Part 27

The subject of discussion, of course, was the hearing in the City Hall. Lilienfeld ran about, offering the reporters cigars and cordials, so importunate in his hospitality as not to shrink from sticking long Havanas into their coat pockets and cigarettes into their cases. There was design in this. Every now and then he would take a reporter aside to force upon him information regarding Ingigerd's past, her birth, her rescue, her father, her European success, and the way in which her talent had been discovered. It was a rather garish mixture of truth and fiction. Lilienfeld knew that this story of her life would appear in the New York newspapers that very same evening in connection with the report of the audience in the City Hall. He had brewed the concoction according to his own recipe from various details that he had heard, and he felt certain of its effectiveness.

Ingigerd looked very tired. But she had received orders to be as lavish as possible with her amiabilities so long as a single reporter remained in the house. Frederick felt sorry for her. He saw that her severe professional duties had begun.

Mrs. Lilienfeld was a calm, refined woman of nearly forty, with a look of suffering on her face, yet extremely attractive. She was dressed with tasteful simplicity. One got the impression that her husband worshipped her blindly and was accustomed to act, or to refrain from acting, according to a scarcely perceptible glance from her soft, grave eyes. For all his noisiness the bull-necked man, coarse, brutal, sensual, was like a timid child before her.

She devoted herself for a while to Frederick, who felt he had found grace in the lady's eyes and that for some reason she wished to be helpful to him in leading him away from the aberrations of his passion. Had he not had a sense of security in the firmness of his decision, he might perhaps have given more serious attention to her searching questions, which showed that she had done some thinking about him.

Her method was far from flattering to Ingigerd. With an infinitely disdainful smile, she called the girl, who was chattering nonsense to a circle of flirtatious reporters and was overwhelmed with their tokens of approval, "a mechanical doll with a light head of porcelain filled with sawdust."

"A good plaything," she said, "a plaything for a man, an article of merchandise, but nothing more. She may be worth money, but she is not worth anything else. She is not worth more than any piece of emptiness, any trifle, or knickknack."

Ingigerd, moved perhaps by a little wave of jealousy, came up and asked Frederick, without suspecting the significance the question had in his eyes, whether he had packed his things.

"Not yet. Why should I pack my things?"

"Mr. Lilienfeld," she said, "has made a contract for me for two evenings a week in Boston. You must get ready and go to Boston with me day after to-morrow."

"To the ends of the world," said Frederick lightly, "to the ends of the world, dear lady."

She was contented, and gave Mrs. Lilienfeld a look of satisfaction.

XXII

Frederick was greatly relieved when the festivity at Lilienfeld's house was at last a thing of the past. With Willy Snyders' help, he had succeeded in getting together a few effects, and he spent part of the afternoon arranging them. In the evening the artists, who had grown very fond of their guest and were sorry to lose him, gave him a farewell dinner at the round table.

For a long time Frederick had not felt so serene and at peace with himself and the world as that afternoon. After he had got his baggage ready, Willy Snyders, who had been waiting ever since Frederick's arrival to show him his collection of Japanese art objects, invited him to his room. It was a small room on the top floor, cluttered up with a mass of antiques. He first placed before Frederick a number of Japanese sword-guards, tsubas, as the Japanese call them, small elliptical pieces of metal, about which a man's hand can easily reach. They are decorated with figures in slight relief, partly of the same metal as the ground,

## partly damascened, or inlaid with copper, gold, or silver.

"A tiny object, tremendous labour," Frederick observed, after more than an hour spent in admiring the wonderful workmanship of pieces in the Kamakura and Namban styles, pieces by members of the Goto family extending over centuries, of the Jakushi family, and the Kinai family; pieces of the Akasaka school and the Nara school; pieces from Fushimi in the fifteenth and sixteenth centuries, from Gokinai and Kagonami; glorious sword-guards in the maru-bori, maru-bori-zogan, and hikone-bori styles; pieces of the Hamano family, and so on. Who can boast a prouder aristocracy than Goto Mitsunori, who lived at the end of the nineteenth century and could trace his descent back through a line of sixteen ancestors, all great masters in the art of sword-decorating, a glorious race of craftsmen, inheriting not only the life, but also the skill of their fore-fathers.

And all the things portrayed on those small oval tsubas! The cloven turnip of Daikoku, god of fortune. The god Sennin creating a man by his breath. A shining full moon and flying geese. Wild geese flying over reeds. The moon rising from between snow-clad mountains, an oval of iron, gold and silver, no larger than a man's palm, yet suggesting the vast reaches of a moonlit night.

Frederick and Willy both marvelled at the lapidary style of this metal work, in which the artist with the finest understanding of his art displayed a wealth of composition within the smallest space.

