Part 15

The Oriental ideas about the use of the sword differ so completely from those of Western peoples that they may be briefly referred to. In Europe, the sword has generally been used for a trenchant cut, though the employment of the point has also been cultivated by some nations, especially among the higher ranks. About the only army in history that has used the point alone was that of Rome. The legionaries did little or no cutting, and this was the more remarkable because the Roman broadsword was a very short weapon, and all modern experience has seemed to point out that, if a sword is to be principally used for pointing, it must be of more than ordinary length. But, in the East, the trenchant cut, depending for its effect on the weight and power with which it is delivered, has never found favour, and the use of the point has equally been of very small consideration. The Oriental swordsman has always made use of what may be called a drawing cut, placing against the object that he wishes to sever the edge of his weapon, and either pulling it towards him or pushing it away from him, preferably the latter. The action is not, of course, in itself so instantaneous as that of the trenchant cut, but the whole time consumed by the swordsman is no longer in one case than the other, and may even possibly be shorter, for there is no preliminary swing of the arm and the drawing cut can be delivered without leaving a position of defence. The curved shape of most Oriental sword blades has been adopted for the purpose of giving the greatest effect to the drawing cut, as will be apparent to any one who considers the matter, for the curve naturally follows the action in the most complete manner, the keen edge being in contact with its object throughout the whole length of its blade. How deep an Oriental sword could bite in the hands of a skilful man, when used in the way that has been described, has been proved from time immemorial. On the battlefield it was no unfrequent circumstance to see heads and limbs cut clean off, and the wounds were generally of a terrible character. So well known was the deadly power of the Indian sword that, in our Eastern wars, precaution were often taken by our soldiers to protect with chains the shoulder and forearms (the places at which the enemy most often struck), and this modified form of armour may still be seen in the shoulder chains on one of the many patterns of service coat that have been issued to our cavalry in recent years.

Among the most popular feats of swordsmanship that are to be seen even to-day in the East are those that Saladin exhibited to Richard Cœur de Lion, cutting in two a down cushion or severing a floating veil—feats absolutely impossible of execution with a European sabre—and these are done, with many variations, not only dismounted but on horseback at full speed. Then there is the well-known performance of cutting a dead sheep in two. The sheep is hung by its hind-legs from the arm of a sort of gallows, and the swordsman, galloping past, delivers a back cut at it, aiming between the ribs and the haunch, and seldom failing to sever it. This feat, as it is now generally performed, is not so difficult as it may appear from description, for the carcase is skinned, and the backbone, with the slenderest portion of the body, offer really small resistance to a keen blade. But it is understood that, in olden days, it was not usual to skin the sheep, and the presence of skin and wool must then have made the swordsman’s task hard indeed. Many English officers have, with fair success, tried to cut a sheep in two, but, even though they used the curved Eastern sword, they always seemed to perform the feat by main force, and not by the proper use of the drawing cut, and I have in my possession a tulwar with a notch in the blade, showing where, in the hands of a very powerful man, it rent a sheep’s backbone. If a native had handled the weapon no such accident could have happened, for the drawing cut, depending only on the keen edge and the way in which it is applied, could not possibly have chipped the blade, no sudden shock being given by it to the highly-tempered steel. Lemoncutting, which is now often seen in England, was introduced from India, and here again neatness of performance is much more likely to be attained by the drawing cut than by the swashing blow employed by so many of our cavalrymen. True, the swords generally available for our competitions at home are hardly ever sharp enough to be used in the best way, and indeed the clumsy weapon now issued to English soldiers, with its absurd steel scabbard that quickly blunts a keen edge, is ill adapted for any practical purpose whatever.

