Chapter 4 of 22 · 3821 words · ~19 min read

Part 4

There was a rattle of the big door knob, that aggressive, hostile knob that thrust out at him insolently like a fist of bronze. He started, angry with himself for doing so. But the door did not open. He became suddenly conscious of the wilds he had lived in for so long; his clothes were hardly fashionable; his voice probably had a twang in it, and he used tricks of speech that must betray the rough life so recently left. What would she think of him, now? He looked much older, too. And how brusque it was to have telegraphed like that! He felt awkward, gauche, tongue-tied, hot and cold by turns. The sentences, so carefully rehearsed, fled beyond recovery.

Good heavens--the door was open! It had been open for some minutes. It moved noiselessly on big hinges. He acted automatically; he heard himself asking if her ladyship was at home, though his voice was nearly inaudible. The next moment he was standing in the great, dim hall, so poignantly familiar, and the remembered perfume almost made him sway. He did not hear the door close, but he knew. He was caught. The butler betrayed an instant's surprise--or was it over-wrought imagination again?--when he gave his name. It seemed to him--though only later did he grasp the significance of that curious intuition--that the man had expected another caller instead. The man took his card respectfully and disappeared. These flunkeys were so marvellously trained. He was too long accustomed to straight question and straight answer, but here, in the Old Country, privacy was jealously guarded with such careful ritual.

And almost immediately the butler returned, still expressionless, and showed him into the large drawing-room on the ground floor that he knew so well. Tea was on the table--tea for one. He felt puzzled. "If you will have tea first, sir, her ladyship will see you afterwards," was what he heard. And though his breath came thickly, he asked the question that forced itself out. Before he knew what he was saying he asked it, "Is she ill?" "Oh, no, her ladyship is quite well, thank you, sir. If you will have tea first, sir, her ladyship will see you afterwards." The horrid formula was repeated, word for word. He sank into an armchair and mechanically poured out his own tea. What he felt he did not exactly know. It seemed so unusual, so utterly unexpected, so unnecessary, too. Was it a special attention, or was it merely casual? That it could mean anything else did not occur to him. How was she busy, occupied--not here to give him tea? He could not understand it. It seemed such a farce having tea alone like this--it was like waiting for an audience, it was like a doctor's or a dentist's room. He felt bewildered, ill at ease, cheap.... But after ten years in primitive lands perhaps London usages had changed in some extraordinary manner. He recalled his first amazement at the motor-omnibuses, taxicabs, and electric tubes. All were new. London was otherwise than when he left it. Piccadilly and the Marble Arch themselves had altered. And, with his reflection, a shade more confidence stole in. She knew that he was there and presently she would come in and speak with him, explaining everything by the mere fact of her delicious presence. He was ready for the ordeal, he would see her--and drop out again. It was worth all manner of pain, even of mortification. He was in her house, drinking her tea, sitting in a chair she used herself perhaps. Only he would never dare to say a word or make a sign that might betray his changeless secret. He still felt the boyish worshipper, worshipping in dumbness from a distance, one of a group of many others like himself. Their dreams had faded, his had continued, that was the difference. Memories tore and raced and poured upon him. How sweet and gentle she had always been to him! He used to wonder sometimes.... Once, he remembered, he had rehearsed a declaration, but while rehearsing the big man had come in and captured her, though he had only read the definite news long after by chance in an Arizona paper.

He gulped his tea down. His heart alternately leaped and stood still. A sort of numbness held him most of that dreadful interval, and no clear thought came at all. Every ten seconds his head turned towards the door that rattled, seemed to move, yet never opened. But any moment now it _must_ open, and he would be in her very presence, breathing the same air with her. He would see her, charge himself with her beauty once more to the brim, and then go out again into the wilderness--the wilderness of life--without her, and not for a mere ten years but for always. She was so utterly beyond his reach. He felt like a backwoodsman, he was a backwoodsman.

