Part 4

"His keen eyes flamed, and his brow was dark and hot. He started up and walked over to the small oak escritoire. Bending down he produced a small glass lamp, and put a light to it. It burnt with the imperceptible flame of pure spirit of wine. He took it and vanished a moment. When he returned, and set it before me, it gave out a keen white glare and heavily-scented smoke. He took me by the arm and pointed to the black velvet curtain which hid the bronze statue. 'See, there: behind--through the curtain. Who is that?'

"While I looked, Ombos gave a strange rasping sound. Then, in a tone of weird intensity: 'See! See!' and he laid his hand on mine ... the curtain was no longer there, and some vague thing gathered--the statue was dim behind it--the form of a man.

"'The veil is drawn,' said the voice of Ombos. 'Master, the veil is drawn. See, if you will. See!'

"In a fluid light the form darkened. I saw Ombos seated before a table with his head bowed down over a folio volume, quiet and still. The head was ill to look at, and I knew he was dead.... All grew misty and faded into light again.

"'The veil is drawn,' he droned. 'Look again!'

"Again a film gathered in the light and I saw the Albertus Magnus for a moment. Then it changed to Ombos, himself.... A lean and grim form with dim mocking features, and yellow eyes that glittered and flickered....

"And again the vision blurred and faded into light. Then Ombos dashed the lamp aside, and the room was in red darkness ... the silence and darkness seemed to endure for an eternity. I heard the hiss of a quick indrawn breath at last ... it was my own breathing.... I opened my eyes.

"I was in the small room where I had taken tea with Ombos and Margot some weeks before. Supper was laid on a superb octagon table. 'They were good tricks, were they not?' said Ombos, with an easy laugh. His keen eyes smote keen into mine. 'Now you will in truth be able to go away and tell people how I tricked you, how it was plainly all a cheat.'

"At that moment Margot came in with a big apron tied about her. She greeted me pleasantly, setting a tray down on the table.

"'We do our own work here, Captain Crabbe,' she said. 'Do you want to make yourself useful?'

"I rose promptly. My little adventure into the occult world with Ombos had been rather exhilarating. I was glad when she told me to follow her out, through a long corridor into the kitchen, where she gave me a can-opener and a tin of sardines.

"'Open those up and turn them into this little dish, please. And if you have any hygienic aversion to tinned things, please forget it. Otherwise you will have to eat some of my hot teacakes.'

"Margot was standing at the table, cleaning a crisp head of celery. The position showed me her profile, with a little wisp of black hair escaping near one ear.

"We sat down to one of the most cheerful meals three people have ever enjoyed. We sat chatting there for nearly an hour. All the while I was trying to reconcile this man Ombos who sat talking boyishly with the student of occultism and black magic I had talked with an hour or so before. If I had felt any resentment of the tricks he had played on me it would have vanished utterly. Afterwards Margot made real Turkish coffee over a dainty spirit lamp ... once--in a critical stage in the coffee-making, too--she looked up and her eyes sought mine; then her red lips parted in a smile. She poured out the coffee deftly, blowing out the lamp, and put the little copper pot on a plate.

"Ombos surveyed his coffee with the air of a connoisseur, his head turned on one side.

"Margot produced the bowls of cigarettes and reached over my shoulder to offer me one. 'You want Egyptian?' she said smiling. 'You see I have a good memory--you smoked them last time.'

"A warm faint perfume came from her hair.

"It was ten o'clock when I rose to leave, Ombos and Margot came out to the front to say good night: my last glimpse, as I walked down the _pave_ street, was of Margot--a bare-headed figure, with wistful grey eyes, calm with the mysterious wisdom of pure womanhood. She waved her dainty lace handkerchief to me.

"That was the last of Ombos in the flesh. The next day, after German shells had poured on Ypres for six hours without cessation, my regiment left the town, and we went out a mile or two to take over some trenches.

"A month later my duty took me back to Ypres, and I found myself walking up the Rue Bar-le-Duc towards the little antique shop. Overhead the shells whistled without cessation. It was now a city of the dead--one could not realize that it was the same pleasant little town where I had met with so strange an experience a few weeks back. Men, children and horses were lying dead in every gutter.

"In due course I arrived at the shop. A large hole had been ripped in the _pave_ road before the door, and I had to step over a dead and twisted soldier to gain an entrance. Of course the place was empty. Ombos, Albertus Magnus and all the wonderful contents of the spacious old rooms had disappeared. I made a search of the house, and it was not without a curious sensation in my heart that I entered the room where the Master of Masters had towered in his niche. Silence--only the faint boom of a gun far away in the French trenches--awful, ghastly silence. Then a deafening roar and a falling of masonry as Krupp's marked down another house in the town of sorrow. The horror of it!

