Part 6

I have read some girl-books, a few years ago--“Hildegarde Grahame,” and “What Katy Did,” and all,--but I read them from afar. I looked at those creatures from behind a high board fence. I felt as if I had more tastes in common with the Jews wandering through the wilderness, or with a band of fighting Amazons. I am not a girl. I am a woman, of a kind. I began to be a woman at twelve, or more properly, a genius.

And then, usually, if one is not a girl one is a heroine--of the kind you read about. But I am not a heroine, either. A heroine is beautiful--eyes like the sea shoot opaque glances from under drooping lids--walks with undulating movements, her bright smile haunts one still, falls methodically in love with a man--always with a man, eats things (they are always called “viands”) with a delicate appetite, and on special occasions her voice is full of tears. I do none of these things. I am not beautiful. I do not walk with undulating movements--indeed, I have never seen any one walk so, except, perhaps, a cow that has been overfed. My bright smile haunts no one. I shoot no opaque glances from my eyes, which are not like the sea by any means. I have never eaten any viands, and my appetite for what I do eat is most excellent. And my voice has never yet, to my knowledge, been full of tears.

No, I am not a heroine.

There never seem to be any plain heroines, except Jane Eyre, and she was very unsatisfactory. She should have entered into marriage with her beloved Rochester in the first place. I should have, let there be a dozen mad wives upstairs. But I suppose the author thought she must give her heroine some desirable thing--high moral principles, since she was not beautiful. Some people say that beauty is a curse. It may be true, but I’m sure I should not have at all minded being cursed a little. And I know several persons who might well say the same. But, anyway, I wish some one would write a book about a plain, bad heroine so that I might feel in real sympathy with her.

So far from being a girl or a heroine, I am a thief--as I have before suggested.

I mind me of how, not long since, I stole three dollars. A woman whom I know rather well, and lives near, called me into her house as I was passing and asked me to do an errand for her. She was having an ornate gown made, and she needed some more appliqué with which to festoon it. The appliqué cost nine dollars a yard. My trusting neighbor gave me a bit of the braid for a sample and two twenty-dollar bills. I was to get four yards. I did so, and came back and gave her the braid and a single dollar. The other three dollars I kept myself. I wanted three dollars very much, to put with a few that I already had in my purse. My trusting neighbor is of the kind that throws money about carelessly. I knew she would not pay any attention to a little detail like that,--she was deeply interested in her new frock; or perhaps she would think I had got thirty-nine dollars’ worth of appliqué. At any rate, she did not need the money, and I wanted three dollars, and so I stole it.

I am a thief.

It has been suggested to me that I am a kleptomaniac. But I am sure my mind is perfectly sane. I have no such excuse. I am a plain, downright thief.

This is only one of my many peculations. I steal money, or anything that I want, whenever I can, nearly always. It amuses me--and one must be amused.

I have only two stipulations: that the person to whom it belongs does not need it pressingly, and that there is not the smallest chance of being found out. (And of course I could not think of stealing from my one friend.)

It would be extremely inconvenient to be known as a thief, merely.

When the world knows you are a thief it blinds itself completely to your other attributes. It calls you a thief, and there’s an end. I am a genius as well as a thief--but the world would quite overlook that fact. “A thief’s a thief,” says the world. That is very true. But the mere fact of being a thief should not exclude the consideration of one’s other traits. When the world knows you are a Methodist minister, for instance, it will admit that you may also be a violinist, or a chemist, or a poet, and will credit you therefor. And so if it condemns you for being a thief, it should at the same time admire you for being a genius. If it does not admire you for being a genius, then it has no right to condemn you for being a thief.

--And why the world should condemn any one for being a thief--when there is not within its confines any one who is not a thief in some way--is a bit of irony upon which I have wasted much futile logic.--

I am not trying to justify myself for stealing. I do not consider it a thing that needs to be justified, any more than walking or eating or going to bed. But, as I say, if the world knew that I am a thief without being first made aware with emphasis that I am some other things also, then the world would be a shade cooler for me than it already is--which would be very cool indeed.

And so in writing my Portrayal I have dwelt upon other things at some length before touching on my thieving propensities.

None of my acquaintances would suspect that I am a thief. I look so respectable, so refined, so “nice,” so inoffensive, so sweet, even!

But, for that matter, I am a great many things that I do not appear to be.

