Part 9

The numbers were all marked in their right colours with roulette pencils on little cards, or in well-kept notebooks by the players. Every one knew what had "come out" at the table for many past coups.

"If you'll back twenty-four again, I'll go on it, too," said, in English, a young man in the chair at Mary's right. He was a brown, well-groomed, clean-shaven youth, whose hair was so light that it looked straw-coloured in contrast with his sunburnt skin. "It's _en chaleur_, as they say of numbers when they keep coming up. It may come a third time running. I've seen it happen. Five repetitions is the record. What do you say?"

"I meant to play twenty-four again, anyway," Mary answered, with the peculiar soft obstinacy which had opened the gates of Saint Ursula-of-the-Lake and brought her to Monte Carlo.

"You are plucky!"

"This time, surely, I've money enough for maximums on everything," Mary said to the Frenchwoman behind her, who was now becoming superstitious concerning the luck of her _petite dinde_.

Without protest, Madame d'Ambre selected from the piles of gold and notes now ranged in front of Mary the stakes indicated, and, with a hand not quite steady, placed those within her reach. The neighbouring croupier, faintly smiling, obligingly did the rest, noting without surprise that many players were sportingly, yet timidly, risking fat five-franc pieces on the amateur's number. It was the sort of thing they generally did, the _imbeciles_, when a player was having a sensational run of luck. But certainly there was something magnetic and fatal about this pretty young woman, who was new to the game and the place, something curiously inspiring. Not only he as well as the gamblers felt it, but the croupier at the wheel. The spinner felt in his bones that whether he wished it or not he was certain to spin a third twenty-four.

A round of applause went up from perhaps fifty pairs of hands when the ball was seen to lie once more in the pocket numbered 24. Mary, realizing that the applause was meant for her, felt like a spirit released from its body. She was a goddess on a pinnacle. This was life: the wine of life. It was not the money she thought of. All the gold and paper which had suddenly become hers was nothing in itself, but what it represented was victory extending over the forces of nature. This mysterious game, whose next turn none could foretell, seemed to be yielding its secret to her. She had the conviction that Something was telling her what to do, what would happen with the spin of the wheel. It would be madness and a kind of vile ingratitude to stop now, while the Something was there.

Hearing the applause, which meant a coup of uncommon interest, people came hurrying from every direction, some even running, with a peculiar step which kept them from slipping on the polished floor. Many had learned this from long practice in running in with the early gamblers at the morning opening of the Casino, when it is "first come, first served," at the chairs.

Those who had been watching the play at other tables, or those who had been losing, joined the rush.

"What is she going to do now, _cette petite sorcière_?" was the question. Hearing it, Mary was flattered to a higher pitch of excitement and self-confidence. She must, she must do something to justify everybody's expectation. The Casino was hers, and there was no world outside--nothing but this magic place of golden light and golden coins.

"What next?" inquired Madame d'Ambre, late mentor, now courtier.

"I'll do whatever you do," said the brown young man, who was English or American.

She looked at the disc as a seeress looks at a crystal. The spinner had his hand on the cross-piece of metal which turns the wheel.

"What does that 0 mean, on the little brown square between the red and black numbers?" she asked her neighbour gravely.

"That's what they call 'zero.' You can bet on it like any number; but when it comes, if you're not on it, all your stakes go--biff!--except on the simple chances, when you are put in 'prison,' or else you can take back half. Lots of people like zero better than anything, because they think the croupiers try to spin it, for the good of the bank. It's called _l'ami de la maison_."

"How nice and friendly," said Mary. "I'll put money on zero. What's the maximum?"

"The same as on the other numbers _en plein_: nine louis."

"Then I'll have that on zero," said Mary.

Many players followed her lead, and every one was calling out "zero" and pushing or throwing coins to the croupiers to be staked on that chance.

"Zero!"

Mary was paid nine times thirty-five louis, six thousand three hundred francs, and the others who, superstitiously following her lead, had risked five-franc pieces and louis on _l'ami de la maison_, shared her luck in different degrees.

