CHAPTER IV

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Since the tragic night on which Candia, lowering her voice, had spoken of the witchcraft that hung over the men of the Trabocco, that great, whitish framework, stretched along on the rocks, had more than once attracted the strangers' attention and excited their curiosity. In the crescent of the little musical bay, that bristling and treacherous form, continually lying in ambush, seemed to deny the benignity of the solitude. At the burning and motionless noon-times, at the misty twilights, it often took on formidable aspects. At times, when all was still, one could hear the grinding of the capstan and the creaking of the timber. During the moonless nights, the red light of the torches was seen reflected by the water.

On an afternoon of oppressive idleness, George proposed to Hippolyte:

"Shall we go and visit the Trabocco?"

She answered:

"We'll go, if you like. But how can I cross the bridge? I have already tried it once."

"I will lead you by the hand."

"The plank is too narrow."

"We'll try."

They went there. They descended by the path. At the turn they found a sort of stairway hewn in the granite, hardly practicable, and the irregular steps of which stretched out as far as the reefs, at the end of the shaky bridge.

"You see! How can I manage?" said Hippolyte regretfully. "Even looking at it makes my head swim."

The first portion of the bridge was composed of a single plank, very narrow, upheld by stanchions fixed on the rock; the other part, broader, was formed of transverse thin deal boards, of an almost silvery whiteness, worm-eaten, brittle, badly joined, so thin that they seemed likely to break under the slightest pressure of the foot.

"Don't you want to try it?" asked George, with an inner sense of strange relief on finding that Hippolyte would never succeed in accomplishing the perilous passage. "Look; someone is coming to lend us a hand."

A half-naked child ran toward them from the platform, agile as a cat, brown as a rich golden bronze. Beneath his unfaltering foot the deal boards creaked, the rafters bent. Arrived at the end of the bridge, near the strangers, he encouraged them by energetic gestures to confide in him, looking up at them with his piercing eyes like the bird at its prey.

"Don't you want to try?" repeated George, smiling.

Irresolute, she advanced one foot on the shaking plank, looked at the rocks and water, then drew back, incapable of conquering her agitation.

"I fear vertigo," she said. "I am sure I should fall."

She added, with manifest regret:

"Go, go alone. You're not afraid?"

"No. But what will you do?"

"I will sit down in the shade and wait for you."

She added again, with hesitation, as if to try and retain him:

"But why do you go there?"

"I'm going. I'm curious to see."

She seemed sorry not to be able to follow him, vexed at letting him go to a place which she could not reach herself; and what seemed to chagrin and vex her was, not only having to renounce a curiosity and pleasure, but also some other cause, not distinct. What made her suffer, also, was the temporary obstacle that was about to be interposed between her lover and herself, that obstacle over which she was powerless to climb.

So essential had become the necessity of holding her lover always attached to her by a sensible bond, to be with him in uninterrupted contact, to dominate him, to possess him!

She said, a scarcely perceptible note of anger in her voice:

"Go, go along."

George became cognizant of a sentiment in himself that contrasted with the instinctive sentiment of Hippolyte; it was a sort of relief to establish beyond doubt that there was a place where Hippolyte could not follow him, a refuge completely inaccessible to the Enemy, a retreat defended by the rocks and by the sea where he could at last find a few hours of real repose. And these two impressions of their souls, although indistinct and even somewhat puerile, but certainly opposed, demonstrated the actual position of the lovers toward one another: the one, a conscious victim destined to perish; the other, an unconscious and caressing executioner.

"I'll go," said George, with a shade of provocation in his voice and attitude. "Good-by."

Although he did not feel sure of himself, he refused the child's assistance, and was very careful to take bold and sure steps, not to hesitate, not to vacillate on the shaking plank. As soon as he had put foot on the wider part, he hastened his steps, still preoccupied by Hippolyte's look, instinctively giving to his efforts the heat of a hostile reaction. When he trod the planks of the platform, he felt the illusory sensation of finding himself on the bridge of a ship. In one second, the freshness of the short, splashing sea that broke on the rocks revived in his memory certain fragments of the life that he had lived on the Don Juan; and he felt through all his being a sudden thrill at the chimerical idea of raising the anchor.

