CHAPTER IV

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*THE INTERLOPERS*

Rajah Rasaldu was wonderfully, if not impressively, European. He wore a frock-coat and grey trousers, English in intention, French in execution. They were almost too perfect. The native, brightly hued turban, an unwilling concession, as he admitted, to local prejudice, came as a rather startling finale, though it suited him better than his Europeanism. He was a short, unmuscular little man, built in circles rather than in straight lines, and a determined course of Parisian good-living had added seriously to a natural tendency to embonpoint. His manner, even in sitting still, was restless and fussy. He had, in fact, neither the inscrutable dignity of the native nor the self-assured ease of the race he aped.

"When I look at you, Mademoiselle," he was saying, earnestly, "I forget that I am in this dreadful country, and I imagine myself back to London. I see myself in the darkened box, and you in all the brightness. I hear the music and the roar of applause. I feel at home--almost happy." He stared down at his round, soft hands as though he were rather pleased with their severe lack of adornment, and sighed. The woman he addressed did not look at him. She was watching the little groups of white-clad figures dotted about the garden, with her head turned slightly away from him. Next her, Mary Compton and the Judge's wife were talking with the lazy earnestness engendered by tea and the cool shade of a flowering mango.

"But this is your country," Sigrid Fersen said. "You are surely happiest here."

He shrugged his shoulders.

"I was born here. The Government has put me in a position of trust, and it is my duty to be at my post from time to time. But my heart is with you--with the West and Western civilization. And of all that, Mademoiselle, you are the personification."

She laughed a little, as though secretly amused.

"Tell me your impressions of Paris, Rajah," she said.

He told her. From time to time his brown, dissipated eyes shot irritable glances at the figure seated immediately behind his hostess. It was perhaps a somewhat startling figure, and though Gaya approved of companions and chaperons, and had indeed heaved a sigh of relief over Mrs. Smithers's existence, it had none the less been considerably startled by her personality. She was well past middle age, and, in spite of the considerable heat, was dressed severely in black grenadine, and wore a mob-cap on a remarkably fine head of white hair, which she occasionally patted with a nervous hand. If it is true all human beings bear a resemblance to some animal, then Mrs. Smithers might easily have been associated with a bull-dog of exceedingly determined character. Her face was settled in wrinkles of challenging tenacity, but she never moved and never changed her expression. She sat there, bolt upright, and only her roving eyes betrayed the fact that she was alive. They expressed also the bitterest and most annihilating disapproval of everything existent.

Mrs. Compton accepted her third cup of tea from an engagingly youthful subaltern and went on talking.

"Of course he's mad," she was saying. "He hates Tristram worse than any one living, which is saying a lot. They had an awful row over Mrs. Boucicault just before Tristram went away, and now Boucicault is taking his turn. He refuses to forward Tristram's appeal for help--says the whole thing's a scare, and that Tristram is simply fussing for his own glorification. But it isn't true. Ayeshi came to my husband last night and told him. It's cholera--oh, my dear Susan, don't jump like that! Heerut's fifteen miles away, and we've the river between us, and Gaya's healthy when everything else is riddled. Besides, Tristram has got the thing in hand. He hasn't slept for four days. Ayeshi said he didn't look human. Some of the natives went crazy with fright and got out of hand. But Tristram managed them--single-handed, my dear, and with not so much as a revolver. Ayeshi talked about him as though he were the tenth Avatar, or whatever they call it. Of course, he'll do that sort of thing once too often. _C'est magnifique, mais ce n'est pas la guerre_. But I love that man. I tell Archie once a day at least, and he's getting quite tired about it----"

"Of whom are you talking, Mrs. Compton?"

Mrs. Compton started, and the Rajah, who had been expatiating on French genius as revealed in the _Bal du Moulin Rouge_, went on for a minute, carried forward by his own momentum. Then he stopped and dropped into a silence, which would have been sulky in any one less anxious to appear civilized. As for Mrs. Compton, the question had come with such self-assured, if quiet authority, that she felt certain that, as a woman on her own ground, she ought to take offence. In fact, all Gaya, as represented in the old dak-bungalow's garden, was in much the same position. Without performing the high kick at the club dinner or otherwise living up to the conventional reputation of her class, the newcomer had sailed serenely across all their unwritten laws, and not only had Gaya not been outraged, but it had been secretly delighted. And it was ashamed of itself for being delighted. Mrs. Compton was ashamed of herself--ashamed that she, the untamable spirit of the station who had insulted Colonel Boucicault to his face should sit there and meet this woman with a smile of propitiating amiability.