"Zero once more, please, Madame," said Mary to her companion.

"But no! impossible! It will be something else."

"Perhaps. Still--I will try."

She was right. Zero came again, followed by louder rounds of applause. By this time the whole Casino knew what was going on. A glorified amateur, an English girl, was winning maximums on numbers again and again, in succession, at the table nearest the wall-portrait of the architect, in the Salle Schmidt. Non-players or discouraged losers bore down upon the "architect's table," running even from the distant trente-et-quarante room.

The story sounded rather like a fairy tale, but the enormous crowd round the centre of interest, and the comparatively slack business being done at other tables, proved its truth. None of the newcomers, even the tallest, could see, but they could hear, and they could feel the thrill from the inner circle.

"And now, Mademoiselle? What will you do? Remember, your luck can't go on forever," murmured Madame d'Ambre, anxious to divide the spoil, which might yet vanish like fairy gold.

"I--I will take twenty-four again, and everything round it."

Many players who had money left, and could reach to put on their stakes, also chose twenty-four. And twenty-four came up. This was historic! No one but the Grand Duke Michael and the few famous punters of the world had such persistent and consecutive luck.

A chef de table in a high chair stood up and unobtrusively beckoned a footman hovering on the far fringe of the crowd. Three minutes later, with equal unobtrusiveness, more money was brought, lest the supply of the table should run low. Few noticed, or knew that anything unusual had happened, with the exception of the play; but Madame d'Ambre had been hoping for and expecting something of the sort.

"They are afraid you will break the bank," she said, in a stage-whisper not meant to be wasted. Those near her who understood French glanced up quickly. Croupiers smiled and said nothing. A murmur went round the table, and flowed like the rippling circles from a stone dropped in a pond, to the crowd which ringed it in.

"What do you mean?" asked Mary.

"Oh, the bank does not really break! They do not even stop play in these days. But they send for more money lest it be needed. Ah, the colossal compliment!"

The pride in Mary's heart was like a stab of pain, almost unbearable in its intensity. But suddenly, as if the current of her thought had been broken, her inspiration seemed gone. The Something was no longer there, telling her where to stake. She wished to play again, but felt at sea, without a rudder. Her unconscious vanity rebelled against risking loss at this table of which she had been the queen, the idol.

She rose, pale and suddenly tired. "I won't play any more," she said, in a little voice, like a child's.

"Oh, why?" asked the young man with the straw-coloured hair.

"I don't know why," she answered. "Only I don't want to."

"Your money!" exclaimed Madame d'Ambre. "We must have all the gold put into _mille_ notes, or you cannot carry it."

For an instant Mary had forgotten the money and the necessity of taking it away, but Madame d'Ambre, who had now firmly identified her own interests with those of her protégée, attended to the practical duties of the partnership. She was somewhat disagreeably conscious that the young man's eyes were fixed upon her as she collected her friend's enormous winnings. As people made way for the Frenchwoman and her starlike companion to pass, this man gathered up his small store of gold and silver, and followed. On the outskirts of the crowd stood the Dauntreys and their party. Mary and Madame d'Ambre passed close to them, but the heroine of the moment was too intensely excited to recognize any one. She walked as if on air, her hands full of notes, some of which she was stuffing into her gold-beaded bag.

"Why, it's the girl in the train who said she was going to Florence," exclaimed Dodo Wardropp. "Can she be the one who's made the sensation?"

"Yes, it's she," said Lady Dauntrey. "See how they're looking at her, and pointing her out. I wonder if it's true she's won thousands of pounds?"

No one answered. Lord Dauntrey had slipped quietly away from the others, and found a place at a table near enough to play over some one's head. This was the first time he had found a chance to test his new system, except on the toy roulette wheel. He began staking five-franc pieces, and writing down notes in a small book. The bored look was burned out of his weary eyes. They brightened, and a more healthful colour slowly drove away his unnatural paleness.

