Part 6

I do not advise my reader to track the river from its mouth through East Molesey, though the police station here stands near such an Arcadian feature as a ford across the eastern branch. But behind the Hurst Park racecourse, opposite Hampton, he may take a road by West Molesey Church, that, straggling off southwards, soon ends in a fairly straight footpath, a mile on touching the left bank of the Mole at its old paper-mills. So far the path may seem not very attractive unless to lovers or philosophers; but beyond the railway it is enlivened by a prospect of the grounds of Esher Place on the farther bank. The gateway of ivied brick, so conspicuous here, is known as "Wolsey's Tower," a sturdy remnant of the Episcopal residence to which that proud Cardinal retreated after his disgrace, but found himself so unwell, perhaps from the dampness of an abode near the river, where "he wanted even the most ordinary parts of household stuff," that he got leave to remove to Richmond for a time before being sent northward by the unrelenting king. The modern mansion has been built higher up, out of the way of floods and footpath starers.

Behind Esher Place is Sandown racecourse, which also has memories of ecclesiastical state and of the transitoriness of worldly things that might serve as a text to its pleasure-seeking frequenters, if they cared for texts "worth following." This was once the seat of a Priory and Hospital, whose brethren were all swept away by the Black Death, and every trace of its buildings has long disappeared. By its enclosure ascends the high-road, passing near Esher station, almost a mile away from Esher; but that seems close proximity in this part of the county, where some places lie twice as far from the stations deceivingly named after them for want of a nearer title.

From the river bank let us turn up into Esher, on the high ground above it. If this be styled a village, it is a village of much dignity, beset by mansions and villas, and looking conscious of courtly patronage, for at the farther end it has the park of Claremont, residence of more than one royal family, and now occupied by the widowed Duchess of Albany. Here died the lamented Princess Charlotte, whose husband afterwards became the first king of the Belgians. Here ended the eventful life of Louis Philippe. In the Church, that raises its graceful spire beside the cross-road leading up from the river, there is a monument to King Leopold, also a bust of the late Duke of Albany. The old church, by the main road, was disused more than half a century ago; and the graveyard of the new one has had time to gather a good show of memorials, among them the tomb with recumbent effigies erected for himself in his lifetime by Lord Esher, Master of the Rolls. Samuel Warren, author of _Ten Thousand a Year_, is also buried here, as may be seen by any cycling Tittlebat Titmouse. The sisters Jane and Maria Porter lived for a time at Esher, as did William and Mary Howitt.

But the literary fame of Esher should rest on its identification with the Highbury of Jane Austen's _Emma_, a matter which I am prepared to prove against those inconsiderate and presumptuous theorists who vainly put forward Leatherhead for such honour. The only scrap of evidence they have is the occurrence of the name "Randalls Park" near Leatherhead. It is a note of this beloved author--caviare as she may be to the general--that she did not put herself out of the way in christening her characters and scenes. Some of the names in _Emma_ seem to have been suggested to her by tombstones opposite her seat in Chawton Church. At Esher _Weston Green_ may well have prompted her "Mr. Weston"; and _Weylands_ would easily become "Hartlands." It might be thought far-fetched to connect _Sandown_ with "Donwell Abbey," if one did not know that there is a well of old note beside the racecourse, and that Sandown was originally a priory. Now for more positive marks of identity. "Highbury" is in Surrey, and on a hill. The description of the Donwell grounds (chap, xlii.) exactly fits the banks of the Mole, which lies a Georgian lady's "twenty minutes' walk" below the place. This is introduced as being a large village, almost a small town. The market town (iv.) is Kingston; and Cobham is spoken of as within a walk. It is sixteen miles from London (_passim_), where Frank Churchill rode to get his hair cut; nine miles from Richmond (xxxvii.); and seven miles from Box Hill (xliii.). The only one of these distances that does not quite suit Esher is the last; but then the mileage would no doubt be minimised to soothe Mr. Woodhouse's fidgety concern for his horses; and who can say that they were not to be put up at the "Running Horse" of Mickleham, a mile or two short of the scene which Mrs. Elton desired to explore? But Box Hill is only three miles from Leatherhead; and if Frank Churchill sojourned there, he could surely have had his hair cut at Dorking, where, for all we know, Mr. Stiggins's grandfather carried on a barber's business in the High Street. By this demonstration, I claim to have for ever settled a controversy that has vexed generations of painful students, and seems to me too lightly passed over in Mr. W. H. Pollock's book on the "immortal Jane."

