Book xv

).

Telemachus reaches Pylos, but does not visit Nestor. To save time he goes at once on board ship, taking with him an unfortunate outlaw, Theoclymenus, a second-sighted man, or the family of Melampus, in which the gift of prophecy was hereditary. The ship passed the Elian coast at night, and evaded the ambush of the wooers. Meanwhile Odysseus was sitting up almost till dawn, listening to the history of Eumaeus, the swineherd.

DAY 39 (Books xv, xvi).

Telemachus reaches the Isle of Ithaca, sends his ship to the city, but himself, by advice of Athene, makes for the hut of Eumaeus, where he meets, but naturally does not recognise, his disguised father. He sends Eumaeus to Penelope with news of his arrival, and then Athene reveals Odysseus to Telemachus. The two plot the death of the wooers. Odysseus bids Telemachus remove, on a favourable opportunity, the arms which were disposed as trophies on the walls of the hall at home. (There is a slight discrepancy between the words of this advice and the manner in which it is afterwards executed.) During this interview, the ship of Telemachus, the wooers who had been in ambush, and Eumaeus, all reached the town of Ithaca. In the evening Eumaeus returned to his hut, where Athene had again disguised Odysseus.

DAY 40 (Books xvii, xviii, xix, xx).

The story is now hastening to its close, and many events are crowded into the fortieth day. Telemachus goes from the swineherd’s hut to the city, and calls his guest, Theoclymenus, to the palace. The second-sighted man prophesies of the near revenge of Odysseus. In the afternoon, Odysseus (still disguised) and Eumaeus reach the city, the dog Argos recognises the hero, and dies. Odysseus goes begging through his own hall, and is struck by Antinous, the proudest of the wooers. Late in the day Eumaeus goes home, and Odysseus fights with the braggart beggar Irus. Still later, Penelope appears among the wooers, and receives presents from them. When the wooers have withdrawn, Odysseus and Telemachus remove the weapons from the hall to the armoury. Afterwards Odysseus has an interview with Penelope (who does not recognise him), but he is recognised by his old nurse Eurycleia. Penelope mentions her purpose to wed the man who on the following day, the feast of the Archer-god Apollo, shall draw the bow of Odysseus, and send an arrow through the holes in twelve axe-blades, set up in a row. Thus the poet shows that Odysseus has arrived in Ithaca not a day too soon. Odysseus is comforted by a vision of Athene, and

DAY 41 (Books xx, xxi, xxii, xxiii).

by the ominous prayer uttered by a weary woman grinding at the mill. The swineherd and the disloyal Melanthius arrive at the palace. The wooers defer the plot to kill Telemachus, as the day is holy to Apollo. Odysseus is led up from his seat near the door to a place beside Telemachus at the chief’s table. The wooers mock Telemachus, and the second-sighted Theoclymenus sees the ominous shroud of death covering their bodies, and the walls dripping with blood. He leaves the doomed company. In the trial of the bow, none of the wooers can draw it; meanwhile Odysseus has declared himself to the neatherd and the swineherd. The former bars and fastens the outer gates of the court, the latter bids Eurycleia bar the doors of the womens’ chambers which lead out of the hall. Odysseus now gets the bow into his hands, strings it, sends the arrow through the axe-blades, and then leaping on the threshold of stone, deals his shafts among the wooers. Telemachus, the neatherd, and Eumaeus, aiding him, he slaughters all the crew, despite the treachery of Melanthius. The paramours of the wooers are hanged, and Odysseus, after some delay, is recognised by Penelope.

DAY 42 (Books xxiii, xxiv).

This day is occupied with the recognition of Odysseus by his aged father Laertes, and with the futile attempt of the kinsfolk of the wooers to avenge them on Odysseus. Athene reconciles the feud, and the toils of Odysseus are accomplished.

The reader has now before him a chronologically arranged sketch of the

## action of the _Odyssey_. It is, perhaps, apparent, even from this bare

outline, that the composition is elaborate and artistic, that the threads of the plot are skilfully separated and combined. The germ of the whole epic is probably the popular tale, known all over the world, of the warrior who, on his return from a long expedition, has great difficulty in making his prudent wife recognise him. The incident occurs as a detached story in China, and in most European countries it is told of a crusader. “We may suppose it to be older than the legend of Troy, and to have gravitated into the cycle of that legend. The years of the hero’s absence are then filled up with adventures (the Cyclops, Circé, the Phaeacians, the Sirens, the descent into hell) which exist as scattered tales, or are woven into the more elaborate epics of Gaels, Aztecs, Hindoos, Tartars, South-Sea Islanders, Finns, Russians, Scandinavians, and Eskimo. The whole is surrounded with the atmosphere of the kingly age of Greece, and the result is the Odyssey, with that unity of plot and variety of character which must have been given by one masterly constructive genius. The date at which the poet of the Odyssey lived may be approximately determined by his consistent descriptions of a peculiar and definite condition of society, which had ceased to exist in the ninth century B.C., and of a stage of art in which Phoenician and Assyrian influences predominated. (_Die Kunst bei Homer._ Brunn.) As to the mode of composition, it would not be difficult to show that at least the _a priori_ Wolfian arguments against the early use of writing for literary purposes have no longer the cogency which they were once thought to possess. But this is matter for a separate investigation.

The Odyssey

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