For one thing only was he duly prepared, though he thought about it little enough--she would, of course, have changed. The photograph he owned, cut from an illustrated paper, was not true now. It might even be a little shock perhaps. He must remember that. Ten years cannot pass over a woman without--

Before he knew it the door was open, and she was advancing quietly towards him across the thick carpet that deadened sound. With both hands outstretched she came, and with the sweetest welcoming smile upon her parted lips he had seen in any human face. Her eyes were soft with joy. His whole heart leaped within him; for the instant he saw her it all flashed clear as sunlight--that she knew and understood. She had always known, had always understood. Speech came easily to him in a flood, had he needed it, but he did not need it. It was all so adorably easy, simple, natural, and true. He just took her hands--those welcoming, outstretched hands--in both of his own, and led her to the nearest sofa. He was not even surprised at himself. Inevitably, out of depths of truth, this meeting came about. And he uttered a little foolish commonplace, because he feared the huge revulsion that his sudden glory brought, and loved to taste it slowly:

"So you live here still?"

"Here, and here," she answered softly, touching his heart, and then her own. "I am attached to this house, too, because _you_ used to come and see me here, and because it was here I waited so long for you, and still wait. I shall never leave it--unless you change. You see, we live together here."

He said nothing. He leaned forward to take and hold her. The abrupt knowledge of it all somehow did not seem abrupt--it was as though he had known it always; and the complete disclosure did not seem disclosure either--rather as though she told him something he had inexplicably left unrealized, yet not forgotten. He felt absolutely master of himself, yet, in a curious sense, outside of himself at the same time. His arms were already open--when she gently held her hands up to prevent. He heard a faint sound outside the door.

"But you are free," he cried, his great passion breaking out and flooding him, yet most oddly well controlled, "and I--"

She interrupted him in the softest, quietest whisper he had ever heard:

"You are not free, as I am free--not yet."

The sound outside came suddenly closer. It was a step. There was a faint click on the handle of the door. In a flash, then, came the dreadful shock that overwhelmed him--the abrupt realization of the truth that was somehow horrible--that Time, all these years, had left no mark upon her and that _she had not changed_. Her face was as young as when he saw her last.

With it there came cold and darkness into the great room. He shivered with cold, but an alien, unaccountable cold. Some great shadow dropped upon the entire earth, and though but a second could have passed before the handle actually turned, and the other person entered, it seemed to him like several minutes. He heard her saying this amazing thing that was question, answer, and forgiveness all in one--this, at least, he divined before the ghastly interruption came--"But, George--if you had only spoken--!"

With ice in his blood he heard the butler saying that her ladyship would be "pleased" to see him if he had finished his tea and would be "so good as to bring the papers and documents upstairs with him." He had just sufficient control of certain muscles to stand upright and murmur that he would come. He rose from a sofa that held no one but himself. All at once he staggered. He really did not know exactly what happened, or how he managed to stammer out the medley of excuses and semi-explanations that battered their way through his brain and issued somehow in definite words from his lips. Somehow or other he accomplished it. The sudden attack, the faintness, the collapse!... He vaguely remembered afterwards--with amazement too--the suavity of the butler as he suggested telephoning for a doctor, and that he just managed to forbid it, refusing the offered glass of brandy as well, remembered contriving to stumble into the taxicab and give his hotel address with a final explanation that he would call another day and "bring the papers." It was quite clear that his telegram had been attributed to someone else, someone "with papers"--perhaps a solicitor or architect. His name was such an ordinary one, there were so many Smiths. It was also clear that she whom he had come to see and _had_ seen, no longer lived here in the flesh....

And just as he left the hall he had the vision--mere fleeting glimpse it was--of a tall, slim, girlish figure on the stairs asking if anything was wrong, and realized vaguely through his atrocious pain that she was, of course, the wife of the son who had inherited....

JOSEPH: A STORY

BY KATHERINE RICKFORD

They were sitting round the fire after dinner--not an ordinary fire--one of those fires that has a little room all to itself with seats at each side of it to hold a couple of people or three.

The big dining room was paneled with oak. At the far end was a handsome dresser that dated back for generations. One's imagination ran riot when one pictured the people who must have laid those pewter plates on the long, narrow, solid table. Massive medieval chests stood against the walls. Arms and parts of armor hung against the panelling; but one noticed few of these things, for there was no light in the room save what the fire gave.

