Chapter 7 of 11 · 4000 words · ~20 min read

Part 7

She heard, for a little while, the dull thumping of her heart. Her breath was warm in a mesh of hair beneath her cheek; she was too sleepy to put it away. She was wakened next morning by the maid. Her curtains were drawn and a dull light from a rain-blotted world was in the room.

The maid brought a note to her bedside. From Mr. Augustine, she said.

Amabel raised herself to hold the sheet to the light and read:--

"Dear mother," it said. "I think that I shall go and stay with Wallace for a week or so. I shall see you before I go up to Oxford. Try to forgive me for my violence last night. I am sorry to have added to your unhappiness. Your affectionate son--Augustine."

Her mind was still empty. "Has Mr. Augustine gone?" she asked the maid.

"Yes, ma'am; he left quite early, to catch the eight-forty train."

"Ah, yes," said Amabel. She sank back on her pillow. "I will have my breakfast in bed. Tea, please, only, and toast."--Then, the long habit of self-discipline asserting itself, the necessity for keeping strength, if it were only to be spent in suffering:--"No, coffee, and an egg, too."

She found, indeed, that she was very hungry; she had eaten nothing yesterday. After her bath and the brushing and braiding of her hair, it was pleasant to lie propped high on her pillows and to drink her hot coffee. The morning papers, too, were nice to look at, folded on her tray. She did not wish to read them; but they spoke of a firmly established order, sustaining her life and assuring her of ample pillows to lie on and hot coffee to drink, assuring her that bodily comforts were pleasant whatever else was painful. It was a childish, a still stupefied mood, she knew, but it supported her; an oasis of the familiar, the safe, in the midst of whirling, engulfing storms.

It supported her through the hours when she lay, with closed eyes, listening to the pour and drip of the rain, when, finally deciding to get up, she rose and dressed very carefully, taking all her time.

Below, in the drawing-room, when she entered, it was very dark. The fire was unlit, the bowls of roses were faded; and sudden, childish tears filled her eyes at the desolateness. On such a day as this Augustine would have seen that the fire was burning, awaiting her. She found matches and lighted it herself and the reluctantly creeping brightness made the day feel the drearier; it took a long time even to warm her foot as she stood before it, leaning her arm on the mantel-piece.

It was Saturday; she should not see her girls today; there was relief in that, for she did not think that she could have found anything to say to them this morning.

Looking at the roses again, she felt vexed with the maid for having left them there in their melancholy. She rang and spoke to her almost sharply telling her to take them away, and when she had gone felt the tears rise with surprise and compunction for the sharpness.

There would be no fresh flowers in the room today, it was raining too hard. If Augustine had been here he would have gone out and found her some wet branches of beech or sycamore to put in the vases: he knew how she disliked a flowerless, leafless room, a dislike he shared.

How the rain beat down. She stood looking out of the window at the sodden earth, the blotted shapes of the trees. Beyond the nearest meadows it was like a grey sheet drawn down, confusing earth and sky and shutting vision into an islet.

She hoped that Augustine had taken his mackintosh. He was very forgetful about such things. She went out to look into the bleak, stone hall hung with old hunting prints that were dimmed and spotted with age and damp. Yes, it was gone from its place, and his ulster, too. It had been a considered, not a hasty departure. A tweed cloak that he often wore on their walks hung there still and, vaguely, as though she sought something, she turned it, looked at it, put her hands into the worn, capacious pockets. All were empty except one where she found some withered gorse flowers. Augustine was fond of stripping off the golden blossoms as they passed a bush, of putting his nose into the handful of fragrance, and then holding it out for her to smell it, too:--"Is it apricots, or is it peaches?" she could hear him say.

She went back into the drawing-room holding the withered flowers. Their fragrance was all gone, but she did not like to burn them. She held them and bent her face to them as she stood again looking out. He would by now have reached his destination. Wallace was an Eton friend, a nice boy, who had sometimes stayed at Charlock House. He and Augustine were perhaps already arguing about Nietzsche.

Strange that her numbed thoughts should creep along this path of custom, of maternal associations and solicitudes, forgetful of fear and sorrow. The recognition came with a sinking pang. Reluctantly, unwillingly, her mind was forced back to contemplate the catastrophe that had befallen her. He was her judge, her enemy: yet, on this dismal day, how she missed him. She leaned her head against the window-frame and the tears fell and fell.

If he were there, could she not go to him and take his hand and say that, whatever the deep wounds they had dealt each other, they needed each other too much to be apart. Could she not ask him to take her back, to forgive her, to love her? Ah--there full memory rushed in. Her heart seemed to pant and gasp in the sudden coil. Take him back? When it was her steady fear as well as her sudden anger that had banished him, he thought he loved her, but that was because he did not know and it was the anger rather than the love of Augustine's last words that came to her. He loved her because he believed her good, and that imaginary goodness cast a shadow on her husband. To believe her good Augustine had been forced to believe evil of the man she loved and to whom they both owed everything.