The woman from whom I stole the three dollars, if she reads this, will recognize it. This will be inconvenient. I fervently hope she may not read it. It is true she is not of the kind that reads.

But, after all, it’s of no consequence. This Portrayal is Mary MacLane: her wooden heart, her young woman’s-body, her mind, her soul.

The world may run and read.

I will tell you what I did with the three dollars. In Dublin Gulch, which is a rough quarter of Butte inhabited by poor Irish people, there lives an old world-soured, wrinkled-faced woman. She lives alone in a small, untidy house. She swears frightfully like a parrot, and her reputation is bad--so bad, indeed, that even the old woman’s compatriots in Dublin Gulch do not visit her lest they damage their own. It is true that the profane old woman’s morals are not good--have never been good--judged by the world’s standards. She bears various marks of cold, rough handling on her mind and body. Her life has all but run its course. She is worn out.

Once in a while I go to visit this old woman--my reputation must be sadly damaged by now.

I sit with her for an hour or two and listen to her. She is extremely glad to have me there. Except me she has no one to talk to but the milkman, the groceryman, and the butcher. So always she is glad to see me. There is a certain bond of sympathy between her and me. We are fond of each other. When she sees me picking my way towards her house, her hard, sour face softens wonderfully and a light of distinct friendliness comes into her green eyes.

Don’t you know, there are few people enough in the world whose hard, sour faces will soften at sight of you and a distinctly friendly light come into their green eyes. For myself, I find such people few indeed.

So the profane old woman and I are fond of each other. No question of morals, or of immorals, comes between us. We are equals.

I talk to her a little--but mostly she talks. She tells me of the time when she lived in County Galway, when she was young--and of her several husbands, and of some who were not husbands, and of her children scattered over the earth. And she shows me old tin-types of these people. She has told me the varied tale of her life a great many times. I like to hear her tell it. It is like nothing else I have heard. The story in its unblushing simplicity, the sour-faced old woman sitting telling it, and the tin-types,--contain a thing that is absurdly, grotesquely, tearlessly sad.

Once when I went to her house I brought with me six immense, heavy, fragrant chrysanthemums.

They had been bought with the three dollars I had stolen.

It pleased me to buy them for the profane old woman. They pleased her also--not because she cares much for flowers, but because I brought them to her. I knew they would please her, but that was not the reason I gave her them.

I did it purely and simply to please myself.

I knew the profane old woman would not be at all concerned as to whether they had been bought with stolen money or not, and my only regret was that I had not had an opportunity to steal a larger sum so that I might have bought more chrysanthemums without inconveniencing my purse.

But as it was they filled her dirty little dwelling with perfume and color.

Long ago, when I was six, I was a thief--only I was not then, as now, a graceful, light-fingered thief--I had not the philosophy of stealing.

When I would steal a copper cent out of my mother’s pocketbook I would feel a dreadful, suffocating sinking in my bad heart, and for days and nights afterwards--long after I had eaten the chocolate mouse--the copper cent would haunt me and haunt me, and oh, how I wished it back in that pocketbook with the clasp shut tight and the bureau drawer locked!

And so, is it not finer to be nineteen and a thief, with the philosophy of stealing--than to be six and haunted day and night by a copper cent?

For now always my only regret is, when I have stolen five dollars, that I did not steal ten while I was about it.

It is a long time ago since I was six.

February 17.

To-day I walked over the hill where the sun vanishes down in the afternoon.

I followed the sun so far as I could, but two even very good legs can do no more than carry one into the midst of the sunshine--and then one may stand and take leave, lovingly, of it.

I stood in the valley below the hill and looked away at the gold-yellow mountains that rise into the cloudy blue, and at the long gray stretches of rolling sand. It all reminded me of the Devil and the Happiness he will bring me.

Some day the Devil will come to me and say: “Come with me.”

And I will answer: “Yes.”

And he will take me away with him to a place where it is wet and green--where the yellow, yellow sunshine falls on heaven-kissing hills, and misty, cloudy masses float over the valleys.

And for days I shall be happy--happy--happy!

For _days_! The Devil and I will love each other intensely, perfectly--for days! He will be incarnate, but he will not be a man. He will be the man-devil, and his soul will take mine to itself and they will be one--for days.

Imagine me raised out of my misery and obscurity, dullness and Nothingness, into the full, brilliant life of the Devil--for days!

