was the scion of one of the wealthiest and most influential Tidewater families. His great-grandfather, John Carter, had emigrated to Virginia from England in 1649. Acquiring some 13,500 acres in the Northern Neck, the fertile region between the Rappahannock and Potomac rivers, John Carter had established his home "Corotoman" on the Rappahannock in Lancaster County. Becoming ere long a successful planter and businessman, Carter served first as a Burgess and then as a member of the governor's Council.

Robert or "King" Carter, son of the emigrant, so eclipsed his father that he has usually been regarded as founder of the family in Virginia. Bold, capable, and acquisitive, "King" Carter strove ceaselessly to expand the family fortunes. By strict attention to business and a close regard for his prerogatives as agent of the Fairfaxes, the proprietors of the Northern Neck, he ultimately became the richest and perhaps the most powerful man of his day in Virginia.[21] First as a Burgess and then as a member and President of the Council, he exerted a political influence that contributed greatly to the management of his private affairs. Realizing earlier than most the need future generations would have for fresh lands, he obtained for his progeny altogether some 333,000 acres.

[21] Cf. Wright, Louis B., _Letters of Robert Carter, 1720-1727_ (San Marino, 1940), p. viii.

Under the custom of primogeniture, Carter arranged that the bulk of his lands, including "Corotoman," should go to his eldest son, John Carter II. He, nonetheless, saw to it that his other sons, Robert, Landon, Charles, and George should have ample estates. Robert Carter II, however, died a few months before his father, leaving a young son, Robert III, and a daughter, Elizabeth. A short time after "King" Carter's death his surviving sons procured a special legislative enactment investing the share of the estate intended for the dead son in the young grandson. When Robert Carter III reached his majority, therefore, he would become master of more than seventy thousand acres.

The young boy's uncles, John, Landon, and Charles Carter, acted as his guardians. As a result of his mother's early second marriage to Colonel John Lewis, he lived at the latter's manor plantation, "Warner Hall" in Gloucester County. When the lad was nine, he was sent to the College of William and Mary. Nothing further is definitely known of how his youth was spent.

On reaching twenty-one Robert at once began preparations for a trip to England where he remained two years. The purpose of this visit is not known. It is probable, however, that he was following the example of his grandfather, his father, and the other sons of "King" Carter who had all completed their education in the mother country. Indeed the records of the Inner Temple reveal that he was admitted to the privileges and assumed the agreeable duties of a member of that august legal society a few months after he arrived there.[22] Whatever his motives, though, it is unlikely that a spirited young man, possessed of ample means and free of parental restraint, would bury himself entirely within musty college walls. Reports at home had it that he spent his time in idleness and gay diversions. A portrait painted at this time by a fashionable artist, probably in the studio of Sir Joshua Reynolds, shows him arrayed in a fine doublet of silk and a high lace collar, with a mask in one hand as if to indicate he was about to hasten away to some masquerade.

[22] Cf. Jones, E. Alfred, _American Members of the Inns of Court_, p. 41.

Whatever his youthful follies may have been, Robert Carter possessed a gentle and thoughtful nature. As he matured, he became increasingly a serious man of business and of scholarly and cultivated tastes. Returning to Virginia in 1751, he soon married and settled down to the life of a country squire at "Nomini Hall," the manor house his father had built in Westmoreland County.

On a visit to Maryland, Carter had met Frances Anne Tasker, the sixteen-year-old daughter of one of the foremost citizens of that colony. Struck by the beauty, good sense, and fortune of the young girl, he had secured her consent to become his wife. Frances Tasker Carter was an uncommon person. Notwithstanding the numerous children she had already borne her husband when Philip Fithian entered her household, she was still beautiful, elegant, and youthful looking. She was also well-informed and frequently surprised Fithian with the breadth of her interests. Ever cheerful and agreeable, she managed the household with fine success and carefully trained her seventeen children.

Besides a handsome dowry, Frances Tasker brought her husband a family influence that proved of great assistance in both his public and private career. Benjamin Tasker, her father, who had wide commercial connections, had served for thirty-two years as a member and President of the Council of Maryland, and for a period as acting-Governor. Her mother, Anne Bladen Tasker, was the daughter of William Bladen who had been successfully Secretary and Attorney-General of that colony. Thomas Bladen, her mother's brother, a former governor of Maryland, had removed to England and become a member of Parliament for Old Sarum, where he was now in an excellent position to promote the interests of his American relatives.[23]

[23] Sisters of Anne Bladen Tasker and Thomas Bladen had married Daniel Dulany, Samuel Ogle, and Christopher Lowndes, all men of important political and financial connections in their world.

Robert Carter led a busy life at "Nomini Hall." To utilize profitably the resources of an estate of seventy thousand acres was a task that demanded foresight and planning. He customarily cultivated as many as a dozen large plantations at once, and it was necessary that the operations on the several units be carefully integrated. Though tobacco constituted the crop of first importance on his estate, entire plantations were sometimes devoted to producing grain stuffs and supplies needed at "Nomini Hall" and on the other plantations. From time to time, too, Carter sought to develop other money crops which might supplement the constantly dwindling profits from tobacco. The preparation of new grounds to replace discarded fields constituted a laborious task that had to be coped with at intervals. He set up and equipped so many plantations that he resorted at one time to the signs of the zodiac for names for them.

Apart from the lands he himself cultivated, Carter rented or leased a large proportion of his estate to others. He developed an elaborate system of tenancy reminiscent in its principal features of the modern lien system and "share cropping." Lands were leased for varying periods under specific agreements as to the uses to be made of them, the provision of tools and other supplies by the landlord, and the proportion of the crops to be paid as rent. Other tracts were leased for a fixed money rental.

To Carter's interests as a planter and a landlord he added those of a manufacturer. When conditions made it economical or necessary to furnish his own supplies, he operated textile factories, salt works, grain mills, and bakeries to fill his own and his neighbors' needs. In his smiths's shops the simple farm implements of the time were forged and repaired, and work was also done for near-by planters. Through his wife's relations he received a one-fifth share in the Baltimore Iron Works. As part owner of this firm he produced bar and pig iron in large quantities on a commercial basis, and incidentally supplied raw materials needed on his plantations. He also carried on extensive operations as a merchant and factor. From his stores at "Nomini Hall," European manufactures and merchandise of every sort were dispensed. He owned a number of vessels which regularly carried supplies to the landings of other planters on the Virginia rivers and the Chesapeake and took their produce off their hands. Sometimes he provided these men with banking and credit facilities.

The scope of Carter's activities is indicated by the fact that at one time his slaves numbered over 500. In addition, he employed numerous white stewards, overseers, clerks, skilled craftsmen, and artisans. In a labor force so numerous and diversified the most careful adjustments in human relationships were necessary. In a very real sense Carter acted as a protector, father, physician, and court of last resort for all his people. No complaint was too insignificant to receive the master's consideration.