He had said that he was shut out from her heart, and it was true, and her heart broke in seeing it. But it was by more than the sacred love for her husband that her child was shut out. Her past, her guilt, was with her and stood as a barrier between them. She was separated from him for ever. And, looking round the room, suddenly terrified, it seemed to her that Augustine was dead and that she was utterly alone.

VIII

She did not write to Augustine for some days. There seemed nothing that she could say. To say that she forgave him might seem to put aside too easily the deep wrong he had done her and her husband; to say that she longed to see him and that, in spite of all, her heart was his, seemed to make deeper the chasm of falseness between them.

The rain fell during all these days. Sometimes a pale evening sunset would light the western horizon under lifted clouds and she could walk out and up and down the paths, among her sodden rose-trees, or down into the wet, dark woods. Sometimes at night she saw a melancholy star shining here and there in the vaporous sky. But in the morning the grey sheet dropped once more between her and the outer world, and the sound of the steady drip and beat was like an outer echo to her inner wretchedness.

It was on the fourth day that wretchedness turned to bitter restlessness, and that to a sudden resolve. Not to write, not even to say she forgave, might make him think that her heart was still hardened against him. Her fear had blunted her imagination. Clearly now she saw, and with an anguish in the vision, that Augustine must be suffering too. Clearly she heard the love in his parting words. And she longed so to see, to hear that love again, that the longing, as if with sudden impatience of the hampering sense of sin, rushed into words that might bring him.

She wrote:--"My dear Augustine. I miss you very much. Isn't this dismal weather. I am feeling better. I need not tell you that I do forgive you for the mistake that hurts us both." Then she paused, for her heart cried out "Oh--come back soon"; but she did not dare yield to that cry. She hardly knew that, with uncertain fingers, she only repeated again:--"I miss you very much. Your affectionate mother."

This was on the fourth day.

On the afternoon of the fifth she stood, as she so often stood, looking out at the drawing-room window. She was looking and listening, detached from what she saw, yet absorbed, too, for, as with her son, this watchfulness of natural things was habitual to her.

It was still raining, but more fitfully: a wind had risen and against a scudding sky the sycamores tossed their foliage, dark or pale by turns as the wind passed over them. A broad pool of water, dappling incessantly with rain-drops, had formed along the farther edge of the walk where it slanted to the lawn: it was this pool that Amabel was watching and the bobbin-like dance of drops that looked like little glass thimbles. The old leaden pipes, curiously moulded, that ran down the house beside the windows, splashed and gurgled loudly. The noise of the rushing, falling water shut out other sounds. Gazing at the dancing thimbles she was unaware that someone had entered the room behind her.

Suddenly two hands were laid upon her shoulders.

The shock, going through her, was like a violent electric discharge. She tingled from head to foot, and almost with terror. "Augustine!" she gasped. But the shock was to change, yet grow, as if some alien force had penetrated her and were disintegrating every atom of her blood.

"No, not Augustine," said her husband's voice: "But you can be glad to see me, can't you, Amabel?"

He had taken off his hands now and she could turn to him, could see his bright, smiling face looking at her, could feel him as something wonderful and radiant filling the dismal day, filling her dismal heart, with its presence. But the shock still so trembled in her that she did not move from her place or speak, leaning back upon the window as she looked at him,--for he was very near,--and putting her hands upon the window-sill on either side. "You didn't expect to see me, did you," Sir Hugh said.

She shook her head. Never, never, in all these years, had he come again, so soon. Months, always, sometimes years, had elapsed between his visits.

"The last time didn't count, did it," he went on, in speech vague and desultory yet, at the same time, intent and bright in look. "I was so bothered; I behaved like a selfish brute; I'm sure you felt it. And you were so particularly kind and good--and dear to me, Amabel."

She felt herself flushing. He stood so near that she could not move forward and he must read the face, amazed, perplexed, incredulous of its joy, yet all lighted from his presence, that she kept fixed on him. For ah, what joy to see him, to feel that here, here alone of all the world, was she safe, consoled, known yet cared for. He who understood all as no one else in the world understood, could stand and smile at her like that.

"You look thin, and pale, and tired," were his next words. "What have you been doing to yourself? Isn't Augustine here? You're not alone?"

"Yes; I am alone. Augustine is staying with the Wallace boy."

With the mention of Augustine the dark memory came, but it was now of something dangerous and hostile shut away, yes, safely shut away, by this encompassing brightness, this sweetness of intent solicitude. She no longer yearned to see Augustine.

