Part 2
Of his Italian productions, the earliest was, perhaps, the ‘Vita Nuova,’ a mixture of mysterious poetry and prose, in which he gives a detailed account of his love for Beatrice. It is pervaded by a spirit of soft melancholy extremely touching; and it contains several passages having all the distinctness and individuality of truth; but, on the other hand, it is interspersed with visions and dreams, and metaphysical conceits, from which it receives all the appearance of an allegorical invention. He also composed about thirty sonnets, and nearly as many ‘Canzoni,’ or songs, both on love and morality. The sonnets, though not destitute of grace and ingenuity, are not distinguished by any particular excellence. The songs display a vigour of style, a sublimity of thought, a depth of feeling, and a richness of imagery not known before: they betoken the poet and the philosopher. On fourteen of these, he attempted in his old age to write a minute commentary, to which he gave the title of ‘Convito,’ or Banquet, as being intended “to administer the food of wisdom to the ignorant;” but he could only extend it to three. Thus he produced the first specimen of severe Italian prose; and if he indulged rather too much in fanciful allegories and scholastic subtleties, these blemishes are amply counterbalanced by a store of erudition, an elevation of sentiment, and a matchless eloquence, which it is difficult not to admire.
These works, omitting several others of inferior value, would have been more than sufficient to place Dante above all his contemporaries; yet, they stand at an immeasurable distance from the ‘Divina Commedia,’ the great poem by which he has recommended his name to the veneration of the remotest posterity. The Divine Comedy is the narrative of a mysterious journey through hell, purgatory, and paradise, which he supposes himself to have performed in the year 1300, during the passion week, having Virgil as his guide through the two regions of woe, and Beatrice through that of happiness. No creation of the human mind ever excelled this mighty vision in originality and vastness of design; nor did any one ever choose a more appropriate subject for the expression of all his thoughts and feelings. The mechanical construction of his spiritual world allowed him room for developing his geographical and astronomical knowledge: the punishments and rewards allotted to the characters introduced, gave him an excellent opportunity for a display of his theological and philosophical learning: the continual succession of innumerable spirits of different ages, nations, and conditions, enabled him to expatiate in the fields of ancient and modern history, and to expose thoroughly the degradation of Italian society in his own times; while the whole afforded him ample scope for a full exertion of his poetical endowments, and for the illustration of the moral lesson, which, whatever his real meaning may have been, is ostensibly the object of his poem. Neither were his powers of execution inferior to those of conception. Rising from the deepest abyss of torture and despair, through every degree of suffering and hope, up to the sublimest beatitude, he imparts the most vivid and intense dramatic interest to a wonderful variety of scenes which he brings before the reader. Awful, vehement, and terrific in hell, in proportion as he advances through purgatory and paradise, he contrives to modify his style in such a manner as to become more pleasing in his images, more easy in his expressions, more delicate in his sentiments, and more regular in his versification. His characters live and move; the objects which he depicts are clear and palpable; his similes are generally new and just; his reflections evince throughout the highest tone of morality; his energetic language makes a deep and vigorous impression both on the reason and the imagination; and the graphic force with which, by a few bold strokes, he throws before the eye of his reader a perfect and living picture, is wholly unequalled.