The others, who had been playing in the new rooms, did not follow or look for him. They stared at every one who seemed worth staring at. The two Americans and Dodo expected Lady Dauntrey to know everybody. It was for this, partly, that they were paying large sums to her, and they felt a depressed need of getting their money's worth. So far the arrangements for their comfort at the Villa Bella Vista were disappointing. Still, two young men of title were there, and that was something, although one of them was only an Austrian count, and the other no better than a baronet. But Lord Dauntrey promised for to-morrow morning Dom Ferdinand de Trevanna, the Pretender to an historic throne.

Dodo, according to Miss Collis, had "grabbed" the English baronet, and left her only the Austrian count, who looked younger than any man could really be, and had a wasp-waist which, when he bowed--as he did irritatingly often--seemed liable to snap in two. It was if anything more slender than her own, and she disliked him for it. Lady Dauntrey had Mrs. Collis on her hands, and looked sombrely discontented. But she waked up at sight of Mary. The long, pale eyes between black fringes followed the blue and silver-gold figure with silent interest. Then the handsome face became subtle and greedy.

As Mary was piloted outside the crowd by Madame d'Ambre, four young women separated themselves hastily from the group round the table, and bore down upon the pair. They were young, or else clinging desperately to the ragged edges of their youth, and all four were dressed in clothes which had been beautiful. They knew Madame d'Ambre, knew her very well indeed, for they called her "Madeleine" or "Chère Lena." Nevertheless, she did not appear pleased to see them.

"Bon soir, mes amies," she said evasively, and would have passed on, but, laughingly, they stopped her. One, who had a marvellous complexion, large black eyes, and bright golden hair, exclaimed, with a charming Parisian accent, that they could not let their Madeleine leave them like that. They had been waiting to congratulate her friend.

"We pray that thou wilt introduce us, dear one," the spokeswoman suggested. "Surely Mademoiselle wishes to add to her happiness by making others happy?" She turned a swimming gaze upon Mary. "Figure to yourself, Mademoiselle; we are unlucky; four companions in misery. It is our bad luck which has united us. Our jewels are all pawned. Not one of us has eaten anything since the first _déjeuner_. And we have a hunger!"

Mary stared, disconcerted by this tale of misfortune suddenly flung at her head, and scarcely sure if it were not a practical joke. The four young women were so charmingly dressed, their hair was so carefully waved, their complexions so pink and white, that it was impossible to believe in their poverty. Besides, they could evidently afford perfume, so luscious that it must be expensive. Mary thought that they smelled very good; then, a little too good; then, far, far too good, and at last almost unbearable.

"You are joking," she said, timidly.

"Indeed we are not," replied another of the group, a red-haired girl with brown, almond-shaped eyes. "We so hope that you will be an angel, and invite us all to supper."

"What nonsense, Clotilde!" exclaimed Madame d'Ambre. "We have already an engagement for supper."

"Ah, then surely, Mademoiselle, you will share your luck with us in some way? Otherwise, you can't hope to keep it."

"I should be glad to share it," Mary said, warmly. "What can I do?"

The red-haired lady broke into gestures. "She who has won a fortune asks us who have nothing what she can do for us? How she is amusing, this pretty English one!"

"Would you--might I--that is----" Mary began to stammer.

"We would--you might!" Clotilde finished for her, laughing.

"I wonder you have not more pride!" Madame d'Ambre reproached the four, her white-rose cheeks flushing with annoyance.

"Pride does not buy us supper, or new hats," the girl with golden hair reminded her.

"Oh, please take these, and do whatever you like with them," Mary said hastily, her voice quivering with shyness and compassion. She began dealing out her thousand-franc notes, and did not stop until she had given one to each of the four.

It was at this moment that Prince Giovanni Della Robbia, unable to resist his desire to follow Mary to the Casino, came within sight of her. This was the picture he saw: the strikingly dressed girl, bright-eyed, carmine-cheeked, feverishly distributing notes to a crowd of young women more showily dressed than herself.