Sir Hugh looked at her for some moments, when, she said that she was alone, without speaking. "That is nice for me," he then said. "But how miserable,--for you,--it must have been. What a shame that you should have been left alone in this dull place,--and this wretched weather, too!--Did you ever see such weather." He looked past her at the rain.

"It has been wretched," said Amabel; but she spoke, as she felt, in the past: nothing seemed wretched now.

"And you were staring out so hard, that you never heard me," He came beside her now, as if to look out, too, and, making room for him, she also turned and they looked out at the rain together.

"A filthy day," said Sir Hugh, "I can't bear to think that this is what you have been doing, all alone."

"I don't mind it, I have the girls, on three mornings, you know."

"You mean that you don't mind it because you are so used to it?"

She had regained some of her composure:--for one thing he was beside her, no longer blocking her way back into the room. "I like solitude, you know," she was able to smile.

"Really like it?"

"Sometimes."

"Better than the company of some people, you mean?"

"Yes."

"But not better than mine," he smiled back. "Come, do encourage me, and say that you are glad to see me."

In her joy the bewilderment was growing, but she said that, of course, she was glad to see him.

"I've been so bored, so badgered," said Sir Hugh, stretching himself a little as though to throw off the incubus of tiresome memories; "and this morning when I left a dull country house, I said to myself: Why not go down and see Amabel?--I don't believe she will mind.--I believe that, perhaps, she'll be pleased.--I know that I want to go very much.--So here I am:--very glad to be here--with dear Amabel."

She looked out, silent, blissful, and perplexed.

He was not hard; he was not irritated; all trace of vexed preoccupation was gone; but he was not the Sir Hugh that she had seen for all these twenty years. He was new, and yet he reminded her of something, and the memory moved towards her through a thick mist of years, moved like a light through mist. Far, sweet, early things came to her as its heralds; the sound of brooks running; the primrose woods where she had wandered as a girl; the singing of prophetic birds in Spring. The past had never come so near as now when Sir Hugh--yes, there it was, the fair, far light--was making her remember their long past courtship. And a shudder of sweetness went through her as she remembered, of sweetness yet of unutterable sadness, as though something beautiful and dead had been shown to her. She seemed to lean, trembling, to kiss the lips of a beautiful dead face, before drawing over it the shroud that must cover it for ever.

Sir Hugh was silent also. Her silence, perhaps, made him conscious of memories. Presently, looking behind them, he said:--"I'm keeping you standing. Shall we go to the fire?"

She followed him, bending a little to the fire, her arm on the mantel-shelf, a hand held out to the blaze. Sir Hugh stood on the other side. She was not thinking of herself, hardly of him. Suddenly he took the dreaming hand, stooped to it, and kissed it. He had released it before she had time to know her own astonishment.

"You did kiss mine, you know," he smiled, leaning his arm, too, on the mantel-shelf and looking at her with gaily supplicating eyes. "Don't be angry."

The shroud had dropped: the past was gone: she was once more in the present of oppressive, of painful joy.

She would have liked to move away and take her chair at some distance; but that would have looked like flight; foolish indeed. She summoned her common-sense, her maturity, her sorrow, to smile back, to say in a voice she strove to make merely light: "Unusual circumstances excused me."

"Unusual circumstances?"

"You had been very kind. I was very grateful."

Sir Hugh for a moment was silent, looking at her with his intent, interrogatory gaze. "You are always kind to me," he then said. "I am always grateful. So may I always kiss your hand?"

Her eyes fell before his. "If you wish to," she answered gravely.

"You frighten me a little, do you know," said Sir Hugh. "Please don't frighten me.--Are you really angry?--_I_ don't frighten you?"

"You bewilder me a little," Amabel murmured. She looked into the fire, near tears, indeed, in her bewilderment; and Sir Hugh looked at her, looked hard and carefully, at her noble figure, her white hands, the gold and white of her leaning head. He looked, as if measuring the degree of his own good fortune.

"You are so lovely," he then said quietly.

She blushed like a girl.

"You are the most beautiful woman I know," said Sir Hugh. "There is no one like you," He put his hand out to hers, and, helplessly, she yielded it. "Amabel, do you know, I have fallen in love with you."

She stood looking at him, stupefied; her eyes ecstatic and appalled.

"Do I displease you?" asked Sir Hugh.

She did not answer.

"Do I please you?" Still she gazed at him, speechless.

"Do you care at all for me?" he asked, and, though grave, he smiled a little at her in asking the question. How could he not know that, for years, she had cared for him more than for anything, anyone?

And when he asked her this last question, the oppression was too great. She drew her hand from his, and laid her arms upon the mantel-shelf and hid her face upon them. It was a helpless confession. It was a helpless appeal.