One of the tsubas represented a tea pavilion behind a hedge. In the spacious landscape was a waterfall, sky and air, perfectly depicted by holes in the iron, that is, by nothing. Others represented the hero Hidesato vanquishing a monster on the bridge of Seta; the sage Lao Tsze on his ox; Senno Kinko, a pious man, riding on his golden-eyed carp, absorbed in a book; the god Idaten, pursuing an oni, or devil, who had stolen Buddha's pearl; a bird prying open a Venus's shell with his bill; a golden-eyed octopus or cuttlefish; the sage Kiko leaning from the window of his house, reading a scroll by moonlight.

Willy, endlessly resourceful and allowing nothing to daunt him, had ferreted this collection out of a restaurant in the Five Points district, a restaurant of viler repute than even the neighbourhood it was in. A Japanese had left the tsubas with the proprietor of the den as pledge of the payment of his bill, but had disappeared without ever returning to redeem his pledge. Scarcely a day passed that Willy did not visit a junk shop on the Bowery, or in the Jewish quarter. Peering with his fearless, fiery eyes, which always wore an expression of mingled astonishment and indignation, he ventured into the worst sections of the city, even into the obscurest opium hells of Chinatown. His confident manner and round spectacles, he told Frederick, caused him to be mistaken for a detective; which stood him in good stead in making his purchases.

In one shop in Chinatown, belonging to a fat Chinese usurer, Willy for very little money came into possession of a quantity of Japanese prints. These were the next things he showed Frederick. There were most of Hiroshige's views of Lake Biwa; there were the thirty-six views of Fujiyama by Hokusai. One of the most exquisite showed remnants of snow left on the mountain and a brownish red sun setting in a cold sky with fleecy clouds. There were Shunsho's and Shigemasa's illustrations of the book, "Mirror of the Beauties of the Green Houses," Yedo, 1776, and Shunsho's illustrations of "The Book of Sprouting Weeds." Frederick called one of Hokusai's prints "the golden poem of summer." It was a deep-blue heaven with Fujiyama to the left and golden grain beneath, persons sitting on benches, heat, radiance, joy! One of Hiroshige's prints he dubbed "the great poem of the moon." On wide, moist, melancholy meadows, scant-leaved trees, like weeping willows, their branches drooping in the mirror of an idly flowing stream, barges loaded with turf passing by, a floating bridge propelled by Japanese raftsmen, the water blue in the evening twilight, a great, pale moon, veiled by pale, bloody tints, rising above the distant edge of the melancholy plain.

In addition to his tsubas and prints, Willy had a collection of so-called netsuke, some in boxwood, some in ivory, small, dice-like carvings, representing with remarkable animation all sorts of real and fantastic scenes.

Among the finest of Willy's possessions was a Japanese figure carved in wood not more than a foot high, a woman selling oysters. Each least detail was most precisely rendered. It was the attempt of a more recent Japanese master to portray feminine beauty. In this one rare instance he had succeeded, having produced one of those precious objects adapted to make thieves of their lovers.

Willy, who mingled in American sporting circles, had also found occasion to collect a few Indian curiosities. He showed Frederick the feather adornment of an Apache chief, a wampum belt, Indian knives and bows and arrows. He had made the acquaintance of Buffalo Bill, the famous hunter, and some Indian chief and cowboys in his troupe, men in whom natural instincts are combined with a Barnum and Bailey business sense, and real excellence with the actor's vanity. Willy's especial friend, whom he had been very eager for Frederick to meet, was a well-known acrobat who had jumped from the Brooklyn Bridge into the East River.

"Willy," said Frederick, "since you have so profitably employed your time in America, you won't be going back to Europe empty-handed."

"The devil!" replied Willy. "What else is to be got out of this damned country?"

XXIII

The next morning Frederick went down alone to the train. He had taken final leave of his friends the night before, telling them expressly not to let his departure interfere with their day's routine. After placing his luggage in a wire basket hanging over one of the red plush seats in a coach which was one of a train of six or seven similar coaches, long and elegantly built, he returned to the platform. All of a sudden the whole little colony of artists appeared, with the master-sculptor at their head--_in corpore_, as college students say. Miss Burns, too, had come, like the rest of them, carrying three of those purplish-red, long-stemmed roses with deep green leaves which were not yet being grown in Europe.

"I feel like a prima donna," Frederick said, really touched, as he took the roses from each.

The platform and the train were as quiet as a cemetery, as if there never were arrivals or departures between friends. But here and there, the face of a traveller, aroused by the "temperamental" chatter of the Germans, peered from behind the window-panes of the train to look curiously upon the little rose procession. Finally, without a signal, or a word from any official, the train started to move, as if by chance.