So far, I have only talked about the most common and characteristic swords of India, which, with many minor distinctions and under the names of _Tulwar_, _Selappa_, _Tegha_, &c., &c., are found everywhere from Cape Comorin to the Himalayas, but there are several other swords, completely different, which are peculiar to individual tribes or nations among the vast congeries of races united under British rule or influence. First, the long, straight, double-edged blade, fitted into a gauntlet hilt which, though found in the north and south of India, is best known in the Punjab, where the Sikhs, in their sword play, still practise its use. The generic name of this sword is _Pata_, and it is said to have been the principal weapon used by the cavalry of the Great Mogul. To a European eye, it certainly appears a somewhat unwieldy weapon and ill-adapted to the purposes of a mounted man. Its blade is over three feet long, and it is fixed in a handle made like a plate mail gauntlet, which covers the arm nearly as far as the elbow. On account of its peculiar hilt, this sword is not manipulated like others from the wrist, but from the elbow; and, as far as I know, it is the only weapon known in the world which does not in some degree demand flexibility of wrist. Unlike the curved _Tulwar_, which has a rigid and rather narrow blade, the blade of the _Pata_ is broad and flexible, and I have one specimen before me in which the point will almost meet the hilt. The qualities of steel from which the two kinds of swords are made are in this respect very different, but they are alike in that both can take the finest of edges. And all Eastern swords have this also in common, that all have wooden or leather sheaths, so that no risk is run that the edge of the blade shall ever be dulled from want of care. To-day, the _Pata_ is never carried by Indian princes or nobles, even on occasions of state and ceremony, and it is never seen in the hands of anybody except the professional swordsmen, who give exhibitions of their skill at the great fairs and at Mohammedan or Hindoo festivals, such as the _Mohurrum_ or the _Dussera_. The performances of any one of these men are wonderful. He will show the keenness of his weapon and his command of its weight by cutting in two a leaf laid flat on the outstretched palm of a friend, or by severing a cloth hanging loose in the air. He will then squat down on his hams and will slice from side to side a small nut, which is tossed on to the flat ground in front of him. He will grasp a sword in each hand and, so armed, will spring from his feet and throw somersaults backwards and forwards. Again, with sword and shield in his hands, he will leap head foremost through the stretched-out loop of a rope, held by two men at the height of their heads, as a circus-rider leaps through a paper hoop, and alight safely on his feet. These exhibitions are extremely popular, and the harvest of small change collected by the plucky athlete from the crowd of gaping spectators must do something to prevent the knowledge of the old sword-play from dying out. I have never seen or heard of a European essaying to handle the _Pata_, and, indeed, I have seldom seen a _Pata_ whose gauntlet hilt would admit the grasp of even a small European hand.

Another straight-bladed and double-edged sword is the _Khanda_ of the Rajput, and as the Rajputs are the most long-descended, chivalrous, and warlike of all the nations in India, so was the _Khanda_ held in the highest honour and reverence, so was it worshipped yearly at the festival of the _Karga S’hapna_ as a symbol of _Heri_, the god of battle, and so was an oath sworn upon it the most binding of compacts. Even to-day the _Khanda_, or indeed any sword, is recognised as an offering showing the profoundest homage and the strictest fidelity, by the universal Indian custom of presenting the hilt to a superior, who touches it in acknowledgment of the implied loyalty. The _Khanda_, like the _Pata_, is made of flexible steel of various degrees of excellence, though all blades are of the most reliable description. A rough test may be given, by which the merit of any particular straight blade may be approximately gauged. If it has one groove running down its length, it is good; if it has two, it is better, and if it has three, it is of special worth. Sometimes the _Khanda_ has a long iron spike projecting from the hilt, and this was probably for the purpose of using the sword double-handed in case of need, and it could possibly also serve as an additional weapon in a close _mêlée_. It is to be remarked that, in using the _Pata_, _Khanda_, and other straight swords, the drawing cut is still the favourite, though the form of the blade involves that it must be somewhat modified.

Pass we to a class of swords which demand special remark, on account of their appropriateness to the districts in which they have originated, and of these there are two especially which attract our notice as being essentially the same in character, though they differ somewhat in shape. The _Kukri_, the national weapon of Nepal, is only eighteen or nineteen inches in total length, and has a blade of bright steel, incurved, heavy, and widening towards the point. It has more the qualities of a good billhook than anything else, and it was no doubt originally devised to do duty as a billhook as much as for fighting purposes, for the Gorkha had to clear his way through the thickly growing vegetation of the Terai forests. I have often lent to my shikaris, when shooting in the Western Ghauts, a _Kukri_ for use in the jungle, and it always proved invaluable. What a handy tool it is in the grasp of its true proprietor, the Gorkha, is well known—how formidable it is as a weapon, those who have been in action with our Gorkha battalions can emphatically testify, and this can be the more clearly realised when it is told that, with his _Kukri_, the Gorkha can strike off the head of a bullock at one blow.