It is true, however, that his constant solicitude for conciseness and effect led him, sometimes, into a harsh and barbarous phraseology, and into the most unrestrained innovations; but considering the rudeness of his age, and the unformed state of his language, he seems hardly open to the censure of a candid critic on this account. On the other hand, it is impossible not to wonder how, in spite of such obstacles, he could so happily express all the wild conceptions of his fancy, the most abstract theories of philosophy, and the most profound mysteries of religion. The occasional obscurity and coldness of the Divine Comedy proceeds much less from defects of style, than from didactic disquisitions and historical allusions which become every day less intelligible and less interesting. To be understood and appreciated as a whole, and in its parts, it requires a store of antiquated knowledge which is now of little use. Even at the period of its publication, when its geography and astronomy were not yet exploded, its philosophy and theology still current, and many of its incidents and personages still fresh in the memory of thousands, it was considered rather as a treasure of moral wisdom, than as a book of amusement. The city of Florence, and several other towns of Italy, soon established professorships for the express purpose of explaining it to the public. Two sons of Dante wrote commentaries for its illustration: Boccaccio, Benvenuto da Imola, and many others followed the example in rapid succession; and even a few years since Foscolo and Rossetti excited fresh curiosity and interest by the novelty of their views. Notwithstanding the learning and ingenuity of all its expositors, the hidden meaning of the ‘Divina Commedia’ is not yet perfectly made out, though Rossetti, in his ‘Spirito Antipapale,’ lately published, seems to have shown, that under the exterior of moral precepts, it contains a most bitter satire against the court of Rome. But whether time shall remove these obscurities, or thicken the mist which hangs around this extraordinary production, it will be ever memorable as the mighty work which gave being and form to the beautiful language of Italy, impressed a new character on the poetry of modern Europe, and inspired the genius of Michael Angelo and of Milton.
There is no life of Dante which can be recommended as decidedly superior to the rest. The earliest is that of Boccaccio; but it evidently cannot be relied on for the facts of his life. There are others by Lionardo, Aretino, Fabroni, Pelli, Tiraboschi, &c. The English reader will find a fuller account prefixed to Mr. Carey’s translation of the ‘Divina Commedia,’ and in Mr. Stebbing’s Lives of the Italian Poets.
[Illustration]
[Illustration:
_Engraved by E. Scriven._
SIR HUMPHREY DAVY.
_From the original Picture by_ Sir Thomas Lawrence _in the possession of the Royal Society_.
Under the Superintendance of the Society for the Diffusion of Useful Knowledge.
_London. Published by Charles Knight, Pall Mall East._ ]
[Illustration]
DAVY
Where the length of the memoir necessarily bears a small proportion to the quantity of matter which presses on the biographer’s attention, two courses lie open to his choice; either to select a few remarkable passages in his subject’s life for full discussion, or to give a general and popular sketch of his personal history. The latter plan seems here the more advisable. To many readers a minute analysis of Davy’s physical researches would be unintelligible, without full explanations of the very instruments and objects with, and upon which, he worked. We shall therefore make it our chief object to trace his private history, interspersing notices of his labours and discoveries, but leaving to publications of expressly scientific character the task of doing justice to his scientific fame. Both departments have been fully treated in the Life published by Dr. Paris.
Humphry Davy was born near Penzance in Cornwall, December 17, 1778, of a family in independent, though humble circumstances, which for a century and a half had possessed and resided upon a small estate situated in Mount’s Bay. Though no prodigy of precocious intellect, his childhood gave reasonable promise of future talent; and especially manifested the dawning of a vivid imagination, united with a strong turn for experiments in natural philosophy. One of his favourite amusements was to exhibit to his playfellows the operation of melting in a candle scraps of tin; or to make and explode detonating balls. Another was the inventing and repeating to them fairy tales and romances. At times, however, he would exercise his eloquence upon graver subjects; and, when no better could be obtained, the future lecturer is said to have found a staid, if not attentive, audience in a circle of chairs. At an early age he was placed at school at Penzance, where, in the usual acceptation of the words, he profited little: his own opinion, however, was different. “I consider it fortunate,” he wrote to a member of his family, “that I was left much to myself as a child, and put upon no particular plan of study, and that I enjoyed much idleness at Mr. Coryton’s school. I perhaps owe to these circumstances the little talents that I have, and their peculiar application: what I am, I have made myself. I say this without vanity, and in pure simplicity of heart.” He was soon removed to the school at Truro, where he remained two years, undistinguished except by a love of poetry, which manifested itself in composition at an early age. This, indeed, continued to be a favourite amusement, until, in mature life, he became absorbed in scientific pursuits: and it has been said upon high authority, that if Davy had not been the first chemist, he would have been the first poet of his age. This opinion must look for support, not to his metrical productions, which in truth nowise justify it, but to the vivid imagination and high powers of eloquence, which, in the vigour and freshness of youth, delighted the fashionable, as much as his discoveries amazed the scientific world.