It was Christmas Eve. Games had been played. The old had vied with the young at snatching raisins from the burning snapdragon. The children had long since gone to bed; it was time their elders followed them, but they lingered round the fire, taking turns at telling stories. Nothing very weird had been told; no one had felt any wish to peep over his shoulder or try to penetrate the darkness of the far end of the room; the omission caused a sensation of something wanting. From each one there this thought went out, and so a sudden silence fell upon the party. It was a girl who broke it--a mere child; she wore her hair up that night for the first time, and that seemed to give her the right to sit up so late.

"Mr. Grady is going to tell one," she said.

All eyes were turned to a middle-aged man in a deep armchair placed straight in front of the fire. He was short, inclined to be fat, with a bald head and a pointed beard like the beards that sailors wear. It was plain that he was deeply conscious of the sudden turning of so much strained yet forceful thought upon himself. He was restless in his chair as people are in a room that is overheated. He blinked his eyes as he looked round the company. His lips twitched in a nervous manner. One side of him seemed to be endeavoring to restrain another side of him from a feverish desire to speak.

"It was this room that made me think of him," he said thoughtfully.

There was a long silence, but it occurred to no one to prompt him. Every one seemed to understand that he was going to speak, or rather that something inside him was going to speak, some force that craved expression and was using him as a medium.

The little old man's pink face grew strangely calm, the animation that usually lit it was gone. One would have said that the girl who had started him already regretted the impulse, and now wanted to stop him. She was breathing heavily, and once or twice made as though she would speak to him, but no words came. She must have abandoned the idea, for she fell to studying the company. She examined them carefully, one by one. "This one," she told herself, "is so-and-so, and that one there just another so-and-so." She stared at them, knowing that she could not turn them to herself with her stare. They were just bodies kept working, so to speak, by some subtle sort of sentry left behind by the real selves that streamed out in pent-up thought to the little old man in the chair in front of the fire.

"His name was Joseph; at least they called him Joseph. He dreamed, you understand--dreams. He was an extraordinary lad in many ways. His mother--I knew her very well--had three children in quick succession, soon after marriage; then ten years went by and Joseph was born. Quiet and reserved he always was, a self-contained child whose only friend was his mother. People said things about him, you know how people talk. Some said he was not Clara's child at all, but that she had adopted him; others, that her husband was not his father, and these put her change of manner down to a perpetual struggle to keep her husband comfortably in the dark. I always imagined that the boy was in some way aware of all this gossip, for I noticed that he took a dislike to the people who spread it most."

The little man rested his elbows on the arms of his chair and let the tips of his fingers meet in front of him. A smile played about his mouth. He seemed to be searching among his reminiscences for the one that would give the clearest portrait of Joseph.

"Well, anyway," he said at last, "the boy was odd, there is no gainsaying the fact. I suppose he was eleven when Clara came down here with her family for Christmas. The Coningtons owned the place then--Mrs. Conington was Clara's sister. It was Christmas Eve, as it is now, many years ago. We had spent a normal Christmas Eve; a little happier, perhaps, than usual by reason of the family re-union and because of the presence of so many children. We had eaten and drank, laughed and played and gone to bed.

"I woke in the middle of the night from sheer restlessness. Clara, knowing my weakness, had given me a fire in my room. I lit a cigarette, played with a book, and then, purely from curiosity, opened the door and looked down the passage. From my door I could see the head of the staircase in the distance; the opposite wing of the house, or the passage rather beyond the stairs, was in darkness. The reason I saw the staircase at all was that the window you pass coming downstairs allowed the moon to throw an uncertain light upon it, a weird light because of the stained glass. I was arrested by the curious effect of this patch of light in so much darkness when suddenly someone came into it, turned, and went downstairs. It was just like a scene in a theater; something was about to happen that I was going to miss. I ran as I was, barefooted, to the head of the stairs and looked over the banister. I was excited, strung up, too strung up to feel the fright that I knew must be with me. I remember the sensation perfectly. I knew that I was afraid, yet I did not feel fright.