He turned away instantly, chilled and disgusted.

IX

Others were less fastidious than Vanno.

The calm-faced man with black pads over the left eye and ear joined Madame d'Ambre, with a lazy yet determined air, and a glance of interest at Mary. Seeing the brown youth who had been at her table, the elder man nodded to him. This gave Mary's late neighbour an excuse which he had wanted. He stopped, and held out his hand. "How are you, Captain Hannaford?" he asked.

"Hullo, Carleton!" returned the other. "Here for the Nice flying week?"

"Yes," said Carleton, who, beside Hannaford the Englishman, showed by contrast his American origin. His chin was all that Peter had said an American's chin ought to be, and he had keen, brilliant blue eyes. Hannaford, though taller than he, was stouter as well as older, and therefore appeared less tall. He was of a more stolid type, and it seemed incredible that such an adventure as that sketched by Madame d'Ambre could approach such a man. Yet for once, gossip and truth were one. The thing had happened. Hannaford had lately retired from the army, after being stationed for two years in Egypt. For months he had lingered aimlessly in Monte Carlo. Life seemed over for him. But time remained, and must be killed, unless he preferred to kill himself. He had met Dick Carleton in Egypt last year, where the youngest American aeronaut was making experiments with a new monoplane in a convenient tract of desert. At that time Captain Hannaford had not worn the little black silk pads. He was grateful to the American for not seeming to look at them now.

"I'm here for the flying, with a hydro-aeroplane I'm rather proud of," Carleton went on, "but I'm not staying at Monte. I'm visiting Jim Schuyler, at his place between here and Cabbé-Roquebrune. Lovely place it is. No wonder he never bothers with the Casino, except for concerts and opera. Have you met him?"

"No. But I know him by name, of course. The names of these American millionaires are all-pervading, like microbes. Why does he pitch his tent on the threshold of Monte, if not for the Casino?"

"He says lots of people live about here who never play: and there are other attractions. He has all the gambling he wants in Wall Street: comes here for beauty and music. He gets plenty of both; doesn't go in for society any more than for roulette, but seems to enjoy himself, the two or three months he does the hermit act in his gorgeous garden. He's at the opera to-night. Motored me over. We'll meet, and go back together to Stellamare. Meanwhile----"

"Meanwhile, I rather guess, as you'd say, that you'd like to meet my charming--er--acquaintance, and her friend."

"I _never_ say 'guess,' nor does anybody else, except in books or plays, but I should like to meet the ladies."

"Madame d'Ambre is so busy regretting she didn't get smaller change for her _protégée's_ unforeseen charities that she's forgotten us. I was watching the fun at your table, toward the last."

At the sound of her name, the Frenchwoman turned. Four thousand francs was gone forever, but there was as little use in wailing over money wasted as in crying for spilt milk, so she smiled her pathetic, turned-down smile at Captain Hannaford, and looked wistfully at Dick Carleton. Then quickly, lest further irrevocable things should happen, she laid her hand on Mary's arm. It was a gloved hand, and the glove had been mended many times. Soon, it must be thrown away; but perhaps that need not matter now. There might be a path leading to new gloves and other things. She introduced Captain Hannaford to Mademoiselle Grant, and he in turn introduced "Mr. Richard Carleton, the well-known airman," to them both. Madeleine could speak a little English, but with difficulty, and preferred French. Still, it would have been unwise to tell secrets in English when she was near.

Seeing that she had no intention of passing on the introduction, Clotilde et Cie. retired gracefully, each of the four a thousand francs richer and a thousand times happier than she had been five minutes before.

"What about supper?" said Hannaford. "Gambling always makes me hungry. I'm in luck to-night. Won't you three be my guests at Ciro's?"

"You are always in luck nowadays," sighed Madame d'Ambre. A shadow seemed to pass over the stolid face of the man, but she did not see it. "Naturally we accept the kind invitation, is it not so, dear Mademoiselle?"

