Part 5

I thanked Mrs. Brewster, and bade her good-night; and though she was a hard New England woman her voice trembled a little as she answered, but being a sensible person she went in and shut the door behind her as I stepped out on the path. I looked after the couple in the distance a last time, meaning to go down to the road, so as not to overtake them; but when I had made a few steps I stopped and looked again, for I knew I had seen something queer, though I had only realised it afterwards. I looked again, and it was plain enough now; and I stood stock-still, staring at what I saw. Mamie was walking between two men. The second man was just the same height as Jack, both being about a half a head taller than she; Jack on her left in his black tail-coat and round hat, and the other man on her right--well, he was a sailor-man in wet oilskins. I could see the moonlight shining on the water that ran down him, and on the little puddle that had settled where the flap of his sou'wester was turned up behind: and one of his wet, shiny arms was round Mamie's waist, just above Jack's. I was fast to the spot where I stood, and for a minute I thought I was crazy. We'd had nothing but some cider for dinner, and tea in the evening, otherwise I'd have thought something had got into my head, though I was never drunk in my life. It was more like a bad dream after that.

I was glad Mrs. Brewster had gone in. As for me, I couldn't help following the three, in a sort of wonder to see what would happen, to see whether the sailor-man in his wet togs would just melt away into the moonshine. But he didn't.

[Illustration: ONE OF HIS WET, SHINY ARMS WAS ROUND MAMIE'S WAIST.]

I moved slowly, and I remembered afterwards that I walked on the grass, instead of on the path, as if I were afraid they might hear me coming. I suppose it all happened in less than five minutes after that, but it seemed as if it must have taken an hour. Neither Jack nor Mamie seemed to notice the sailor. She didn't seem to know that his wet arm was round her, and little by little they got near the cottage, and I wasn't a hundred yards from them when they reached the door. Something made me stand still then. Perhaps it was fright, for I saw everything that happened just as I see you now.

Mamie set her foot on the step to go up, and as she went forward I saw the sailor slowly lock his arm in Jack's, and Jack didn't move to go up. Then Mamie turned round on the step, and they all three stood that way for a second or two. She cried out then,--I heard a man cry like that once, when his arm was taken off by a steam-crane,--and she fell back in a heap on the little piazza.

I tried to jump forward, but I couldn't move, and I felt my hair rising under my hat. The sailor turned slowly where he stood, and swung Jack round by the arm steadily and easily, and began to walk him down the pathway from the house. He walked him straight down that path, as steadily as Fate; and all the time I saw the moonlight shining on his wet oilskins. He walked him through the gate, and across the beach road, and out upon the wet sand, where the tide was high. Then I got my breath with a gulp, and ran for them across the grass, and vaulted over the fence, and stumbled across the road. But when I felt the sand under my feet, the two were at the water's edge; and when I reached the water they were far out, and up to their waists; and I saw that Jack Benton's head had fallen forward on his breast, and his free arm hung limp beside him, while his dead brother steadily marched him to his death. The moonlight was on the dark water, but the fog-bank was white beyond, and I saw them against it; and they went slowly and steadily down. The water was up to their armpits, and then up to their shoulders, and then I saw it rise up to the black rim of Jack's hat. But they never wavered; and the two heads went straight on, straight on, till they were under, and there was just a ripple in the moonlight where Jack had been.

It has been on my mind to tell you that story, whenever I got a chance. You have known me, man and boy, a good many years; and I thought I would like to hear your opinion. Yes, that's what I always thought. It wasn't Jim that went overboard; it was Jack, and Jim just let him go when he might have saved him; and then Jim passed himself off for Jack with us, and with the girl. If that's what happened, he got what he deserved. People said the next day that Mamie found it out as they reached the house, and that her husband just walked out into the sea, and drowned himself; and they would have blamed me for not stopping him if they'd known that I was there. But I never told what I had seen, for they wouldn't have believed me. I just let them think I had come too late.

When I reached the cottage and lifted Mamie up, she was raving mad. She got better afterwards, but she was never right in her head again.

Oh, you want to know if they found Jack's body? I don't know whether it was his, but I read in a paper at a Southern port where I was with my new ship that two dead bodies had come ashore in a gale down East, in pretty bad shape. They were locked together, and one was a skeleton in oilskins.

* * * * *

Francis Marion Crawford, the youngest of the four children of the well-known sculptor Thomas Crawford, was born in Rome, educated by a French governess; then at St Paul's School, Concord, N.H.; in the quiet country village of Hatfield Regis, under an English tutor; at Trinity College, Cambridge, where they thought him a mathematician in those days; at Heidelberg and Karlsruhe, and at the University of Rome, where a special interest in Oriental languages sent him to India with the idea of preparing for a professorship.

At one time in India hard times nearly forced him into enlistment in the British army, but a chance opening sent him as editor of the _Indian Herald_ to Allahabad. It was during the next eighteen months that he met at Simla the hero of his first novel, "Mr. Isaacs." "If it had not been for him," Mr. Crawford has been known to say, "I might at this moment be a professor of Sanskrit in some American college;" for that idea persisted after his return to the United States, where he entered Harvard for special study of the subject.

But from the May evening when the story of the interesting man at Simla was first told in a club smoking-room overlooking Madison Square, Mr. Crawford's life has been one of hard literary work. He returned to Italy in 1883, spent most of the next year in Constantinople, where he was married to a daughter of General Berdan. From 1885 he has made his home in Sorrento, Italy, visiting America at intervals.

"Mr. Isaacs," published in 1882, was followed almost at once by "Dr. Claudius." Then _The Atlantic Monthly_ claimed a serial, "A Roman Singer," in 1883. Since that time the list of his novels has been increased to thirty-two, besides the historical and descriptive works entitled "Ave Roma Immortalis" and "The Rulers of the South."

To Mr. Crawford, the development of a story and of the character which suggested it, is the preeminent thing. As the critics say:--

"He is an artist, a born story-teller and colourist, imaginative and dramatic, virile and vivid."

His wide range as a traveller has contributed doubtless to another characteristic quality:--

"... his strength in unexcelled portraits of odd characters and his magical skill in seeming to make his readers witnesses of the spectacles."

His intimate knowledge of many countries has resulted in an unequalled series of brilliant romances, including varied characters from the old families of Rome, the glassblowers of Venice, the silversmiths of Rome, the cigarette makers of Munich, the court of old Madrid, the Turks of Stamboul and the Bosphorus, simple sailors on the coast of Spain, Americans of modern New York and Bar Harbor, to Crusaders of the twelfth century. But whether the scene be in modern India, rural England, the Black Forest, or the palaces of Babylon, the story seizes on the imagination and fascinates the reader.

"The romantic reader will find here a tale of love passionate and pure; the student of character, the subtle analysis and deft portrayal he loves; the historian will approve its conscientious historic accuracy; the lover of adventure will find his blood stir and pulses quicken as he reads."

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End of Project Gutenberg's Man Overboard!, by F(rancis) Marion Crawford