V.
Months elapsed, and the Lady Adelaide was the happiest of the happy, although now and again the remembrance of that anonymous letter would dart before her mind, like a dream. That most rare felicity was, indeed, hers, of passionately idolizing one from whom she need never be separated by night or by day. But how was it with him? Love is almost the only passion which cannot be called forth or turned aside at will, and though the Count di Visinara treated his wife in all respects, and ever would, with the most cautious attention, his heart was still true to Gina Montani. But now the Count had to leave home; business called him forth; and to remain away fifteen days. In those earlier times women could not accompany their lords every where, as they may in these; and when Giovanni rode away from his castle gates, the Lady Adelaide sank in solitude upon the arm of one of her costly sofas, all rich with brocaded velvet; and though not a tear dimmed her eye, or a line of pain marked her forehead, to tell of suppressed feelings, it seemed to her that her heart was breaking. It was on the morrow, news was brought to the countess that one craved admission to her--a maiden, young and beautiful, the servitor said; and the Lady Adelaide ordered her to be admitted. Young and beautiful indeed, and so she looked, as, with downcast eyes, the visitor was ushered in--_you_ know her, reader, though the Lady Adelaide did not. She began to stammer out an incoherent explanation; that news had reached her of the retirement of one of the Lady Adelaide's attendants, and of her wish to fill the vacant place. "What is your name?" inquired the countess, already taken, as the young are apt to be, with the prepossessing manners and appearance of her visitor.
"Signora, it is Gina Montani."
"And in whose household have you resided?"
A deep shade rose to Gina's face. "Madam, I am a stranger as yet to servitude. I was not reared to expect such. But my mother is dead, and I am now alone in the world. I have heard much, too, of the Countess of Visinara's gentleness and worth, and should wish to serve her."
Some further conversation, a few preliminary arrangements, and Gina Montani was installed at the castle as one of the countess's maids in waiting: a somewhat contradistinctive term, be it understood, to a _waiting-maid_, these attendants of high-born gentle-women being then made, in a great degree, their companions. Gina speedily rose in favor. Her manners were elegant and unassuming, and there was a sadness about her which, coupled with her great beauty, rendered her eminently interesting.