"Major Tristram," she said. "He belongs to the Medical Service. You haven't met him yet, and I don't suppose any of us will see him for some time. He's fighting the cholera in one of the native villages."

Sigrid Fersen nodded thoughtfully. Then she got up.

"I heard you say just now that you were interested in old china," she said, abruptly. "I have a piece in the drawing-room which I should like you to see. Will you come?"

"I should be delighted----"

"Your guests, Mademoiselle," Rasaldu murmured. But his protest passed unheeded, and Mrs. Compton got up and left the Judge's wife without a word of apology. Mrs. Smithers had risen with equal promptitude and brought up the rear.

They crossed the garden to the bungalow, and the little parties grouped lazily in the vicinity of the tea-tables became silent, and remained silent until Sigrid Fersen had disappeared. Then they went on talking. Very few of them realized that they had ever stopped, much less that they had been staring with the naive directness of children. They certainly made no comment. Only Jim Radcliffe, the newly joined subaltern, who had the inexhaustible restlessness of a fox-terrier puppy, became quiet to the point of thoughtfulness.

"By Jove, did you see her walk?" he said to Mrs. Brabazone. But the latter made no reply, being in a state of dudgeon and not inclined to appreciation.

Meantime, Mary Compton had become aware of a profound and very mysterious change in her own psychology. As she crossed the threshold of the darkened drawing-room she perceived that every earnest, painstaking effort of hers to make the place habitable and presentable had suffered a ruthless upheaval. The hours of patient questioning which she had spent on the to-be or not-to-be of the curtain bows had been so many hours wasted. Yet her fiery Celtic susceptibilities remained unruffled. She admitted at once that the changes were improvements,--small but effective strokes of genius. Moreover, various new items had been introduced--a piano procured from heaven alone knew where, a few rich embroideries, a vase or two, and a pale-tinted Persian rug. She was busy cataloguing these items, when her quick eyes encountered Mrs. Smithers. Mrs. Smithers had seated herself promptly on the chair nearest the door, and assumed her former attitude of unbending severity and disapproval. Her appearance somehow made a further reduction in Mrs. Compton's forces of self-assurance, and when her hostess, who had been busy with the contents of a carved chest, came back to her, she was overpowered by an unusual sense of almost fatuous helplessness. Whatever this small woman meant to do, she would do. And therewith the fate of Gaya seemed sealed.

"There--you recognize it, of course."

Mrs. Compton forgot Gaya and her own lost prestige. In the ten years of her married life, there was one passion for which she and the easy-going, hard-working Archie had scraped and saved. It was a passion which was one day to find a fitting background in some English home, a place created almost daily afresh in their minds but always with the abiding features of spacious lawns and an orchard and stables, and within doors oak cupboards guarding the treasures of the hard years. But with all their savings and searchings, they had never possessed anything like this.

"It's Sevres--of course--how beautiful! I'm almost afraid to touch it."

"Don't be. It's yours."

"Mine!" Mary Compton gasped--whether audibly or not, she did not know. She felt that there was fresh cause for offence coming and that she had no adequate forces with which to meet it. "But, of course not----"

"I bought it for you."

Mrs. Compton nearly regained her usual briskness.

"That's nonsense. We haven't known each other a week. And you must have bought that in Europe."

"Yes--I did, years ago. But I bought it for you, all the same. I bought it for some one who would look at it and touch it as you did. And besides, I want you to have something of mine--I am selfish enough to wish to be remembered by those who have been kind to me--as you have been. It was the Rajah's invitation which brought me to Gaya, but only a woman could have welcomed me. Any one in my position makes enemies automatically, and without you I should have had to face a whole army of prejudices. But you paved the way--you made it possible to invite all these people without offending them--and this in spite of the fact that you thought you were probably introducing a firebrand." She laughed in her curious, reflective way. "And then it was your hands prepared this beautiful home for me," she added.

Mrs. Compton crimsoned and swallowed the delicate morsel of brazen flattery with a ridiculous pleasure. She made a last effort, however, to retire to her first position of friendly reserve.