Soon the group of artists in the station receded. There stood Bonifacius Ritter, dignified and elegant, waving his handkerchief. There was Lobkowitz, friendly and serious, Willy Snyders the good-hearted, Franck the gypsy painter, and, last but not least, Miss Eva Burns. Frederick felt that with this moment, an epoch of his life had come to a close. He was conscious of what he owed these fellow-countrymen and kindred spirits for their warmth and hospitality, and of what he lost in losing them. Nevertheless, after the strange way of man, he was in a state of joyous excitement because his future, in a real and in a metaphoric sense, had been set in motion.

At first the train rolled for some time through a dark tunnel under the city, then through an open cut between high walls of masonry, and finally it burst into a wide, free landscape. So this was America's real face. Only now, after the noises of the Witches' Sabbath, the turmoil of the great invasion, had somewhat subsided, Frederick breathed the true breath of the virgin country's soil.

Observing that all the passengers in the coach stuck their tickets in their hat bands, Frederick did the same, and then turned his eyes on the fields and hills clothed in their white winter garments. To the young man, uprooted from his native soil, there was a happy, stimulating mystery in this landscape, which in the light of the winter sun so closely resembled his birthplace. The alien surroundings all spoke to him of his home. He could have jumped from the car and taken the snow in his hands, not only to look upon it, but to feel that it was the very same snow which as a schoolboy he had rolled into balls for bombarding his playmates. He felt as a spoiled child feels which is torn from its mother's arms and thrown upon a heartless world of strangers and, after a long period of anguish, unexpectedly meets a sister of his mother in a dreary country far, far from home. He feels the blood-tie, he feels how like he is to her and she to him, how surprisingly, how delightfully she resembles his mother, feature by feature.

At last, it seemed to Frederick, the great Atlantic Ocean was really behind him. Though he had landed in New York, he felt that until now he had not planted his feet firmly on the ground. Great well-established mother earth, the breadth and extent of her solidity, which he beheld again after so long a separation, at last set bounds in his soul to the fearful expanse and might of the ocean. Mother earth was a good and great giantess who had cunningly snatched the lives of her children from the giantess ocean and had put everything on a firm, everlasting basis with a hedge of safety all around.

"Forget the tumbling waters, forget the ocean, strike root into the soil," a voice within Frederick spoke; and while the train rolled smoothly and faster and further inland, he had a sense of being on a blissful flight.

Frederick was so lost in meditation that he started when someone without saying a word took the ticket from his hatband. It was a cultivated-looking man in a simple uniform, the conductor, who punched the card, said not a word, moved not a muscle of his face, and travelled from seat to seat, performing the same operation and always returning the punched tickets to the men's hats, which they kept on their heads. Nobody paid the least attention to him. Frederick smiled when he thought of Germany, where every train was received with the clanging of a bell and set in motion with three soundings of a gong, amid the general uproar of the officials, who bellowed like a horde of Apaches; and where the conductors demanded the tickets from the passengers with much rough, awkward ceremony.

The whirring of the wheels made a pleasant accompaniment to his thoughts. He was enjoying his flight, which signified anything but shame and disgrace. In his complete absorption, he discovered himself picking little threads from his clothes, like a spider's cobweb, and he observed how with each minute he drew his breath more freely. Sometimes it seemed to him that the wheels of the tremendous express train were not turning swiftly enough on their axles, and that he himself ought to put his hands to the wheels to hasten on the new health-giving impressions and place them behind him like thin curtains, so that the partitions dividing him from that dangerous, fatal magnet which he had left behind should grow denser and denser.

In New Haven, where the train halted for a short time, a negro with sandwiches and a boy with newspapers passed through the train. Frederick bought one of the papers, and found the whole disaster of the _Roland_ warmed up over again in connection with the sensational reports of the hearing in the City Hall. On that bright winter day his mood was too gay and peaceful to suffer the appalling impressions of the sinking of the vessel and its drowning mass of humanity to revive in his soul. To be sure, he had had absolutely no right to escape, and he was still somewhat ashamed that the regnant powers had preferred him to so many innocent brothers and sisters. On that account, there had been a time when he would have given back his life in a passion of embittered pity and glowing indignation; for there was no sin great enough to justify that horrible, brutal drowning on the seas and no merit great enough to justify escape from it. But on this winter day, on his flight from New York, his rescue filled him with nothing but sincere gratitude. Captain von Kessel and the many others that had gone down with the _Roland_ were dead and so were removed from all pain and suffering. Everything about Frederick this day breathed an atmosphere of convalescence and reconciliation.

All the way from New Haven to Meriden he regaled himself with the sketch of Ingigerd's life that appeared in the papers. He could scarcely keep from laughing. Lilienfeld displayed a positively poetical, exuberant imagination. Though Ingigerd's father was of German parentage and her mother a French Swiss, Ingigerd figured as the scion of a noble Swedish family, and the body of a relative of hers was reported to be resting in the Riddarholms-Kyrka in Stockholm. The impresario well knew that Americans are fascinated by a single drop of royal blood.