Like the Gorkha _Kukri_, the _Ayda Katti_, the big knife of the Coorg mountaineer, derives its shape from the daily requirements of life in dense jungles. The heavy monsoon clouds which, in their course, first meet and void their moisture on the hilly west coast of India, nourish an extraordinarily luxuriant vegetation, and the tribesmen there found the constant want of an implement to cut a path through the lush bamboos and creepers. The Coorg knife is about the same size as the _Kukri_, but is wider and heavier. It has also an incurved blade, and is equally useful for all the services of peace. The men of Coorg have had no recent experience of war, but legend tells that, sword in hand, they were in old days dreaded for their prowess in battle. The army of Hyder Ali found the Nairs (Coorg tribesmen) the most redoubtable opponents that it had to deal with before it had the ill-fortune to be marched against British battalions. The Coorg knife has the peculiarity that it alone, of all varieties of swords, never has a sheath. It is so constantly required on the west coast that it is generally carried in the hand ready for immediate use. When, of necessity, it is put aside, it is carried, still with the blade uncovered, slung across the owner’s hips.

No record of Indian swords would be complete without some mention of the _Salawar Yataghan_, the Khyber or Afghan knife, though perhaps it more properly belongs to the frontier. This is the weapon that in the hands of the Ghazis, drunk with bhang and lust of slaughter, has, in the

## actions on the North-West Frontier, done such stern work, and has also

been signalised as the terrible instrument with which the wounded, who fell into Afghan hands, have ever been bloodily dispatched and mutilated. It has a broad, heavy, single-edged, straight-backed blade with a sharp point, and is so balanced that its trenchant cut is weighty indeed.

The Afghan gives no drawing cut with his _Yataghan_, but cuts like a European and, on occasion, uses the point. The weapon seems to be especially devised for the use of desperate men who wish to kill, without any thought of protecting themselves, for its handle being absolutely plain and unguarded like that of an ordinary carving knife, it can never be used effectively for warding a blow or parrying a thrust. The blade is generally about two feet and two or three inches long, and, made of bright steel, seems to derive its strength from its proportions and its thickness rather than from high temper. The _Salawar Yataghan_ cannot be classed as a weapon adapted to any of the scientific niceties of swordsmanship, but must be thought of rather as a murderous knife, fit alone for purposes of slaughter.

There are other forms of swords to be found on the frontiers of India, the Burmese _Dha_, the Malay _Kris_, &c., &c., but none of them have any special merit as warlike weapons, and they are really almost impotent for attack or defence when opposed to the more well-considered weapons of more cultivated peoples. All of them have their limitations of value; they can inflict injury, but from their form they are essentially feeble in defence.

It was natural that swords, in their hilts, their blades and their sheaths, should, from the variety and general elegance of their shapes, have been the basis of ornament to a very great extent. The Monarch, the great Prince, or the warlike leader of men has, if he allowed himself ornament at all (and here be it remarked that the most potent individuals have almost always been remarkable for their personal simplicity), generally lavished such ornament upon his sword, the emblem of his power. And when he sent a gift to a brother potentate, or a man whom he delighted to honour, it was not infrequently a sword of the most perfect quality, adorned with jewels and workmanship of notable value. The ornamentation of swords gives to us a strongly-marked and trustworthy indication of the religion and often of the nationality of the men who fashioned them. There is as much difference between the artistic ideas of the north and south of India as there is between the delicate and graceful architecture of the great Mohammedan shrines and palaces, and the heavy, massive and sometimes grotesque construction of the old Hindoo temples. To enter into all the peculiarities of ornament would take too long, but it may shortly be said that, bearing in mind that it is contrary to the Prophets’ law to reproduce the similitude of any living thing, a sword ornamented with delicate tracery and a floral pattern may generally be supposed to come from a Mohammedan race in the North, while one bearing representations of men, beasts or birds, has probably been made in the Brahminical South.

All kinds of materials have been used in ornamenting swords. Besides precious jewels, gold and silver, a place has been found for Jaipur enamel, Koftgari work, Bidri work, &c., &c., and all means have been taken to add to artistic beauty, contrast of colour and intrinsic value. If any one would see how rich is the effect thus produced, let him take an opportunity of visiting one of our great national collections, those places full of articles worthy to be “stored in some treasure-house of mighty kings.”

There is one most invaluable quality in which all Eastern swords are well-nigh perfect. They are all most admirably balanced and can all be most effectively employed with the minimum of personal exertion. To appreciate this transcendent quality at its proper value, it is only necessary to handle an English cavalry sword, which is as much lacking in true balance as any Indian sword possesses that most essential character. The West has still some lessons to learn from the immemorial East.

To talk of the swords only of India has exhausted all my space, and yet but a very meagre sketch has been accomplished. Perhaps what has been written may, however, induce some reader to make an exhaustive study of the subject. He would surely be rewarded by learning much that is of the highest artistic, historical and practical value.