"Of course, we did what we could," she said. "Gaya is rather proud of its hospitality. We wanted you to take back a good impression, Mademoiselle----"

A quick gesture interrupted her.

"I'm not 'mademoiselle.' I'm English. My mother was a Swede, and I took her maiden name because--there never has been a great English dancer, and in England what hasn't been can't be. It's just one of the Rajah's foibles to give everything a Gallic touch. But I'm just Miss Fersen--or Sigrid if you like."

The Celtic temperament works both ways. The only certain feature is its uncertainty. Mrs. Compton abandoned her offensive-defensive and with great dexterity managed to cling to the Sevres vase and kiss the giver on both cheeks without disaster.

"I'd like it to be Sigrid," she said warmly. "And my name's Mary--and I'm going to take the Sevres because I want it badly, and because I like you and I shan't mind feeling horribly grateful. And I hope you'll make me your master of ceremonies, and our bungalow your headquarters. You will, won't you?"

She thrilled under the touch of the cool, small hand on hers.

"Yes, I promise you. It's what I wanted. I shall need a friend. A great many people will hate me--men and women. I have seen it in the eyes of one woman already. And, besides that I want to get to know real human beings. All my life I have lived for and in the one thing. People have been shadows to me. Now I need them. But they must be real--good, honest flesh and blood. Not puppets." She sat down on the big divan drawn up against the wall and patted the seat beside her. "Tell me about this Major Tristram," she said.

And Mrs. Compton, whose rules of etiquette were Gaya's social law, sat down and for half an hour talked about Major Tristram, whilst Sigrid Fersen's guests wandered unshepherded about her garden.

At the end of the half-hour Mrs. Compton found her husband near the gates, disconsolate and alone, guarding the rather shabby little turn-out which they called a dog-cart. He was in uniform, and had evidently been at some pains to escape notice.

"You said six o'clock and it's half-past," he commented, gloomily. "I shall be confoundedly late. What on earth have you been doing? And what's that you've got under your arm?"

She chuckled to herself.

"Can't you recognize Sevres when you see it?"

"By George--what a piece!" His eyes opened with a hungry appreciation. Then he shook his head at her. "My dear girl, put it back! I knew we should come to this sooner or later--all collectors do. Put it back before it's missed. Think of the scandal. And a newcomer, too!"

She broke into a half-pleased, half-ashamed laugh and wrapped the precious trophy in the protecting folds of a rug.

"She gave it me--yes, she did. And she calls me Mary, and I call her Sigrid, and we've kissed each other, and I've given her the run of our bungalow." She climbed up into the driver's seat and took the reins. "You know how I _hate_ those sort of sudden familiarities, Archie. But I've no explanation. Have you?"

"Not one."

"She isn't beautiful. I'm better-looking myself."

"A dozen times, old girl."

She smiled down upon him with a rather absent-minded graciousness.

"I believe she's got electric wires instead of nerves and sinews," she said reflectively. "I felt them in her hand. It was like putting one's fingers into a steel glove covered with velvet. What bosh I'm talking. I believe I'm hypnotized. I shall go round and look up poor Anne and restore my self-respect. Mr. Meredith told me she looked as though she was breaking her heart over something. Of course, it's that brute! Why aren't you men plucky enough to shoot him----?"

"My dear girl----"

His wife cut short his protest by turning her pony out of the gates and up the broad avenue which led from the outlying dak-bungalow to Gaya proper. The steep hill, her new possession, and various rather confused speculations accounted for the fact that her pony promptly dropped to a walk and was allowed to proceed in a leisurely fashion, which culminated in an abrupt halt. Mrs. Compton awoke then. She felt vaguely annoyed with herself, and her annoyance changed to something like consternation when she perceived that the stoppage was not attributable either to the pony's disinclination or her own day-dreaming. A man stood at the animal's head and now came up to the step, his long, brown hand lifted to his topee in greeting.

"I called to you, Mrs. Compton," he said, "but you didn't hear me, and I took the liberty of stopping you. I hope I'm forgiven."

She stared down at him. Her confusion of warm disjointed musings chilled instantly to her usual trenchant matter-of-factness.

"If you wanted to speak to me, Mr. Barclay----" she began.

