Chapter III
, Orcagna's Tabernacle.
[350] See lib. ii. cap. 5, for the description of Francis I. visiting Cellini in his work-room. He finds him hammering away at the metal, and suggests that he might leave that labour to his prentices. Cellini replies that the excellence of his work would suffer if he did not do it himself.
[351] See Yriarte, _Vie d'un Gentilhomme de Venise_, p. 439, for a process instituted by the Inquisition against Paolo Veronese.
[352] He calls it "un chiavaquore di argento, il quale era in quei tempi chiamato cosi. Questo si era una cintura di tre dita larga, che alle spose novelle s' usava di fare."
[353] "Si come un toro invelenito."
[354] "Living men have felt my blows: those many maimed and mutilated stones one sees, attest to your disgrace: the earth hides my bad work." See the lines quoted by Perkins, _Tuscan Sculptors_, vol. ii. p. 140.
[355] Lib. i. cap. 79.
[356] Lib. ii. cap. 34. The whole history of this woman Caterina, and of the revenge he took upon her and his prentice Paolo, is one of the most extraordinary passages in the life.
[357] See Vol. 1., _Age of the Despots_, pp. 377-380.
[358] See Vol. 1., _Age of the Despots_, pp. 362-363.
[359] This might be further illustrated by analysing Cellini's mode of loving. He never rises above animal appetite.
[360] Lib. i. cap. 85. "Nel qual vomito mi usci dello stomaco un verme piloso, grande un quarto di braccio: e' peli erano grandi ed il verme era bruttissimo, macchiato di diversi colori, verdi, neri e rossi."
[361] Lib. i. cap. 128.
[362] Notice lib. i. cap. 40, p. 90, the dialogue between Cellini and the old woman, on his return to the paternal house: "Oh dimmi, gobba perversa," &c.
[363] "Per essere il mondo intenebrato di peste e di guerra," is a phrase of Cellini's, i. 40.
[364] Lib. i. cap. 51.
[365] Lib. i. cap. 74. Clement was dead, and Paul III. had just been elected, 1534. Paul sent Cellini a safe-conduct and pardon for Pompeo's murder to Florence in 1535. Lib. i. cap. 81.
[366] Lib. ii. cap. 104.
[367] Lib. i. cap. 64.
[368] See, however, what is said about the mountain villages of Norcia being good for incantations. That district in Roman times was famous for such superstitions. Burckhardt, _Die Cultur der Renaissance in Italien_, pp. 427-428, gives curious information on this topic.
[369] Lib. i. cap. 76.
[370] Lib. i. cap. 88. "That mad melancholy philosopher Lorenzino." Cf. i. 80 and 81. "Molte volte lo trovavo a dormicchiare dopo desinare con quel suo Lorenzino, che poi l'ammazzò, e non altri; ed io molto mi maravigliavo che un duca di quella sorte così si fidava ... il duca' che lo teneva quando per pazzericcio, e quando per poltrone." Cf. again, cap. 89.
[371] This glimpse of Bembo in his Paduan villa is very pleasing. Lib. i. cap. 94.
[372] "Quei diavoli di quei gentiluomini tedeschi." This is, however, the language he uses about nearly all foreigners--Spaniards, French, and English.
[373] Lib. i. cap. 96. "Io ero tutto armato di maglia con istivali grossi e con uno scoppietto in mano, e pioveva quanto Iddio ne sapeva mandare," &c.
[374] Lib. i. cap. 98.
[375] _Ib._ cap. 101.
[376] See lib. i. cap. 38, 43.
[377] The Governor, perplexed by Cellini's vaunt that if he only tried he was sure he could fly, put him under strict guard, saying, "Benvenuto è un pipistrello contrafatto, ed io sono un pipistrello da dovero."
[378] Lib. i. cap. 125.
[379] Lib. i. cap. 105.
[380] "Il Papa diventato così pessima bestia," lib. i. 58; "Il Papa entrato in un bestial furore," _ib_. 60; "Quel povero uomo di Papa Clemente," _ib_. 103.
[381] _Ib_. 36, 101, 111.
[382] The scene is well described, lib. i. 127. The Pope was wont to have a weekly debauch, and the cardinal chose this favourable moment for his appeal: "Gli usava una volta la settimana di fare una crapula assai gagliarda, perchè da poi la gomitava.... Allora il papa, sentendosi appressare all' ora del suo vomito, e perchè la troppa abbundanzia del vino ancora faceva l' ufizio suo, disse," &c.
[383] See Vol. I., _Age of the Despots_, p. 485.
[384] See especially the visit to the Paris workshop, lib. ii. cap. 15, and the scene in the Gallery at Fontainebleau, ib. 41.
[385] His quarrels, for example, with the Duchess of Florence.
[386] Lib. ii. cap. 83, 84, 87, 70, 71.
[387] "That beastly big ox, Bandinelli." Cf. cap. 70 for the critique. It may be said here, in passing, that the insult of Bandinelli, "Oh sta cheto, soddomitaccio," seems to have been justified by Benvenuto's conduct, though of course he carefully conceals it in his memoirs. After the charge brought against him by Cencio, for instance, he thought it better to leave Florence.--_Ib_. cap. 61, 62.
[388] Edgar Quinet, _Les Révolutions d'Italie_, p. 358.
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