In 1794 his father died, and his mother in consequence removed from Varfell, the patrimonial estate, to Penzance, where Davy was apprenticed to Mr. Borlase, a surgeon in that town. For the medical part of his new profession he showed distaste; but his attention was at once turned to the study of chemistry, which he pursued thenceforward with undeviating zeal. Akin to this pursuit, and fostered by the natural features of his native country, was his early taste for geology. “How often,” said Davy to his friend and biographer on being shown a drawing of Botallack mine,—“how often when a boy have I wandered about these rocks in search of new minerals, and when fatigued, sat down upon the turf, and exercised my fancy in anticipations of scientific renown.” The notoriety which, in a small town, he readily acquired as the boy who was “so fond of chemical experiments,” introduced him to a valuable friend, Mr. Davies Gilbert, in early life his patron, in mature age his successor in the chair of the Royal Society. By him the young man was introduced to Dr. Beddoes, who was at that time seeking an assistant in conducting the Pneumatic Institution, then newly established at Bristol, for the purpose of investigating the properties of aeriform fluids, and the possibility of using them as medical agents. It was not intended that, in forming this engagement, Davy should give up the line of life marked out for him; on the contrary, his abode at Bristol was considered part of his professional education. But his genius led him another way, and this lucky engagement opened a career of usefulness and fame, which under other circumstances might have been long delayed. The arrangement was concluded upon liberal terms, and in October, 1798, before he was twenty years old, he left his home in high spirits to enter upon independent life. It is to his honour, that as soon as a competent, though temporary provision was thus secured, he resigned, in favour of his mother and sisters, all his claims upon the paternal estate.
Soon after removing to Bristol, he published, in a work entitled ‘Contributions to Medical and Physical Knowledge,’ edited by Dr. Beddoes, some essays on heat, light, and respiration. Of these it will be sufficient to say, that with much promise of future excellence, they show a most unbridled imagination, and contain many speculations so unfounded and absurd, that in after-life he bitterly regretted their publication. During his engagement, his zeal and intrepidity were signally displayed in attempts to breathe different gases, supposed, or known, to be highly destructive to life, with a view to ascertain the nature of their effects. Two of these experiments, the inhaling of nitrous gas and carburetted hydrogen are remarkable, because in each he narrowly escaped death. But his attention was especially turned to the gas called nitrous oxide, which, upon respiration, appeared to transport the breather into a new and highly pleasurable state of feeling, to rouse the imagination, and give new vigour to the most sublime emotions of the soul. The effects produced, exaggerated by the enthusiasm of the patients, were in fact closely analogous to intoxication; and many persons still remember the curiosity and amusement, excited by the freaks of poets and grave philosophers, while under the operation of this novel stimulus. In 1800 he published ‘Researches Chemical and Philosophical, respecting Nitrous Oxide and its Respiration.’ The novelty of the results announced, combined with the ability shown in their investigation, and the youth of the author, produced a great sensation in philosophical circles; and through the celebrity thus acquired, and the favourable opinion of him formed upon personal acquaintance by several eminent philosophers of the day, he was offered by the conductors of the Royal Institution, the office of Assistant Lecturer in Chemistry, with the understanding that ere long he should be made sole Professor. This negotiation took place in the spring of 1801, and on May 31, 1802, he was raised to the higher appointment.