The love of the man-devil will enter into my barren, barren life and melt all the cold, hard things, and water the barrenness, and a million little green growing plants will start out of it; and a clear, sparkling spring will flow over it--through the dreary, sandy stretches of my bitterness, among the false stony roadways of my pain and hatred. And a great rushing, flashing cataract of melting love will flow over my weariness and unrest and wash it away forever. My soul will be fully awakened and there will be a million little sweet new souls in the green growing things. And they will fill my life with everything that is beautiful--tenderness, and divineness, and compassion, and exaltation, and uplifting grace, and light, and rest, and gentleness, and triumph, and truth, and peace. My life will be borne far out of self, and self will sink quietly out of sight--and I shall see it farther and farther away, until it disappears.

“It is the last--the _last_--of that Mary MacLane,” I will say, and I will feel a long, sighing, quivering farewell.

A thousand years of misery--and now a million years of Happiness.

When the sun is setting in the valley and the crests of those heaven-kissing hills are painted violet and purple, and the valley itself is reeking and swimming in yellow-gold light, the man-devil--whom I love more than all--and I will go out into it.

We will be saturated in the yellow light of the sun and the gold light of Love.

The man-devil will say to me: “Look, you little creature, at this beautiful picture of Joy and Happiness. It is the picture of your life as it will be while I am with you--and I am with you for days.”

Ah, yes, I will take a last, long farewell of this Mary MacLane. Not one faint shadow of her weary wretched Nothingness will remain.

There will be instead a brilliant, buoyant, joyous creature--transformed, adorned, garlanded by the love of the Devil.

My mind will be a treasure-house of art, swept and garnished and strong and at its best.

My barren, hungry heart will come at last to its own. The red flames of the man-devil’s love will burn out forever its pitiable, distorted, wooden quality, and he will take it and cherish it--and give me his.

My young woman’s-body likewise will be metamorphosed, and I shall feel it developing and filled with myriads of little contentments and pleasures. Always my young woman’s-body is a great and important part of me, and when I am married to the Devil its finely-organized nerve-power and intricate sensibility will be culminated to marvelous completeness. My soul--upon my soul will descend consciously the light that never was on land or sea.

This will be for days--for days.

No matter what came before, I will say; no matter what comes afterward. Just now it is the man-devil, my best-beloved, and I, living in the yellow light.

Think of living with the Devil in a bare little house, in the midst of green wetness and sweetness and yellow light--for days!

In the gray dawn it will be ineffably sweet and beautiful, with shining leaves and the gray, unfathomable air, and the wet grass, and all.

“Be happy now, my weary little wife,” the Devil will say.

And the long, long yellow-gold day will be filled with the music of Real Life.

My grandest possibility will be realized. The world contains a great many things--and this is my grandest possibility realized!

I will weep rapturous tears.

When I think of all this and write it there is in me a feeling that is more than pain.

Perhaps the very sweetest, the tenderest, the most pitiful and benign human voice in the world could sing these things and this feeling set to their own wondrous music,--and it would echo far--far,--and you would understand.

February 20.

At times when I walk among the natural things--the barren, natural things--I know that I believe in Something. Why can I not call it God and pray to it?

There is Something--I do not know it intellectually, but I feel it--I _feel_ it--with my soul. It does not seem to reach down to me. It does not pity me. It does not look at me tenderly in my unhappiness.

My soul feels only that it is there.

No. It is not all-loving, all-gracious, all-pitying. It hurts me--it hurts me always as I walk over the sand. But even while it hurts me it seems to promise--ah, those beautiful things that it promises me!

And then the hurting is anguish--for I know that the promises will never be fulfilled.

There is within me a thing that is aching, aching, aching always as the days pass.

It is not my pain of wanting, nor my pain of unrest, nor my pain of bitterness, nor of hatred. I know those in all their own anguish.

This aching is another pain. It is a pain that I do not know--that I feel ignorantly but sharply, and, oh, it is torture, torture!

My soul is worn and weary with pain. There is no compassion--no mercy upon me. There is no one to help me bear it. It is just I alone out on the sand and barrenness. It is cruel anguish to be always alone--and so long--oh, so long!

Nineteen years are as ages to you when you are nineteen.

When you are nineteen there is no experience to tell you that all things have an end.

This aching pain has no end.

I feel no tears now, but I feel heavy sobs that shake my life to its center.

My soul is wandering in a wilderness.

There is a great light sometimes that draws my soul toward it. When my soul turns toward it, it shines out brilliant and dazzling and awful--and the worn, sensitive thing shrinks away, and shivers, and is faint.