"I turned dismally away, out into the Rue Bar-le-Duc, and along the square. A few scattered lights shone feebly through the evening mist, and over towards the Norman bridge the yellow flames from a burning house lit up the sky with a lurid glow. At nearly every street corner little groups of civilians had collected and were talking and gesticulating in a terrified manner. When a big shell came with a hoarse, rattling noise through the air, like a racing motor cycle on the track at Brooklands, they would rush into their homes, panic-smitten. If death winked, and passed them over, out they would creep again. And so they lived in an inferno of shells for weeks on end.

"An ambulance wagon overturned in the middle of the road attracted my attention. I could not repress a shudder as I looked on the shell-shattered wreck.... It was the old type of four-horse ambulance used by the army in South Africa; possibly it had jolted into the shell-swept death-trap of Spion Kop, or carried men into the reeking enteric camps of Ladysmith. Well, it had made its last journey this time! The four dead horses had not been cut away from the traces, and from underneath the huddled and twisted heap stuck out an arm, and in the hand was clutched one of those short, stumpy whips which are used by the lead driver of a gun. I can see that poor chap in my mind thrashing and urging his team of horses into a gallop, for it was not reckoned wise to meander about the streets of Ypres, and then--one blinding crash.

"I swung round with a great desire to get away from the appalling scene, and as I did so, I noticed a girl in a doorway struggling in the grip of a powerful, swarthy-faced man of middle age. In the fading light I caught a glimpse of her face, and I was out of the shadow and by her side like a sky-rocket.

"'Let her go!' I said shortly. 'Before I mop out the gutter with you.'

"The man turned on me.

"'Who the devil----'

"'That's enough!'

"A Red Cap--a corporal in the Military Police--loomed into view, and with an imprecation the rough backed away from the girl, turned, and in a moment was lost in the gloom. I brought my eyes back to the girl who had confronted me in the red light of sunset, and I stood gazing at her dumbly, fascinated, but with never a word to say. She was burning with anger and shame, trembling like an aspen, too.

"_It was Margot!_

"The girl glanced up at me, a look that set my heart throbbing. It was my first real sight of her since I had seen her that afternoon with Ombos. I had thought her pretty then, but there is a distinct gap between a pretty woman and a lovely woman, and she was as beautiful as a Greek marble. Indeed, but for the carmine of her lips, and long dark eyelashes, she might have been chiselled out of pellucid stone, for her skin was dead white. She was--or had been--beautifully and expensively dressed, and there was breeding and refinement in every line of her face.

"'Don't you know me?' I said.

"The girl looked at me intently.

"'I know you, of course,' she said.

"I won't waste time in trying to tell you what my thoughts and sensations were. Rather I will tell you instead, what I did.

"It was some minutes later, and already we had started to walk slowly back in the direction of the Rue Bar-le-Duc.

"'And now you want to know--' she said.

"'Yes--that's it--what's become of Ombos ... and the bronze statue?'

"Margot looked up at me, and a strange melancholy transformed her face.... She was at a loss for words.... 'Poor Ombos--oh, poor, cranky Ombos,' she muttered. 'One morning I found him dead in his room, with all his wonderful, brown, powdery-looking books. He was leaning on a table over an old volume that he was fond of.... And then the doctors came. He had died, they afterwards said, of failure of the heart's

## action.'

"'Dead,' I murmured mechanically....

"'Then everything was very uncomfortable. But I saved a good sum of money, and I sent most of the valuable things to Paris to be sold--no living soul coming forward to make any claims. Ombos left everything to me ... bonds, securities, and all. Come this way--I have a little room up the side-street.

"'He left me well provided for. He----'

"'Yes; but why on earth do you stay in this dead city,' I broke in.

"'Sssh!... Don't interrupt unless I ask you questions.

"'I'll tell you all about everything. It's extraordinarily difficult....'

"I waited.

"'You see,' she picked her words carefully, 'Ombos was so--queer about that horrible Albertus Magnus of his. He had made me promise never to part with it and it seemed to me--stupidly perhaps--that I owed him that--to see that his only wish was carried out to the letter. Otherwise I should never dare to have stayed here. You couldn't expect me to move about with a gigantic bronze figure without making ample preparations.'

"'Ah!'...

"'This is where I live,' she said in a low voice.

"Margot had halted in front of an alley leading over rough cobbles, into a small square of what appeared to be old oak-fronted houses. A narrow passage-way ran down by one side of the end house.