Had Miss Burney been the author of _Emma_, she would no doubt have made loyal mention of Claremont. This is a house with a history, even before it became a royal demesne. It was originally built by Sir John Vanbrugh, that playwright and architect of Queen Anne's reign, who had such an unkind epitaph--

Lie heavy on him, earth, for he Laid many a heavy load on thee!

He sold the place to the Earl of Clare, from whom came the name Claremont. The improvements begun under this peer were carried out on a larger scale by the famous Lord Clive, who rebuilt the house and had the grounds laid out by "Capability Brown" at enormous expense. Macaulay tells us how Surrey peasants whispered that the wicked lord had the walls made so thick to keep himself from being carried away by the devil; and Clive's unhappy death would not go to silence such rumours. After passing through the hands of successive owners, this classical mansion was bought by the Crown about a century ago, and has served, as we saw, to house royal and princely families.

Though blocked up on one side by the Claremont enclosure, Esher has beautiful country open to it in most directions. The least pleasing

## scene is the upward course of the Mole, which recalls a Middlesex stream

as it curves round by the big village of Hersham. It might now be followed viâ the high-road, the Ripley road of cyclists, that runs by the park wall, and below a pine-clad knoll on the other side, from which there is a good view over the river's bends. Here the park ends, and one may turn off through the woods to the left, among which lies hidden the Black Pond, a characteristic specimen of Surrey "lochans." About the road and eastward to the direct Guildford line, there opens some two miles breadth of woods and heaths, through which one may stray at will, Esher Common, Abrook Common, Oxshott Heath, and Fair Mile Common, all running into each other, with the park cut out of their expanse at the north end. Among the winding tracks and swelling pine banks of this fine wilderness it is easy to get lost, but the road and the railway on either hand will keep the wanderer not far out of his way for Cobham, the next place on the Mole, whereabouts Pepys, travelling south, went astray for two or three hours, before these roads were so well equipped with guide-posts.

Cobham is a two-fold, indeed, a three-fold place: Street Cobham, on the road, as its name denotes, and Church Cobham, a mile or so east, towards the railway station of this name, that lies a mile beyond, where the village has broken out afresh in our time. The road takes us over the bridge of the Mole, successor of one said to have been originally built by Queen Maud, when one of her maids was drowned in crossing the ford, "for the repose of her soul," which probably implies a chapel at the bridge end, taking toll of Christian charity. To the left-hand side of the road, near the bridge, is Pains Hill Cottage, where Matthew Arnold spent his last years; there is a brass to him in Cobham Church. On the farther bank the road mounts by Pains Hill, a demesne once celebrated for its grounds, laid out in the landscape garden style of such "improvements" as delighted the Mrs. Eltons of Jane Austen's day. But this is not our road, for the Mole now takes a curving course east to west, and to keep near it we must turn aside for Church Cobham. Here it comes nearest to the Wey, at Pains Hill there

[Illustration: A CORNER OF ESHER COMMON.]

being only a mile or so between the crooks of the two rivers.

Cobham Park now stands in the way of our tracking the Mole's meanders freely. From near Cobham station I have held the bank round a great loop to the south, and along that mill-pond opening which makes such a show from the railway; but, to tell the truth, this vagary is hardly worth trespassing for. Anglers are understood to be well off for time and temper; but the pedestrian will save both by keeping on the road across the railway, which takes him down to Stoke D'Abernon Church and manor-house, forming a picturesque group by the riverside. The relics of this church are of no small interest, for besides its Vincent and Norbury tombs, it contains what is believed to be the oldest brass in England, to Sir John D'Abernon (1277), and another to his son (1327), with some old glass as well as modern memorial windows. From the station, shared between Cobham and Stoke D'Abernon, or from Oxshott, the next one towards London, we might make for D'Abernon Chase, only one name in a long stretch of woods and commons lying between the railway and the Kingston-Leatherhead road, across which are gained the slopes of Ashstead and Epsom Commons. But alas! in the heart of these woodlands Pachesham Park is turned into a golf ground, about which bristle warnings to trespassers, beside placards of "magnificent building plots." Anyhow, this would be a divagation from the valley of the Mole, on either side of which a road, made devious by its bends, goes round about to Leatherhead.