"I know--I might have called formally. But I ran the risk either of being refused or landing into a crowd of people. I wanted to see you alone." He waited a moment. His hand rested firmly on the side of the cart, and she could not have driven on without going over him. She saw also the dogged set of his dark face and waited with an angry resignation. "You've just come from Mademoiselle Fersen's At Home, haven't you?" he asked.

"Yes."

"I used to know her," he said, "that is to say, I was introduced at some big reception in England. She wouldn't remember me. That was in my undergrad days. I was at Balliol, you know."

Mrs. Compton's fine lips twitched satirically. She was not feeling charitable, and this man was offering her his credentials in a way that incited derision. He must have seen her expression, for his brown eyes, with their blue-tinted whites, never left her face. "I want you to do me a favour," he burst out. "I want you to introduce me again, Mrs. Compton."

Her smile faded. She was thoroughly angry, but some other less definable emotion confused her indignation to the point of ineffectuality.

"I'm sorry, Mr. Barclay, but I really haven't the right or the power to introduce any one to Miss Fersen without her permission."

"I know that--at least, your friends and acquaintances would be introduced naturally----" He broke off. The nostrils of his fine, aquiline nose distended, his whole face, handsome in line and profoundly brooding in its fundamental expression, was tense and strained-looking. He seemed like a man doggedly setting himself to a hated task. "May I be straightforward with you, Mrs. Compton?"

"Of course. Why not?"

"I know you are anxious to drive on--over me even," he said, with a flash from a smothered bitterness. "But you are the only person I feel I can speak to, and I mayn't get you alone again. Look here, Mrs. Compton, I'm an Englishman. My father was English--I was educated at an English University--I hold an English degree. I've got any amount of money. It seems to me I've got the right to demand--well, decent civility. So far--I've been here two months--I've been out of things. Of course, I don't belong to the military lot, and I haven't a government appointment--but it seems to me-out here in an alien country--we English ought to hold together----" He was choking and breaking over his words like a man breathless with running, the fatal mincing accent betraying itself in his gathering excitement, and instinctively Mrs. Compton looked away from him. He was trembling, and somehow the sight filled her with an odd pity almost stronger than her repugnance.

"What do you want me to do, Mr. Barclay?" she asked.

"After all--it's not much. If your husband would put me up for the Polo Club--I'm a good player, and I've got some of the finest ponies in India. Gaya could beat any team you like with my ponies. Your husband's popular--he could easily do it--if he wanted to----"

"I couldn't ask him," she interrupted hurriedly. "It's not my business. I hate backstair influence with husbands." She took refuge in a cowardly compromise. "You ought to speak to Captain Compton yourself."

He laughed shortly.

"That means you won't," he broke out suddenly and violently. "It's the touch of the tar brush that's worrying you, isn't it? Yet you don't mind kowtowing to a full-blooded native. You'll have that dissipated degenerate Rasaldu at all your feasts, though he's not even accepted by his own people. His grandfather was a village cow-herd, and the Government set his people up in the place of the hereditary heirs because they were likely to be more tractable. You know all that, and yet you'd lick his boots, whilst I, with your own blood in my veins----" He caught himself up, smoothing his working features with a desperate effort. "Look here, Mrs. Compton, I want to do the right thing. I want to serve my country loyally. But I've got to have a country--I've got to belong somewhere. Otherwise----"

She tightened the reins, moving her pony's head round so that she could go forward without driving over him.

"I'm sorry," she said, coldly. "I have no prejudices myself, but I also have no right to interfere with the prejudices of other people. You must make your own way. Please let me pass----"

The pony started under the cut of her whip, and Barclay instantly jumped out of danger. He stood then in the middle of the dusty road, his hands clenched at his side, his cheeks wet. He was crying with the helpless passion of a child. Meanwhile, the swift Indian nightfall had risen up out of the plain to Gaya's hilltops pouring its shadow army into the dak-bungalow's neglected garden, veiling its rambling decay with an unfathomable, shapeless beauty.

The Rajah had been the last to leave, lingering clumsily and obsequiously to the limits of the law, but now even he had gone, and in the place of the voices and subdued laughter there was nothing but a flutter of a night-bird among the trees, the hushed, mysterious rustlings and whisperings of darkness.