Shall my soul have to know this Light, inevitably? Must it, some day, plunge into this?

Oh, it may be--it may be. But I know that I shall die with the pain.

There are times when the great Light is dim and beautiful as the starlight--the utter agony of it--the cruel, ineffable loveliness!

Do you understand this? I am telling you my young, passionate life-agony? Do you listen to it indifferently? Has it no meaning for any one? For me it means everything. For me it makes life old, long, weariness.

It may be that you know. And perhaps you would even weep a little with me if you had time.

It is as if this Light were the light of the Christian religion--and the Christian religion is full of hatred. It says, “Come unto me, you that are heavy laden, and I will give you rest.” But when you would go, when you reach up with your weary hands, it sends you a too-brilliant Light--it makes you fair, wondrous promises--it puts you off. You beseech it in your suffering--

“While the waters near me roll, While the tempest still is high--”

but it does not listen--it does not care. Worship me, worship me, it says, but after that let me alone. There is a bookful of promises. Take it and thank me and worship me.

It does not care.

If I obey it, it looks on indifferently. If I disobey it, it looks on indifferently. If I am in woe, it looks on indifferently. If I am in a brief joy, it looks on indifferently.

I am left all alone--all alone.

The Light is shown me and I reach after it, but it is placed high out of my reach.

I see the promises in the Light. Oh, why--_why_ does it promise these things! Is not the burden of life already greater than I can bear? And there is the story of the Christ. It is beautiful. It is damningly beautiful. It draws the tears of pain and soft anguish from me at the sense of beauty. And when every nerve in me is melted and overflowing, then suddenly I am conscious that it is a lie--a _lie_.

Everywhere I turn there is Nothing--Nothing.

My soul wails out its grief in loneliness.

My soul wanders hither and thither in the dark wilderness and asks, asks always in blind, dull agony, How long?--how long?

February 22.

Life is a pitiful thing.

February 23.

I stand in the midst of my sand and barrenness and gaze hard at everything that is within my range of vision--and ruin my eyes trying to see into the darkness beyond.

And nearly always I feel a vague contempt for you, fine, brave world--for you and all the things that I see from my barrenness. But I promise you, if some one comes from among you over the sunset hill one day with love for me, I will fall at your feet.

I am a selfish, conceited, impudent little animal, it is true, but, after all, I am only one grand conglomeration of Wanting--and when some one comes over the barren hill to satisfy the wanting, I will be humble, humble in my triumph.

It is a difficult thing--a most difficult thing--to live on as one year follows another, from childhood slowly to womanhood, without one single sharer of your life--to be alone, always alone, when your one friend is gone. Oh, yes, it is hard! Particularly when one is not high-minded and spiritual, when one’s near longing is not a God and a religion, when one wants above all things the love of a human being--when one is a woman, young and all alone. Doubtless you know this. After all, fine brave world, there are some things that you know very well. Whether or not you care is a quite different matter.

You have the power to take this wooden heart in a tight, suffocating grasp. You have the power to do this with pain for me, and you have the power to do it with ravishing gentleness. But whether or not you will is another matter.

You may think evil of me before you have finished reading this. You will be very right to think so--according to your standards. But sometimes you see evil where there is no evil, and think evil when the only evil is in your own brains.

My life is a dry and barren life. You can change it.

“Oh, the little more, and how much it is! And the little less, and what worlds away.”

Yes, you can change it. Stranger things have happened. Again, whether you will--that is a quite different thing.

No doubt you are the people and wisdom will die with you. I do not question that. I will admit and believe anything you may assert about yourselves. I do not want your wisdom, your judgment. I want some one to come up over the barren sunset hill. My thoughts are the thoughts of youth, which are said to be long, long thoughts.

Your life is multi-colored and filled with people. My life is of the gray of sand and barrenness, and consists of Mary MacLane, the longing for Happiness, and the memory of the anemone lady.

This Portrayal is my deepest sincerity, my tears, my drops of red blood. Some of it is wrung from me--wrung by my ambition to tell _everything_. It is not altogether good that I should give you all this, since I do not give it for love of you. I am giving it in exchange for a few gayly-colored things. I want you to know all these passions and emotions. I give them with the utmost freedom. I shall be furious indeed if you do not take them. At the same time, the fact that I am exchanging my tears and my drops of red blood for your gayly-colored trifles is not a thing that thrills me with delight.