"'Won't you come inside, and--see Albertus? This way,' she said. 'It's rather dark, I'm afraid.'

"In pitch-black darkness, guided by Margot's hand, I stumbled through a doorway into a spacious hall--a mysterious, fusty-smelling cavern of a place--along a passage, and then up a flight of worn stone stairs. It was one of those old houses where one could feel the silence and hear the shadows. The steps came out upon a bare landing with oak-lined walls, lit only by a solitary flickering candle, and Margot, halting before a locked door, opened it and motioned me to enter.

"The room was in darkness, and I knew not what fear, akin to that little grey shadow of a fear, was to be found in the darkness there. At first I hesitated. Then Margot came with the candle, and as it guttered, the flame threw distorted shadows; at one moment lighting up a dark spot with a sudden flash, and then sending queer, erratic reflections chasing across the oak panelling. Then a flicker displayed the unmade bed on which Margot had lain.... She coloured deeply.

"'You have stored the bronze statue in some other part of the house,' I said at a venture.

"She looked at me, as I thought, a little uneasily.

"'You aren't afraid of that old statue?' she exclaimed. 'We might at least light up the candles,' she added, as I made no reply; and she turned and put a burning taper to the candelabra.

"As Margot spoke the candles flared up, and then, with a sudden start of unexplained dismay, I saw in a corner by the bed stood the bronze figure.

"As I looked at it I felt the horror of nightmare seize me, for it bore a striking resemblance to Ombos. A dreadful exuberance and vitality seemed to shine through the thing, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the deep cavernous eyes; it leered in the demon-like mouth.... Ugh!--

"Margot walked up to me and patted my shoulder. 'Well, and are you really afraid of that thing,' she said, pointing to the statue.

"'But, don't you see?' said I. 'It's scarcely the face of a bronze figure. It's almost human. No; it isn't even human. It's the face of some devil.' Margot laughed.

"'Yes: he isn't very cheerful,' she said. 'Scarcely a boudoir ornament, eh? I'll throw a blanket over Albertus if you like.'

"'I really wish you would,' I said, 'I don't care so long as he can't grin at me.'

"Somehow, with the bronze figure covered up, I felt much lighter and happier.

"I think that Margot--that Margot must have been rather overstrained after the struggle with that brute. She seemed to be all nerves--upset: insisted in putting her little white hand on mine in a very solemn way, and thanking me for all sorts of imaginary favours.... Got 'a wheeze' into her head, among other rot, that I had saved her life.

"'Look here,' I said. 'I wish you wouldn't talk so jolly silly. I'm not a bit unselfish, I'm a novelist. There was nothin' doin' with my crowd--regiment I mean--and so I came here to look for "copy." That was why I persisted in seeing you home here. It was all just a matter of "copy" to me--at the start.' I paused, and Margot turned her tourmaline eyes full on me. Had you asked me after my first visit to old Ombos what Margot's eyes were like I could not have told you the colour to save my life. If I had been forced to weigh out a guess I might have said they were a shade of grey. Grey? Name of a little dog! Yes, I should have called 'em grey, but that would have been like describing the Pyramids by saying they were stone. However can I describe the wonder that I found ..."

A sort of flush appeared on Crabbe's boyish face. "I--I'm afraid I have run off the track of my story a bit," he stammered, "but I may as well tell you all of it."

"Take a drink of whiskey;" said Duckford slowly, "and take your own time."

"Margot looked at me, her lips quivering. 'You've not found much "copy" I'm afraid,' she answered despondently.

"'Now,' I said, meeting her eyes, '"copy" matters not at all ... you are all that matters.'

"It does not in the least concern you or the story to know what manner of a woman Margot is. But I might say that she is in fulness a woman--not a fribble, or one of those pick-me-up-and-carry-me women. So when I said plain words to her she did not pretend to misunderstand.

"'Don't let us be conventional,' I went on, 'It wouldn't fit in with these wonderful days a bit. Perhaps I've no right to talk to you like this--but Ombos is dead and you seem to have no friend in the world. We have got caught up, you and I, in one of the marvellous tangles of this great conflict, and God knows how it's all going to end. But it seems to have been written in the book of fate that we should meet, and whether Ombos and his bronze statue haunts me to the end of my days or he doesn't, I'm glad I have met you, and to know for just one swift hour I've used these hands of mine in your service. I wouldn't take back one minute of these great days!'

"Margot was regarding me with her wide eyes, a little startled, but I saw beyond those rounds of tourmaline a soft light.

"'How is it?' said Margot calmly. 'A few hours ago you hadn't spoken more than a few words to me ... you don't know me.'