A little beyond Stoke D'Abernon Church, one of these roads crosses the river, presently on its banks coming by another of Surrey's antiquities, Slyfield manor-house, now a farm, notable for its carved staircase and fine ceilings and panelling. The road goes on southwards, swerving east over Great Bookham Common for Leatherhead. The Mole for its part makes another provoking loop to the north. I have nothing to say against the road, a very pleasant one as roads go. But the pedestrian may now take a _via media_ across country by turning down the left bank of the river beside Slyfield, and presently bearing off right across fields, on a mounting path that leads pretty straight into a lane, growing into a road before it passes under the Leatherhead-Guildford line, which points straight to Leatherhead. From the road bending in this direction, one can gain the town along the bank of a mill-pond that might claim rank as a lake; or holding on to the embankment of the Brighton line, one there finds a path leading by a cricket-field up the course of the Mole.

But it would be a pity not to turn aside into the ancient town of Leatherhead, displayed in full to wayfarers from Epsom to Guildford, its chief thoroughfare guiding them to the bridge at which stands the old "Running Horse." This is taken to be the very tavern which Skelton, Henry VIII.'s learned tutor and doggerel poet, hoarsely sang of as keeping an open door--

To travellers, to tinkers, To sweaters, to swinkers, And all good ale drinkers.

But Skelton's hostess is more than once said to dwell "on a hill" beside Leatherhead, and so to describe the riverside situation of this house seems a license not to be granted even by poetic sessions. A little way down the stream the cyclist might wash off his dust in a mill turned into a quaint swimming-bath. Leatherhead has fewer signs of antiquity than of prosperity, surrounded as it is by large houses, one of them St. John's School for the sons of the clergy, a former headmaster of which had a son of his own known to novel readers as "Anthony Hope." The two stations are close together on the east side of the town, where a path leads down the bank of the Mole. On the other side is the Church, a mainly fourteenth-century one, with some noticeable coloured glass, lying beneath the yew-dappled slopes of Leatherhead Downs, which we shall presently come to by the Roman Road across them.

The high-road to Dorking goes out under the Church, to hold up the Mole valley. But the traveller not bound, Ixion-like, to a wheel, should by all means leave it by a lane just beyond the town, crossing the Mole and striking into the path above mentioned as turning off the Guildford road beside the railway. This path takes him near the river for a couple of miles, by the lower edge of Norbury Park, between its heights and those of Leatherhead Downs, a valley that becomes the finest stretch of the Mole's scenery about Mickleham, judged by some the fairest spot in Surrey.

Here, too, come the renowned "Swallows" of the Mole, with which its name was rashly connected. This phenomenon is so much insisted on by old writers that one must take it to have been more frequent and on a larger scale in former days. Camden speaks of the river as disappearing for two miles near Mickleham so completely that flocks of sheep could feed over it. In our time it sinks only at points, or is reduced to a chain of pools, after a continuance of dry weather, its current being swallowed up in subterranean recesses, as happens notably in Derbyshire, and most markedly in the Karst region of Austria, taken as the typical stage for this freak performance of nature. An eminent geologist tells us how the chasm which lets the Mole through the Downs is honeycombed beneath by a mixture of broken masses of chalk, interspersed with looser drifts. "The Swallows are evidently nothing more than the gullies which lead to the fissures and channels in the chalk rock beneath. When the supply of water in the river is copious, these hollows will be filled from above faster than the water is discharged below, and the phenomenon disappears. But when the quantity sent down by the river is small, the subterranean channels drain off the water, and the bed of the river is left dry."

Above the pretty village of Mickleham comes the most glorious _bouquet_ of the Mole, where it makes a grand curve below an amphitheatre of woods, shown from the railway in a tantalising glimpse. The lofty and leafy bank to the west is one face of Norbury Park, that so well displays its noble timber on slopes both gentle and abrupt. Its most celebrated feature is the "Druids' Grove" of yews, thus described by Mr. L. Jennings:--