Sigrid Fersen had drawn her chair near to the verandah. A lamp burnt behind her, and she was reading intently in some old vellum-bound book. Mrs. Smithers sat opposite her, knitting a sock, which even now that the day's heat was over had a curiously smothering and woolly appearance. From time to time her faded, truculent blue eyes glanced across to the figure beneath the light, and their habitual expression of grim disapproval yielded to a wistful anxiety.

For half an hour there had been no sound but the turning over of the thick leaves and the click of the knitting-needles. Now Sigrid Fersen touched the soft-voiced silver bell beside her. The curtains at the far end of the room parted almost immediately in answer.

"Tell the syce to have the best horse in the stable saddled by daybreak," she said. "I am riding to Heerut. I shall need a guide."

There was a moment's perceptible hesitation. The ayah's roe-eyes were large with trouble.

"Mem-Sahib, there is much sickness in Heerut."

"I know."

"It may be, Mem-Sahib, that no guide will dare----"

"He need not accompany me farther than the river. See to it."

"It shall be done, Mem-Sahib."

The curtains fell noiselessly in their place. Mrs. Smithers dropped her knitting-needles.

"Oh, lawks a-mercy!" she said. "Lawks a-mercy!"

It was as though some solemn old Egyptian sphinx had broken into broad Cockney, and, having given vent to its feelings, relapsed into the historic pose of unfathomable and supercilious meditation. Sigrid Fersen closed her book. She rested her head on its smooth yellow surface with a curious tenderness.

"You mustn't be unhappy, Smithy, and you mustn't try to prevent me. One way or the other, my days are numbered, and each one of them has to be an episode, something definite and new, something to take with me or to look back on. Afterwards----" Her voice lifted from its veiled softness and rang clearer. "We have travelled a long, long way, Smithy, and now we are almost at the end. You have seen it all with your wise old eyes, perhaps better than I have, and you know what life is. What shall it be, Smithy?"

The old woman clasped her knotted hands together and rocked herself slowly backwards and forwards.

"I don't know--I don't know. It's just a nightmare. I wake up sometimes o' nights and ask myself if I've gone clean mad, or what we're doing here in this awful heathen country--you, the greatest of 'em all, hobnobbing with ninnies wot don't know Taglioni from Queen Elizabeth, and me trying to be a lady by dint of keeping my mouth shut like a mouse-trap--me, that stood and waited for you night after night and 'dressed' you quicker than the smartest of them--lawks a-mercy, wot am I doing here?"

Sigrid Fersen got up slowly, putting her book on the table, and came and stood at her companion's side. She caressed the grenadine-clad shoulder lightly, affectionately. "You're here because I am, and because you've stuck to me through everything. You can't help sticking to me any more than I can help wanting you somewhere in the background. And I'm here because of this"--she laid her hand on her left side--"and this----" She opened a drawer in the table, and, taking out a little shiny-backed note-book, dropped it into the old woman's lap. "Open it. Now take the bottom figure on the right-hand column from the bottom figure on the left. What does it leave?"

Mrs. Smithers coughed apologetically.

"I never was a hand at figures, Sigrid."

"Never mind. Take your time."

"I don't know rightly--it looks to me like a thousand."

"That must be about right. Well, that's what we've got. No more. What would you have me do--teach dancing to loutish girls in some stuffy English suburb? No, Smithy. You wouldn't. In my art there is no one greater than I--there never has been--and though I want to live I mustn't burn out like some poor candle. I must be a splendid rocket, lighting up all the country, and most splendid of all at the last. Then darkness."

The old woman put up her hand blindly.

"Oh, my dear, my dear----"

Sigrid Fersen seemed to have forgotten her.

"'To die in beauty.' That's Ibsen. It's the most wonderful thought in the world. It's the only prayer I know. Not squalidly, not in misery and decay and ugliness, but in beauty. That is the goal of life."

"I don't understand, Sigrid. And I can't believe it all. I can't. Never to wait for you in the wings--never to hear men shout for you--and see the women crying for love of you. Never to hear you silence them all so that they don't even seem to breathe. Lawks a-mercy, when I think of that there waltz--Chopin, wasn't it--the tune runs in my head now--I can see the faces in the front row, white as death, Sigrid, as though they had seen----"

Her voice cracked. Sigrid Fersen turned away from her.

"No--never again--or perhaps once more--just once----"

She went out on to the verandah and stood there motionless, her face lifted to the darkness.

*