"'In times of war,' I reminded her, 'we live a year in a day.'

"Margot rested her chin on her hands. 'What a strange world it is,' she murmured.

"'Confoundedly strange,' I agreed. 'I can't help thinking even now that my meeting with Ombos in that weird den in the Rue Bar-le-Duc was all a dream, and I'm going to wake up soon.'

"'I didn't mean that,' Margot said quietly. 'That didn't seem so strange to me. Perhaps it's because I lived with Ombos for nearly four years.'

"'It was just like a page torn from the _Arabian Nights_ to me,' I said. She smiled at me wanly.

"'The only other home I've known was with foster-parents in Paris when I was quite a child,' she said. 'I was brought here straight from a convent school in Brussels. Ombos was my guardian. He'--she hesitated, shivering--'I don't think he was quite--sane, but he was always very kind to me.'

"'Margot,' I stammered as I imprisoned her hands in mine, 'I'm going to take you out of this mudhole of a place.... I'm going to send you over to England. I'll stay here and look after you to-night, and to-morrow I'll see you on your way.'

"She dragged her hands away suddenly.

"'But are you _sure_?' Margot said, half sobbing. 'Please reflect ... you are in too much of a hurry. When an idea comes to you--the idea, that you want me for instance--what do you do? Instead of taking the idea for a long, cool walk, you sit down here to work it up ... it is the eternal boyishness of the Englishman. You must first think of your future.'

"'But do you think that the future holds anything for me now that I wouldn't throw away with both hands for you?' I said, and the passion of my voice whipped the blood up into that alabaster face ... she put out her hands with a little pleading movement.

"'Don't,' she said again.

"'I must,' I said stubbornly. 'There's nothing in the world powerful enough to take you from me ... if you will have me. Margot, you must believe me ... you shall believe me!' I added almost savagely, and my hands closed round her waist as she leaned against the back of a huge old divan. Margot closed her eyes for a moment and her head dropped gently on my shoulder. Her hair brushed my face, and the faint musky scent that came from it is woven into all my after memories of that moment, I drew her closer and she sighed for very happiness, while life drifted past in uncounted minutes or hours.

"It was the next evening that I arranged to have one of the A.S.C. cars,--then running between Ypres and St. Omer,--wait for us outside Margot's rooms. Under cover of darkness I bundled Margot into the motor-lorry, got the bronze statue in, and jumped up on the driver's seat beside her, and sank down with a gasp of relief. One last glimpse of the little bulgy window of the shop as the lorry rounded the corner, and then I turned and looked at the girl. Tears glittered in her eyes, and her lips were quivering. I put my hand out and closed over her ice-cold fingers.

"'Margot!' I said, 'I'm taking you to Boulogne and then you will go to England to my home. My people will look after you....'

"'But--' she hesitated.

"'There are no "buts,"' I said firmly, 'You are coming with me. You can't stay in this infernal hole, like a rat in a trap.'

"Margot gave a weary little sigh and leaned closer to me, giving herself into my care as trustfully as a child. Until that time she had been just a figure in the great war game that might provide me with something to 'write up' into a book. That had been my principal thought. Now, all in a few moments, her beauty, the frightened look which had shone in her great grey eyes, her distress made me forget all that, drove all thoughts of traffic with publishers from my mind. I knew only that it was good to help her.

"Then I set about thinking how I could get Margot and Albertus Magnus to England. It was going to be a difficult game. I went carefully over all the good fellows I knew who could help me. There was old Longden of the A.S.C. depot at St. Omer, there was Captain Chester, the transport officer at Boulogne, and Orgles of ammunition supply at Cassel, which is a small place where the strings of motors from the base unload.

"Well, (to get on,) we arrived late that night at St. Omer, and by a vast amount of bribery and cajolery I got some A.S.C. men to knock up a strong case for the Albertus Magnus and--but enough. It is sufficient to say that an officer who was going home on leave was kind enough to see Margot as far as Boulogne, and in the fullness of time both Albertus Magnus and the girl came safely to England.

"I have endeavoured to give you the facts of my strange story up to this point, without omission or exaggeration. I have been careful not to miss out the slightest items. If I have failed, it must not be put down to forgetfulness: for I do not think there is a single thing about old Ombos that has not been permanently fixed in my mind. Even now I have but to shut my eyes to see the leering face of Albertus, to stand once more trembling with terror and see that green shadow jump into the dusk with hellish glee and frolicsome skippings and toppings gallop away, to walk into the old library at home and see poor Price with his knees drawn up and eyes fixed open in extreme terror--But enough. I do not exaggerate.