The Druids' walk is long and narrow, with a declivity, in some places rather steep, to the left hand, and rising ground to the right, all densely covered with trees. The yew begins to make its appearance soon after the little gate is passed, like the advance-guard of an army. In certain spots it seems to have successfully driven out all other trees. As the path descends the shadows deepen, and you arrive at a spot where a mass of yews of great size and vast age stretch up the hill, and beyond to the left as far as the eye can penetrate through the obscurity. The trees in their long and slow growth have assumed many wild forms, and the visitor who stands there towards evening, and peers into that sombre grove, will sometimes yield to the spell which the scene is sure to exercise on imaginative natures--he will half fancy that these ghostly trees are conscious creatures, and that they have marked with mingled pity and scorn the long processions of mankind come and go like the insects of a day, through the centuries during which they have been stretching out their distorted limbs nearer and nearer to each other. Thick fibrous shoots spring out from their trunks, awakening in the memory long-forgotten stories of huge hairy giants, enemies of mankind, even as the "double-fatal yew" itself was supposed to be in other days. The bark stands in distinct layers, the outer ridges mouldering away, like the fragments of a wall of some ruined castle. The tops are fresh and green, but all below in that sunless recess seems dead. At the foot of the deepest part of the grove there is a seat beneath a stern old king of the wood, but the _genius loci_ seems to warn the intruder to depart--ancient superstitions are rekindled, and the haggard trees themselves seem to threaten that from a sleep beneath the "baleful yew" the weary mortal will wake no more.

Norbury, like other Surrey parks, had once a special renown also for walnut trees, among which an eighteenth-century owner saw reason to make havoc. At the end of that century the place belonged to Mr. W. Lock, friend and patron of famous artists, by whom the famous "picture room" had its walls and ceiling disguised with fictitious landscape scenes. This paradise is not accessible without permission; but there are rights of way through the park that open some of its sylvan treasures. One, as we have seen, leads above the Mole from Leatherhead. Another from the lodge and bridge at Mickleham runs up the slopes, in front of the house, and through a wood to the hollow below Fetcham Scrubbs, a down on which one can hold south by a path, becoming a road as it passes Polesden Lacy, then beyond winding as a leafy lane on to the thickets and swards of Ranmore Common.

But this beautiful digression would take one out of sight of the Mole and its wide prospects. Fortunate is he who from the brow of Norbury Park can with conscience clear of trespassing look down upon the Mole valley, now ringed in by the richest heights of Surrey--Ranmore, the outskirts of Leith Hill, the woods of Deepdene, Box Hill, and Juniper Hill, among which the river has cleft its way through the ridge of the Downs. Box, juniper, and yew all flourish on the chalk soil; and the lordly parks on these hillsides have fostered a profusion of beeches, chestnuts, cedars, and rarer timber that in the flush of spring or the gorgeous decay of autumn hang like rich tapestry round the green meadows, through which the straight line of the railway makes a chord for the arcs of the river.

The highway leads along the east side of the valley, passing the hollow between Juniper Hill and Box Hill, for which latter goes off a winding road, but on foot it is more directly gained by the arduous path behind the Burford Bridge Hotel. Just outside of Mickleham a path turns to the right which would take one through the Fredley meadows, across the Mole, and on to West Humble, where is the Box Hill station of the Brighton line. On a slope near this station is conspicuous the long front of Camilla Lacey, a house that hangs by a tale, for it grew out of Camilla Cottage, built from the proceeds of Miss Burney's _Camilla_, the most lucrative of her novels in its day, though not so well remembered as _Evelina_. By this time she had married M. D'Arblay, one of a colony of French _émigrés_ belonging to the constitutional

[Illustration: THE VILLAGE OF BETCHWORTH, NEAR DORKING.]

party, who from the excesses of their Revolution found refuge at Juniper Hall, on the other side of the valley.

Juniper Hall, behind its grand cedars, stands back from the high-road a short mile beyond Mickleham. It lies in the hollow, so as to have been nicknamed Juniper _Hole_ by the lively novelist, and must not be confused with the mansion of Juniper Hill above Mickleham. The Hall in 1792 was let to a party of refugee nobles, who had such distinguished guests as Talleyrand and Madame de Staël, the latter making here what she calls a "delicious sojourn." The Locks of Norbury Park were kind to those exiles; and so, as she could, was Fanny Burney's sister, Mrs. Phillips, then occupying a cottage at Mickleham. Fanny became intimate with her sister's friends, especially with the handsome General D'Arblay, with whom she exchanged lessons in their respective languages; then soon it came to exchanging the speech of the eyes. Dr. Burney was against the engagement from prudential considerations; but he did not play the stern father after the young couple, without his presence, had got married in Mickleham Church. Their only fixed income was the pension of a hundred pounds given by Queen Charlotte to her ex-slave. She now set about writing _Camilla_, which was so well subscribed for, that after living in a small cottage at Bookham the ingenious husband could build one for himself in the Mole valley. But here they spent only a few years of happiness. After the peace of Amiens General D'Arblay went back to France, where his wife had her turn of exile when the war broke out again.