To Davy, the quitting Bristol for London was the epoch of a transformation—an elevation from the chrysalis to the butterfly state. In youth his person, voice, and address were alike uncouth; and at first sight they produced so unfavourable an impression upon Count Rumford, that he expressed much regret at having sanctioned so unpromising an engagement. The veteran philosopher soon found reason to change his opinion. Davy’s first course of lectures, which was not delivered till the spring of 1802, excited a sensation unequalled before or since. Not only the philosophical but the literary and fashionable world crowded to hear him; and his vivid imagination, fired by enthusiastic love for the science which he professed, gave, to one of the most abstruse of studies, a charm confessed by persons the least likely to feel its influence. The strongest possible testimony to his richness of illustration is supplied by Mr. Coleridge:—“I go,” he said, “to Davy’s lectures to increase my stock of metaphors.” Had this been all, the young prodigy would soon have ceased to dazzle; but his fame was maintained and increased by the success which waited on his undertakings; and, in a word, Davy became the lion of the day. The effect of this sudden change was by no means good. Sought and caressed by the highest circles of the metropolis, he endeavoured to assume the deportment of a man of fashion; but the strange dress sat awkwardly, and ill replaced a natural candour and warmth of feeling, which had singularly won upon the acquaintance of his early life. It is but justice, however, to add that his regard for his family and early friends was not cooled by this alteration in his society and prospects.
Our limits are too narrow to admit even a sketch of the various trains of original investigation pursued by Davy, during his connection with the Institution. Of these, the most important is that series of electrical inquiries pursued from 1800 to 1806, the results of which were developed in his celebrated first Bakerian Lecture, delivered in the autumn of the latter year, before the Royal Society, which received from the French Institute the prize of 3000 francs, established by the First Consul, for the best experiment in electricity or galvanism. In it he investigated the nature of electric action, and disclosed a new class of phenomena illustrative of the power of the Voltaic battery in decomposing bodies; which, in the following year, led to the most striking of his discoveries, the resolution of the fixed alkalies, potash and soda, into metallic bases. This discovery took place in October, 1807, and was published in his second Bakerian Lecture, delivered in the following November. The novelty and brilliancy of the view thus opened, raised public curiosity to the highest pitch: the laboratory of the Institution was crowded with visitors, and the high excitement thus produced, acting upon a frame exhausted by fatigue, produced a violent fever, in which for many days, he lay between life and death. Not until the following March was he able to resume his duties as a lecturer.
During the next four years he was chiefly employed in endeavouring to decompose other bodies, in prosecuting his inquiries into the nature of the alkalies and in obtaining similar metallic bases from the earths, in which he partially succeeded. The resolution of nitrogen was attempted without success. In tracing the nature of muriatic and oxymuriatic acid, he was more fortunate; and proved the latter to be an undecompounded substance, in direct opposition to his own opinion, recorded at an earlier period. This discovery is the more honourable, for nothing renders the admission of truth so difficult, as having advocated error.
On the 8th April, 1812, he received the honour of knighthood from the Prince Regent, in testimony of his scientific merits. This was the more welcome, because he was on the eve of exchanging a life of professional labour for one, not of idleness, for he pursued his course of discovery with unabated zeal, but of affluence and independence. On the 11th of the same month, he married Mrs. Apreece, a lady possessed of ample fortune; previous to which he delivered his farewell lecture to the Royal Institution. At the same time he appears to have resigned the office of Secretary to the Royal Society, to which he had been appointed in 1807. Two months afterwards he published ‘Elements of Chemical Philosophy,’ which he dedicated to Lady Davy, “as a pledge that he should continue to pursue science with unabated ardour.” In March, 1813, appeared the ‘Elements of Agricultural Chemistry,’ containing the substance of a course of lectures delivered for ten successive seasons before the Board of Agriculture.