"Poor little thing!" thought Frederick, as he folded up the newspaper. Then, at the sudden realisation of what tremendous import the "poor little thing" had until that moment been to him and others, he clapped his hand to his brow and muttered, "That's over and done with, that's over and done with," and swore several oaths at himself.

XXIV

Peter Schmidt was at the train to meet Frederick, who was the only passenger getting off at Meriden. The little station was empty, but near by was the hurry-scurry of the main street of this country town of about twenty-five thousand inhabitants.

"Now," said Schmidt, "all's well. No more New York dissipation. We'll sound different chords here in Meriden. My wife sends her regards. She could not come to meet you because she had to look after some patients. If you like, we might lunch together and afterwards drive out in a sleigh to take a look at the little house I found for you in the country. If it suits you, you can rent it at a very low figure. In the meantime you can take a room at our hotel here, which the whole city is proud of."

"Oh," said Frederick, "I have a wild longing for solitude. I should prefer to spend the very first night beneath my own roof far, far from the madding crowd of Meriden."

"Very well," responded Schmidt, "the man that owns the house is a good friend of mine, a druggist. His name is Lamping, a pleasant Dutchman. He'll be satisfied with any arrangements we make; and if you decide to take the house, everything can be settled with him in fifteen minutes."

The two men went to the hotel, where they were served with a rather tasteless meal in surroundings comfortable and luxurious far beyond European notions. Schmidt left Frederick alone for a while and in a few moments sent a bell-boy to announce that the sleigh was waiting outside. To Frederick's astonishment he found his friend sitting alone in a pretty, two-seated sleigh reining in a fiery chestnut.

"I congratulate you on this tidy little conveyance," he said.

Peter laughed and quickly dispelled Frederick's illusion, that the immaculate little vehicle with the horse and harnessings were his own. He had merely hired it without a driver, a frequent practice in America.

"In fact," he joked, "I shall be quite content if we get there without being pitched out into the snow. I confess, I have never in my life driven a horse."

"Ah," said Frederick with chuckling satisfaction, "it is not for nothing that my father is a general. Let me drive."

Frederick's luggage was placed in the sleigh, he jumped in, caught up the reins, the chestnut reared, and off they dashed, with a deafening jingle of the sleigh-bells. Their way lay along the main street, a broad, bustling thoroughfare.

"Is this the sort of horse they usually have here?" asked Frederick. "The beast is positively running away. If we come out of this crowded street without broken limbs, it will be God's doing, not mine."

"Let him have his way. Every day there are one or more runaways here. What's the difference if it's our turn to-day?"

But Frederick reined the horse in so tightly, that he actually succeeded in pulling him up just as the Boston-New York express thundered by on a line of railroad tracks crossing the street not safeguarded by gates or fence. Frederick wondered how it was that a multitude of children, workmen, gentlemen in high hats, ladies in silk dresses, horses, dogs, trucks, and carriages were not mangled to a pulp and dashed against the walls of the houses lining the tracks. The horse plunged and reared and shot forward over the rails behind the last coach, sending clods of ice and snow flying in Frederick's and Peter's faces.

"The devil!" snorted Frederick. "Now for the first time I observe that form of madness which is specifically American. If you fall under the wheels, you fall under the wheels. If you want to take a drive, be your own coachman. If you break your bones, you break your bones. If you break your neck, you break your neck."

Farther along on the same highway Frederick for the first time saw an electric street car, then still unknown in Europe. The brilliant sparking at the meeting of the trolley and the overhead wire was to him a new, stimulating phenomenon. The posts holding up the wire were all shapes, thick and slender, bowed and slanting, so that the whole made a promiscuous impression, though the coaches were of a pleasing shape and glided along with great rapidity.

They had passed the more frequented and dangerous section of the city without an accident and had reached the open country. The houses grew lower and farther apart. Before the chestnut with his jingling bells lay an endless stretch of unblocked roadway, with excellent tracks for the sleigh worn into the snow. The valiant American could speed to his heart's content.

"How strange!" thought Frederick. "Here I am riding in a sleigh and driving a horse, things I have not done since I was a boy."

Stories of sports and incidents that he had not thought of for ten years or more occurred to him. How his father's accounts of hunting expeditions and sleighing mishaps had set them all laughing when the family was cosily gathered together in one room on a winter evening.

During that brisk, refreshing drive Frederick's heart was rejuvenated. The happiest years of his boyhood were as vivid to him as yesterday--thrilling, romantic rides by night, when the same sound of sleigh-bells scared the silence of sleeping forests and filled the boy's soul with pictures of midnight attacks, romantic murders, and strange devilish phantoms. In the dazzling brilliance of the snowy fields, breathing in the pure, bracing air, mere existence became unspeakable bliss. Sitting there in that dainty sleigh Frederick was inclined to look on life as a pleasure drive.