But the appeal was not understood, or was disregarded. In a moment her husband's arms were about her.

This was new. This was not like their courtship.--Yet, it reminded her,--of what did it remind her as he murmured words of victory, clasped her and kissed her? It reminded her of Paul Quentin. In the midst of the amazing joy she knew that the horror was as great.

"Ah don't!--how can you!--how can you!" she said.

She drew away from him but he would not let her go.

"How can I? How can I do anything else?" he laughed, in easy yet excited triumph. "You do love me--you darling nun!"

She had freed her hands and covered her face: "I beg of you," she prayed.

The agony of her sincerity was too apparent. Sir Hugh unclasped his arms. She went to her chair, sat down, leaned on the table, still covering her eyes. So she had leaned, years ago, with hidden face, in telling Bertram of the coming of the child. It seemed to her now that her shame was more complete, more overwhelming. And, though it overwhelmed her, her bliss was there; the golden and the black streams ran together.

"Dearest,--should I have been less sudden?" Sir Hugh was beside her, leaning over her, reasoning, questioning, only just not caressing her. "It's not as if we didn't know each other, Amabel: we have been strangers, in a sense;--yet, through it all--all these years--haven't we felt near?--Ah darling, you can't deny it;--you can't deny you love me." His arm was pressing her.

"Please--" she prayed again, and he moved his hand further away, beyond her crouching shoulder.

"You are such a little nun that you can't bear to be loved?--Is that it? But you'll have to learn again. You are more than a nun: you are a beautiful woman: young; wonderfully young. It's astonishing how like a girl you are."--Sir Hugh seemed to muse over a fact that allured. "And however like a nun you've lived--you can't deny that you love me."

"You haven't loved me," Amabel at last could say.

He paused, but only for a moment. "Perhaps not: but," his voice had now the delicate aptness that she remembered, "how could I believe that there was a chance for me? How could I think you could ever come to care, like this, when you had left me--you know--Amabel."

She was silent, her mind whirling. And his nearness, as he leaned over her, was less ecstasy than terror. It was as if she only knew her love, her sacred love again, when he was not near.

"It's quite of late that I've begun to wonder," said Sir Hugh. "Stupid ass of course, not to have seen the jewel I held in my hand. But you've only showed me the nun, you darling. I knew you cared, but I never knew how much.--I ought to have had more self-conceit, oughtn't I?"

"I have cared. You have been all that is beautiful.--I have cared more than for anything.--But--oh, it could not have been this.--This would have killed me with shame," said Amabel.

"With shame? Why, you strange angel?"

"Can you ask?" she said in a trembling voice.

His hand caressed her hair, slipped around her neck. "You nun; you saint.--Does that girlish peccadillo still haunt you?"

"Don't--oh don't--call it that--call me that!--"

"Call you a saint? But what else are you?--a beautiful saint. What other woman could have lived the life you've lived? It's wonderful."

"Don't. I cannot bear it."

"Can't bear to be called a saint? Ah, but, you see, that's just why you are one."

She could not speak. She could not even say the only answering word: a sinner. Her hands were like leaden weights upon her brows. In the darkness she heard her heart beating heavily, and tried and tried to catch some fragment of meaning from her whirling thoughts.

And as if her self-condemnation were a further enchantment, her husband murmured: "It makes you all the lovelier that you should feel like that. It makes me more in love with you than ever: but forget it now. Let me make you forget it. I can.--Darling, your beautiful hair. I remember it;--it is as beautiful as ever.--I remember it;--it fell to your knees.--Let me see your face, Amabel."

She was shuddering, shrinking from him.--"Oh--no--no.--Do you not see--not feel--that it is impossible--"

"Impossible! Why?--My darling, you are my wife;--and if you love me?--"

They were whirling impossibilities; she could see none clearly but one that flashed out for her now in her extremity of need, bright, ominous, accusing. She seized it:--"Augustine."

"Augustine? What of him?" Sir Hugh's voice had an edge to it.

"He could not bear it. It would break his heart."

"What has he to do with it? He isn't all your life:--you've given him most of it already."

"He is, he must be, all my life, except that beautiful part that you were:--that you are:--oh you will stay my friend!"--

"I'll stay your lover, your determined lover and husband, Amabel. Darling, you are ridiculous, enchanting--with your barriers, your scruples." The fear, the austerity, he felt in her fanned his ardour to flame. His arms once more went round her; he murmured words of lover-like pleading, rapturous, wild and foolish. And, though her love, her sacred love for him was there, his love for her was a nightmare to her now. She had lost herself, and it was as though she lost him, while he pleaded thus. And again and again she answered, resolute and tormented:--"No: no: never--never. Do not speak so to me.--Do not--I beg of you."