That part of the Continent which was under French influence, being strictly closed against the English at this time, it is much to the credit of Napoleon, that he immediately assented to a wish expressed by Davy, and seconded by the Imperial Institute, that he might be allowed to visit the extinct volcanoes in Auvergne, and thence proceed to make observations on Vesuvius while in a state of action. He reached Paris, Oct. 27th, 1813. The French philosophers received him with enthusiasm: it is to be regretted that at the time of his departure their feelings were much less cordial. There was a coldness, and pride, or what seemed pride, in his manner, which disgusted a body of men too justly sensible of their own merit to brook slights; especially when, in spite of national jealousy, they had done most cordial and unhesitating justice to the transcendent achievements of the British philosopher. Nor was this the only ground for dissatisfaction. Iodine had been recently discovered in Paris, but its nature was still unknown. Davy obtained a portion, and proceeded to experiment upon it. This was thought by many an unfair interference with the fame and rights of the original investigators. Davy himself felt that some explanation at least was due, in a paper which he transmitted to the Royal Society; and as the passage in question contained what, though perhaps not meant to be such, might easily be construed into an insinuation, that but for him, the results communicated in that paper might not have been obtained, it was not likely to conciliate. There is probably much truth in the excuse offered by his biographer, for the superciliousness charged against him upon this, and other occasions, that it was merely the cloak of a perpetual and painful timidity.
It is remarkable that, with a highly poetical temperament, he seems to have been senseless to the beauties of art. The wonders of the Louvre extracted no sign of pleasure: he paced the rooms with hurried steps, in apathy, roused only by the sight of an Antinous sculptured in alabaster, “Gracious Heaven!” he then exclaimed, “what a beautiful stalactite.”
From Paris, Dec. 29th, he proceeded without visiting Auvergne, to Montpellier, Genoa, Florence, Rome, and Naples, which he reached May 8th, 1814. At various places he prosecuted his researches upon iodine; and at Florence, he availed himself of the great burning lens to experiment upon the combustion of the diamond, and other forms of carbon. At Naples and Rome he instituted a minute and laborious inquiry into the colours used in painting by the ancients; the results of which appeared in the Philosophical Transactions for 1815.
The autumn of 1815 is rendered memorable by the discovery of the safety-lamp, one of the most beneficial applications of science to economical purposes yet made, by which hundreds, perhaps thousands, of lives have been preserved. Davy was led to the consideration of this subject by an application from Dr. Gray, now Bishop of Bristol, the Chairman of a Society established in 1813, at Bishop-Wearmouth, to consider and promote the means of preventing accidents by fire in coal-pits. Being then in Scotland, he visited the mines on his return southward, and was supplied with specimens of fire-damp, which, on reaching London, he proceeded to examine. He soon discovered that the carburetted hydrogen gas, called fire-damp by the miners, would not explode when mixed with less than six, or more than fourteen times its volume of air; and further, that the explosive mixture could not be fired in tubes of small diameters and proportionate lengths. Gradually diminishing their dimensions, he arrived at the conclusion that a tissue of wire, in which the meshes do not exceed a certain small diameter, which may be considered as the ultimate limit of a series of such tubes, is impervious to the inflamed air; and that a lamp covered with such tissue, may be used with perfect safety even in an explosive mixture, which takes fire, and burns within the cage, securely cut off from the power of doing harm. Thus when the atmosphere is so impure that the flame of the lamp itself cannot be maintained, the _Davy_ still supplies light to the miner, and turns his worst enemy into an obedient servant. This invention, the certain source of large profit, he presented with characteristic liberality to the public. The words are preserved, in which when pressed to secure to himself the benefit of it by a patent, he declined to do so, in conformity with the high-minded resolution which he formed upon acquiring independent wealth, of never making his scientific eminence subservient to gain:—“I have enough for all my views and purposes, more wealth might be troublesome, and distract my attention from those pursuits in which I delight. More wealth could not increase my fame or happiness. It might undoubtedly enable me to put four horses to my carriage, but what would it avail me to have it said, that Sir Humphry drives his carriage and four?” He who used wealth and distinction to such good purpose, may be forgiven the weakness if he estimated them at too high a value.