The other weapons of India, and there are many, are of nearly, if not quite, equal interest. Perhaps I may some day be allowed to say something about them.

What Next?

Any one who has wielded his pen with the independence which you, Mr. Editor, have permitted me to practise must expect criticism, nor should he turn a deaf ear to it. Critics, friendly or otherwise, have passed judgment on my Christmas dream of sport, my hazy forecast of its future, and some have thrown at me the pertinent query of, “What next would you have us believe, ‘you veiled old prophet of Khorassan’?” My only answer to-day is that of the sucking dove. “Wait and see.”

In this new year I do not stand alone when the momentous question is passed round of “What next?” among sportsmen, politicians, and populations. Hard nuts to crack there are on every side, and we envy not the jaws whose lot it is to deal with some of them.

Sportsmen, however, are for the most part content to sail with the breeze—contrary winds are troublesome, and they do not like losing sight of old landmarks, albeit in times like the present they are being wafted farther and farther away from them. This their compass, if they will only stop to consult it, must tell them only too truly. Ought they to put back into harbour, or boldly dash on towards other coasts and new scenes, of which it may profit them to know more? Does it not behove them to live and learn in a wider sphere of life than when they started on their life’s voyage; and, as politicians would put it, to think Imperially, even of their sports?

Thus they must ere long come to see that in the unison of ideas, the blending of nationalities, and the gradual bridging over of our insular position, we are fated to learn, however unwillingly, that the past and the future stand in an entirely different relation to one another than they have been wont to do.

Sportsmen, I would appeal to you. Is it not in your inmost hearts a question of what next all round the country? It was, perhaps, a bold stroke on my part to advocate even the partial extinction of the

## bookmakers, the reform of the Jockey Club, and the use of the Totaliser,

or _pari-mutuel_, so strongly as I did last month; yet common-sense, expediency and profit seem to put this in the forefront of reforms on the Turf in reply to the question which heads this article. Our object-lesson on this subject is, undoubtedly, France, where, since September last, the bookmaker as such has been totally excluded, and we are indebted to a very lucid and exhaustive letter from a French backer, in the _Sporting Times_, for a knowledge of the results of its first two months’ working. He tells us that, taking the race meetings of Longchamps, Maison-la-Flite, Chantilly, Auteuil, Colombus, St. Ouen, St. Cloud, Compiegne and Enghien, the sum of 5,927,318 francs (£237,092) more were taken at the _mutuel_ than in 1904, the total takings from September 3rd to November 13th, 1905, being 66,917,515 francs (£2,676,700), against, in 1904, 55,787,910 francs (£2,231,516), showing an increase of over eleven million francs. It follows that the deduction of 8 per cent., which is made for the benefit of horse-breeding, agriculture and the poor of France, has brought an increase of 890,368 francs (£35,612)!

If the same ratio of increased receipts is maintained through next year’s racing, the Societé des Courses alone will secure as its share of the profit about one million two hundred thousand francs! Stubborn facts these, which even the most inveterate Radical voter may take to heart in choosing his candidate for whom to vote, although for this election at least all votes will have been cast ere this article is published. If it were possible to gauge the probable receipts in the United Kingdom of the Totaliser as compared with France, we believe that the figures would considerably exceed those of France, seeing that the stakes annually run for in the United Kingdom, including steeplechasing and hurdle-racing, amount to not far short of a million pounds, and that race-meetings in this country are more widely distributed than in France. I am below the mark in calculating that at least ten times the stakes are made in bets, from which the deduction of 8 per cent, would produce a sum of eight hundred thousand a year.

What would the poor, the sick and the honest unemployed give for a dole out of this fund?

What would oppressed agriculture, unendowed horse-breeding, or the poor Royal Agricultural Society, say to the chance of a dip into this lucky bag? In almost every other country besides our own where racing flourishes, such an opportunity of effecting an economic reform, without increasing taxation, or interfering with vested interests, has been hailed with delight. In fact, we stand alone as a civilised nation in our abstention from its adoption, yet we have not, as it would seem, the motive power. If our conscientious objectors could but be made to see that by its adoption the worst features of our gambling pursuits would be checked, if not abolished, and that true sport in all its branches would thrive under its _ægis_, perhaps our legislature would throw no obstacles in its way. Perhaps then our Jockey Club, always so slow to lead the way, would throw off their _vis inertia_ and become its disciples?

Perhaps, however, this important question may remain buried in the lap of the future, unless public attention is called to it ever and again with increasing vehemence, and we are able to see more clearly the bane of our insular position, and the false pride which blinds and prejudices us.