"I must be at Ciro's anyhow, about midnight," said Carleton, "for Schuyler asked me to meet him there for a Welsh rabbit after the opera. But I'll be delighted to go over and sit with you till he comes." He had the pleasant drawl of a Southerner.

"Oh, you're very, very kind," stammered Mary. "But I"--she hesitated, and glanced appealingly at Madame d'Ambre--"I think it's rather late, and I shall have to go home."

"Home?" echoed Hannaford, questioningly.

"My hotel," she explained.

As Madame d'Ambre drew her friend aside for a murmur of advice, the two men looked at each other, Carleton puzzled, Hannaford with raised eyebrows. "I think they're both charming," the American remarked in a low voice. "That little Madame d'Ambre isn't nearly as pretty as Miss Grant, but she's fetching, and looks a bit down on her luck, as if she'd had trouble."

"Perhaps she has," said Hannaford.

"But, dear Mademoiselle," Madeleine was pleading at a little distance, "why won't you go to supper? Do! It would be so pleasant. I have so little happiness; and this would at least give me an hour of distraction."

"You can go without me," said Mary. "Captain Hannaford is your friend, isn't he?"

"Ah, I see! The sight of the poor afflicted man disgusts you. If you refuse, he will know why. It will be ungracious--cruel."

"Don't say that," Mary implored, much distressed. "I wouldn't hurt his feelings for the world. It's true I _can't_ bear to look at him, though he hasn't a bad face. But it isn't only that. I could try to get over it. The other reason is, I never met him or Mr. Carleton before, and--and I don't know anything about society, or what is done; but I have a sort of feeling----"

"Mais mon Dieu!" murmured Madame d'Ambre. "Quelle petite sotte! No matter. It is a pretty pose, and suits you well. I am the last to find fault with it. Yet listen. These gentlemen are distinguished. Captain Hannaford is an English officer who has been of a courage incredible. He can wear many medals if he chooses. Now he is very sad, despite his luck in the Casino. He needs cheering. And this young Monsieur Carleton, the American, I have read of him in the papers. He is widely known as a man who flies, and these airmen are of a nobility of character! I am your chaperon. What more do you ask? I am the widow of a naval officer. Do you not owe me something for the good turn I have done you to-night?"

"Yes, indeed, I owe you a great deal," Mary admitted.

It was quite certain that what Madame d'Ambre considered as owing to her would be paid.

Prince Vanno saw the four leaving the Casino together, Mary and Carleton walking behind the other two. He had met both the Englishman and the American in Egypt once or twice, and had not thought of them since. Now he would forget neither. The story about Hannaford and his retirement from the army, Vanno knew. He had heard nothing of Carleton except what was to his credit, but somehow this fact made it no less unpleasant for Vanno that the aeronaut should be talking with Mary. He did not believe they had met before to-night.

The Galerie Charles Trois was brilliantly lighted, and supper was beginning behind immense glass windows at Ciro's and the glittering white and gold restaurant of the Metropole. At Ciro's there had been a dinner in honour of two celebrated airmen, and the decorations remained. There were suspended monoplanes and biplanes made of flowers, and when the great Ciro himself saw Carleton, he came forward, inviting the young man to take a window-table.

Carleton explained that he was only a guest; but this made no difference. Except the King of Sweden's table, and that of the Grand Duke Cyril, Mr. Carleton and his friends must have the best.

"My dear friend," said Hannaford, as they sat down, letting his eyes dwell on Madame d'Ambre's costume, "it's lucky for us that we are with a celebrity, or the fatted calf would not have been prepared for us. No use disguising the truth: you and I are a little the worse for wear. Only with you, the damage is temporary. Put you into a new frock and hat, and you'll revive like a flower in fresh water. Nothing can revive me. You see, I look facts in the face."

"Could one not make facts pleasant to see, if one must look them in the face?" Mary ventured, gently.

"I'm sure you will make them so for Madame," said Hannaford.