Immediately after, his gaze was attracted to the surrounding objects, the slightest details of which he remarked with his usual lucidity.

Turchino had saluted him abruptly, with a gesture that neither word nor smile softened, as if no event whatever, however unusual and extraordinary it might be, would have the power to interrupt even for a second the terrible preoccupation that appeared on his terrene face, almost chinless, scarcely larger than a fist, with a long, prominent nose, pointed like the snout of a pike, between two small, glittering eyes.

The same preoccupation was legible in the faces of his two sons, who also saluted in silence, and resumed their work without laying aside their immutable sadness. They were boys of over twenty, fleshless, sunburnt, agitated by a continual muscular restlessness, like demoniacs. All their movements had an air of convulsive contraction, of starts; and beneath the skin of their chinless faces the muscles could be seen, at moments, trembling.

"Is the fishing good?" asked George, pointing to the large, immerged net, whose corners could be seen at the surface of the water.

"Nothing to-day, signor," murmured Turchino, in a tone of suppressed anger.

After a pause, he added:

"Who knows? Perhaps you've brought us good luck."

"Draw up the net. Let's see."

His sons began to manoeuvre the capstan.

Through the interstices of the planks could be seen the reflecting and foaming waves. In a corner of the platform stood a low cabin with a straw roof, the summit of which had a layer of red tiles, and decorated with a piece of sculptured oak in the form of a bull's head with two large, connecting horns--a charm against witchcraft. Other amulets were suspended from the roof, mingled with wooden disks, on which were glued with pitch pieces of mirror, round as eyes; and a bunch of four-pronged rusty forks lay before the low door. To right and left, two large vertical masts were erected, fixed on the rock, fastened at their bases by stakes of all dimensions, that intercrossed and mingled, riveted to one another by enormous nails, bound by iron wire and cordage, strengthened in a thousand ways against the rage of the sea. Two other horizontal masts crossed the first two and stretched out like bowsprits beyond the rocks, over the deep water teeming with fish. At the forked extremities of the four masts hung pulleys provided with cords corresponding to the corners of the square net. Other cords passed through other pulleys, at the end of smaller spars; as far a the most distant rocks, the stakes driven in sustained the re-enforced cables; innumerable planks, nailed on the beams, strengthened the weakest points. The long and obstinate struggle against the fury and treacherousness of the waves was as if written on this enormous carcass by means of these knots, these nails, this machinery. The machine seemed to have a life of its own, to have the air and figure of an animated body. The wood, exposed for years to sun, rain, and tempest, showed all its fibres, exhibited all its rugosities and knottiness, revealed every part of its resistant structure, was denuded, was consumed, was white like a tibia, or shining like silver, or grayish like silex, acquired a special character and significance, an imprint just as distinct as that of a person on whom old age and suffering have achieved their cruel work.

The capstan creaked as it turned by the impulsion of the four bars, and the whole machine trembled and creaked under the effort, while the vast net gradually emerged with golden reflections from the green depth.

"Nothing!" grumbled the father, on seeing the empty bottom of the net rise to the surface of the water.

The sons released the bars together, and with still louder creakings the capstan began to turn, beating the air with its four brutish arms, that could have cut a man in twain. The net replunged into the water. All were silent. In the silence was heard only the breaking of the sea against the rocks.

The weight of witchcraft crushed these miserable lives. George had lost all curiosity to question them, to discover, to know; but he felt that this taciturn and tragic company would soon possess for him the attraction of dolorous affinity. Was he not, too, the victim of a malefice? And he looked instinctively toward the beach, where appeared the figure of the woman outlined against a rock.

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