"On the stairs nothing moved. The little hall down here was lost in darkness. Looking over the banister I was facing the stained glass window. You know how the stairs run around three sides of the hall; well, it occurred to me that if I went halfway down and stood under the window I should be able to keep the top of the stairs in sight and see anything that might happen in the hall. I crept down very cautiously and waited under the window. First of all, I saw the suit of empty armor just outside the door here. You know how a thing like that, if you stare at it in a poor light, appears to move; well, it moved sure enough, and the illusion was enhanced by clouds being blown across the moon. By the fire like this one can talk of these things rationally, but in the dead of night it is a different matter, so I went down a few steps to make sure of that armor, when suddenly something passed me on the stairs. I did not hear it, I did not see it, I sensed it in no way, I just knew that something had passed me on its way upstairs. I realized that my retreat was cut off, and with the knowledge fear came upon me.

"I had seen someone come down the stairs; that, at any rate, was definite; now I wanted to see him again. Any ghost is bad enough, but a ghost that one can see is better than one that one can't. I managed to get past the suit of armor, but then I had to feel my way to these double doors here."

He indicated the direction of the doors by a curious wave of his hand. He did not look toward them nor did any of the party. Both men and women were completely absorbed in his story; they seemed to be mesmerized by the earnestness of his manner. Only the girl was restless; she gave an impression of impatience with the slowness with which he came to his point. One would have said that she was apart from her fellows, an alien among strangers.

"So dense was the darkness that I made sure of finding the first door closed, but it was not, it was wide open, and, standing between them, I could feel that the other was open, too. I was standing literally in the wall of the house, and as I peered into the room, trying to make out some familiar object, thoughts ran through my mind of people who had been bricked up in walls and left there to die. For a moment I caught the spirit of the inside of a thick wall. Then suddenly I felt the sensation I have often read about but never experienced before: I knew there was some one in the room. You are surprised, yes, but wait! I knew more: I knew that some one was conscious of my presence. It occurred to me that whoever it was might want to get out of the door. I made room for him to pass. I waited for him, made sure of him, began to feel giddy, and then a man's voice, deep and clear:

"'There is some one there; who is it?'

"I answered mechanically, 'George Grady.'

"'I'm Joseph.'

"A match was drawn across a matchbox, and I saw the boy bending over a candle waiting for the wick to catch. For a moment I thought he must be walking in his sleep, but he turned to me quite naturally and said in his own boyish voice:

"'Lost anything?'

"I was amazed at the lad's complete calm. I wanted to share my fright with some one, instead I had to hide it from this boy. I was conscious of a curious sense of shame. I had watched him grow, taught him, praised him, scolded him, and yet here he was waiting for an explanation of my presence in the dining room at that odd hour of the night.

"Soon he repeated the question, 'Lost anything?'

"'No,' I said, and then I stammered, 'Have you?'

"'No,' he said with a little laugh. 'It's that room, I can't sleep in it.'

"'Oh,' I said. 'What's the matter with the room?'

"'It's the room I was killed in,' he said quite simply.

"Of course I had heard about his dreams, but I had had no direct experience of them; when, therefore, he said that he had been killed in his room I took it for granted that he had been dreaming again. I was at a loss to know quite how to tackle him; whether to treat the whole thing as absurd and laugh it off as such, or whether to humor him and hear his story. I got him upstairs to my room, sat him in a big armchair, and poked the fire into a blaze.

"'You've been dreaming again,' I said bluntly.

"'Oh, no I haven't. Don't you run away with that idea.'

"His whole manner was so grown up that it was quite unthinkable to treat him as the child he really was. In fact, it was a little uncanny, this man in a child's frame.

"'I was killed there,' he said again.

"'How do you mean, killed?' I asked him.

"'Why, killed--murdered. Of course it was years and years ago, I can't say when; still I remember the room. I suppose it was the room that reminded me of the incident.'

"'Incident?' I exclaimed.

"'What else? Being killed is only an incident in the existence of any one. One makes a fuss about it at the time, of course, but really when you come to think of it....'

"'Tell me about it,' I said, lighting a cigarette. He lit one too, that child, and began.

"'You know my room is the only modern one in this old house. Nobody knows why it is modern. The reason is obvious. Of course it was made modern after I was killed there. The funny thing is that I should have been put there. I suppose it was done for a purpose, because I--I----'

"He looked at me so fixedly I knew he would catch me if I lied.

"'What?' I asked.

"'Dream.'

"'Yes,' I said, 'that is why you were put there.'