chapter II

, p. 106.

Footnote 23:

Venturi, Vol. V, pp. 680–694, offers a sensible compromise view of the authorship of this series, assigning to Pietro himself only the Deposition, Entombment, Stigmatization of St. Francis and a Madonna and Saints, ascribing most of the subjects to an assistant. Dr. Ernest Dewald in a forthcoming Princeton dissertation takes a more skeptical view than Venturi as to Pietro’s presence at Assisi.

Footnote 24:

However the “Cecelia Master,” active about 1300, deals ably with such spatial problems. See O. Sirén, _Burlington Magazine_, Vol. XXXIV, p. 234, and XXXVI, p. 4. and _Giotto_, plates 11–13, Vol. II.

Footnote 25:

_Sassetta._ Bernard Berenson. _A Painter of the Franciscan Legend_, (Sassetta), London and New York, 1909.

Footnote 26:

_Matteo di Giovanni._ We have the standard work of G. Hartlaub, _Matteo da Siena_, Strassburg, 1910. Mr. Berenson in _Essays in the Study of Sienese Painting_, New York, 1918, essay on Cozzarelli, has made useful criticisms of the list of pictures usually ascribed to Matteo.

Footnote 27:

_Sodoma._ Hobart Cust, _Giovanni Antonio Bazzi, usually styled “Sodoma,”_ New York, 1906.

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